192:, in 1943, but she waited until 1968 to publish her second poetry book. This unusually long period between the two publications was intentional, the result of a dissatisfaction with the rigidity of the printed word and its inability to fully represent the open and multifaceted experiences from which the poems emerged. In 1963 she published her first work as an art critic, a monographic study on the Lithuanian-born American artist
33:
293:
All
Bentivoglio's work is pervaded by a wry critique of Western societies, their patriarchal structures, obsession with material consumption, pollution of the environment and celebration of power over compassion. As a curator and a critic, she always worked to promote women artists.
287:). This performance art piece consisted of hoisting in the main square of the town a tree and inviting passers-by to write something on a piece of paper, and then to attach it to the tree. Bentivoglio then collected the papers and chose some among them to create a unique poem.
245:
became a sign for identity and individuality. Few years later, she became increasingly involved with sculpture and performance art, making the letters evolve in three-dimensional forms: the
373:
593:
199:
As an art critic, artist and poet, in the 1960s she began to focus on the expressive visualization of language. At that time she joined the
745:
740:
735:
730:
780:
775:
750:
541:
473:
442:
355:
297:
For the artist's 90th birthday, the
National Gallery of Contemporary Art in Rome organized a retrospective about her work.
430:
511:
497:
637:
459:
765:
760:
654:
203:
movement, and she started using alphabetic elements to create images. Examples of this creative period include
594:"Lutto nel mondo dell'arte: si è spenta Mirella Bentivoglio. Suo il celebre "uovo" di via del Monte a Gubbio"
369:
755:
264:), 1974. These two images recur in many of her later works, and appear in one of her most remarkable work,
415:
188:
She started her career as a poet when she was very young. She published her first collection of poems,
704:
385:
322:
398:
676:
770:
333:
725:
720:
408:
290:
Bentivoglio was awarded the Silver Plate of the
President of the Italian Republic in 2002.
158:, to Italian parents. Her father, Ernesto Bertarelli, was a scientist and professor at the
139:
8:
159:
633:
537:
507:
493:
478:
469:
455:
438:
568:
300:
At the time of her death, on 23 March 2017, Bentivoglio made her home and worked in
326:
379:
200:
135:
131:
124:
108:
98:
32:
523:
Frances K. Pohl, "Language / Image / Object: The Work of
Mirella Bentivoglio",
185:, she continued to expand her knowledge using her father's extensive library.
714:
219:
112:
134:
movement. She participated in exhibitions all over the world, including the
237:, that in Italian respectively stand for the English words "and" and "or".
182:
229:
In the 1970s, Bentivoglio became particularly fascinated with the letters
171:
528:
151:
53:
391:
193:
90:
527:, Vol.6: No.1 (Spring - Summer, 1985), pp. 17–22 accessed at
275:
In 1976 Bentivoglio created another work for the
Italian town of
175:
155:
57:
276:
123:(28 March 1922 – 23 March 2017) was an Italian sculptor, poet,
94:
226:(Black Flower), 1971, well represents her visual poetry work.
167:
163:
80:
256:
Her first sculptural work that uses the book and the egg is
301:
374:
Museo di Arte
Moderna e Contemporanea di Trento e Rovereto
222:movement, that mix linguistic and iconic elements.
162:and an avid collector of books. Mirella grew up in
485:. Museo Comunale d'Arte moderna, Senigallia, 2012.
712:
504:La guerra in piccolo. Scritti ritrovati 1943-45
431:"Innovative Artist's Books of Italian Futurism"
428:
241:became a sign for community, connection, while
624:
622:
620:
618:
616:
614:
536:, National Museum of Women in the Arts, 1999,
435:International futurism in arts and literature
332:1977, Italian House in Rochester, New York;
669:
611:
339:1978, Italian Cultural Institute, New York
130:In the 1960s she joined the international
31:
362:
181:Although her studies were interrupted by
630:The Visual Poetry of Mirella Bentivoglio
534:The Visual Poetry of Mirella Bentivoglio
452:The Visual Poetry of Mirella Bentivoglio
138:(eight times from 1969 to 2001) and the
646:
632:. Roma, Italy: Edizioni De Luca. 1999.
