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Majolica together with the in-glaze metallic oxide enamels with which it was painted. He also developed the colored lead glazes and kiln technology for Minton's highly successful lead-glazed
Palissy ware, later also called 'majolica'. This product transformed Minton's profitability for the next thirty years. Minton tin-glazed Majolica imitated the process and style of Italian Renaissance tin-glazed maiolica resulting in fine in-glaze brush-painted decoration on an opaque whitish ground. Minton coloured glaze decorated Palissy ware/ majolica employed an existing process much improved and with an extended range of coloured lead glazes applied to the biscuit body and fired. Both products were launched at
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165:, "Europe's leading ceramic factory during the Victorian era", an independent business from 1793 to 1968. It was a leader in ceramic design, working in a number of different ceramic bodies, decorative techniques, and "a glorious pot-pourri of styles - Rococo shapes with Oriental motifs, Classical shapes with Medieval designs and Art Nouveau borders were among the many wonderful concoctions". As well as pottery vessels and sculptures, the firm was a leading manufacturer of tiles and other architectural ceramics, producing work for both the
22:
803:
1206:
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906:, often regarded as the most important British designer of the later 19th century. At that time he was beginning what became a strong interest in ceramic design, leading him to work with several other companies. His work with Mintons continued for several decades, and although the Minton Archive has many designs certainly in his hand, other pieces in his style can only be attributed to him. Dresser had travelled to Japan, and in the 1870s produced a number of designs reflecting
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895:). Perhaps sixty original pieces survive, and at the time the ware had a legendary repution. This was a very complicated ware to make, with much use of inlays of clay with different colours. Arnoux mastered the technique and then taught Charles Toft, perhaps Mintons' top modeller, who produced a small number of pieces. In addition to his influence on the production of encaustic tiles and mosaics, Arnoux also developed and produced
412:
380:
862:, introduced in the 1840s, had become a strong area for Mintons, whose catalogue of 1852 already offered 226 figures in it, priced from an extremely modest two shillings for a dog, to six guineas for a classical figure. In that decade partly-tinted Parian figures were introduced, and part-gilded ones. Copies of contemporary sculptures that had been hits at the
1324:
conventional. Early
Secessionist patterns featured realistic renderings of natural motifs—flowers, birds and human figures—but under the combined influence of Solon and Wadsworth, these became increasingly exaggerated and stylised, with the characteristic convoluted plant forms and floral motifs reaching extravagant heights.
431:, which was at the forefront of a large newly developing market as suppliers of durable decorative finishes for walls and floors in churches, public buildings, grand palaces and simple domestic houses. The firm exhibited widely at trade exhibitions throughout the world and examples of its exhibition displays are held at the
880:, and by the end of the decade some of the five life-size versions he made had toured several countries. Mintons first made a copy in 1848; by the version illustrated here, from 1849, the figure had lost the heavy chains between her hands, which were perhaps too expensive to make for a popular product.
1158:
and brought it with him to Minton. In this process the design is built up in relief with layers of liquid slip, with each layer being allowed to dry before the next is applied. There was great demand for Solon's plaques and vases, featuring maidens and cherubs, and Minton assigned him apprentices to
210:
from c.1798 in his new near-by china pottery. When
Poulson died in 1808, Minton carried on alone, using Poulson's pottery for china until 1816. He built a new china pottery in 1824. No very early earthenware is marked, and perhaps a good deal of it was made for other potters. On the other hand, some
2037:
603:
In 1849 Minton engaged a young French ceramicist LĂ©on Arnoux as art director who remained with the Minton
Company until 1892. This and other enterprising appointments enabled the company greatly to widen its product ranges. It was Arnoux who formulated the tin-glaze used for Minton's rare tin-glazed
176:
The family continued to control the business until the mid-20th century. Mintons had the usual
Staffordshire variety of company and trading names over the years, and the products of all periods are generally referred to as either "Minton", as in "Minton china", or "Mintons", the mark used on many.
1319:
and others, and a range in earthenware made from about 1901 to 1916 was branded as "Secessionist Ware". It was made mostly using industrial techniques that kept it relatively cheap, and was aimed at a broad market. The range concentrated on items bought singly or in pairs, such as jugs or vases,
1177:
and encouraged both amateur and professional artists to become involved in pottery decoration and design. This might be in hand-painted plaques, or in producing designs to be replicated in larger quantities in the Stoke factory. When the studio was destroyed by fire in 1875, it was not rebuilt.
1323:
The
Secessionist range covered both practical and ornamental wares including cheese dishes, plates, teapots, jugs and comports, vases and large jardinières. The shapes of ornamental vases included inverted trumpets, elongated cylinders and exaggerated bottle forms, although tableware shapes were
395:
Minton's two sons, Thomas and
Herbert, were taken into partnership in 1817, but Thomas went in to the church and was ordained in 1825. Herbert had been working in the business since 1808, when he was 16, initially as a travelling salesman. On his death in 1836, Minton was succeeded by his son
1621:
was produced for the first time by Messrs. Minton, in 1850, and they have been for many years the only producers of this article. The name of majolica is now applied indiscriminately to all fancy articles of coloured pottery. When, however, it is decorated by means of coloured glazes
921:
who had joined the partnership in 1849, with a 1/3 share. Herbert had decreased his involvement in day-to-day management in the years before his death. He took the company into a highly successful exploration of
Chinese cloisonné enamels, Japanese lacquer and Turkish pottery.
396:
Herbert Minton (1793–1858), who took John Boyle as a partner to help him the same year, given the size of the business; by 1842 they had parted company. Herbert developed new production techniques and took the business into new fields, notably including decorative
2041:
1067:
439:. The "encaustic" technique allowed clays of different colours to be used in the same tile, allowing far greater decorative possibilities. Great numbers of new churches and public buildings were given floors in the tiles, and despite the protests of
675:
847:
after another royal mistress. Alexandre
Brongniart (1770–1847), artistic director of Sèvres had given Mintons plaster casts of some original moulds, which enabled them to make very close copies. At the end of the century, when the husband of
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1417:"Secessionist Ware" was arguably the last boldly innovative move made by Mintons in terms of design. After World War I wares became rather more conventional. The Minton factory in the centre of Stoke was rebuilt and modernised after
270:
Early
Mintons porcelain was "decorated in the restrained Regency style", much of it just with edging patterns rather than fully painted scenes, thus keeping prices within the reach of a relatively large section of the middle class.
