218:, and feels strangely disappointed at not being invited. Back home he tells his mother that he has been invited along on a skiing weekend with friends â the group of teenagers â even though this is not true. His mother is so happy at his progress in making friends that she shuts herself in the bathroom and cries with joy. Because she is so happy in the following days, Lorenzo feels unable to admit that it is not true. On the day of departure his mother drives him to the house of Alessia Roncato, the girl whose family are organising the trip, but he manages to persuade her to drop him off a few blocks early. Once she has left, he watches for a few moments from a distance as the family packs the car, then heads back towards home on the tram with his skis. While waiting near his apartment building, he receives a call from his mother who wishes to thank Alessiaâs mother. He lies, saying that she canât speak because sheâs driving. He is then able to sneak back into the basement of the apartment building, where he plans to spend the week in hiding, having prepared food, drinks and his
226:
to investigate. A short while later he hears someone trying to open the lock to the basement and Olivia enters, looking for something in a box of her old things. She doesnât find it and leaves in desperation. In the middle of the night she returns, knocking on the window and asking
Lorenzo if she can stay the night. At first he refuses categorically, but when she threatens to tell everyone he is there, he backs down. This turns out to be useful, since his mother soon calls again, more insistent than ever that she needs to speak to Alessiaâs mother, and he persuades Olivia to pretend to be her.
233:, and this is why sheâs in a desperate situation. She asks him for some sleeping pills. The only place he can think of getting them is from his grandmother who is dying in hospital. He visits her and finds the pills in her handbag, but ends up spending much longer at the hospital than intended when his grandmother wakes up and asks him to tell her a story. Once back in the basement, Lorenzo finds Olivia passed out, almost dead. During his absence she has rummaged through all the boxes and found and taken some sleeping pills. She sleeps solidly for three days.
502:
27:
225:
He continues to receive calls from his mother, but then also one from his half-sister, Olivia, from his fatherâs first marriage, nine years older than him and who he hasnât seen in a long time. She asks if his parents are at home, and he pretends not to know, thinking his parents might have asked her
236:
By the end of the week, the relationship between
Lorenzo and Olivia has changed from hostility to complicity, since they both feel rejected by society, both have secrets, and both feel understood, without judgement, by the other. Olivia promises not to use drugs anymore and they both promise to stay
240:
It is this note that
Lorenzo has ten years later, in the first and last pages of the book, that form a narrative frame. Lorenzo, now 24, is on his way to identify her body after she has died of an overdose.
207:
in 2000. The main character is
Lorenzo, a 14-year-old highly introverted boy who has had problems socialising and relating to other children since he was little. He is diagnosed with
419:
211:, a fact that makes him feel superior to others and does not want to mix in. The only people worthy of his affection are his father, his mother and his grandmother.
214:
Growing up, Lorenzo learns to blend in with others to appear normal. One day he hears a group of teenagers at his school organising a skiing holiday in
408:
507:
270:
described the novel as "near-perfect" and acclaimed the vitality of the two characters and the relationship between them.
208:
131:
237:
in touch. On the last morning
Lorenzo awakes to find a note Olivia has left, reminding him of their mutual promise.
540:
187:. Since the novel served as a screenplay for the movie, Ammaniti was nominated for Best Screenplay at the 2013
550:
535:
470:
545:
442:
357:
325:
229:
It turns out, though, that Olivia has become a drug addict and is suffering from withdrawal from
258:
described the novel as "an original, thought-provoking and well-written piece of fiction". The
379:
215:
264:
praised how the novel was able to beautifully capture the eccentricity of the protagonist.
8:
352:
180:
76:
173:
40:
188:
295:
184:
138:
126:
159:
447:
414:
384:
260:
254:
249:
192:
26:
529:
299:
475:
330:
266:
515:
289:
145:
219:
519:
310:
230:
169:
139:
103:
204:
497:
407:
527:
508:Children and Young Adult Literature portal
399:
284:
282:
25:
468:
405:
323:
279:
191:awards and Best Screenplay at the 2013
528:
440:
406:Ippolito, Emilia (14 February 2012).
345:
469:Robinson, David (10 January 2012).
13:
14:
562:
493:
441:Evans, David (10 February 2012).
434:
409:"Me and You, By Niccolò Ammaniti"
324:Bradshaw, Peter (18 April 2013).
209:narcissistic personality disorder
500:
422:from the original on 12 May 2022
380:"Me and You by Niccolò Ammaniti"
462:
372:
317:
16:2010 novel by Niccolò Ammaniti
1:
273:
244:
7:
10:
567:
203:The action takes place in
92:2012 (Black Cat) (English)
471:"Book review: Me And You"
353:"Niccolò Ammaniti Awards"
183:adapted the novel into a
137:
125:
117:
109:
99:
82:
72:
64:
56:
46:
36:
24:
89:2010 (Einaudi) (Italian)
358:Internet Movie Database
252:gave the novel a "Bâ".
