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my energy nor my youth, until I am fifty I intend to preserve a certain refined genre And, above all, I want to write, I need to write; nothing has given me so much pleasure since I was in the world, as a freshly edited book of mine smelling of fresh ink. I'm sorry I didn't come with you, I would have felt more accompanied, I would have worked, all these useless, demoralizing years weigh on me, but I will take revenge. I will make them useful, stimulating my enemies to tremble. On the slightest occasion I will do a
Sicilian horse entry again. There will be no one to stop me.
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bridge with scary stukes; and you could see the bombs falling and exploding nearby. There were dead people on the bridge. Something terrible! So, we headed to
Orleans, thinking we could rest there for a day or two, but when we got to see Orleans ... Orleans was on fire, because it had just been bombed. It was then that we slept in a country house that smelled of bad meat and sour wine, because it was evident that many people had passed by that house; and we slept there all night watching from the windows how Orleans burned.
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mother-in-law had traveled with Trabal to Roissy-en-Brie along with other members of the Trabal family. Consequently, this affair divided the
Catalan exiles into two opposing camps. According to Anna Murià, Francesc Trabal was opposed not only by his sister but by jealousy, since he would have had a secret relationship with Mercè Rodoreda in Barcelona that only the two of them and their confidante knew. Rodoreda wanted to write a book about it called The Roissy novel, however, she never decided to do it.
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mountain or walking through La Perla del Lago? I wrote it feverishly, as if every working day was the last of my life. I worked blinded; I would correct what I had written in the morning in the afternoon, ensuring that, despite the rush with which I was writing, the horse would not run out of control, holding the reins well so that it did not deviate from the path. It was a time of great nervous tension, which left me half ill.
1252:. Sales was delighted by the novel and started a correspondence with Rodoreda. From that moment, she found in the Editor Club a space where she could pour her literary work, where Salas was a co-founder. When it was published in 1962, the novel was not exactly the one that had been presented for the Sant Jordi prize, but it had received an extension both in chapters and in corrections by Salas, Obiols and the author herself.
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1403:, although they became estranged when Manrubio and Rodoreda went into exile in different countries. Also participating in this project were Carmen Manrubia's adopted son, Carlos, Susina Amat and Esther Floricourt. She lived in this house for six years, until in 1979 she built her own house in Romanyà. The name chosen by the two friends for the house,
439:; that place became the space for parties and family gatherings. The figure of her grandfather marked her intensely and she came to consider him her teacher. Gurguí instilled in her a deep Catalan feeling, and a love for the Catalan language and flowers that were well reflected throughout Mercè Rodoreda's work.
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in
Spanish in 1965. In 1971, her feeling of exile was accentuated with the death of her companion of many years, Armand Obiols, at the Vienna University Hospital. This fact, together with the discovery of another Obiols lover, left her even more alone and broken in Switzerland. During those days, she
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At
Manrubio's house she substantially completed the writing work for Broken Mirror that had already begun in Geneva years before. This work is considered the most successful of her literary production and was published in 1974. She also wrote there Trips to various towns within Trips and flowers and
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I have made blouses for nine French people and I have been very hungry. I have met very interesting people and the coat I am wearing was inherited from a
Russian Jewish woman who committed suicide with Veronal. In Limoges they kept an ovary of mine but what I will not leave in France will be neither
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After writing that second work, Joan Puig i
Ferrater, director of Ediciones Proa, visited her and was interested in publishing her next work: A day in the life of a man, which was published in the autumn of that same year in Proa. Rodoreda began to enter the literary world thanks to the help of Puig
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I write because I like to write. If it didn't seem like an exaggeration, I would say that I write to please myself. If others like what I write, the better. Perhaps it is deeper. Perhaps I write to affirm myself. To feel that I am ... And it's over. I have spoken of myself and essential things in my
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The war was over, and we had to leave Spain. Me, not for nothing, because I had never been in politics, but the fact of having written in
Catalan, and for having collaborated in magazines, let's say on the left, etcetera, etcetera. And advised by my mother, because I left thinking that after three,
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On
January 23, 1939, a few months before the defeat of the Republicans, she fled into exile. Thinking that the separation would be brief, she left her son with her mother. Although she had never participated in politics, she left on the advice of her mother, who feared problems due to collaborative
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On July 23, 1929, their only son, Jordi Gurguí i
Rodoreda, was born. From that moment on, Mercè Rodoreda began to do literary tests, to get rid of the economic and social dependency that the monotonous married life gave her. That is how she began to consider writing as a profession. Every day she
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might be interesting, but is it possible to explain how a novel is formed, what impulses provoke it, how strong a will does it make it continue, that what has been done has to end with a struggle? Started easily? Would it be enough to say that I was thinking of it in Geneva looking at the Salève
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So we started the retreat on foot for three weeks. We spent about three weeks fleeing from the Nazis and walking on French roads We passed over a bridge to Beaugency, which was being mined by French gunners. It was an afternoon with a very dark and very low sky. The Germans began to bombard the
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In 1931 she began to take classes at the Dalmau Lyceum, where she improved her knowledge of language under the guidance of the pedagogue, linguist and esperantist Delfí Dalmau i Enero, who greatly influenced her and encouraged her to train, and with whom a bond of friendship developed. Rodoreda
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In Roissy-en-Brie several love affairs arose; one of them was between Mercè Rodoreda and Armand Obiols. The problems in the castle arose because Armand Obiols was married to Francesc Trabal's sister and they had a son, who had remained in Barcelona with his mother. Furthermore, Armand Obiols'
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showed Dalmau what she wrote and he encouraged her to make these first texts public. According to Dalmau, Mercè Rodoreda was an exceptional student, possessing spiritual fulfillment and a promising literary soul. This admiration led Dalmau to ask her to be one of the counterparts in her work
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In 1921, her uncle Juan moved in with the family and changed the lifestyle of all its members, imposing austerity and conventional order. She had idealized him as a result of the letters she had previously received and ended up marrying him on October 10, 1928, her twentieth birthday, in the
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The joint project between Mercè Rodoreda and Manrubio failed. Mercè Rodoreda bought a piece of land in 1977 in which she had a house built next to the existing one; which would be finished in 1979. According to Anna Maria Saludes and Amat, this abandonment of the Manrubio house was given by
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In 1966, her mother, Montserrat Gurguí, died; and three years later her uncle-husband, Joan Gurguí. As a result of the death of her husband, the relationship between mother and son was strained due to problems with the distribution of the inheritance. However, in 1966 was the year in which
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From 1947 to 1953, Mercè Rodoreda was unable to cultivate extensive literature because just in 1945 she had begun to suffer from health problems, along with the reappearance of somatic paralysis in her right arm. For this reason, she intensified her poetic creation and found her teacher in
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where she published twenty-two contributions: five prose on traditional culture, thirteen interviews, two reviews, a short story, and three comments on political, musical and film themes. That same year, she joined the Barcelona Press Association, which evidenced her intention to formalize
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I remember the feeling of being at home when, leaning over the railing of the roof, I saw the blue flowers of the jacaranda fall on the grass and the hydrangeas. I will never know how to explain it; I have never felt more at home than when I lived at my grandfather's house with my parents.