1127:
887:, then generally known as "Henri II ware". This was very high-quality lead-glazed earthenware made from the 1520s to the 1540s in France; in 1898 the pottery was located to the village of Saint-Porchaire (nowadays a part of
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The main factory on London Road, Stoke-on-Trent was demolished in the 1990s, and the other factory, including office accommodation and a Minton Museum, was demolished in 2002 as part of rationalisation within the
832:
of the 18th century had become popular from about the 1830s, and Arnoux perfected Mintons' blue and pink ground colours, essential for the Sèvres style, but much used for other wares. The Sèvres pink was called
1502:
The Victorian building on Shelton Old Road, Stoke, which used to be the Minton Hollins tileworks is on a separate site from the former Minton pottery. It was threatened with demolition in the 1980s but was
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in all areas of design. He was also interested in what might be called the "Anglo-Oriental" style, evoking both Islamic and East Asian design, but without precisely following anything.
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1302:
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Messrs. Wedgwood, George Jones, and a few other makers of less importance, are reproducing it more or less successfully. To Messrs. Minton, however, we owe the revival of the ware
215:, which is much more complete than those of most Staffordshire firms, and the early porcelain is marked with pattern numbers, which can be tied to the surviving pattern-books.
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of 1851 in London, where they had considerable success, winning the bronze medal for "beauty and originality of design". They followed this with a gold medal at the
520:
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The next twenty-five years saw Mintons develop several new specialities in design and technique, while production of established styles continued unabated. As at
1873:
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in Paris. In London Queen Victoria bought Parian pieces and, for 1,000 guineas, a dessert service in a mix of bone china and Parian, which she gave to Emperor
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group in January 2005. As a result of these changes, the ceramics collection formerly in the Minton Museum was partly dispersed. On the other hand, the
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division was always the mainstay of Minton's fortunes and the post-1950 rationalisation of the British pottery industry took Mintons into a merger with
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1978:
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Digby Wyatt, 26 May 1858, Journal of the Society of Arts, On the influence exercised on ceramic manufacturers by the late Mr. Herbert Minton, p.442
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by the then managing director, J. E. Hartill, a great-great-great-grandson of Thomas Minton. But the firm shared in the overall decline of the
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and other famous sculptors to produce figures for reproduction. Mintons had already been making some figures in the more demanding medium of
1930:
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and he worked for the company from 1895 to 1905, including a brief stint as Art Director. Solon introduced designs influenced by the
856:, a famous, spectacular and rare Sèvres shape of the 1760s (now Getty Museum) in the 1880s, Mintons were commissioned to make a copy.
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1771:
612:. The coloured glazes of Palissy ware became a Mintons staple, as well as being copied by many other firms in England and abroad.
2010:
1221:
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267:. The company was profitable for many years, reducing the cost of materials to the owning potters, and selling to other firms.
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was done by outside specialists, and "engraving done off the Works" cost ÂŁ641, while "engraving done on the Works" cost ÂŁ183.
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2932:
469:
In the year ended 1842, the sales of the main company Minton & Co totalled (all round ÂŁ'000s) ÂŁ45K, divided as follows:
1952:
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Tableware Ltd. By the 1980s Mintons was only producing a few different shapes but still employed highly skilled decorators.
1205:
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1832:
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1346:
420:
3542:
2750:
2639:
2015:
1736:
1155:
963:
829:
825:
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2785:
2579:
1471:
849:
1846:
1816:
3286:
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2730:
2190:
1833:"Christopher Proudlove, "Mintons Secessionist Ware is an epitaph to designer Leon Solon" (WriteAntiques.com, 2006)"
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production included bone china from his partner Joseph Poulson's near-by china pottery. China production ceased
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2092:
2078:
1702:
1163:
728:
416:
30:
1898:
2874:
2740:
1000:
620:
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2165:
1983:
1401:
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1305:. Leon Solon was hired by Mintons after his work was published in the hugely influential design magazine
435:
in Washington, D.C. where the company gained many prestigious contracts including tiled flooring for the
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comprises papers and drawings of the designs, manufacture and production of Mintons. It was acquired by
615:
Mintons made special pieces for the major exhibitions that were a feature of the period, beginning with
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Minton was a prime mover, and the main shareholder in the Hendra Company, formed in 1800 to exploit
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Minton entered into partnership with Michael Hollins in 1845 and formed the tile making firm of
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Centrepiece with cream jugs, 1851; part of the dessert service Queen Victoria gave to Emperor
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to the City of Stoke-on-Trent, but it was envisaged that some material would be displayed at
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of 1851. Along with the majolica of multiple other English factories all are now grouped as
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206:. He formed a partnership, Minton & Poulson, c.1796, with Joseph Poulson who made
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or elsewhere were produced at a much-reduced scale in Parian. The American sculptor
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2006:
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946:(not resembling in the slightest any actual medieval pottery); earthenware, 1850.
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following Joseph Poulson's death in 1808, recommencing in a new pottery in 1824.
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On his death in 1858 Herbert Minton was succeeded by his equally dynamic nephew
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making, through his association with leading architects and designers including
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2038:"Stoke-on-Trent Museums -Minton Hollins Tile Works, Shelton Old Road, Stoke"
1615:
Leon Arnoux, 1867, British Manufacturing Industry - Report on Pottery, p.42
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1979:"Minton Archive: Lifting the lid on centuries of life in pottery factories"
1710:
1641:, created such a sensation in the French International Exhibition of 1855."
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in the 1840s. It was further developed by Minton who employed John Bell,
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Early Mintons products were mostly standard domestic tableware in blue
207:
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group. At one time it seemed the archive would become part of the
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628:
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46:
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From the mid-1890s onwards, Mintons made major contributions to
202:, Staffordshire, England as "Thomas Minton and Sons", producing
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1133:"Henri II ware" meets Islamic style in this pot-pourri vase by
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632:
226:. Minton had trained as an engraver for transfer printing with
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and other minerals from Cornwall. Named after Hendra Common,
3196:
820:, 1849. 14 1/2 inches high, where the original was life-size.
455:
1695:
Vincennes and Sèvres Porcelain: Catalogue of the Collections
1162:
Others introduced to Minton by Arnoux included the sculptor
1146:
of 1870 gave Arnoux the opportunity to recruit the modeller
1073:
Pair of bottles in "Oriental" style, reminiscent of Chinese
411:
1499:, being transferred to the City of Stoke-on-Trent in 2015.
