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Michael Morrow

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During the mid 1950s, Michael, John Beckett and the recorder player John Sothcott played together and discussed medieval and early Renaissance music in various Hampstead coffee bars. Michael was determined to inject more life and vigour into their performances, in contrast to the accepted style of
234:, where he shared a pension with John ffrench. He returned to Dublin in September 1952 with Werner Schürmann, a sculptor and singer whom he had met in Munich. In 1953, Michael accompanied the tenor John Bilton on lute for four twenty-minute radio programmes, devised and presented by 286:, famous for its musical fountain. When not operating the fountain, Michael spent his time transcribing old music from a variety of sources found in libraries and museums in London. When in Dublin, he had studied important manuscripts in Marsh's Library and 345:
In the early 1970s, tension began to grow between Morrow (who was disorganised by nature) and Beckett, and soon a rift began to appear in the relationship. By the end of 1973, John left Musica Reservata, though he never lost his admiration for Michael.
169:, Michael continued his studies at the National College of Art. The family then moved to Belfast, where he attended the Belfast College of Art. After about six months he returned to the National College of Art in Dublin, where one of his classmates was 706:
BBC Written Archives Centre, Caversham, Reading, UK: Artists: Musica Reservata file I 1958–1962; Musica Reservata artists file II 1963–1967; RCONT12 Musica Reservata artists file II 1968–1972; RCONT31/86/1 Musica Reservata Orchestra.
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the period. This decision was based on his observations when listening to European and non-European folk music, in which medieval traditions of singing and playing had been preserved. Michael, the two Johns and the counter-tenor
290:, especially ones containing lute music. He now became interested in music of the thirteenth century and onwards, which meant that he had to teach himself various systems of notation to transcribe pieces into modern notation. 362:, where he made an impromptu speech in praise of his friend. In July 1995, a 'Colloquium on Early Music in Memory of Michael Morrow' was held in Heinz and Ruth Liebrecht's house in Hampstead. The theme was 314:
family that had moved to England in 1938. Hedy lived in Hampstead, and she and Michael had met through a mutual friend. After they had married, they shared a flat with John Beckett and his wife Vera in
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in the West of Ireland. As Michael had developed an interest in ornithology and falconry, he spent time at Castleffrench, where he painted, played music and hawked.
338:, which took place on 2 July 1967. The group shot to fame after this and thereafter it was frequently engaged for concerts and recordings; see the separate entry 178: 766: 656:, pp. 244–5; Letter from John Beckett to Heinz Liebreht, 21 November 1973, KCLCA K/PP93, Box 3, Folder 2; assorted documents, Box 3, Folder 2 and Box 13. 146:
Norman Michael MacNamara Morrow was born on 2 October 1929, in London, to his Irish parents Larry and Léonie Morrow. His formal education began in
186: 728:(Vol. 6, No. 2, April 1978, pp. 233–246); Michael Morrow obituary (Vol. 22, No. 3, August 1994, pp. 537–9). Available on JSTOR. 712:
British Library Sound Archive, Saint Pancras, London: records (LPs, CDs) and BBC radio programmes of music performed by Musica Reservata.
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in London during the late 1950s. He directed the group, which became famous for its ground-breaking and vigorous approach to performing
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Michael also befriended John ffrench, whose work was exhibited with Beatrice and Michael's. John lived at Castleffrench, near
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Having won the Henry Higgins Travelling Scholarship while studying in the National College of Art, Michael spent a year in
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King's College London, College Archives: Morrow, Michael (1929–94) and Musica Reservata, GB 0100 KCLCA K/PP93 (13 boxes).