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of the Department of Culture of the Generalitat and, following her wishes, Rodoreda was buried in the Romanyà de la Selva cemetery in a massive burial attended by many of her colleagues and colleagues. other personalities of the moment. Her intellectual legacy was inherited from the
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In Limoges, she settled in a room at 12 Hijas-Notre-Dame street. These were difficult times for Rodoreda, because on June 5, 1941, her partner Armand Obiols was arrested, and she was left alone until October of that year. During that time Armand Obiols had to do forced labor in
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In 1954, Rodoreda and Obiols moved into an apartment at 19 Violet street, in a bourgeois neighborhood in the city of Geneva. In this city, she always felt exiled and even recognized that Geneva "is a very boring city, suitable for writing". Shortly after, Obiols had to move to
1060:, and she made some of her own creations. In a 1954 letter to Armand Oriols she explains that she already had a "style and a world" in painting, yet she acknowledged that her place was in writing. On the other hand, Obiols, began to work as a translator for
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During the following months, the relationship between Mercè Rodoreda and Armand Obiols was mostly at a distance, and only sporadically could they see each other in person. It was not until the end of August 1943 that Rodoreda moved to number 43
860:. Josep Maria Esverd was able to get a truck to flee France; however, the next day the truck was requisitioned by French troops. After an unsuccessful attempt to catch a train, they had to flee south on foot. The objective was to cross the
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in a corner of Geneva that she frequented. It was a location near the United Nations building where the author regularly ate, and from where she had a great view in the dining room on the upper floors. As described in the prologue of
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In 1965, Rodoreda took the first steps in the publication of her Complete Works after a request from Joaquim Molas, however they would not be published in Ediciones 62 until 1977. The work did not include any of her first four works
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during her exile in France, while others were unpublished. As the author confessed, this book came from a technical crisis that led to an unequal literary level among the various stories, although they were tied by a thematic unit.
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She is considered the most influential contemporary Catalan language writer, as evidenced by the references of other authors in her work and the international repercussion, with translations into more than thirty languages.
84:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge.
805:, a town near the east of the capital. She settled in the castle of Roissy-en-Brie, an 18th-century building, which was offered as a refuge for writers. She shared a home for a few months with other intellectuals such as
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street in Bordeaux where she was reunited with her lover. In Bordeaux she lived very hard times and, in her words, she sewed "until dirty" in a warehouse for much of the day, a job that did not leave her time to write.
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in order to enter the unoccupied area, but shortly before reaching Orleans it was found on fire and there was no bridge left on that stretch of the Loire River; consequently, they deviated from the fixed route.
1391:- in Romanyà de la Selva, which was a house owned by her friend Carmen Manrubia, however it had been designed by both of them. Her friendship with Carmen Manrubia existed since when they worked together in the
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street, in the residential area of Saint-Germain-des-Prés, which was a meeting place for many intellectuals of the time. This was her home for eight years and, in fact, she did not fully disengage until 1977.
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After the wedding, the couple went to Paris on a honeymoon, and then they settled in a house on Zaragoza Street. Her husband had gone to Argentina when he was very young and had returned with a small fortune.
560:, An Apology for Catalan and Esperanto; she answered affirmatively and the piece was published in 1934. As the teacher Dalmau recognized, this work had also been influenced by Rodoreda's observations.
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was the title of a potential novel by the author that remained incomplete, and was kept in the archives of the Institute of Catalan Studies. The title is the name of a restaurant on the shore of
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countries and others preferred to stay in France; this last destination was the one chosen by Rodoreda and Obiols. Later they moved to the Villa Rosset house, on the outskirts of the city.
346:, 1962) has become the most popular Catalan novel to date and has been translated into over 30 languages. Some critics consider it to be one of the best novels published in Spain after the
429:. In 1910, Pere Gurguí had a monument in memory of Jacint Verdaguer erected in the garden of his house that bore an engraving with the title of the two most important works of the author,
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Mercè Rodoreda, along with other writers who were still taking refuge in France, had to flee from Paris in mid-June 1940 due to the advance of the Germans army going in the direction of
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center, which was closest to her home, on Calle de Padua, at the height of the street of Vallirana. Later she went to an academy where she studied only French and business arithmetic.
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From 1937 until that moment, Rodoreda held the position of Catalan language corrector in the Generalitat's Propaganda Commissariat. In this place she met writers of that time such as
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at the Muñoz Clinic, in Girona. During her last days, when she was already admitted to the hospital, she reconciled with the members of her family after they were notified by
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activities with Catalan publications and some left-wing magazines in previous years. Along with other intellectuals of the time, she went from Barcelona to Gerona with a
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in 1933, although the winner of that year was Carles Soldevila. Also in that year of 1932, on October 20, she published an interview with the actress Maria Vila in the
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without her having submitted a candidacy; This fact was used for the direction to decide to award a work already published. With this same novel she also received the
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After her death, one more of her artistic aspects was discovered, painting, which had remained in the background due to the importance that Rodoreda gave to writing:
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These two books were published in 1980 and with these she won the City of Barcelona Award. That same year, he also went to Barcelona to make the proclamation of the
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I live in a very nice studio, above a park, with a seven-story house in front of it, but quite far away. On the one hand a piece of lake, and on the other, the
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The return to Paris took place in September 1946 when Rodoreda and Obiols moved to the house of Rafael Tasis in exile, the house was located at number 9
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917:. When Obiols was already in better living conditions in Bordeaux, Rodoreda became involved in a study circle dedicated to reading and learning the
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
1531:. As explained by Rodoreda's close friend, Isabel Parés, when Rodoreda was diagnosed with cancer, she collapsed and did not want to fight to live.
