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Giuliani's expression and tone in guitar playing were astonishing, and a competent critic said of him: "He vocalized his adagios to a degree impossible to be imagined by those who never heard him; his melody in slow movements was no longer like the short, unavoidable staccato of the piano, requiring
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In Vienna he became acquainted with the classical instrumental style. In 1807, Giuliani began to publish his own compositions. His concert tours took him all over Europe, and he was acclaimed for his virtuosity and musical taste. He achieved significant success and became a musical celebrity, equal
1017:
Thomas F. Heck: "The birth of the classic guitar and its cultivation in Vienna, reflected in the career and compositions of Mauro
Giuliani (died 1829)" ; Biography in Vol. 1, Thematic catalogue of the complete works of Mauro Giuliani in Vol. 2. Type: English : Doctoral dissertation, Yale
338:
Giuliani's achievements as a composer were numerous. Giuliani's 150 compositions for guitar with opus number constitute the nucleus of the nineteenth-century guitar repertory. He composed extremely challenging pieces for solo guitar as well as works for orchestra and Guitar-Violin and Guitar-Flute
127:
where he moved with his brother Nicola in the first years of his life. His first instrumental training was on the celloâan instrument which he never completely abandonedâand he may have also studied the violin. Subsequently, he devoted himself to the guitar, becoming a skilled performer on it in a
183:. This exposure gave Giuliani prominence in the musical environment of the city. Also in 1815, he was the official concert artist for the celebrations of the Congress of Vienna. Two years earlier, on 8 December 1813, he had played (probably cello) in an orchestra for the first performance of
243:
profusion of harmony to cover the deficient sustension of notes, but it was invested with a character, not only sustained and penetrating, but of so earnest and pathetic a description as to make it appear the natural characteristic of the instrument. In a word, he made the instrument sing."
798:
in Paris 1812, and later given to
Giuliani: is known to have been in Giuliani's possession only briefly. Giuliani later gave it to the amateur guitarist Christopher Bilderbeck de Monte as a present. However, Giuliani did not often play this 1812 guitar: it hardly shows signs of
1052:
Roger West Hudson: The orchestration of the guitar concerto : a comparison of the
Concerto in A major, op. 30, by Mauro Giuliani and the Concierto del sol by Manuel Ponce. Type: English : Book Book : Thesis/dissertation/manuscript. Publisher: 1992.
232:
and the
Bourbon court. During this Neapolitan period, he appeared frequently in duo concert with his daughter Emilia, who had become a skilled performer on the guitar. Toward the end of 1827 his health began to fail; and he died in Naples on 8 May 1829.
143:
without his family. There he began a relationship with the
Viennese Anna Wiesenberger (1784â1817), with whom he had four daughters, Maria Willmuth (born 1808), Aloisia Willmuth (born 1810), Emilia Giuliani (born 1813) and Karolina Giuliani (born 1817).
1006:
Filippo E Araniti: Nuove acquisizioni sull'opera e sulla vita di Mauro
Giuliani : gli anni del soggiorno napoletano (1824â1829) Type: Italian : Book Book Publisher: Barletta-Trani : Regione Puglia-Assessorato Pubblica Istruzione, 1993.
938:
Thomas F. Heck: Mauro
Giuliani : virtuoso guitarist and composer. Columbus : Editions Orphée, 1995. Reprinted in paperback 1997. Sold out in 2005; superseded by Mauro Giuliani : a Life for the Guitar (2013) cited above. (English)
705:
Giuliani is the only guitarist of the first generation of classical guitar who did not publish a method. However, he left behind a vast collection of studies and exercises that are still used in a guitarist's early training today:
1425:
1093:
Kurt L Schuster: Performing Joseph Haydn's
Divertimento a quattro, opus 2, no. 2 and Mauro Giuliani's Grand sonata eroica, opus 150. Type: English : Book Book : Thesis/dissertation/manuscript. Publisher: 1989.:
976:: Mauro Giuliani (1782â1829) : profilo biografico-critico ed analisi delle trascrizioni per chitarra Type: Italian : Book Book : Thesis/dissertation/manuscript Publisher: Anno accademico 1990â1991.
