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Milica Krstić

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building simple in modern Serbian-Byzantine style or neo-Byzantine. The Second Gymnasium for Girls was designed without unnecessary decoration, the white facade and the rounded corners clearly show the influence of modernism and Milica Krstić's application of the principles of Bauhaus and Modernism. The building has been declared a
379:, she fought for peace and against the trafficking of women and children within the Yugoslav League of Women for Peace and Freedom. She was also an active spokesperson for female equality in particular in the field of architecture. Her work has been recognized with prestigious awards from both Serbia and Yugoslavia. 374:
Milica Čolak-Antić Krstić lived at 7 Silvija Kranjčevića Street, in a house that she and her husband designed and built in 1937. She spoke French, Spanish, English, and German. Throughout her life, she was active in various associations sharing and exchanging with her colleagues about ways to improve
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In 1936 she designed the First Gymnasium for Boys at 65 Dušanova street. In contrast to her previous building she went for a more bare modern style. In 1989, The First Gymnasium for Boys was also declared a cultural heritage. In 1938 she was promoted head of the Department for public buildings and in
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In 1933 she designed the Second Gymnasium for Girls, the same school that she attended as a young girl, at 31 Queen Natalia street, today the Electro-technical Gymnasium Nikola Tesla, it was constructed in place of the Girls College and the building of the State Council. She created a sumptuous
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architect, she is considered one of the most important female architects in Serbia and Yugoslavia during the first half of the twenty-first century. She spent her twenty-six-year career employed by the State, at a time when women could only be public employees, working for the ministry of civil
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Like most women in architecture during those years, Krstić was assigned educational architecture. The challenges was to design, on a low budget, a healthy, functional, and well-designed environment, for students and teachers. She designed Elementary Schools for small villages around Serbia
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In 1915 Milica Krstić started her career in the architectural department of the Ministry of Construction. The architectural department was back then the largest architectural practice in the country. Her colleagues were
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she would never work as an architect again, changes in Yugoslavia's political and economic situation meant that pre-war architects were excluded by the communist authorities from post-war artistic production.
762: 321:, today the building of Komercijalna Bank. It shows her commitment to a functionalist approach. Her most praised buildings are two monumental schools in Belgrade. 792: 220:. In 1940, as a respected architect, she reached the rank of inspector, the highest position and received numerous awards for her achievements. 777: 457: 455: 453: 451: 448: 787: 317:
Her first monumental building was the Command of Gendarmerie in 1931 at 14 Saint Sava street in Belgrade, the Gendarmerie of the
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On the Very Edge: Modernism and Modernity in the Arts and Architecture of Interwar Serbia (1918–1941)
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Women's Creativity since the Modern Movement (1918-2018): Toward a New Perception and Reception
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the living conditions of people. She volunteered to help those in need through the work of the
299: 257: 241: 103: 644: 581: 602: 318: 752: 747: 260:, she graduated in 1910. She married Žarko Krstić, also an architect, while at University. 30: 8: 646:
MoMoWo · 100 projects in 100 years. European Women in Architecture and Design · 1918-2018
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1940 she reached the highest position of inspector in the Ministry of Civil Engineering.
307: 290:, during the fighting preceding the invasion Belgrade alone lost 25% of its buildings. 253: 283: 275: 692: 671: 650: 629: 608: 587: 343: 151: 145: 62: 361:, where she stayed for some time, in 1941 she retired from state service. After the 216:
Krstić's career flourished in the period between the two wars, influenced mostly by
725: 382:Žarko died in April 1941, Milica died at her home in Belgrade on 9 September 1964. 362: 303: 686: 665: 314:. Her vision developed within the style and spirit of local building traditions. 556: 554: 741: 488: 486: 484: 551: 517: 515: 513: 438: 436: 434: 718:Žene u arhitekturi – Regionalni portal za žensko stvaralaštvo u arhitekturi 539: 463:Žene u arhitekturi – Regionalni portal za žensko stvaralaštvo u arhitekturi 354: 481: 510: 469: 431: 398:
after the Second World War the street was renamed Narodnog fronta street
295: 714:"Milica Krstić – An Architect in Civil Service – Women in Architecture" 527: 229: 84: 58: 333:
The Second Gymnasium for Girls, designed by Milica Krstić in 1932 in
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Krstić also designed the embassies of the Kingdom of Yugoslavia in
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Phantom Architecture: Essays on Interwar Architecture in Belgrade
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Garcia, A.F.; Seražin, H.; Garda, E.M.; Franchini, C. (2016).
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incorporating elements of local traditional architecture:
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Bogdanović, J.; Robinson, L.F.; Marjanović, I. (2014).