405:. (The book uses material taken from the author's interview with Morrow's sister Brigid Ferguson in Dubin, on 3 May 2009). 275:
As there was little or no work for Michael in Dublin, he finally left for England at the end of 1953, and settled down in
784: 402: 833: 254: 194: 220: 745: 215:, overlooking Dublin bay. At this point, in 1950, Michael met the young musician and harpsichord player 828: 773:"Travel in Space, Travel in Time: Michael Morrow's Approach to Performing Medieval Music in the 1960s" 359: 803: 417:, pp. 58 (Brigid Ferguson, 3 May 2009) and 75 (Reginald Gray, 22, 24 November 2010 and 6 May 2011). 632:, pp. 176–9, 510; programme notes for Musica Reservata concert, 2 July 1967, KCLCA K/PP93, Box 7. 287: 282:
At some time during this period, Michael and John Beckett worked in Forte's Monaco restaurant in
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Michael Morrow died on 20 April 1994 from Hepatitis C. John Beckett attended his funeral at
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and Carolyn Swift. It was hoped that the tiny theatre would stage the first performance of
752: 150:, when he was sent to St Andrew's school in Clyde Road. However, as Michael suffered from 8: 208: 166: 114:(2 October 1929 – 20 April 1994) was an Irish artist, ornithologist, musician and 780: 398: 283: 263: 135: 193:, who was also a friend of Michael's. Michael taught Reginald and Celia to play the 763:
Balkan voices and medieval music in the work of Michael Morrow and Musica Reservata
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often played and rehearsed either in Michael's flat or in a converted chapel at 17
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on 26 June 1963, and most importantly, the so-called 'début' concert held in the
235: 216: 211:. After a couple of years the family left and moved to a house on Strand Road at 119: 267:, but this was not to be; it was finally performed in the Pike in October 1955. 347: 258: 170: 131: 580:, pp. 106–7 (Seán O'Leary, Reading, 24 October 2007; Hedy Morrow,14 May 2008). 310:
Towards the end of 1959, Michael married Hedy Pelc. She came from an Austrian
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Between 1946 and 1947, the family lived in London, where Michael attended the
797: 371: 367: 212: 182: 151: 741:, Stanlie Sadie (ed.), p. 827. London: 1980, Macmillan, reprinted 1986. 729: 327: 323: 250: 240: 246: 319:. Later they moved and finally settled in 9 Aberdare Gardens, Hampstead. 304: 201: 155: 123: 63: 564:, Early Music, Vol. 4, No. 4, October 1976, pp. 515–21; Michael Morrow: 322:
The first proper public concert given by Musica Reservata took place in
757: 335: 115: 608:, Fenton House, Hampstead Grove, 30 January 1960, KCLCA K/PP93, Box 7. 756:
Royal Academy of Music, London: Michael Morrow papers (uncatalogued).
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Irish artist, ornithologist, musician and musicologist (1929 - 1994)
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Michael eventually rejoined his family, who now had moved back to
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then conducted the group until it was disbanded in the 1980s.
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Vox, Argo, Delysé, Philips, Decca, Vanguard, Boston Skyline
81: 527:, unidentified newspaper article in KCLCA, K/PP93, Box 12. 307:, Hampstead, which was owned by Heinz and Ruth Liebrecht. 181:. Beatrice later married the Irish writer and playwright, 775:. In Fugelso, Karl; Salih, Sarah; Davies, Joshua (eds.). 700: 713: 606:
A concert of mediaeval music given by Musica Reservata
568:, Early Music, Vol. 6, No. 2, April 1978, pp. 233–46. 751:
Medieval.org's online Musica Reservata discography.