198:, who published many of his works for guitar, but had dealings with other local publishers who spread his compositions across Europe. He developed a teaching career here as well; among his numerous students were
224:
to be with his father, who was seriously ill. In the
Bourbon city of Naples, Giuliani would find a better reception to his guitar artistry, and was able to publish other works for guitar with local publishers.
1317:
1488:
817:, the wife of Napoleon, who later gave it to Giuliani. This instrument became one of his favourites. Not only the model is the same, but also are the different types of wood used for its construction."
820:
However Paul
Pleijsier is critical of these claims; and has found flaws and inconsistencies in Accornero's claims. Pleijsier states that there is no evidence that Giuliani ever played the 1825 Pons.
209:
In 1819 Giuliani left Vienna, mainly for financial reasons: he expected to make financial profit on a concert tour through Bohemia and Bavaria. He returned to Italy, spending time in Trieste and
217:
from 1821 to 1826, together with Giuliani's first illegitimate daughter Maria Willmuth. In Rome he had little success, publishing only a few compositions and giving only one concert.
880:
Thomas F. Heck: Mauro Giuliani : a life for the guitar (GFA Refereed Monographs, 2) : Published as an e-book (Kindle, ePub) by the Guitar Foundation of America, 2013.
1021:
Brian Jeffery: Introductions and indexes to Mauro Giuliani : Complete Works. Type: English : Book Book.Publisher: Penderyn, South Wales : Tecla Editions, 1988.
151:
Giuliani defined a new role for the guitar in the context of European music. He was acquainted with the highest figures of Austrian society and with notable composers such as
273:â an extremely popular form in Vienna. He had a remarkable ability to weave a melody into a passage with musical effect while remaining true to the idiom of the instrument.
1443:
986:
Marco Riboni: Mauro Giuliani (1781â1829) : profilo biografico-critico ed analisi delle trascrizioni per chitarra Type: English : Book Book Publisher: , 1992.
2590:
1485:
213:, and finally settled in Rome. In 1822 he brought his illegitimate daughter Emilia to Italy, who had been born in Vienna in 1813. She was educated at the nunnery
2610:
1321:
362:
written in the Italian style. He also transcribed many symphonic works, both for solo guitar and guitar duo. One such transcription arranges the overture to
811:. Though this is probably a deceptive and possibly intentionally ambiguous claim. Gianni Accornero wrote the CD's liner notes about the guitar, and claims:
1313:
1437:
925:
2403:
1263:
1135:
2605:
1083:
Horacio Ceballos: Sonata Op. 15 by Mauro Giuliani. Type: Spanish : Book Book. Publisher: Buenos Aires, Argentina : RICORDI, 1977.
1273:
368:
by Rossini, for two guitars. There are further numerous didactic works, among which is a method for guitar that is used by modern teachers.
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to the best of the many instrumentalists and composers who were active in the Austrian capital city at the beginning of the 19th century.
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735:(Exercise for the guitar, containing 24 pieces of the greatest difficulty, including various preludes, passaggi, and solo pieces)
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1219:
1063:
Heike Vajen Rossiniana no. 6 op. 124 by Mauro Giuliani.Type: German : Book Book. Publisher: Celle : Moeck, (1986).
933:
920:
885:
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He married Maria Giuseppe del Monaco, and they had a child, Michael, born in Barletta in 1801. After that he was possibly in
139:
for a brief stay. By the summer of 1806, fresh from his studies of counterpoint, cello and guitar in Italy, he had moved to
846:
2580:
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814:
795:
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His three-movement sonata Op. 15 is a clever, witty work and one of the most developed examples of the genre for guitar.
996:
Brian Jeffery: Introduction and indexes Type: English : Book Book Publisher: London : Tecla Editions, ©1988.
1371:
1347:
1122:
2484:
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944:
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1073:
Volker Höh: Sonata op. 15 : Fingersatz by Mauro Giuliani. Type: Book Book Publisher: Celle : Moeck, 1989.