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641:, which she dedicated to Josep Carner. In addition, she combined it with the publication of stories in the leading Catalan press media such as
1448:, which was premiered in the same year by the Brujas de Dol company at the Sitges International Theater Festival directed by Aracelli Bruch.
716:. This was the first work that Rodoreda accepted as hers, although later she rewrote and published it again. The same year, on behalf of the
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was published which, a year earlier, had received the prestigious Victor Català Prize. Some of these stories had already been published in
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owned by the Ministry of Culture of the Generalitat of Catalonia, then she followed the path through Mas Perxés, in the municipality of
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On May 18, 1913, when she was only five years old, she performed for the first time in a play playing the role of the girl Kitty in
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According to some unpublished annotations that spoke of Geneva, Rodoreda revealed that during those years she saw writers such as
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685:. That same year, she separated from her husband Joan Gurguí, after nine years of marriage and with one child. Her alleged lover,
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Mercè Rodoreda i Joaquín Soler Serrano (1981). 'A fondo' (Producción Televisiva). Televisión Española. Dura 00:35:14 - 00:36:46.
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Mercè Rodoreda i Joaquín Soler Serrano (1981). 'A fondo' (Producción Televisiva). Televisión Española. Dura 00:29:13 - 00:29:49.
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wrote a shocking little card about the hard days she spent in the hospital; currently, this card is kept in the archives of the
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for work reasons. That same year, Rodoreda made a trip to Barcelona to attend the wedding of her son, Jordi Gurguí i Rodoreda.
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Josep M. Gurguí, Margarida Puig, Isabel Parés, Montserrat Casals, Núria Folch, Pere Gimferrer, Josep Maria Castellet (2008).
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Josep M. Gurguí, Margarida Puig, Isabel Parés, Montserrat Casals, Núria Folch, Pere Gimferrer, Josep Maria Castellet (2008).
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Josep M. Gurguí, Margarida Puig, Isabel Parés, Montserrat Casals, Núria Folch, Pere Gimferrer, Josep Maria Castellet (2008).
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Josep M. Gurguí, Margarida Puig, Isabel Parés, Montserrat Casals, Núria Folch, Pere Gimferrer, Josep Maria Castellet (2008).
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At the beginning of 1947, she was able to leave her job as a seamstress to go back to work as a collaborator in the magazine
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In those last years of her life, Mercè Rodoreda saw her novels several times on the small and big screen. First, her novel
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Rodoreda's need to follow a life in solitude typical of her character; fruit of the difficult coexistence between the two.
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1437:("It looked like silk and other stories") was published, which was a compilation of stories written throughout her life.
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that was in Manuel Angelon's maternal house, which possibly later served as an inspiration to include the dovecote in
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Her parents' financial problems forced her to leave school at age nine, from 1915 to 1917 at the Lurdes School in the
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Content in this edit is translated from the existing Catalan Knowledge article at ]; see its history for attribution.
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In 1998, a literature prize was instituted in her name: the Mercè Rodoreda prize for short stories and narratives.
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During the last period of her life, her works developed from her usual psychologic style to become more akin to
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From 1970 onwards, her work began to be translated into other languages, though her first translated work was
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Rodoreda Gurguí, Mercè "Món d'Ulisses". La Nostra Revista, numbers. 35-36, Novembre-Desembre 1948, page. 367.
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3301:"La muerte de Mercè Rodoreda supone la desaparición de una de las mayores figuras de la literatura catalana"
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and also some stories for various newspapers. The work went almost unnoticed until it was nominated for the
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2372:"Mercè Rodoreda: un viatge entre paraules i flors. (Mercè Rodoreda: a trip between words and flowers.)"
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for her literary career in the Catalan language, thus achieving her consecration as a writer. In 1978,
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https://web.archive.org/web/20160303180726/http://www.escriptors.cat/autors/rodoredam/cronoteatre.pdf
892:, which was completely destroyed. From there they traveled even further south, this time settling in
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She also has been called the most important Catalan female novelist of the postwar period. Her novel
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During her childhood she read all the classic and modern Catalan authors, such as Jacint Verdaguer,
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Vosburg, Nancy (1993). Gould Levine, Linda; Engelson Marson, Ellen; Feiman Waldman, Gloria (eds.).
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spa. During the years that she was in Paris, she also began two novels that she did not finish.
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From 1935 to 1939, she published a total of sixteen stories for children in the newspaper
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gave her the third victory in the Floral Games contest and, consequently, she was named "
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During her long stay in Geneva, she created a garden that she would later replicate in
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to adapt it to the level of her current work; and that it would be reissued in 1969.
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In 1959, Rodoreda began to write the novel that was possibly the best of her career
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theater. Years later, this character was, in a certain way, recovered for the story
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street. A short time later, the couple moved to the sixth floor of number 21 on
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The atmosphere of stability offered by the castle was disturbed by the start of
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in 1949. That same year she visited Barcelona for the first time after exile.
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2022:) trans. Martha Tennent and Maruxa Relaño (Rochester, New York: Open Letter)
2000:) trans. Martha Tennent and Maruxa Relaño (Rochester, New York: Open Letter)
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thanks to Quiroga Plá, and two years later, in 1953, he permanently moved to
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On October 1, 1933, she began her journalistic career in the weekly magazine
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at Lourdes School. In the same act she also read the poem in Catalan called
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3025:"Una segona edició "en veu baixa": 'Vint-i-dos contes', de Mercè Rodoreda"
1884:) trans. David H. Rosenthal (Saint Paul, Minnesota: Graywolf Press, 1993)
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Death fled through the heart and when I no longer had death inside I died.
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At 1:30 p.m. on April 13, 1983, Mercè Rodoreda died of very advanced
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325:; 10 October 1908 – 13 April 1983) was a Spanish novelist, who wrote in
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Quanta, quanta guerra '...' ("So Much War …") (Barcelona: Club Editor).
1622:("One Day in the Life of a Man") (Barcelona: Biblioteca a Tot Vent 70).
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In 1982, she wrote a compilation of biographical articles published in
1195:"; however, this novel was published in 1967 this time under the title
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she was awarded the Joan Santamaria Prize in Barcelona that same year.
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For twelve days they were sheltered in a farm until the signing of the
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to the source of your translation. A model attribution edit summary is
2532:"Mercè Rodoreda - Autors a lletrA - La literatura catalana a internet"
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trans. David H. Rosenthal (Port Townsend, Washington: Graywolf Press)
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life, with a certain lack of measure. And excess has always scared me.