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Michael Morrow: Musical Performance and Authenticity
249:. Later in the year he designed scenery for the new 366:. Lasting one day, it consisted of talks given by 165:. When the family returned to Dublin and lived in 724:(Vol. 4, No. 4, October 1976, pp. 515–521); 795: 469:, 14, 21 and 28 July 4 and 11 August 1953, p. 4. 739:The New Grove Dictionary of Music and Musicians 550:John Beckett 1927–2007, The Recorder Magazine 397:, p. 57. (Dublin: 2016, The Lilliput Press.) 245:. These were broadcast in July and August on 770: 395:John S. Beckett – The Man and the Music 497:, pp. 90, 93 (Brigid Ferguson, 3 May 2009). 453:, pp. 76, 79 (Brigid Ferguson, 3 May 2009). 779:. Boydell & Brewer. pp. 89/113. 441:, pp. 57–8 (Brigid Ferguson, 3 May 2009). 684:supplied by Seán O'Leary, 22 July 2007. 523:Undated biog in KCLCA, K/PP93, Box 10; 138:, until it was disbanded in the 1980s. 796: 668:, p. 358 (Seán O'Leary, 26 July 2007). 429:, p. 58 (Brigid Ferguson, 3 May 2009). 701:Further reading and available sources 374:, Tess Knighton, Warwick Edwards and 279:, where John Beckett was now living. 592:, p. 124 (Hedy Morrow, 14 May 2008). 566:Musical Performance and Authenticity 483:An Irishman's Diary, The Irish Times 467:Broadcasting Programmes, Irish Times 185:. A little later, Beatrice's sister 293: 13: 525:Morrow and yesterday's music today 14: 845: 824:Historically informed performance 270: 158:, he had to be educated at home. 680:, p. 360; printed programme for 604:, pp. 126–8; printed programme, 671: 659: 647: 635: 623: 611: 595: 583: 571: 555: 542: 530: 517: 510:(Obituary for Michael Morrow), 508:Passionate sound of early music 243:'s Achievement as a Song Writer 500: 488: 472: 456: 444: 432: 420: 408: 387: 1: 381: 141: 682:New Thoughts about Old Music 364:New Thoughts about Old Music 7: 777:Medievalism & Modernity 221:National Library of Ireland 10: 850: 771:Edward Breen (June 2016). 552:, Vol 27, 2007, pp. 124–5. 360:Golders Green Crematorium 253:Club, Dublin, founded by 163:Hammersmith School of Art 98: 88: 77: 69: 59: 46: 38: 30: 23: 353: 171:Beatrice ffrench-Salkeld 73:Musician, music director 834:Medieval musical groups 485:, 29 August 1953, p. 7. 122:, founded the British 761:Semibrevity website: 179:Cecil ffrench-Salkeld 332:Queen Elizabeth Hall 506:Desmond MacNamara, 118:who, together with 209:Fitzwilliam Square 173:, daughter of the 167:Fitzwilliam Square 829:Renaissance music 765:by Edward Breen. 393:Gannon, Charles: 284:Piccadilly Circus 264:Waiting for Godot 189:dated the artist 152:Christmas disease 136:Renaissance music 106: 105: 55:, London, England 841: 790: 735:Musica Reservata 733:Fallows, David: 722:Musica Reservata 685: 675: 669: 663: 657: 651: 645: 639: 633: 627: 621: 615: 609: 599: 593: 587: 581: 575: 569: 562:Musica Reservata 559: 553: 546: 540: 534: 528: 521: 515: 514:, 28 April 1994. 504: 498: 492: 486: 476: 470: 460: 454: 448: 442: 436: 430: 424: 418: 412: 406: 391: 376:Christopher Page 340:Musica Reservata 301:Grayston Burgess 294:Musica Reservata 128:Musica Reservata 91: 21: 20: 849: 848: 844: 843: 842: 840: 839: 838: 804:Irish musicians 794: 793: 787: 720:magazine (UK): 703: 688: 678:John S. 