1462:
collection. In the event, the archive was presented by the
2146:
Stoke Museums: home to the former Minton Museum collection
1159:
help the firm become the unrivaled leader in this field.
443:, many medieval church floors were "updated" with them.
1863:"Art Fund helps save the Minton Archive for the nation"
1137:, 1871. This decoration is painted rather than inlaid.
446:
Hard white unglazed "statuary porcelain", later called
688:. Unlike much "Palissy Ware", this is close to actual
639:
Lead-glazed "majolica", and grand Victorian showpieces
2040:. Search.exploringthepotteries.org.uk. Archived from
902:
At some point before 1867 Mintons began to work with
2610:
Our Lady of the Angels and St Peter in Chains Church
2005:
1487:group. Royal Doulton was taken over in turn by the
222:or painted earthenware, including the ever-popular
1748:"Dr Christopher Dresser and the Minton Connection"
1273:
1038:Porcelain centrepiece in the style of Renaissance
3598:
3010:Greatest Hits Radio Staffordshire & Cheshire
2131:Famous Potters of Stoke-on-Trent – Thomas Minton
1847:"The Democratic Dish: Mintons Secessionist Ware"
1817:"The Democratic Dish: Mintons Secessionist Ware"
1169:In 1870 Mintons opened an art pottery studio in
828:itself, and many other factories, wares evoking
1855:
1297:ware, many designed by Marc-Louis Solon's son
2166:
1243:Printed Shakespeare tiles, 1872, designed by
854:Sèvres pot-pourri vase in the shape of a ship
681:Platter with Juno, Neptune, Mercury, Selene,
466:, and reused some of these moulds in Parian.
1713:gave a somewhat different history when they
1054:Porcelain plate in the style of Renaissance
2071:Sotheby's Concise Encyclopedia of Porcelain
2011:"Former Minton Hollins Tileworks (1221093)"
1953:"Art sales: ceramics sale ruffles feathers"
476:Earthenware: enamelled ÂŁ6K, printed ÂŁ10K, "
198:(1765–1836) founded his pottery factory in
2173:
2159:
1650:named after the French Renaissance potter
1495:has been kept together with help from the
211:very early factory records survive in the
3052:City of Stoke-on-Trent Sixth Form College
1697:, p. 52, 1992, Getty Trust Publications,
797:Grand incense-burner in various techiques
587:Paper knife, Parian ware and gilt metal,
255:, the partners included Minton, Poulson,
2630:
1400:
1277:
801:
410:
378:
181:was the company name from 1879 onwards.
20:
1454:in 2005 along with other assets of the
1258:Plaque with fairies watching a spider,
669:Jug with dancing medieval figures, 1868
598:
3599:
2136:Explore historic Minton pottery online
2111:Atterbury, Paul, and Batkin, Maureen,
734:Pie-dish with heads of hares and ducks
3617:British companies established in 1793
2154:
1899:"Minton Archive saved for the nation"
1628:, it ought to be called Palissy ware
1425:industry in the post-war period. The
1405:Plaque, perhaps 1909, porcelain with
1945:
1772:The Mantegna at Hampton Court Palace
1166:and the painter Antoine Boullemier.
1077:enamel, 1870s, design attributed to
1150:who had developed the technique of
883:Arnoux had an interest in reviving
473:Porcelain: gilt ÂŁ13K and ungilt ÂŁ8K
423:, 1847–48, with German bomb damage.
16:English pottery company (1793–2005)
13:
2786:Potteries Museum & Art Gallery
2480:Wedgwood Pottery in Stoke-on-Trent
2105:
2016:National Heritage List for England
1999:
1913:"Stoke - Stoke-on-Trent Districts"
1891:
1794:Metropolitan Museum curator's note
1282:Top of Secessionist Ware box, 1906
910:, catching the rising fashion for
765:Vase", 1867, in various techniques
326:Teapot and stand, New Oval shape,
14:
3638:
3612:Companies based in Stoke-on-Trent
3607:Ceramics manufacturers of England
2119:
2115:, Antique Collectors' Club, 1990.
1597:Godden, 257 for all these figures
1441:
1320:rather than full table services.
1182:Mid-Victorian painting, 1865–1880
1093:Pair of salts in "Henri Deux" or
850:Georgina Ward, Countess of Dudley
840:, leading Mintons to call theirs
561:The 'Well Spring' Vase, an early
113:Herbert Minton, Michael Hollins,
3248:Hanley Economic Building Society
1931:"Waterford Wedgwood: Jobs to go"
1715:sold the Minton Museum's example
1507:in 1986 and has been preserved.
1472:Potteries Museum and Art Gallery
1389:
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421:St George's Cathedral, Southwark
357:
345:Teapot and stand, London shape,
338:
319:
300:
288:Creamer, fluted Old Oval shape,
281:
3062:Royal Stoke University Hospital
2450:Ceramic and Allied Trades Union
2030:
1971:
1923:
1905:
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1810:
1798:
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1687:
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1657:
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1609:
1600:
1274:Late Victorian and 20th century
864:Royal Academy Summer Exhibition
450:ware due to its resemblance to
189:
3477:Stoke-on-Trent railway station
2860:Stoke-on-Trent Garden Festival
2605:Longton Methodist Central Hall
2181:City and unitary authority of
2087:, 1985, Barrie & Jenkins,
1591:
1582:
1573:
1564:
1555:
1546:
1535:
1526:
1517:
1352:Porcelain plate influenced by
1290:ceramics with a fine range of
1164:Albert-Ernest Carrier-Belleuse
1121:, in a "cloisonné ware" style.
621:Exposition Universelle of 1855
1:
2060:
1259:
1016:
988:
970:
705:
682:
652:
588:
570:
509:
429:Minton, Hollins & Company
368:
346:
327:
308:
289:
238:
231:
25:Vase in coloured lead-glazed
2460:Federation of Stoke-on-Trent
1635:, which, in connection with
1542:the potteries org, Index "M"
1477:
987:Tin-glazed maiolica plaque,
194:The firm began in 1793 when
7:
3467:North Staffordshire Railway
2913:Longton Cricket Club Ground
1625:, if these are transparent
1117:, with motifs from ancient
1101:, in lead-glazed "majolica"
10:
3643:
3295:Association football teams
2470:History of Stoke City F.C.