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Rodoreda Gurguí, Mercè «Imatges d'infantesa». Serra d'Or, XXIV, 1982.
2338:(1st ed.). Westport, Connecticut: Greenwood Press. p. 413.
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four or five months I would return home, but then it became eternal.
1766:("It Seemed Like Silk and Other Stories") (Barcelona: Edicions 62).
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that had not been able to premiere. She also published two works:
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Mercè Rosa Rodoreda i Gurguí was born on October 10, 1908, at 340
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1813:
Mercè Rodoreda: A Selected and Annotated Bibliography (1963-2001)
1729:("Isabel and Maria") ed. Carme Arnau) (Valencia: Ediciona 3 i 4).
893:
857:
512:. He was fourteen years older than her and, due to the degree of
392:
24:
300:
81:
3354:
2255:, indicates that she was born on October 18, not on October 10.
1488:
1409:
1127:
1078:
1065:
1061:
998:
975:
910:
733:
193:
1906:) trans. Josep Miquel Sobrer (Lincoln, Nebraska: Bison Books)
2985:". La Nova Revista, number. 6, Juliol-Agost 1956, page. 21-22
1642:(Barcelona: Institució de les Lletres Catalanes), revised in
1022:
971:
913:. However, several efforts by Rodoreda got him to be sent to
861:
798:
254:
1122:
In 1958 the book of short stories written under the name of
840:
399:
at the School of Dramatic Art (which would later become the
1948:, trans. Martha Tennent (Rochester, New York: Open Letter)
1559:, which years later created the Mercè Rodoreda Foundation.
226:
2677:
1930:) trans. Martha Tennent (Rochester, New York: Open Letter
1602:("Am I an Honest Woman?") (Barcelona: Llibreria Catalòna).
997:
held in London, she won her first Natural Flower with six
681:
She was awarded the 1937 Joan Crexells Prize for her work
2918:". La Nostra Revista, numbers. 45, 30-IX-1949, page. 284.
1756:("My Christina and Other Stories") (Barcelona: Edins 62).
1666:("The Street of the Camellias") (Barcelona: Club Editor).
888:, after they crossed the Loire River through the town of
417:
Her maternal grandfather, Pere Gurguí, was an admirer of
1719:
ed. Carme Arnau (Barcelona: Institut d'Estudis Catalan).
2596:
1632:("Murder") (Barcelona: Edicions de la Rosa dels Vents).
1484:
and was a member and honorary member after her return.
1191:, although she did not win but Ricard Salvat did with "
801:
at the end of February and in early April she moved to
2651:"Les primeres novel·les de Mercè Rodoreda (1932-1936)"
1746:("Twenty Two Stories") (Barcelona: Editorial Selecta).
1207:", although it would later become part of the volume "
592:
Independent Casino Award of the Floral Games of Lleida
3085:
Rodoreda, Mercè | Corpus Literari Ciutat de Barcelona
2725:"Un agente estalinista, cerebro del asesinato de Nin"
586:
In the spring of 1934 she published her second work,
1107:
In 1956, she won the Joan Maragall Essay Prize with
708:
In 1938, the fifth novel by Mercè Rodoreda entitled
563:
In 1932, the first novel by Mercè Rodoreda entitled
77:
3400:
Nation A Domestic Existentialist: On Mercè Rodoreda
2699:"Premi Joan Crexells: 80 anys de novel·la catalana"
769:; where they spent three days and then traveled to
35:; both are generally joined by the conjunction "i".
2253:The Barcelona City Council Birth Registration book
1844:) trans. David H. Rosenthal (New York: Taplinger)
1368:
1327:Serra d'Or Critical Prize for Literature and Essay
1275:In 1961, she sent another work to the same award,
1113:La Gaceta de Letras de La Nova Revista (1955-1958)
3378:Mirror Play: Virtual Exhibition on Mercè Rodoreda
1776:("Travels and Flowers") (Barcelona: Edicions 62).
1333:in 1969. In 1967, she began working on the novel
732:at the international congress of the PEN club in
3419:
835:
724:, she traveled together with the Catalan writer
1676:("Garden by the Sea") (Barcelona: Club Editor).
1612:("What one Cannot Flee") (Barcelona: Clarisme).
1519:Mercè Rodoreda's grave in the Romanyà cemetery.
848:bridge, where Rodoreda crossed the Loire River.
496:On May 30, 1920, she participated in the drama
31: and the second or maternal family name is
3463:Premi d'Honor de les Lletres Catalanes winners
2207:
1429:. Also in that same year, she was awarded the
1281:, which did not win either, but rather it was
1111:that was published in the literary supplement
753:, until crossing the administrative border by
102:accompanying your translation by providing an
68:Click for important translation instructions.
55:expand this article with text translated from
1017:and two more untitled sonnets. With the poem
403:). Her mother also had an interest in music.
3029:Marges, Els: Revista de llengua i literatura
2885:Marges, Els: Revista de llengua i literatura
2678:"lletrA - La literatura catalana a internet"
2672:
2670:
2599:"ARCA. Arxiu de Revistes Catalanes Antigues"
1656:("Diamond Square") (Barcelona: Club Editor).
1341:was the result of the reworking of the play
1025:, a poem that was published in the magazine
606:, made up of authors such as Armand Obiols,
602:i Ferrater himself, who opened the doors of
3161:Associació d'Escriptors en Llengua Catalana
1978:) trans. Peter Bush (London : Virago)
1815:(Lanham, Maryland: Scarecrow Press, 2004)
1686:("Broken Mirror") (Barcelona: Club Editor).
1500:Associació d'Escriptors en Llengua Catalana
1431:Catalan Literary Lifetime Achievement Award
1407:, refers to the stigma of Cain in the work
1048:, interested above all in painters such as
940:Mercè Rodoreda, excerpt from the letter to
761:on January 30. After spending the night in
2806:
2804:
2191:"Mercè Rodoreda: creating the world again"
1733:
1234:. In 1960, she submitted the novel to the
550:
148:
2802:
2800:
2798:
2796:
2794:
2792:
2790:
2788:
2786:
2784:
2667:
1444:In 1979, she wrote her theatrical comedy
1205:The 7 Deadly Sins Seen by 21 Storytellers
114:{{Translated|ca|Mercè Rodoreda i Gurguí}}
2878:
2567:
1579:
1550:The burning chapel was installed in the
1514:
1465:in the role of Colometa and directed by
1372:
839:
828:. At that time, some decided to flee to
809:, César Augusto Jordana, Armand Obiols,
658:In 1936 she published her fourth novel,
376:
3390:Biography and reviews at escriptors.com
3289:. Event occurs at 00:32:20 - 00:35:00.