483:Il colpo di dado di Mirella Bentivoglio
466:Le futuriste italiane nelle arti visive
404:1986, XI Quadriennale Nazionale di Roma
307:
713:
569:"Mirella Bentivoglio | Artist Profile"
563:
561:
559:
557:
490:Jocalia. Trenta ornamenti per il corpo
464:Bentivoglio Mirella; Zoccoli Franca,
652:
378:1969, 1972, 1978, 1980, 1986, 1995,
356:National Museum of Women in the Arts
707:Enciclopedia Delle Donne in Italian
554:
312:
13:
746:21st-century Italian women artists
741:20th-century Italian women artists
14:
792:
698:
506:, De Luca Editori d'Arte, 2015.
468:, De Luca Editori d'Arte, 2008,
249:became the open book, while the
150:Mirella Bentivoglio was born in
422:
345:1987, Tower of the Leper, Aosta
736:21st-century Italian sculptors
731:20th-century Italian sculptors
586:
318:1971, Schwarz Gallery in Milan
1:
547:
429:Günter Berghaus, ed. (2000).
781:21st-century women sculptors
776:20th-century women sculptors
751:Italian contemporary artists
348:1988, Writers' Forum, London
218:Bentivoglio also joined the
145:
7:
416:Peggy Guggenheim Collection
10:
797:
517:
492:, Ilisso Publisher, 1999.
454:, Edizioni De Luca, 1999,
351:1991, Art Center, Edewecht
342:1981, Metronom, Barcelona
104:
86:
76:
64:
39:
30:
23:
766:Artists from Klagenfurt
761:Italian women sculptors
399:Centre Georges Pompidou
336:, University of Buffalo
655:"Bentivoglio, Mirella"
386:São Paulo Art Biennial
363:Collective exhibitions
323:São Paulo Art Biennial
677:"Mirella Bentivoglio"
653:Andresen, Alexandra.
502:Mirella Bentivoglio,
488:Mirella Bentivoglio,
437:. Walter de Gruyter.
334:The Poetry Collection
215:(Window-Page), 1971.
409:Museum of Modern Art
308:Selected exhibitions
285:The Poem to the Tree
140:Museum of Modern Art
756:Italian women poets
705:Mirella Bentivoglio
530:- subscription only
525:Woman's Art Journal
160:University of Pavia
121:Mirella Bentivoglio
25:Mirella Bentivoglio
397:1978, 1981, 1982,
384:1973, 1981, 1994,
125:performance artist
542:978-88-8016-296-4
479:Riccardo Boglione
474:978-88-8016-795-2
444:978-3-11-015681-2
281:Poesia all'albero
270:The Egg of Gubbio
118:
117:
788:
692:
691:
689:
687:
673:
667:
666:
664:
662:
650:
644:
643:
626:
609:
608:
606:
604:
590:
584:
583:
581:
579:
565:
448:
327:Klingspor Museum
313:Solo exhibitions
253:became the egg.
71:
49:
47:
35:
21:
20:
16:Italian sculptor
796:
795:
791:
790:
789:
787:
786:
785:
711:
710:
701:
696:
695:
685:
683:
675:
674:
670:
660:
658:
651:
647:
640:
628:
627:
612:
602:
600:
592:
591:
587:
577:
575:
567:
566:
555:
550:
520:
445:
425:
380:Venice Biennale
365:
358:, Washington DC
315:
310:
304:. She was 94.
266:L'Ovo di Gubbio
213:Pagina-finestra
201:concrete poetry
166:and studied in
148:
136:Venice Biennale
132:concrete poetry
109:Concrete poetry
99:performance art
69:
60:
51:
45:
43:
26:
17:
12:
11:
5:
794:
784:
783:
778:
773:
768:
763:
758:
753:
748:
743:
738:
733:
728:
723:
709:
708:
700:
699:External links
697:
694:
693:
668:
645:
638:
610:
585:
552:
551:
549:
546:
545:
544:
531:
519:
516:
515:
514:
512:978-8865572153
500:
498:978-8885098879
486:
476:
462:
449:
443:
424:
421:
420:
419:
412:
405:
402:
395:
388:
382:
376:
364:
361:
360:
359:
352:
349:
346:
343:
340:
337:
330:
319:
314:
311:
309:
306:
272:), from 1976.