876:was first made in 1843 in
508:"Cheater" dish with peas,
480:" ÂŁ4K, coloured bodies ÂŁ2K
454:, was first introduced by
184:
3535:
3490:
3447:
3421:
3398:
3391:
3366:
3345:
3294:
3285:
3220:
3137:James Sadler and Sons Ltd
3079:
3070:
3032:
2992:
2959:
2950:
2888:
2820:
2812:Potteries Shopping Centre
2799:
2781:Montagu C. Butler Library
2771:Etruria Industrial Museum
2749:
2708:
2623:
2600:St James' Church, Longton
2585:St John's Church, Burslem
2580:Bethesda Methodist Chapel
2567:
2530:
2504:
2493:
2465:History of Port Vale F.C.
2440:
2189:
1933:. Manchester Evening News
1436:
1372:, porcelain, 1886 or 1889
1315:art movement, founded by
962:ground, modelled after a
899:in the Portuguese style.
307:Creamer, Old Oval shape,
121:
107:
91:
79:
71:
60:
52:
42:
3472:Stafford–Manchester line
3457:Longport railway station
3057:Staffordshire University
3005:Cross Rhythms City Radio
2776:Gladstone Pottery Museum
2099:Pottery Through the Ages
2073:, 1990, Conran Octopus,
1805:"The art pottery studio"
1510:
549:, glazed stoneware, 1840
3462:Longton railway station
2918:Meir Heath Cricket Club
2870:Victoria Park, Tunstall
2615:Christ Church, Tunstall
2475:Staffordshire Potteries
1229:William Stephen Coleman
1213:William Stephen Coleman
1195:Mermaid tile, 1867, by
1175:William Stephen Coleman
1022:, design attributed to
926:Eclectic revival styles
748:Franz Joseph of Austria
722:Banana leaf garden seat
625:Franz Joseph of Austria
433:Smithsonian Institution
161:was a major company in
3413:Trent and Mersey Canal
3047:Stoke-on-Trent College
2670:Old Town Hall, Burslem
2517:Stoke-on-Trent Central
2455:Darwin–Wedgwood family
1414:
1283:
1119:Chinese ritual bronzes
1015:Persian bottle shape,
821:
424:
392:
34:
3622:Staffordshire pottery
2761:Burslem School of Art
2590:Christ Church, Fenton
1423:Staffordshire pottery
1404:
1336:"Bamboo" pattern, by
1281:
1173:, London directed by
1113:Oriental bowl, 1871,
919:Colin Minton Campbell
805:
437:United States Capitol
414:
389:United States Capitol
382:
171:United States Capitol
163:Staffordshire pottery
152:, "Secessionist" ware
144:, Della Robbia ware,
115:Colin Minton Campbell
87:Tableware Ltd in 1968
24:
2766:Chatterley Whitfield
2716:Mitchell Arts Centre
2699:North Stafford Hotel
2522:Stoke-on-Trent South
2512:Stoke-on-Trent North
2141:The Majolica Society
2113:Dictionary of Minton
1552:Godden, 257-258, 267
1095:Saint-Porchaire ware
885:Saint-Porchaire ware
852:, sold his original
627:; it remains in the
617:the Great Exhibition
606:The Great Exhibition
599:Mid-Victorian period
263:, and the owners of
167:Houses of Parliament
67:& Joseph Poulson
3563:Owd Grandad Piggott
3523:Longton Interchange
3482:Stoke railway works
3302:Abbey Hulton United
3177:Portmeirion Pottery
2923:Shelley's Laserdome
2655:Burslem Market Hall
1835:. Writeantiques.com
1654:(c. 1510 – c. 1589)
1370:Christopher Dresser
1338:Christopher Dresser
1144:Franco-Prussian War
1115:Christopher Dresser
1079:Christopher Dresser
1024:Christopher Dresser
904:Christopher Dresser
253:St Dennis, Cornwall
140:, Encaustic tiles,
39:
3147:J. & G. Meakin
2685:Wedgwood Institute
2675:Trentham Mausoleum
2485:1842 Pottery Riots
2126:The Minton Archive
2083:Godden, Geoffrey,
1489:Waterford Wedgwood
1452:Waterford Wedgwood
1415:
1384:Secessionist vases
1301:and his colleague
1284:
1001:Triumphs of Caesar
822:
690:Renaissance pieces
610:Victorian majolica
425:
419:tiles for the new
393:
265:New Hall porcelain
146:Victorian majolica
37:
35:
27:Victorian majolica
3594:
3593:
3582:Start Up Citywide
3573:Potteries dialect
3531:
3530:
3387:
3386:
3346:Rugby union teams
3281:
3280:
3268:Twyford Bathrooms
3192:Shelley Potteries
3152:Midwinter Pottery
3028:
3027:
2946:
2945:
2830:Bagnall Road Wood
2563:
2562:
1807:, Mintons Archive
1783:Metropolitan note
1705:, 9780892361731,
1693:Sassoon, Adrian,
1409:, a late work by
1396:Secessionist vase
1368:U-shaped vase by
1340:, porcelain, 1875
1060:Henry Stacy Marks
908:Japanese ceramics
527:Biscuit porcelain
489:transfer printing
464:biscuit porcelain
404:and, it is said,
156:
155:
3634:
3586:ST postcode area
3422:Public transport
3396:
3395:
3292:
3291:
3122:Emma Bridgewater
3112:Clayburn Pottery
3097:Burleigh Pottery
3077:
3076:
2957:
2956:
2880:Whitfield Valley
2835:Berryhill Fields
2640:Listed buildings
2628:
2627:
2555:Stoke-upon-Trent
2502:
2501:
2412:Stoke-upon-Trent
2292:Ford Green Brook
2202:Abbey Green ward
2175:
2168:
2161:
2152:
2151:
2097:Savage, George,
2054:
2053:
2051:
2049:
2034:
2028:
2027:
2025:
2023:
2007:Historic England
2003:
1997:
1996:
1994:
1992:
1975:
1969:
1968:
1966:
1964:
1949:
1943:
1942:
1940:
1938:
1927:
1921:
1920:
1917:thepotteries.org
1909:
1903:
1902:
1901:(Press release).