2600:
2585:
1398:
229:
896:
Mauro Giuliani, Ascesa e declino del virtuoso della chitarra (Guitar virtuoso: his early life and final decline)
2595:
756:(Instructive, easy, and agreeable studies⊠containing a collection of cadences, caprices, rondos, and preludes)
1963:
693:
The "Introduction" from Rossiniana No. 2 has become well known in popular culture due to its inclusion in the
1367:
1118:
754:
Etudes instructives, faciles, et agréables⊠contenant un Recueil de Cadences, Caprices, Rondeaux, et Préludes
733:
Esercizio per la chitarra, contenente 24 pezzi della maggiore difficoltĂ , diversi preludi, passagi, ed assolo
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Pons l'Aßné (Joseph Pons), (Paris 1825) (now in the collection of Gianni Accornero)
1633:
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Significant pieces by Giuliani include his three guitar concertos (op. 30, 36 and 70); a series of six
188:
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1194:
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Gennaro Fabricatore, (Naples 1809) (now in the collection of Gianni Accornero)
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1377:
824:"E` interessante notare che questa Pons Ăš molto simile (per non-dire identica) a quella di Giuliani"
786:
At the bottom of the guitar, one can see the initials M G. The guitarcase also has the initials M G.
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828:"It is interesting to note that this Pons is very similar (if not identical) to that of Giuliani"
453:
446:
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1823:
928:: La sexta cuerda. Vida narrada de Mauro Giuliani (Spanish edition). Editorial Piles, Valencia.
686:
2514:
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1838:
1583:
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278:
179:, concerts that were called the "Dukaten Concerte", after the price of the ticket, which was a
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2008:
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320:(1799), with music by Franz Xaver SĂŒssmayr (1766â1803) and text by Friedrich Karl Lippert. (
159:, and cooperated with the best active concert musicians in Vienna. In 1815 he appeared with
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In Vienna, Giuliani had minor success as a composer. He worked mostly with the publisher
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Giuliani arranged many 19th century opera themes for the guitar, e.g. from the opera
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Today, Giuliani's concertos and solo pieces are widely performed by professionals.
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813:"This instrument is in actual fact identical to the one which Joseph had made for
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508:
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494:
358:, op. 65, for strings and guitar; some collections for voice and guitar, and a
351:
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766:
Only six studies were ever published in this collectionânot 24, and no part 2.
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reside at the pinnacle of nineteenth-century operatic pot pourri for guitar.
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1208:
Lisa Feurzeig; John Sienicki; Friedrich Satzenhoven; Franz Volkert (2007).
1181:
Affecting or moving the tender emotions, esp. pity or grief; full of pathos
277:
One example of this ability is to be found in his Variations on a theme of
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zealous with sincerity; with hearty endeavor; heartfelt; fervent; hearty
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used the same theme in his work op.105, number 3 for flute and piano.)
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304:, op. 38, which is a set of variations on the Austrian folk song
195:
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132:
1324:) Liner notes about the instrument, written by Gianni Accornero.
1042:
Book: Thesis/dissertation/manuscript Publisher: 1991. (English)
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Of the instruments used by Giuliani, there are guitars made by:
888:. Updates the author's 1995 monograph on Giuliani, cited below.
749:(Delightful Studies, or, Collection of various Original Pieces)
221:
210:
140:
76:
175:, in a series of chamber concerts in the botanical gardens of
973:
180:
1456:(sheetmusic largely compiled from the above primary sources)
2330:
248:
Philip James Bone, The guitar and mandolin, 1914 (page 127)
1404:
Found: A Giuliani Guitar, Kept In A London Bank Since 1816
1295:
Found: A Giuliani Guitar, Kept In A London Bank Since 1816
747:
Studi Dilettevoli ossia Raccolta di vari Pezzi Originali
1423:
Rischel & Birket-Smith's Collection of guitar music
915:, Bari, Levante, 2008 ("La Puglia nei documenti", 12).
717:
Part One, for the right hand (120 Right Hand Studies)
685:"Questo nome che suona vittoria", Allegro brillante (
400:
316:(1768â1822) and text by Schikaneder; and in the play
961:
Omaggio a Mauro Giuliani : l'Orfeo della Puglia
637:"Questo Ăš un nodo avviluppato", Andante sostenuto (
306:
A Schisserl und a Reindl, is Ă„ll mein Kuchlg'schirr
302:
Sei variazioni sull'aria "A Schisserl und a Reindl"
128:short time. The names of his teachers are unknown.