3274:
3272:
3270:
3189:. Event occurs at 00:25:07 - 00:27:55.
3136:. Event occurs at 00:22:56 - 00:25:00.
3117:. Event occurs at 00:20:28 - 00:20:52.
2927:
2331:
1827:
1497:She was made a Member of Honour of the
387:Her parents were Andreu Rodoreda, from
3420:
3227:
3225:
3210:
3208:
3206:
3204:
3202:
3200:
3198:
3196:
3151:
3149:
3147:
3145:
3143:
3052:
3050:
3048:
3046:
2993:
2991:
2963:
2961:
2959:
2957:
2955:
2953:
2951:
2934:(in Catalan). L'Abadia de Montserrat.
2849:(in Catalan). L'Abadia de Montserrat.
2838:
2836:
2834:
2832:
2830:
2781:
2693:
2691:
2576:(in Catalan). L'Abadia de Montserrat.
2496:
2494:
2492:
2490:
2403:
2401:
1946:The Selected Stories of Mercè Rodoreda
583:collaboration with journalistic work.
266:Premi d'Honor de les Lletres Catalanes
3022:
2842:
2758:
2756:
2754:
2752:
2722:
2645:
2643:
2621:
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2563:
2561:
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2557:
2555:
2553:
2551:
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2547:
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2524:
2522:
2464:
2462:
2460:
2458:
2456:
2454:
2366:
2364:
2362:
2313:
2311:
2215:¿Sabe usted quién era Mercè Rodoreda?
1349:and a collection of stories entitled
1209:It looked like silk and other stories
533:locked herself for a while in a blue
340:('The diamond square', translated as
320:
3267:
2285:
2283:
2281:
2279:
1584:
1482:Catalan Language Writers Association
995:Floral Games of the Catalan Language
739:
665:
523:
37:
3395:Mercè Rodoreda at Open Letter Books
3222:
3193:
3140:
3043:
2988:
2948:
2827:
2688:
2572:Mercè Rodoreda, l'obra de preguerra
2487:
2398:
2120:"Mercè Rodoreda, vint anys després"
899:
13:
3258:"Las tres casas de Mercè Rodoreda"
2749:
2640:
2616:
2542:
2519:
2451:
2359:
2308:
2243:Rodoreda, Mercè (julio 2008), p.36
2188:
596:The little mermaid and the dolphin
14:
3494:
3468:Deaths from liver cancer in Spain
3347:
2928:Virgili, Antoni Rovira i (2002).
2276:
1780:
1480:. Mercè Rodoreda belonged to the
1383:In 1972, she spent the summer in
1199:. She also wrote the short story
792:
637:, dedicated to her son, and also
3353:
2597:Biblioteca de Catalunya (2018).
1962:La miva Cristina i alters contes
1860:My Christina & Other Stories
1764:Semblava de seda i altres contes
1754:La meva Cristina i altres contes
1435:Semblava de seda i altres contes
1321:was published that received the
875:Mercè Rodoreda in the interview
783:Mercè Rodoreda in the interview
728:, and read a welcome written by
272:Premi Joan Crexells de narrativa
42:
3325:
3293:
3250:
3174:
3121:
3100:
3075:
3016:
2975:
2921:
2908:
2899:
2872:
2863:
2818:
2716:
2682:Universitat Oberta de Catalunya
2590:
2536:Universitat Oberta de Catalunya
2389:
2325:
2062:
2043:
1805:
1563:Beloved, these things are life.
1369:Romanyà de la Selva (1972-1983)
3478:20th-century Spanish novelists
3183:'Mercè Rodoreda, vida secreta'
3130:'Mercè Rodoreda, vida secreta'
2881:"Mercè Rodoreda: Obra poètica"
2258:
2246:
2237:
2201:
2182:
2168:
2143:
2112:
714:Institution of Catalan Letters
112:You may also add the template
1:
2969:"L'eclosió literària Ginebra"
2637:. During 00:20:48 - 00:21:22.
2105:
1557:Institute for Catalan Studies
1351:My Cristina and other stories
1098:Mercè Rodoreda, interview by
1044:In 1951, she also approached
944:(Bordeaux, December 19, 1945)
836:Escaping from the Nazi troops
410:and from 1917 to 1920 at the
3448:Women writers from Catalonia
3371:Open University of Catalonia
3282:Mercè Rodoreda, vida secreta
3110:Mercè Rodoreda, vida secreta
2931:Cartes de l'exili, 1939-1949
2701:. 2008-09-25. Archived from
2633:' (Television Productions).
2568:Mercadal, Neus Real (2005).
2504:. 2008-07-08. Archived from
2153:. 2016-04-19. Archived from
1709:") (Barcelona: Club Editor).
1266:Mercè Rodoreda, prologue to
1237:Premi Sant Jordi de novel·la
598:", which is currently lost.
391:and Montserrat Gurguí, from
371:
363:Mercè Rodoreda, prologue of
23:, the first or paternal
7:
3216:"El recer celest a Romanyà"
2723:Viñas, Angel (2007-04-21).
2091:
1620:Un dia de la vida d'un home
460:The Mysterious Jimmy Samson
384:carrer de Balmes, Barcelona
10:
3499:
3483:20th-century Spanish women
3307:(in Spanish). 1983-04-13.
1491:in its more cryptic form.
1303:A day in the life of a man
1256:Explaining the genesis of
1115:. Likewise, for her story
76:Machine translation, like
18:
1882:El carrer de les Camèlies
1793:(Barcelona: Edicions 62)
1664:El carrer de les Camèlies
1646:(Barcelona: Edicions 62).
1589:
1232:El Club de los Novelistas
1071:
886:armistice of 22 June 1940
604:El Club de los Novelistas
412:Nuestra Señora de Lourdes
322:[məɾˈsɛruðuˈɾɛðə]
298:
293:
283:
260:
242:
232:
214:
204:
183:
159:
147:
140:
57:the corresponding article
16:Spanish novelist and poet
3458:Catalan-language writers
3453:Novelists from Catalonia
3285:(Producció Televisiva).
3233:"Chronology (1971-1983)"
3185:(Producció Televisiva).
3132:(Producció Televisiva).