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University of Belgrade Faculty of Architecture alumni
621: 475: 442: 416: 236:, her father Paul was a Cavalry office, son of Duke 685:Manević, Z.; Mohorovičić, A.; Anderlič, J. (1986). 337:(today Electro-technical high school Nikola Tesla). 256:for Girls in 1906, she studied architecture at the 228:Milica Čolak-Antić was born on 9 September 1887 in 498: 739: 622:Seražin, H.; Garda, E.M.; Franchini, C. (2018). 244:; Her mother Jelena was the sister of painter 793:Recipients of the Order of the Yugoslav Crown 324: 268: 208:; 9 September 1887 – 9 September 1964) was a 724: 691:. Art in Yugoslavia (in Serbian). Prosveta. 560: 369: 546:Bogdanović, Robinson & Marjanović 2014 493:Bogdanović, Robinson & Marjanović 2014 223: 29: 534:Manević, Mohorovičić & Anderlič 1986 328: 607:. Fibonacci Academic Press (lulu.com). 600: 425: 740: 263: 232:, in central Serbia. A member of the 663: 504: 240:, a famed military commander of the 778:Recipients of the Order of St. Sava 476:Seražin, Garda & Franchini 2018 443:Seražin, Garda & Franchini 2018 13: 14: 809: 688:Architecture of the 20th century 649:. Institute of Art History ZRC. 788:20th-century Serbian architects 667:The History of Serbian Culture 392: 205: 1: 758:University of Belgrade alumni 405: 7: 586:. Leuven University Press. 288:Austro-Hungarian occupation 10: 814: 325:Later career: 1933 to 1941 269:Early career: 1915 to 1931 181:Second Gymnasium for Girls 377:Circle of Serbian Sisters 206:Милица Чолак-Антић Крстић 198:Milica Čolak-Antić Krstić 191: 171: 167: 138: 128: 117: 109: 99: 91: 69: 40: 35:Milica Čolak-Antić Krstić 28: 21: 773:Architects from Belgrade 768:Serbian women architects 385: 370:Personal life and legacy 298:(1923), Slatina (1924), 184:First Gymnasium for Boys 670:. Porthill Publishers. 224:Early life and training 338: 258:University of Belgrade 242:First Serbian Uprising 178:Command of Gendarmerie 104:University of Belgrade 332: 319:Kingdom of Yugoslavia 238:Čolak-Anta Simeonović 133:Čolak-Anta Simeonović 783:Modernist architects 601:Novakov, A. (2011). 478:, p. 2020-IA85. 445:, p. 2017-IA85. 282:, Vasilij Androsov, 250:Milivoje Čolak-Antić 122:Milivoje Čolak-Antić 264:Architecture career 798:Čolak-Antić family 522:Garcia et al. 2016 339: 234:Čolak-Antić family 45:Milica Čolak-Antić 698:978-86-07-00050-0 677:978-1-870732-31-4 664:Ivić, P. (1995). 656:978-961-254-922-0 635:978-961-05-0106-0 614:978-1-4583-5649-9 593:978-90-5867-993-2 344:cultural heritage 246:Milan Milovanović 195: 194: 63:Kingdom of Serbia 16:Serbian architect 805: 733: 721: 702: 681: 660: 639: 618: 597: 567: 558: 549: 543: 537: 531: 525: 519: 508: 502: 496: 490: 479: 473: 467: 459: 446: 440: 429: 423: 399: 396: 363:Second World War 308:Salaš Crnobarski 304:Gornji Matejevac 207: 202:Serbian Cyrillic 76: 73:9 September 1964 55:9 September 1887 54: 52: 33: 19: 18: 813: 812: 808: 807: 806: 804: 803: 802: 738: 737: 736: 726:"Milica Krstic" 699: 678: 657: 636: 628:. Založba ZRC. 615: 594: 570: 559: 552: 544: 540: 532: 528: 520: 511: 503: 499: 491: 482: 474: 470: 460: 449: 441: 432: 424: 417: 408: 403: 402: 397: 393: 388: 372: 327: 284:Branislav Kojić 280:Nikolaj Krasnov 276:Momir Korunović 271: 266: 226: 187: 163: 100:Alma mater 87: 78: 74: 65: 56: 50: 48: 47: 46: 36: 24: 17: 12: 11: 5: 811: 801: 800: 795: 790: 785: 780: 775: 770: 765: 760: 755: 750: 735: 734: 722: 704: 703: 697: 682: 676: 661: 655: 640: 634: 619: 613: 598: 592: 576: 569: 568: 550: 548:, p. 176. 