963:Type: Italian : Book Book Publisher: , 1999.
822:Eduardo Catemario (the performer on the CD) notes
104:, cellist, singer, and composer. He was a leading
2591:People from the Province of Barletta-Andria-Trani
1192:
479:"Deh ! Calma, o ciel", Andantino sostenuto (
346:for guitar solo, op. 119â124, based on airs from
2527:
772:
589:"Ah se puoi cosĂŹ lasciarmi", Allegro Maestoso (
2611:Musicians from the Kingdom of the Two Sicilies
913:La sesta corda. Vita narrata di Mauro Giuliani
354:for violin and guitar and flute and guitar; a
350:operas and entitled the "Rossiniane"; several
1538:
869:
809:"Giuliani's original Guitar Pons l'Aßné 1825"
374:
269:As a guitar composer he was very fond of the
1372:"New Light on Mauro Giuliani's Vienna Years"
1305:
1303:
1123:"New Light on Mauro Giuliani's Vienna Years"
678:"Oh quante lagrime finor versai", Maestoso (
493:"Non piĂč mesta accanto al fuoco", Maestoso (
459:"Cara, per te questâanima", Allegro Vivace (
1040:The flute and guitar duos of Mauro Giuliani
438:"Languir per una bella", Andante grazioso (
220:In July 1823 he began a series of trips to
100:(27 July 1781 â 8 May 1829) was an Italian
1545:
1531:
1438:George C. Krick Collection of Guitar Music
452:"Caro, caro ti parlo in petto", Moderato (
31:
1464:International Music Score Library Project
1300:
623:"E tu quando tornerai", Andantino mosso (
572:Introduction (Sostenuto-Allegro Maestoso)
644:"LĂ seduto lâamato Giannetto", Allegro (
486:"Arditi allâire", Allegretto innocente (
407:
281:, Op. 107. This popular theme, known as
1332:
1330:
1290:
1288:
1177:Webster's Revised Unabridged Dictionary
1156:Webster's Revised Unabridged Dictionary
792:Pons l'Aßné (Joseph Pons), (Paris 1812)
412:Original Cover of Part 1 of Giuliani's
393:also includes numerous themes from the
264:
228:In 1826 he performed in Portici before
98:Mauro Giuseppe Sergio Pantaleo Giuliani
44:Mauro Giuseppe Sergio Pantaleo Giuliani
2528:
445:"Con gran piacer, ben mio", Maestoso (
260:List of compositions by Mauro Giuliani
1526:
1479:
726:Part Four, twelve progressive lessons
651:"Zitti zitti, piano piano", Allegro (
2606:Musicians from the Kingdom of Naples
1327:
1285:
833:
575:"Forse un dĂŹ conoscerete", Andante (
123:, Giuliani's center of study was in
2551:19th-century Italian male musicians
2404:Tchaikovsky and the Belyayev circle
796:Archduchess Marie Louise of Austria
555:"Cinto di nuovi allori", Maestoso (
534:"Oh mattutini albori!", Andantino (
507:"Fertilissima Regina", Allegretto (
293:from Handel's Suite no. 5 in E for
13:
2576:Italian Classical-period composers
2556:Composers for the classical guitar
1552:
1500:"Images related to Mauro Giuliani"
1211:Quodlibets of the Viennese theater
596:"Piacer egual gli dei", Maestoso (
14:
2622:
1361:
1348:Catemario on the 1825 Pons guitar
1337:Duimzuigerij over een Pons-gitaar
524:Introduction (Maestoso Sostenuto)
2571:Italian male classical composers
2546:19th-century classical composers
2509:
2500:
2499:
1428:Det Kongelige Bibliotek, Denmark
837:
815:Empress Marie-Louise of Habsburg
671:"Qual mesto gemito", Larghetto (
1341:
1195:"The guitar and mandolin, 1914"
1137:Ăsterreichisch-ungarische Revue
620:Introduction (Allegro con brio)
91:, cellist, singer, and composer
1378:Musical Manuscripts Collection
1254:
1228:
1201:
1186:
1165:
1144:
1128:
1112:
874:
807:The back cover of a CD claims
794:This Pons guitar was made for
742:(Eighteen Progressive Lessons)
500:"Di piacer mi balza il cor", (
300:Another example is Giuliani's
1:
1460:Free scores by Mauro Giuliani
1416:
1261:Giuliani's Fabricatore guitar
1179:. G. & C. Merriam. 1913.