3113:(Producció Televisiva).
3089:(in Catalan). 8 May 2020
3058:"Chronology - 1960-1970"
2999:"Chronology - 1954-1959"
2981:Rodoreda Gurguí, Mercè "
2914:Rodoreda Gurguí, Mercè "
2879:Rodoreda, Mercè (1984).
2846:Reflexions de la vellesa
2812:"L'exili francès: París"
2764:"Chronology (1939-1953)"
2655:www.cervantesvirtual.com
2470:"Chronology (1928-1938)"
2291:"Chronology (1908-1921)"
2049:Briefly reviewed in the
1610:Del que hom no pot fugir
1510:
1397:Generalitat of Catalonia
1319:La calle de las Camelias
1224:), published in 1962 as
1124:Twenty-two short stories
1109:Three Sonnets and a Song
1102:to Mercè Rodoreda (1972)
949:
2983:Tres sonets i una cançó
2209:García Márquez, Gabriel
2176:"www.mercerodoreda.cat"
1998:Quanta, quanta guerra …
1734:Short story collections
1507:is named in her honor.
1393:Propaganda Commissariat
1331:Ramon Llull Novel Award
1193:Animals destroying laws
1179:In 1958, she submitted
551:Second Spanish Republic
314:Mercè Rodoreda i Gurguí
123:For more guidance, see
3438:Writers from Barcelona
1928:La mort i la primavera
1811:Mendos, Maria Isidra,
1717:La mort i la primavera
1703:La mort i la primavera
1600:Soc una dona honrada?
1577:
1548:
1520:
1380:
1273:
1189:Joanot Martorell Prize
1105:
947:
882:
849:
790:
625:, in a section called
588:What cannot be escaped
565:Am I an honored woman?
487:Josep Maria de Sagarra
456:
369:
318:Catalan pronunciation:
3473:Spanish women writers
3023:Arnau, Carme (1974).
2627:Joaquín Soler Serrano
2319:"Rodoreda theatrical"
2270:July 8, 2008, at the
1838:The Time of the Doves
1580:Selected bibliography
1572:The Time of the Doves
1561:
1533:
1518:
1376:
1358:La Plaza del Diamante
1295:I am an honest woman?
1258:La Plaza del Diamante
1254:
1217:The Time of the Doves
1083:
932:
867:
843:
775:
712:was published by the
678:and Carmen Manrubia.
631:Noteworthy is The Boy
627:A while with children
540:The Time of the Doves
498:Fifteen Days of Reign
453:(Images of childhood)
441:
377:Childhood (1908-1921)
355:
343:The Time of the Doves
247:The Time of the Doves
125:Knowledge:Translation
96:copyright attribution
3362:at Wikimedia Commons
2843:Murià, Anna (2003).
2195:Institut Ramon Llull
2051:April 25, 2016 issue
1976:La plaça del diamant
1828:English translations
1654:La plaça del diamant
1458:La plaça del Diamant
1289:who was victorious.
1268:La plaça del Diamant
1227:La plaça del Diamant
993:In 1947, during the
968:Revista de Catalunya
464:Torrent de les Flors
401:Institute of Theater
338:La plaça del diamant
2635:Televisión Española
2625:Mercè Rodoreda and
2070:"Garden By the Sea"
1387:- currently called
1283:Josep Maria Espinàs
1181:Una mica d'història
1151:Romanyà de la Selva
1035:Mestre en Gai Saber
797:She arrived in the
701:, in the prison of
648:La Veu de Catalunya
451:Imatges d'infantesa
427:L'Arc de Sant Martí
408:Sarrià neighborhood
277:Mestre en Gai Saber
209:Romanyà de la Selva
3405:2018-04-06 at the
3383:2014-04-24 at the
2076:. 10 November 2019
1705:ed. Nuria Folch ("
1521:
1427:Festes de la Mercè
1381:
1299:What cannot escape
1246:Living is not easy
1142:and his wife, and
907:Saillat-sur-Vienne
850:
759:Northern Catalonia
518:papal dispensation
510:church of Bonanova
472:Twenty-two stories
470:, within the work
104:interlanguage link
3358:Media related to
2941:978-84-8415-406-8
2856:978-84-8415-476-1
2583:978-84-8415-712-0
2439:Missing or empty
2020:Jardi vora el mar
2016:Garden By the Sea
1972:In Diamond Square
1958:Vint-i-dos contes
1956:. (Selected from
1842:Plaça del diamant
1744:Vint-i-dos contes
1674:Jardí vora el mar
1585:Original editions
1401:Spanish Civil War
1347:Garden by the Sea
1329:in 1967, and the
1242:Vivir es no facil
1197:Garden by the Sea
1165:La Perla del Lago
1027:La Nostra Revista
740:Exile (1938-1972)
703:Alcalá de Henares
666:Spanish Civil War
616:Fyodor Dostoevsky
524:Youth (1921-1938)
348:Spanish Civil War
311:
310:
136:
135:
69:
65:
3490:
3374:
3367:"Mercè Rodoreda"
3357:
3341:
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3297:
3291:
3290:
3276:
3265:
3264:
3262:
3254:
3248:
3247:
3245:
3244:
3235:. Archived from
3229:
3220:
3219:
3212:
3191:
3190:
3178:
3172:
3171:
3169:
3168:
3157:"Mercè Rodoreda"
3153:
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3119:
3118:
3104:
3098:
3097:
3095:
3094:
3079:
3073:
3072:
3070:
3069:
3060:. Archived from
3054:
3041:
3040:
3020:
3014:
3013:
3011:
3010:
3001:. Archived from
2995:
2986:
2979:
2973:
2972:
2965:
2946:
2945:
2925:
2919:
2912:
2906:
2903:
2897:
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2861:
2860:
2840:
2825:
2822:
2816:
2815:
2808:
2779:
2778:
2776:
2775:
2766:. Archived from
2760:
2747:
2746:
2744:
2743:
2720:
2714:
2713:
2711:
2710:
2695:
2686:
2685:
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2517:
2516:
2514:
2513:
2502:"Mercè Rodoreda"
2498:
2485:
2484:
2482:
2481:
2472:. Archived from
2466:
2449:
2448:
2442:
2437:
2435:
2427:
2425:
2424:
2418:
2412:. Archived from
2405:
2396:
2393:
2387:
2386:
2384:
2383:
2374:. Archived from
2368:
2357:
2356:
2354:
2352:
2329:
2323:
2322:
2315:
2306:
2305:
2303:
2302:
2293:. Archived from
2287:
2274:
2262:
2256:
2250:
2244:
2241:
2235:
2234:
2232:
2230:
2205:
2199:
2198:
2189:Porras, Marina.