1895:
1889:
1888:
1886:
1884:
1878:
1872:. Archived from
1867:
1859:
1853:
1844:
1842:
1840:
1829:
1823:
1814:
1808:
1802:
1796:
1791:
1785:
1780:
1774:
1769:
1763:
1760:
1754:
1744:
1738:
1733:
1727:
1724:
1718:
1691:
1685:
1684:, V&A Museum
1679:
1673:
1670:
1664:
1661:
1655:
1648:
1642:
1613:
1607:
1604:
1598:
1595:
1589:
1586:
1580:
1577:
1571:
1568:
1562:
1559:
1553:
1550:
1544:
1539:
1533:
1530:
1524:
1521:
1411:Marc-Louis Solon
1393:
1381:
1365:
1349:
1333:
1313:Vienna Secession
1264:
1261:
1255:
1240:
1224:
1208:
1192:
1148:Marc-Louis Solon
1130:
1110:
1090:
1070:
1051:
1035:
1021:
1018:
1012:
993:
990:
984:
975:
972:
955:
936:
870:' hit sculpture
830:Sèvres porcelain
814:' hit sculpture
794:
783:Marc-Louis Solon
774:
758:
743:
731:
719:
710:
707:
701:
687:
684:
678:
666:
657:
654:
649:
593:
590:
584:
575:
572:
567:Richard Redgrave
558:
542:
523:
514:
511:
505:
373:
370:
361:
351:
348:
342:
332:
329:
323:
313:
310:
304:
294:
291:
285:
243:
240:
236:
233:
220:transfer-printed
200:Stoke-upon-Trent
97:Stoke-upon-Trent
40:
36:
31:Carrier-Belleuse
3642:
3641:
3637:
3636:
3635:
3633:
3632:
3631:
3597:
3596:
3595:
3590:
3568:Potteries derby
3553:May un Mar Lady
3527:
3486:
3443:
3439:Stoke Streetcar
3434:First Potteries
3417:
3383:
3379:Stoke Spitfires
3362:
3341:
3312:Eastwood Hanley
3277:
3263:Titanic Brewery
3228:Armitage Shanks
3216:
3107:Churchill China
3092:Beswick Pottery
3066:
3042:List of schools
3024:
3000:BBC Radio Stoke
2988:
2942:
2933:The Underground
2890:
2884:
2865:Trentham Estate
2855:Hem Heath Woods
2822:
2816:
2795:
2753:
2745:
2721:Queen's Theatre
2704:
2665:Ford Green Hall
2619:
2559:
2526:
2496:
2489:
2436:
2377:Norton le Moors
2195:towns and wards
2194:
2185:
2179:
2122:
2108:
2106:Further reading
2101:, Penguin, 1959
2063:
2058:
2057:
2047:
2045:
2044:on 22 July 2011
2036:
2035:
2031:
2021:
2019:
2004:
2000:
1990:
1988:
1977:
1976:
1972:
1962:
1960:
1951:
1950:
1946:
1936:
1934:
1929:
1928:
1924:
1911:
1910:
1906:
1897:
1896:
1892:
1882:
1880:
1879:on 21 June 2015
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1692:
1688:
1680:
1676:
1671:
1667:
1662:
1658:
1652:Bernard Palissy
1649:
1645:
1638:their majolica
1614:
1610:
1605:
1601:
1596:
1592:
1587:
1583:
1579:Godden, 255-256
1578:
1574:
1569:
1565:
1561:Godden, 254-255
1560:
1556:
1551:
1547:
1540:
1536:
1531:
1527:
1522:
1518:
1513:
1480:
1470:as well as the
1460:Wedgwood Museum
1444:
1439:
1397:
1394:
1385:
1382:
1373:
1366:
1357:
1350:
1341:
1334:
1276:
1269:
1262:
1256:
1247:
1245:John Moyr Smith
1241:
1232:
1225:
1216:
1209:
1200:
1193:
1138:
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1122:
1111:
1102:
1091:
1082:
1071:
1062:
1052:
1043:
1036:
1027:
1019:
1013:
1004:
994:, the boy from
991:
985:
976:
973:
956:
947:
937:
873:The Greek Slave
817:The Greek Slave
798:
795:
786:
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371:
362:
353:
349:
343:
334:
330:
324:
315:
311:
305:
296:
292:
286:
275:Early porcelain
241:
234:
192:
187:
110:
103:
99:
38:Mintons Limited
17:
12:
11:
5:
3640:
3630:
3629:
3624:
3619:
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3609:
3592:
3591:
3589:
3588:
3583:
3580:
3575:
3570:
3565:
3560:
3555:
3550:
3545:
3543:List of people
3539:
3537:
3533:
3532:
3529:
3528:
3526:
3525:
3520:
3515:
3510:
3505:
3500:
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3410:
3404:
3402:
3393:
3389:
3388:
3385:
3384:
3382:
3381:
3376:
3370:
3368:
3367:Speedway teams
3364:
3363:
3361:
3360:
3358:Stoke-on-Trent
3355:
3349:
3347:
3343:
3342:
3340:
3339:
3334:
3329:
3324:
3319:
3314:
3309:
3307:Dresden United
3304:
3298:
3296:
3289:
3283:
3282:
3279:
3278:
3276:
3275:
3270:
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3215:
3214:
3209:
3204:
3199:
3194:
3189:
3184:
3179:
3174:
3169:
3164:
3159:
3154:
3149:
3144:
3139:
3134:
3132:Gray's Pottery
3129:
3124:
3119:
3114:
3109:
3104:
3099:
3094:
3089:
3083:
3081:
3074:
3068:
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3012:
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2925:
2920:
2915:
2910:
2905:
2900:
2898:Bet365 Stadium
2894:
2892:
2886:
2885:
2883:
2882:
2877:
2872:
2867:
2862:
2857:
2852:
2850:Hartshill Park
2847:
2842:
2837:
2832:
2826:
2824:
2818:
2817:
2815:
2814:
2809:
2803:
2801:
2797:
2796:
2794:
2793:
2788:
2783:
2778:
2773:
2768:
2763:
2757:
2755:
2747:
2746:
2744:
2743:
2738:
2733:
2728:
2726:Regent Theatre
2723:
2718:
2712:
2710:
2706:
2705:
2703:
2702:
2692:
2687:
2682:
2677:
2672:
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2612:
2607:
2602:
2597:
2592:
2587:
2582:
2577:
2571:
2569:
2565:
2564:
2561:
2560:
2558:
2557:
2552:
2550:Stoke-on-Trent
2547:
2542:
2536:
2534:
2528:
2527:
2525:
2524:
2519:
2514:
2508:
2506:
2499:
2497:constituencies
2491:
2490:
2488:
2487:
2482:
2477:
2472:
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2269:
2264:
2259:
2254:
2249:
2244:
2239:
2234:
2229:
2224:
2219:
2214:
2212:Baddeley Green
2209:
2204:
2198:
2196:
2187:
2186:
2183:Stoke-on-Trent
2178:
2177:
2170:
2163:
2155:
2149:
2148:
2143:
2138:
2133:
2128:
2121:
2120:External links
2118:
2117:
2116:
2107:
2104:
2103:
2102:
2095:
2081:
2062:
2059:
2056:
2055:
2029:
1998:
1970:
1944:
1922:
1904:
1890:
1854:
1851:Minton Archive
1824:
1821:Minton Archive
1809:
1797:
1786:
1775:
1764:
1755:
1752:Minton Archive
1739:
1728:
1719:
1686:
1682:Vase and cover
1674:
1665:
1656:
1643:
1608:
1599:
1590:
1581:
1572:
1563:
1554:
1545:
1534:
1525:
1515:
1514:
1512:
1509:
1493:Minton Archive
1479:
1476:
1448:Minton Archive
1443:
1442:Minton Archive
1440:
1438:
1435:
1399:
1398:
1395:
1388:
1386:
1383:
1376:
1374:
1367:
1360:
1358:
1351:
1344:
1342:
1335:
1328:
1303:John Wadsworth
1275:
1272:
1271:
1270:
1267:Percy Anderson
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1105:
1103:
1092:
1085:
1083:
1072:
1065:
1063:
1056:Limoges enamel
1053:
1046:
1044:
1040:Limoges enamel
1037:
1030:
1028:
1014:
1007:
1005:
986:
979:
977:
957:
950:
948:
944:Augustus Pugin
940:Gothic Revival
938:
931:
928:
927:
800:
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441:William Morris
402:Augustus Pugin
398:encaustic tile
385:encaustic tile
377:
376:
363:
356:
354:
344:
337:
335:
325:
318:
316:
306:
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224:Willow pattern
213:Minton Archive
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29:, designed by
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3536:Miscellaneous
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3390:
3380:
3377:
3375:
3374:Stoke Potters
3372:
3371:
3369:
3365:
3359:
3356:
3354:
3351:
3350:
3348:
3344:
3338:
3335:
3333:
3330:
3328:
3327:Norton United
3325:
3323:
3320:
3318:
3315:
3313:
3310:
3308:
3305:
3303:
3300:
3299:
3297:
3293:
3290:
3288:
3284:
3274:
3271:
3269:
3266:
3264:
3261:
3259:
3256:
3254:
3251:
3249:
3246:
3244:
3241:
3239:
3236:
3234:
3231:
3229:
3226:
3225:
3223:
3219:
3213:
3210:
3208:
3205:
3203:
3200:
3198:
3195:
3193:
3190:
3188:
3185:
3183:
3182:Royal Doulton
3180:
3178:
3175:
3173:
3172:Paragon China
3170:
3168:
3165:
3163:
3160:
3158:
3155:
3153:
3150:
3148:
3145:
3143:
3140:
3138:
3135:
3133:
3130:
3128:
3127:Etruria Works
3125:
3123:
3120:
3118:
3115:
3113:
3110:
3108:
3105:
3103:
3100:
3098:
3095:
3093:
3090:
3088:
3087:Aynsley China
3085:
3084:
3082:
3078:
3075:
3073:
3069:
3063:
3060:
3058:
3055:
3053:
3050:
3048:
3045:
3043:
3040:
3039:
3037:
3035:
3031:
3021:
3018:
3016:
3013:
3011:
3008:
3006:
3003:
3001:
2998:
2997:
2995:
2991:
2985:
2984:
2980:
2978:
2977:
2973:
2970:
2968:
2967:Cross Rhythms
2965:
2964:
2962:
2958:
2955:
2953:
2949:
2939:
2936:
2934:
2931:
2929:
2928:The Sugarmill
2926:
2924:
2921:
2919:
2916:
2914:
2911:
2909:
2906:
2904:
2901:
2899:
2896:
2895:
2893:
2887:
2881:
2878:
2876:
2875:Westport Lake
2873:
2871:
2868:
2866:
2863:
2861:
2858:
2856:
2853:
2851:
2848:
2846:
2843:
2841:
2838:
2836:
2833:
2831:
2828:
2827:
2825:
2819:
2813:
2810:
2808:
2805:
2804:
2802:
2798:
2792:
2789:
2787:
2784:
2782:
2779:
2777:
2774:
2772:
2769:
2767:
2764:
2762:
2759:
2758:
2756:
2754:and libraries
2752:
2748:
2742:
2741:Victoria Hall
2739:
2737:
2736:Theatre Royal
2734:
2732:
2729:
2727:
2724:
2722:
2719:
2717:
2714:
2713:
2711:
2707:
2700:
2696:
2695:Winton Square
2693:
2691:
2688:
2686:
2683:
2681:
2678:
2676:
2673:
2671:
2668:
2666:
2663:
2661:
2658:
2656:
2653:
2651:
2648:
2645:
2641:
2638:
2637:
2635:
2633:
2629:
2626:
2622:
2616:
2613:
2611:
2608:
2606:
2603:
2601:
2598:
2596:
2593:
2591:
2588:
2586:
2583:
2581:
2578:
2576:
2575:Stoke Minster
2573:
2572:
2570:
2566:
2556:
2553:
2551:
2548:
2546:
2543:
2541:
2538:
2537:
2535:
2533:
2529:
2523:
2520:
2518:
2515:
2513:
2510:
2509:
2507:
2503:
2500:
2498:
2495:Parliamentary
2492:
2486:
2483:
2481:
2478:
2476:
2473:
2471:
2468:
2466:
2463:
2461:
2458:
2456:
2453:
2451:
2448:
2447:
2445:
2443:
2439:
2433:
2432:Weston Coyney
2430:
2428:
2425:
2423:
2420:
2418:
2415:
2413:
2410:
2408:
2405:
2403:
2400:
2398:
2395:
2393:
2390:
2388:
2385:
2383:
2380:
2378:
2375:
2373:
2370:
2368:
2365:
2363:
2360:
2358:
2355:
2353:
2350:
2348:
2345:
2343:
2340:
2338:
2335:
2333:
2330:
2328:
2325:
2323:
2320:
2318:
2315:
2313:
2310:
2308:
2305:
2303:
2300:
2298:
2295:
2293:
2290:
2288:
2285:
2283:
2280:
2278:
2275:
2273:
2270:
2268:
2265:
2263:
2260:
2258:
2255:
2253:
2250:
2248:
2245:
2243:
2240:
2238:
2237:Blythe Bridge
2235:
2233:
2230:
2228:
2225:
2223:
2220:
2218:
2215:
2213:
2210:
2208:
2205:
2203:
2200:
2199:
2197:
2192:
2188:
2184:
2176:
2171:
2169:
2164:
2162:
2157:
2156:
2153:
2147:
2144:
2142:
2139:
2137:
2134:
2132:
2129:
2127:
2124:
2123:
2114:
2110:
2109:
2100:
2096:
2094:
2090:
2086:
2085:English China
2082:
2080:
2076:
2072:
2068:
2067:Battie, David
2065:
2064:
2043:
2039:
2033:
2018:
2017:
2012:
2008:
2002:
1986:
1985:
1980:
1974:
1958:
1957:The Telegraph
1954:
1948:
1932:
1926:
1918:
1914:
1908:
1900:
1894:
1875:
1871:
1864:
1858:
1852:
1848:
1834:
1828:
1822:
1818:
1813:
1806:
1801:
1795:
1790:
1784:
1779:
1773:
1768:
1759:
1753:
1749:
1746:Battie, 170;
1743:
1737:
1732:
1723:
1716:
1712:
1708:
1704:
1700:
1696:
1690:
1683:
1678:
1669:
1660:
1653:
1647:
1640:
1637:
1634:
1631:
1627:
1624:
1620:
1617:
1612:
1603:
1594:
1585:
1576:
1567:
1558:
1549:
1543:
1538:
1529:
1520:
1516:
1508:
1506:
1500:
1498:
1494:
1490:
1486:
1485:Royal Doulton
1475:
1473:
1469:
1465:
1461:
1457:
1456:Royal Doulton
1453:
1449:
1434:
1432:
1431:Royal Doulton
1428:
1424:
1420:
1412:
1408:
1407:pâte-sur-pâte
1403:
1392:
1387:
1380:
1375:
1371:
1364:
1359:
1355:
1348:
1343:
1339:
1332:
1327:
1326:
1325:
1321:
1318:
1314:
1310:
1309:
1304:
1300:
1296:
1293:
1289:
1280:
1268:
1254:
1249:
1246:
1239:
1234:
1230:
1223:
1218:
1214:
1211:Plate, 1869,
1207:
1202:
1198:
1197:Henry Holiday
1191:
1186:
1185:
1181:
1180:
1179:
1176:
1172:
1167:
1165:
1160:
1157:
1153:
1152:pâte-sur-pâte
1149:
1145:
1136:
1129:
1124:
1120:
1116:
1109:
1104:
1100:
1096:
1089:
1084:
1080:
1076:
1069:
1064:
1061:
1057:
1050:
1045:
1041:
1034:
1029:
1025:
1011:
1006:
1003:
1002:
997:
983:
978:
968:
965:
961:
954:
949:
945:
941:
935:
930:
929:
925:
924:
923:
920:
915:
913:
909:
905:
900:
898:
894:
890:
886:
881:
879:
875:
874:
869:
865:
861:
857:
855:
851:
846:
845:
839:
838:
831:
827:
819:
818:
813:
809:
804:
793:
788:
784:
780:
779:pâte-sur-pâte
773:
768:
764:
757:
752:
749:
742:
737:
730:
725:
718:
713:
700:
695:
691:
677:
672:
665:
660:
648:
643:
642:
638:
637:
636:
634:
630:
626:
622:
618:
613:
611:
607:
583:
578:
568:
564:
557:
552:
548:
541:
536:
532:
528:
522:
517:
504:
499:
498:
494:
493:
492:
490:
483:Ironstone: 2K
482:
479:
475:
472:
471:
470:
467:
465:
461:
457:
453:
452:Parian marble
449:
444:
442:
438:
434:
430:
422:
418:
413:
409:
407:
406:Prince Albert
403:
399:
390:
387:floor at the
386:
381:
366:
360:
355:
341:
336:
322:
317:
303:
298:
284:
279:
278:
274:
273:
272:
268:
266:
262:
261:William Adams
258:
254:
250:
245:
229:
228:Thomas Turner
225:
221:
216:
214:
209:
205:
201:
197:
196:Thomas Minton
182:
180:
174:
172:
168:
164:
160:
151:
147:
143:
139:
135:
131:
127:
124:
120:
117:, Leon Arnoux
116:
112:
106:
98:
94:
90:
86:
85:Royal Doulton
82:
78:
74:
70:
66:
65:Thomas Minton
63:
59:
55:
51:
48:
45:
41:
32:
28:
23:
19:
3408:Caldon Canal
3273:Wrights Pies
3258:SONS Records
3238:Clay Records
3212:W H Grindley
3187:Royal Winton
3156:
3102:Carlton Ware
2983:The Sentinel
2981:
2974:
2903:Golden Torch
2891:music venues
2840:Burslem Park
2807:City Sentral
2791:Spode Museum
2660:Etruria Hall
2650:Bottle ovens
2595:Hulton Abbey
2297:Fowlea Brook
2227:Birches Head
2207:Abbey Hulton
2112:
2098:
2084:
2070:
2046:. Retrieved
2042:the original
2032:
2020:. Retrieved
2014:
2001:
1989:. Retrieved
1984:The Sentinel
1982:
1973:
1961:. Retrieved
1956:
1947:
1935:. Retrieved
1925:
1916:
1907:
1893:
1881:. Retrieved
1874:the original
1869:
1857:
1837:. Retrieved
1827:
1812:
1800:
1789:
1778:
1767:
1758:
1742:
1731:
1722:
1707:google books
1694:
1689:
1677:
1668:
1659:
1646:
1639:
1636:
1633:
1629:
1626:
1623:
1619:
1611:
1602:
1593:
1584:
1575:
1566:
1557:
1548:
1537:
1528:
1519:
1501:
1481:
1445:
1419:World War II