1158:. G. & C. Merriam. 1913.
1105:
761:24 Prime Lezioni, Parte prima
548:"Sorte! Secondami", Allegro (
541:"Questo vecchio maledetto", (
330:The several sets of extended
2566:Italian classical guitarists
1495:(www.beethoven-haus-bonn.de)
773:Instruments used by Giuliani
431:"Assisa a piĂš dâun salice" (
114:
16:Italian composer (1781â1829)
7:
2447:Gothic Revival architecture
1434:The Music Library of Sweden
1395:by Philip James Bone, 1914)
1032:
763:(24 First Lessons, Part 1)
720:Part Two, for the left hand
700:
111:of the early 19th century.
10:
2627:
2581:Italian Romantic composers
2561:Italian classical cellists
2388:Neue Zeitschrift fĂŒr Musik
1563:List of Romantic composers
1193:Philip James Bone (1914).
870:Books about Mauro Giuliani
723:Part Three, ornaments etc.
714:("Studio" for the guitar)
375:Original sources of themes
257:
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740:XVIII Leçons Progressives
285:The Harmonious Blacksmith
236:
84:
65:
39:
30:
23:
2409:Tchaikovsky and The Five
582:"Mi cadono le lagrime" (
476:Introduction (Sostenuto)
428:Introduction (Andantino)
314:Johann Baptist Henneberg
253:
2601:19th-century guitarists
2586:Italian male guitarists
1406:by Paul Pleijsier, 2001
1392:The guitar and mandolin
1297:by Paul Pleijsier, 2001
668:Introduction (Maestoso)
527:"Un soave non-so che" (
200:Jan Nepomucen Bobrowicz
2432:Common practice period
1038:Yvonne Regina Chavez:
712:Studio per la chitarra
416:
312:(1796), with music by
251:
2596:20th-century cellists
1449:maurogiuliani.free.fr
1440:Washington University
1399:Associazione Giuliani
1318:Giuliani Concerto CD2
1314:Giuliani Concerto CD1
1266:21 March 2017 at the
1214:. A-R Editions, Inc.
653:Le Barbier de SĂ©ville
632:Le Barbier de SĂ©ville
411:
401:Themes in Giuliani's
365:The Barber of Seville
240:
215:L'adorazione del GesĂč
161:Johann Nepomuk Hummel
2469:Romantic nationalism
2415:War of the Romantics
1505:NYPL Digital Gallery
1491:13 July 2015 at the
1276:25 July 2018 at the
851:adding missing items
687:Le siĂšge de Corinthe
630:"Una voce poco fa" (
557:Ricciardo et ZoraĂŻde
271:theme and variations
265:Theme and variations
2464:Musical nationalism
2382:Musical nationalism
1382:Harry Ransom Center
1310:CD back cover image
605:La pierre de touche
603:"Voglio ascoltar" (
598:Mathilde de Shabran
454:LâItalienne Ă Alger
447:LâItalienne Ă Alger
440:LâItalienne Ă Alger
308:, used in the play
163:(followed later by
2377:Indianist movement
2295:Romantic orchestra
1480:Images of Giuliani
1454:creativeguitar.org
1240:Learn Guitar Today
849:; you can help by
417:
2523:
2522:
2394:New German School
1989:Felix Mendelssohn
1984:Fanny Mendelssohn
1316:(also available:
1221:978-0-89579-623-3
1018:University, 1970.