538: 526: 524:, p. 260. 509: 507:, p. 228. 497: 495:, p. 170. 480: 468: 447: 430: 414: 407: 404: 401: 400: 390: 389: 387: 384: 371: 368: 326: 323: 270: 267: 265: 262: 225: 222: 213:engineering. 193: 192: 189: 188: 186: 185: 182: 179: 175: 173: 169: 168: 165: 164: 162: 161: 158:Yugoslav Crown 155: 152:St. Sava Order 149: 146:St. Sava Order 142: 140: 136: 135: 130: 126: 125: 119: 115: 114: 111: 107: 106: 101: 97: 96: 93: 89: 88: 79: 77:(aged 77) 71: 67: 66: 57: 44: 42: 38: 37: 34: 26: 25: 22: 15: 9: 6: 4: 3: 2: 810: 799: 796: 794: 791: 789: 786: 784: 781: 779: 776: 774: 771: 769: 766: 764: 761: 759: 756: 754: 751: 749: 746: 745: 743: 732:. 1941-11-22. 731: 727: 723: 719: 715: 711: 710: 709: 708: 700: 694: 690: 689: 683: 679: 673: 669: 668: 662: 658: 652: 648: 647: 641: 637: 631: 627: 626: 620: 616: 610: 606: 605: 599: 595: 589: 585: 584: 578: 577: 575: 574: 565: 563: 557: 555: 547: 542: 536:, p. 24. 535: 530: 523: 518: 516: 514: 506: 501: 494: 489: 487: 485: 477: 472: 465: 464: 458: 456: 454: 452: 444: 439: 437: 435: 428:, p. 27. 427: 422: 420: 415: 413: 412: 395: 391: 383: 380: 378: 367: 364: 360: 356: 351: 347: 345: 336: 331: 322: 320: 315: 313: 309: 305: 301: 297: 291: 289: 285: 281: 277: 261: 259: 255: 251: 247: 243: 239: 235: 231: 221: 219: 214: 211: 203: 199: 190: 183: 180: 177: 176: 174: 170: 166: 159: 156: 153: 150: 147: 144: 143: 141: 137: 134: 131: 127: 123: 120: 116: 112: 108: 105: 102: 98: 94: 90: 86: 82: 72: 68: 64: 60: 43: 39: 32: 27: 23:Milica Krstić 20: 730:Architectuul 729: 717: 706: 705: 687: 666: 645: 624: 603: 582: 573:Bibliography 572: 571: 562:Architectuul 561: 541: 529: 500: 471: 462: 426:Novakov 2011 410: 409: 394: 381: 373: 355:Buenos Aires 352: 348: 340: 316: 292: 272: 227: 215: 197: 196: 75:(1964-09-09) 753:1964 deaths 748:1887 births 92:Nationality 742:Categories 406:References 300:Dugo Polje 230:Kragujevac 154:GC, (1935) 148:GO, (1928) 110:Occupation 85:Yugoslavia 59:Kragujevac 51:1887-09-09 505:Ivić 1995 346:in 1964. 254:Gymnasium 218:Modernism 172:Buildings 129:Relatives 124:(brother) 113:Architect 707:Websites 335:Belgrade 312:Belgrade 306:(1925), 302:(1924), 296:Godacica 81:Belgrade 210:Serbian 95:Serbian 695:  674:  653:  632:  611:  590:  359:Ankara 160:(1939) 139:Awards 118:Parent 411:Notes 386:Notes 693:ISBN 672:ISBN 651:ISBN 630:ISBN 609:ISBN 588:ISBN 564:1941 357:and 70:Died 41:Born 744:: 728:. 716:. 553:^ 512:^ 483:^ 450:^ 433:^ 418:^ 278:, 204:: 83:, 61:, 720:. 701:. 680:. 659:. 638:. 617:. 596:. 566:. 466:. 200:( 53:) 49:(

Index


Kragujevac
Kingdom of Serbia
Belgrade
Yugoslavia
University of Belgrade
Milivoje Čolak-Antić
Čolak-Anta Simeonović
St. Sava Order
St. Sava Order
Yugoslav Crown
Serbian Cyrillic
Serbian
Modernism
Kragujevac
Čolak-Antić family
Čolak-Anta Simeonović
First Serbian Uprising
Milan Milovanović
Milivoje Čolak-Antić
Gymnasium
University of Belgrade
Momir Korunović
Nikolaj Krasnov
Branislav Kojić
Austro-Hungarian occupation
Godacica
Dugo Polje
Gornji Matejevac
Salaš Crnobarski

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