147:
144:
116:
115:
106:
102:
101:
88:
87:Known for
84:
83:
78:
74:
73:
72:(aged 94)
66:
62:
61:
52:
41:
37:
36:
28:
27:
24:
15:
9:
6:
4:
3:
2:
793:
782:
779:
777:
774:
772:
769:
767:
764:
762:
759:
757:
754:
752:
749:
747:
744:
742:
739:
737:
734:
732:
729:
727:
724:
722:
719:
718:
716:
706:
703:
702:
682:
681:Pomona Museum
678:
672:
657:. Treccani.it
656:
649:
641:
639:88-8016-296-9
635:
631:
625:
623:
621:
619:
617:
615:
599:
595:
589:
574:
570:
564:
562:
560:
558:
553:
543:
539:
535:
532:
529:
526:
522:
521:
513:
509:
505:
501:
499:
495:
491:
487:
484:
480:
477:
475:
471:
467:
463:
461:
460:88-8016-296-9
457:
453:
450:
446:
440:
436:
432:
427:
426:
417:
413:
410:
406:
403:
400:
396:
393:
389:
387:
383:
381:
377:
375:
371:
370:Poesia Visiva
367:
366:
357:
353:
350:
347:
344:
341:
338:
335:
331:
328:
324:
320:
317:
316:
305:
303:
298:
295:
291:
288:
286:
282:
278:
273:
271:
267:
263:
259:
254:
252:
248:
244:
240:
236:
232:
227:
225:
221:
220:visual poetry
216:
214:
211:), 1968, and
210:
206:
202:
197:
195:
191:
186:
184:
179:
177:
173:
169:
165:
161:
157:
153:
143:
141:
137:
133:
128:
127:and curator.
126:
122:
114:
113:visual poetry
110:
107:
103:
100:
96:
92:
89:
85:
82:
79:
75:
68:23 March 2017
67:
63:
59:
55:
50:28 March 1922
42:
38:
34:
29:
22:
19:
771:Visual poets
684:. Retrieved
680:
671:
659:. Retrieved
648:
629:
601:. Retrieved
597:
588:
576:. Retrieved
572:
533:
524:
503:
489:
482:
465:
451:
434:
423:Bibliography
299:
296:
292:
289:
284:
280:
274:
269:
265:
261:
258:Poema Totale
257:
255:
250:
246:
242:
238:
234:
230:
228:
223:
217:
212:
208:
204:
198:
189:
187:
183:World War II
180:
149:
129:
120:
119:
70:(2017-03-23)
18:
726:2017 deaths
721:1922 births
686:13 November
598:trgmedia.it
578:13 November
329:, Offenbach
172:Switzerland
77:Nationality
715:Categories
548:References
411:, New York
262:Total Poem
224:Fiore Nero
152:Klagenfurt
54:Klagenfurt
46:1922-03-28
392:documenta
279:, titled
194:Ben Shahn
146:Biography
91:Sculpture
661:29 March
603:24 March
418:, Venice
394:, Kassel
205:Successo
190:Giardino
142:(1992).
105:Movement
518:Sources
401:, Paris
209:Success
176:England
156:Austria
81:Italian
58:Austria
636:
540:
510:
496:
472:
458:
441:
414:1994,
407:1992,
390:1982,
368:2012,
354:1999,
321:1973,
277:Gubbio
95:poetry
168:Italy
164:Milan
688:2021
663:2013
634:ISBN
605:2017
580:2021
573:NMWA
538:ISBN
508:ISBN
494:ISBN
470:ISBN
456:ISBN
439:ISBN
302:Rome
233:and
174:and
65:Died
40:Born
717::
679:.
613:^
596:.
571:.
556:^
481:.
433:.
372:,
325:;
196:.
178:.
170:,
154:,
111:,
97:,
93:,
56:,
690:.
665:.
642:.
607:.
582:.
447:.
283:(
268:(
260:(
251:O
247:E
243:O
239:E
235:O
231:E
207:(
48:)
44:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