1416:
1322:
1317:Gustav Klimt
1306:
1292:slip-trailed
1285:
1199:(1839–1927)
1168:
1161:
1141:
1135:Charles Toft
1099:Charles Toft
999:
960:bleu celeste
959:
958:Vase with a
916:
901:
882:
871:
868:Hiram Powers
858:
841:
834:
823:
815:
812:Hiram Powers
614:
602:
495:1820 to 1850
487:Much of the
486:
478:cream-colour
468:
460:Hiram Powers
445:
428:
426:
394:
269:
246:
217:
193:
190:1793 to 1850
178:
175:
158:
157:
150:Palissy ware
92:Headquarters
83:Merged with
18:
3627:Art Nouveau
3578:River Trent
3491:Major roads
3429:D&G Bus
3317:Hanley Town
3253:Shelton Bar
2976:The Oatcake
2971:Pits n Pots
2845:Hanley Park
2823:countryside
2690:Water World
2407:Sneyd Green
2402:Smallthorne
2327:Heron Cross
2262:Cliffe Vale
1991:29 February
1963:29 February
1762:Godden, 256
1726:Battie, 168
1672:Battie, 168
1663:Battie, 169
1606:Godden, 257
1588:Battie, 169
1570:Battie, 168
1532:Battie, 170
1523:Battie, 168
1288:Art Nouveau
1263: 1880
1227:Platter by
1215:(1829–1904)
1058:, 1866, by
1020: 1862
992: 1860
974: 1855
860:Parian ware
808:Parian ware
709: 1880
686: 1875
656: 1855
592: 1847
574: 1847
563:Parian ware
531:Hannah More
513: 1820
415:Group of 5
372: 1812
350: 1813
331: 1800
312: 1800
293: 1797
242: 1816
235: 1798
204:earthenware
179:Mintons Ltd
126:Earthenware
3601:Categories
3337:Stoke City
2960:Publishing
2952:Mass media
2680:The Villas
2422:Trent Vale
2357:Middleport
2347:Lyme Brook
2302:Goldenhill
2093:0091583004
2079:1850292515
2061:References
1703:0892361735
1618:"Majolica
1308:The Studio
1299:Leon Solon
1171:Kensington
1097:style, by
763:Prometheus
565:design by
529:figure of
249:china clay
208:bone china
134:bone china
109:Key people
3392:Transport
3332:Port Vale
3322:Meir K.A.
3162:Moorcroft
3072:Companies
3034:Education
2938:Vale Park
2889:Sport and
2821:Parks and
2731:Stoke Rep
2644:Grade II*
2632:Buildings
2387:Sandyford
2372:Northwood
2332:Lightwood
2322:Hem Heath
2317:Hartshill
1711:Sotheby's
1709:, though
1478:Buildings
1468:Barlaston
1427:tableware
1354:Japonisme
1075:cloisonné
889:Bressuire
837:Pompadour
781:vases by
704:Planter,
545:Jug with
365:Slop bowl
130:stoneware
3207:Wedgwood
3202:Steelite
3142:Lucideon
3015:Signal 1
2800:Shopping
2709:Theatres
2568:Religion
2532:Historic
2427:Tunstall
2417:Trentham
2382:Penkhull
2367:Normacot
2337:Longport
2287:Florence
2267:Cobridge
2247:Bucknall
2242:Bradeley
2222:Bentilee
2048:8 August
1870:Art Fund
1839:8 August
1497:Art Fund
1464:Art Fund
1295:majolica
996:Mantegna
969:design,
912:Japonism
897:azulejos
878:Florence
844:du Barry
806:Copy in
777:Pair of
383:Mintons
257:Wedgwood
122:Products
43:Industry
3558:Oatcake
3353:Longton
3243:Goodwin
3167:Palissy
3157:Mintons
3080:Pottery
2908:Jollees
2751:Museums
2624:Tourism
2540:Burslem
2505:Current
2442:History
2397:Sideway
2392:Shelton
2342:Longton
2307:Hanford
2277:Etruria
2272:Dresden
2252:Burslem
2232:Blurton
2217:Basford
2069:, ed.,
2022:30 June
1883:21 June
1717:in 2005
629:Hofburg
547:Silenus
533:, 1830s
230:. From
185:History
159:Mintons
102:England
72:Defunct
61:Founder
53:Founded
47:Pottery
33:, 1868.
3400:Canals
3233:Bet365
3117:Dudson
3020:UCB UK
2545:Hanley
2362:Milton
2312:Hanley
2282:Fenton
2091:
2077:
1987:. 2016
1959:. 2002
1937:3 June
1701:
1505:listed
1437:Legacy
1356:, 1881
1231:, 1871
1156:Sèvres
1042:, 1866
967:Rococo
964:Sèvres
893:Poitou
826:Sèvres
785:, 1870
633:Vienna
448:Parian
391:, 1856
142:mosaic
138:Parian
3548:Lobby
3287:Sport
3221:Other
3197:Spode
2993:Radio
2257:Chell
2191:Areas
1877:(PDF)
1866:(PDF)
1511:Notes
842:rose
835:rose
761:The "
456:Spode
417:Pugin
374:-1815
352:-1816
333:-1805
314:-1815
295:-1799
3518:A500
3449:Rail
2352:Meir
2089:ISBN
2075:ISBN
2050:2009
2024:2017
1993:2016
1965:2016
1939:2012
1885:2015
1841:2009
1699:ISBN
1446:The
1142:The
169:and
80:Fate
75:2005
56:1793
3513:A53
3508:A52
3503:A50
3498:A34
1630:...
1265:by
1154:at
998:'s
942:by
810:of
631:in
3603::
2013:.
2009:.
1981:.
1955:.
1915:.
1868:.
1849:,
1845:;
1819:,
1750:,
1474:.
1260:c.
1017:c.
989:c.
971:c.
891:,
706:c.
683:c.
653:c.
635:.
589:c.
571:c.
569:,
510:c.
408:.
369:c.
367:,
347:c.
328:c.
309:c.
290:c.
259:,
239:c.
232:c.
173:.
148:,
136:,
132:,
128:,
100:,
2701:)
2697:(
2646:)
2642:(
2193:,
2174:e
2167:t
2160:v
2052:.
2026:.
1995:.
1967:.
1941:.
1919:.
1887:.
1843:.
1413:.
1081:.
1026:.
692:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