2186:
2180:
2179:
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2166:
2165:
2163:
2162:
2151:"Mercè Rodoreda"
2147:
2141:
2140:
2138:
2137:
2131:
2125:. Archived from
2124:
2116:
2086:
2085:
2083:
2081:
2066:
2060:
2047:
1994:War, So Much War
1575:
1568:Mercè Rodoreda,
1546:
1540:Mercè Rodoreda,
1423:War, So Much War
1323:Sant Jordi Prize
1287:The Last Landing
1271:
1203:for the volume "
1185:A bit of history
1103:
1029:that same year.
945:
919:English language
900:Limoges-Bordeaux
880:
788:
655:, among others.
594:with the story "
547:was proclaimed.
516:, they needed a
454:
449:Mercè Rodoreda,
419:Jacint Verdaguer
367:
324:
319:
307:
304:
302:
190:
169:
167:
152:
138:
137:
115:
109:
82:Google Translate
67:
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38:
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3418:
3417:
3407:Wayback Machine
3385:Wayback Machine
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2326:
2317:
2316:
2309:
2300:
2298:
2289:
2288:
2277:
2272:Wayback Machine
2265:tvcatalunya.com
2263:
2259:
2251:
2247:
2242:
2238:
2228:
2226:
2211:(18 May 1983).
2206:
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2149:
2148:
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2122:
2118:
2117:
2113:
2108:
2099:Òmnium Cultural
2094:
2089:
2079:
2077:
2068:
2067:
2063:
2048:
2044:
1923:Death in Spring
1900:A Broken Mirror
1878:Camellia Street
1830:
1808:
1791:Obres completes
1783:
1774:Viatges i flors
1736:
1707:Death in Spring
1592:
1587:
1582:
1576:
1567:
1547:
1543:Death in Spring
1539:
1513:
1478:Childhood Files
1467:Francesc Betriu
1371:
1278:Death in Spring
1272:
1265:
1159:Viatges i Flors
1104:
1100:Baltasar Porcel
1097:
1074:
952:
946:
939:
902:
890:Meung-sur-Loire
881:
874:
838:
811:Francesc Trabal
795:
789:
782:
765:, they went to
742:
726:Francesc Trabal
699:Alexander Orlov
672:Aurora Bertrana
668:
608:Francesc Trabal
553:
545:Second Republic
526:
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170:10 October 1908
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3397:
3392:
3387:
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3363:
3360:Mercè Rodoreda
3349:
3348:External links
3346:
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3324:
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3221:
3192:
3173:
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2074:Kirkus Reviews
2061:
2056:The New Yorker
2041:
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2039:
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2009:
1987:
1965:
1939:
1915:
1904:Mirall trencat
1893:
1871:
1853:
1829:
1826:
1825:
1824:
1807:
1804:
1803:
1802:
1782:
1781:Complete works
1779:
1778:
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1767:
1757:
1747:
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1730:
1727:Isabel i Maria
1720:
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1684:Mirall Trencat
1677:
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1552:Palau Solterra
1537:
1512:
1509:
1389:La Senyal Vell
1378:El senyal vell
1370:
1367:
1270:(26th edition)
1263:
1140:Julio Cortázar
1095:
1073:
1070:
951:
948:
937:
901:
898:
872:
837:
834:
830:Latin American
803:Roissy-en-Brie
799:French capital
794:
793:Roissy-en-Brie
791:
780:
741:
738:
667:
664:
569:Crexells Prize
552:
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303:.mercerodoreda
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261:Notable awards
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251:Mirall trencat
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191:(aged 74)
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153:
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142:Mercè Rodoreda
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3351:
3340:of 1983/04/16
3339:
3338:
3337:La Vanguardia
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3310:
3306:
3302:
3296:
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3284:
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3275:
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3271:
3259:
3253:
3239:on 2010-09-30
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3088:
3086:
3078:
3064:on 2010-09-30
3063:
3059:
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3038:
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3019:
3005:on 2010-09-30
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2770:on 2010-09-30
2769:
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2755:
2753:
2738:
2734:
2730:
2726:
2719:
2705:on 2008-09-25
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2684:(in Catalan).
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2538:(in Catalan).
2537:
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2527:
2525:
2523:
2508:on 2008-07-08
2507:
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2493:
2491:
2476:on 2010-09-30
2475:
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2446:
2433:
2419:on 2016-03-03
2415:
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2408:. 2016-03-03
2404:
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2392:
2378:on 2010-09-30
2377:
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2345:9780313268236
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2297:on 2010-09-30
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2196:
2192:
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2177:
2171:
2157:on 2016-04-19
2156:
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2132:on 2022-12-23
2128:
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2028:9781948830089
2025:
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2017:
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2010:
2007:
2003:
1999:
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1339:Broken mirror
1336:
1335:Broken Mirror
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1174:Broken Mirror
1170:
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1144:Jorge Semprún
1141:
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1050:Pablo Picasso
1047:
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1019:Món d'Ulisses
1016:
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623:La Publicidad
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514:consanguinity
511:
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483:Joan Maragall
480:
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423:La Renaixensa
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288:Armand Obiols
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248:
245:
243:Notable works
241:
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220:
217:
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210:
207:
205:Resting place
203:
199:
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187:13 April 1983
186:
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111:
105:
101:
97:
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75:
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72:
66:
60:
58:
53:You can help
49:
40:
39:
34:
30:
26:
22:
3410:
3335:
3327:
3316:. Retrieved
3304:
3295:
3283:
3280:
3252:
3241:. Retrieved
3237:the original
3182:
3176:
3165:. Retrieved
3163:(in Catalan)
3160:
3129:
3123:
3111:
3108:
3102:
3091:. Retrieved
3084:
3077:
3066:. Retrieved
3062:the original
3028:
3018:
3007:. Retrieved
3003:the original
2982:
2977:
2930:
2923:
2916:Albes i nits
2915:
2910:
2901:
2884:
2874:
2865:
2845:
2820:
2772:. Retrieved
2768:the original
2740:. Retrieved
2728:
2718:
2707:. Retrieved
2703:the original
2681:
2658:. Retrieved
2654:
2607:. Retrieved
2605:(in Catalan)
2603:arca.bnc.cat
2602:
2592:
2573:
2570:
2535:
2510:. Retrieved
2506:the original
2478:. Retrieved
2474:the original
2441:|title=
2421:. Retrieved
2414:the original
2391:
2380:. Retrieved
2376:the original
2349:. Retrieved
2334:
2327:
2299:. Retrieved
2295:the original
2260:
2248:
2239:
2227:. Retrieved
2225:(in Spanish)
2220:
2214:
2203:
2194:
2184:
2170:
2159:. Retrieved
2155:the original
2145:
2134:. Retrieved
2127:the original
2114:
2097:
2078:. Retrieved
2073:
2064:
2054:
2045:
2033:
2019:
2015:
2011:
1997:
1993:
1989:
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1967:
1961:
1957:
1945:
1941:
1927:
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1903:
1899:
1895:
1881:
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1873:
1859:
1855:
1841:
1837:
1833:
1812:
1806:Bibliography
1790:
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1615:
1609:
1605:
1599:
1595:
1570:prologue to
1569:
1562:
1549:
1541:
1534:
1525:liver cancer
1522:
1505:Platja d'Aro
1498:
1496:
1493:
1486:
1477:
1471:
1461:(1982) with
1456:
1452:
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1155:Real Flowers
1154:
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1133:
1123:
1121:
1116:
1112:
1108:
1106:
1084:
1075:
1043:
1034:
1031:Albes i nits
1030:
1026:
1018:
1014:
1010:
1006:
1002:
992:
988:Châtel-Guyon
984:Josep Carner
980:
967:
965:
960:Cherche-Midi
959:
955:
953:
933:
926:
923:
903:
883:
876:
868:
851:
826:World War II
823:
819:
796:
784:
776:
757:and entered
743:
709:
707:
682:
680:
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659:
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562:
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554:
538:
531:
527:
506:
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497:
495:
491:Josep Carner
476:
471:
468:The bathroom
467:
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382:
380:
364:
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331:
313:
312:
264:
189:(1983-04-13)
100:edit summary
91:
62:
54:
32:
28:
21:Catalan name
3443:War writers
3433:1983 deaths
3428:1908 births
3031:: 105–114.
1463:Silvia Munt
1399:during the
1201:Ron Negrita
1169:Lake Geneva
1007:Amor novell
862:Loire River
815:Carles Riba
730:Carles Riba
612:Joan Oliver
479:Ramon Llull
436:L'Atlàntida
64:(June 2018)
3422:Categories
3412:The Nation
3318:2021-07-30
3243:2021-07-28
3167:2021-07-27
3093:2021-07-27
3068:2021-07-27
3009:2021-07-26
2774:2021-07-19
2742:2021-07-18
2709:2021-07-18
2660:2021-07-18
2609:2021-07-18
2512:2021-07-18
2480:2021-07-18
2423:2021-07-18
2382:2021-07-18
2351:11 October
2301:2021-07-18
2161:2021-07-18
2136:2021-07-18
2106:References
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1984:1844087379
1936:1940953286
1912:0803239637
1890:155597192X
1868:0915308657
1850:0915308754
1821:0810850001
1799:8429711716
1725:(posth.),
1715:(posth.),
1701:(posth.),
1529:Joan Sales
1474:Serra d'Or
1446:El Maniquí
1421:the novel
1250:Joan Sales
1187:) for the
1091:Mont Blanc
1039:Montevideo
1011:Adam a Eva
942:Anna Murià
927:Chauffours
856:by way of
807:Anna Murià
773:by train.
755:Le Perthus
747:bookmobile
687:Andreu Nin
676:Anna Murià
643:La Revista
575:magazine.
397:Adrià Gual
215:Occupation
166:1908-10-10
59:in Catalan
3313:1134-6582
3037:2339-8256
2893:2339-8256
2887:: 55–71.
2737:1134-6582
2629:(1981). '
1489:symbolism
1405:La senyal
1385:La Senyal
1058:Joan Miró
1054:Paul Klee
956:Coëtlogon
846:Beaugency
767:Perpignan
763:Le Boulou
722:Catalonia
695:Barcelona
691:La Rambla
639:The Sheet
635:The House
462:, at the
372:Biography
223:Dramatist
198:Catalonia
177:Catalonia
173:Barcelona
118:talk page
3403:Archived
3381:Archived
2432:cite web
2268:Archived
2229:29 March
2092:See also
2080:15 March
2034:———————
1566:—
1538:—
1264:—
1222:Colometa
1117:Carnaval
1096:—
1046:painting
938:—
915:Bordeaux
873:—
781:—
771:Toulouse
751:Agullana
718:PEN Club
580:Clarisme
558:Polémica
535:dovecote
502:La negra
447:—
389:Terrassa
361:—
233:Language
219:Novelist
94:provide
29:Rodoreda
19:In this
3332:Article
3305:El País
2729:El País
2631:A fondo
2222:El País
2059:, p.95.
1476:titled
1395:of the
1157:within
999:sonnets
894:Limoges
877:A fondo
858:Artenay
854:Orléans
785:A fondo
653:Mirador
573:Mirador
393:Maresme
327:Catalan
294:Website
284:Partner
237:Catalan
200:, Spain
179:, Spain
116:to the
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1128:Mexico
1087:Salève
1079:Vienna
1072:Geneva
1066:Geneva
1062:UNESCO
976:Mexico
911:quarry
879:(1981)
787:(1981)
734:Prague
431:Canigó
279:(1949)
274:(1937)
269:(1980)
194:Girona
33:Gurguí
3261:(PDF)
2417:(PDF)
2130:(PDF)
2123:(PDF)
2038:Notes
1640:Aloma
1511:Death
1453:Aloma
1343:A day
1311:Aloma
1307:Crime
1285:with
1037:" in
1023:Paris
1015:Ocell
972:Chile
950:Paris
909:in a
710:Aloma
683:Aloma
255:Aloma
78:DeepL
3309:ISSN
3033:ISSN
2936:ISBN
2889:ISSN
2851:ISBN
2733:ISSN
2578:ISBN
2445:help
2353:2018
2340:ISBN
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2002:ISBN
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1305:and
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974:and
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813:and
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651:and
633:and
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433:and
425:and
305:.cat
227:Poet
184:Died
160:Born
92:must
90:You
3409:by
3334:in
3287:TV3
3187:TV3
3134:TV3
3115:TV3
2053:of
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1363:IEC
720:of
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