198:
31:First edition (Italian)
541:Italian bildungsromans
163:
326:"Me and You â review"
185:film of the same name
193:Italian Golden Globe
551:Fiction set in 2000
536:2010 Italian novels
181:Bernardo Bertolucci
77:Coming-of-age story
47:Original title
21:
546:Novels set in Rome
189:David di Donatello
179:In 2012, director
19:
216:Cortina dâAmpezzo
151:
150:
100:Publication place
558:
510:
505:
504:
503:
488:
487:
485:
483:
466:
460:
459:
457:
455:
438:
432:
431:
429:
427:
411:
403:
397:
396:
394:
392:
376:
370:
369:
367:
365:
349:
343:
342:
340:
338:
321:
315:
314:
308:
306:
286:
174:Niccolò Ammaniti
141:
41:Niccolò Ammaniti
29:
22:
18:
566:
565:
561:
560:
559:
557:
556:
555:
526:
525:
506:
501:
499:
496:
491:
481:
479:
467:
463:
453:
451:
448:Financial Times
439:
435:
425:
423:
415:The Independent
404:
400:
390:
388:
385:complete review
378:
377:
373:
363:
361:
351:
350:
346:
336:
334:
322:
318:
304:
302:
288:
287:
280:
276:
261:Financial Times
255:The Independent
250:complete review
247:
201:
110:Media type
95:
32:
17:
12:
11:
5:
564:
554:
553:
548:
543:
538:
524:
523:
518:in libraries (
512:
511:
495:
494:External links
492:
490:
489:
461:
433:
398:
371:
344:
316:
277:
275:
272:
246:
243:
200:
197:
149:
148:
143:
135:
134:
129:
123:
122:
119:
115:
114:
111:
107:
106:
101:
97:
96:
94:
93:
90:
86:
84:
80:
79:
74:
70:
69:
66:
62:
61:
58:
54:
53:
48:
44:
43:
38:
34:
33:
30:
15:
9:
6:
4:
3:
2:
563:
552:
549:
547:
544:
542:
539:
537:
534:
533:
531:
521:
517:
514:
513:
509:
498:
478:
477:
472:
465:
450:
449:
444:
443:"Roman rehab"
437:
421:
417:
416:
410:
402:
387:
386:
381:
375:
360:
359:
354:
348:
333:
332:
327:
320:
312:
301:
297:
293:
292:
285:
283:
278:
271:
269:
268:
263:
262:
257:
256:
251:
242:
238:
234:
232:
227:
223:
221:
217:
212:
210:
206:
196:
194:
190:
186:
182:
177:
175:
171:
167:
166:
161:
157:
156:
147:
144:
142:
136:
133:
132:9788806206802
130:
128:
124:
120:
116:
112:
108:
105:
102:
98:
91:
88:
87:
85:
81:
78:
75:
71:
67:
63:
59:
55:
52:
49:
45:
42:
39:
35:
28:
23:
480:. Retrieved
476:The Scotsman
474:
464:
452:. Retrieved
446:
436:
424:. Retrieved
413:
401:
389:. Retrieved
383:
374:
362:. Retrieved
356:
347:
335:. Retrieved
331:The Guardian
329:
319:
309:– via
303:. Retrieved
290:
267:The Scotsman
265:
259:
253:
248:
239:
235:
228:
224:
213:
202:
178:
164:
154:
153:
152:
50:
220:PlayStation
60:Kylee Doust
20:Me and You
530:Categories
516:Me and You
291:Me and you
274:References
155:Me and You
57:Translator
482:15 August
454:15 August
426:15 August
391:15 August
364:15 August
337:15 August
305:16 August
300:741538973
245:Reception
146:781237328
83:Published
522:catalog)
520:WorldCat
420:Archived
311:WorldCat
65:Language
168:) is a
165:Io e te
160:Italian
68:Italian
51:Io e te
298:
231:heroin
37:Author
170:novel
118:Pages
113:Print
104:Italy
73:Genre
484:2015
456:2015
428:2015
393:2015
366:2015
339:2015
307:2015
296:OCLC
205:Rome
199:Plot
140:OCLC
127:ISBN
172:by
121:117
532::
473:.
445:.
418:.
412:.
382:.
355:.
328:.
294:.
281:^
222:.
195:.
176:.
162::
486:.
458:.
430:.
395:.
368:.
341:.
313:.
158:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