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Beckett 413: 409: 392: 388: 384: 356: 296: 288:Trinity College 273: 144: 109: 89: 51: 42:London, England 26: 17: 12: 11: 5: 847: 837: 836: 831: 826: 821: 816: 811: 806: 792: 791: 785: 768: 759: 754: 749: 742: 731: 715: 710: 702: 699: 698: 697: 695: 693: 691: 687: 686: 670: 658: 646: 634: 622: 610: 594: 582: 570: 554: 541: 529: 516: 499: 487: 471: 455: 443: 431: 419: 407: 385: 383: 380: 355: 352: 348:Andrew Parrott 295: 292: 272: 271:Move to London 269: 259:Samuel Beckett 143: 140: 112:Michael Morrow 108:Musical artist 107: 104: 103: 100: 96: 95: 92: 86: 85: 79: 75: 74: 71: 67: 66: 61: 57: 56: 48: 44: 43: 40: 36: 35: 34:2 October 1929 32: 28: 27: 25:Michael Morrow 24: 15: 9: 6: 4: 3: 2: 846: 835: 832: 830: 827: 825: 822: 820: 817: 815: 812: 810: 807: 805: 802: 801: 799: 788: 786:9781843844372 782: 778: 774: 769: 767: 764: 760: 758: 755: 753: 750: 748: 746: 743: 740: 736: 732: 730: 727: 723: 719: 716: 714: 711: 709: 705: 704: 696: 694: 692: 690: 689: 683: 679: 674: 667: 662: 655: 650: 643: 638: 631: 626: 619: 614: 607: 603: 598: 591: 586: 579: 574: 567: 563: 558: 551: 545: 538: 533: 526: 520: 513: 509: 503: 496: 491: 484: 480: 475: 468: 464: 459: 452: 447: 440: 435: 428: 423: 416: 411: 404: 403:9781843516651 400: 396: 390: 386: 379: 377: 373: 372:David Fallows 369: 368:Margaret Bent 365: 361: 351: 349: 343: 341: 337: 333: 329: 325: 320: 318: 313: 308: 306: 302: 291: 289: 285: 280: 278: 268: 266: 265: 260: 256: 252: 248: 247:Radio Éireann 244: 242: 237: 233: 229: 224: 222: 218: 214: 210: 205: 203: 198: 196: 192: 191:Reginald Gray 188: 184: 183:Brendan Behan 180: 176: 172: 168: 164: 159: 157: 153: 149: 139: 137: 133: 129: 125: 121: 117: 113: 101: 97: 93: 87: 83: 80: 78:Instrument(s) 76: 72: 70:Occupation(s) 68: 65: 62: 58: 54: 50:20 April 1994 49: 45: 41: 37: 33: 29: 22: 19: 776: 762: 738: 734: 725: 721: 717: 681: 677: 673: 665: 661: 653: 649: 641: 637: 629: 625: 617: 613: 605: 601: 597: 589: 585: 577: 573: 565: 561: 557: 549: 544: 536: 532: 524: 519: 512:The Guardian 511: 507: 502: 494: 490: 482: 478: 474: 466: 462: 458: 450: 446: 438: 434: 426: 422: 414: 410: 394: 389: 363: 357: 344: 328:Wigmore Hall 324:Fenton House 321: 309: 297: 281: 274: 262: 255:Alan Simpson 251:Pike Theatre 241:John Dowland 239: 236:John Beckett 230:, Paris and 225: 217:John Beckett 206: 199: 174: 160: 154:, a form of 145: 120:John Beckett 116:musicologist 111: 110: 90:Years active 18: 819:Early music 814:1994 deaths 809:1929 births 718:Early Music 539:, pp. 94–5. 305:Holly Mount 238:, entitled 202:Ballinasloe 175:avant-garde 156:haemophilia 124:early music 64:Early music 798:Categories 382:References 336:South Bank 142:Beginnings 134:and early 84:, recorder 481:, p. 88; 465:, p. 86; 334:, on the 277:Hampstead 53:Hampstead 261:'s play 232:Florence 195:recorder 132:Medieval 317:Frognal 219:in the 213:Merrion 177:artist 783:  401:  312:Jewish 228:Munich 148:Dublin 126:group 99:Labels 60:Genres 39:Origin 354:Death 187:Celia 781:ISBN 399:ISBN 82:Lute 47:Died 31:Born 800:: 737:, 378:. 370:, 342:. 197:. 94:30 789:.

Index

Hampstead
Early music
Lute
musicologist
John Beckett
early music
Musica Reservata
Medieval
Renaissance music
Dublin
Christmas disease
haemophilia
Hammersmith School of Art
Fitzwilliam Square
Beatrice ffrench-Salkeld
Cecil ffrench-Salkeld
Brendan Behan
Celia
Reginald Gray
recorder
Ballinasloe
Fitzwilliam Square
Merrion
John Beckett
National Library of Ireland
Munich
Florence
John Beckett
John Dowland
Radio Éireann

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