934:978-84-15928-62-1
921:978-88-7949-495-3
886:978-0-9833602-1-6
867:
866:
543:Le Turc en Italie
395:operas of Rossini
387:Gioachino Rossini
318:Der Marktschreyer
310:Der Kaufmannsbude
289:, appears in the
177:Schönbrunn Palace
167:), the violinist
119:Although born in
95:
94:
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2502:
2399:Post-romanticism
2264:Vaughan Williams
1547:
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1432:Boije Collection
1412:(Tecla Editions)
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1307:
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1236:"Mauro Giuliani"
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189:Seventh Symphony
171:and the cellist
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2321:Chorale prelude
2316:Character piece
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1734:Ferdinand David
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1374:(Vienna, 2015)
1368:Michael Lorenz
1363:
1362:External links
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1242:. 22 July 2021
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1125:(Vienna, 2015)
1119:Michael Lorenz
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646:La pie voleuse
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204:Felix Horetzky
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1570:Composers and
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945:0-936186-87-9
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904:88-87618-06-2
901:
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861:
858:February 2011
852:
848:
845:This list is
843:
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661:Rossiniana VI
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565:Rossiniana IV
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469:Rossiniana II
467:
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458:
455:
451:
448:
444:
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437:
434:
430:
427:
426:
422:
419:
418:
415:
414:Le Rossiniane
410:
404:
403:Le Rossiniane
398:
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391:Le Rossiniane
388:
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85:Occupation(s)
83:
78:
68:
64:
59:
42:
38:
34:
29:
22:
19:
2490:
2483:
2386:
2370:Other topics
2194:J. Strauss I
2084:Rachmaninoff
1839:Gretchaninov
1808:
1503:
1391:
1343:
1256:
1244:. Retrieved
1239:
1230:
1210:
1203:
1188:
1180:
1176:
1167:
1159:
1155:
1146:
1136:
1130:
1114:
1039:
974:Marco Riboni
960:
912:
895:
855:
827:
823:
812:
808:
802:
789:
781:
776:
760:
753:
746:
739:
732:
711:
704:
692:
660:
613:Rossiniana V
612:
564:
516:
468:
421:Rossiniana I
420:
413:
402:
390:
380:
378:
370:
363:
341:
337:
331:
317:
309:
305:
301:
290:
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268:
241:
227:
219:
214:
208:
193:
150:
146:
130:
118:
97:
96:
71:(1829-05-08)
54:27 July 1781
18:
2541:1829 deaths
2536:1781 births
2437:Romanticism
2219:Tchaikovsky
2154:R. Schumann
2149:C. Schumann
2134:Saint-Saëns
2029:Niedermeyer
1919:Leoncavallo
1889:Kalkbrenner
1664:Bortkiewicz
1470:Free scores
1444:GFA Archive
1410:Information
1246:10 November
875:Biographies
697:Italy map.
389:. His work
295:harpsichord
230:Francesco I
173:Joseph Merk
2530:Categories
2425:Background
2326:Intermezzo
2259:Wieniawski
2239:Vieuxtemps
2204:R. Strauss
2129:Rubinstein
2054:Paderewski
2024:Mussorgsky
2019:Moszkowski
1994:Mercadante
1417:Sheetmusic
1173:"pathetic"
1106:References
847:incomplete
639:Cendrillon
529:Cendrillon
509:Cendrillon
495:Cendrillon
382:Semiramide
332:Rossiniana
69:8 May 1829
50:1781-07-27
2039:Offenbach
2014:Moscheles
2009:Moniuszko
2004:Meyerbeer
1959:Marschner
1944:MacDowell
1759:Donizetti
1704:Cherubini
1694:Chaminade
1619:Beethoven
1604:Balakirev
1594:Atterberg
1572:musicians
1387:Biography
1322:double CD
1152:"earnest"
803:unlikely:
782:possibly:
759:Op.139 -
752:Op.100 -
673:SĂ©miramis
663:, op. 124
615:, op. 123
567:, op. 122
519:, op. 121
471:, op. 120
423:, op. 119
344:fantasias
322:Beethoven
185:Beethoven
157:Beethoven
121:Bisceglie
115:Biography
102:guitarist
89:guitarist
58:Bisceglie
2505:Category
2482: â
2361:Symphony
2224:Thalberg
2189:Spontini
2164:Sibelius
2159:Scriabin
2144:Schubert
2139:Sarasate
2104:Respighi
2099:Reinecke
2059:Paganini
1969:Massenet
1964:Masarnau
1949:Madetoja
1894:Kreisler
1884:Kalivoda
1829:J. Gomis
1814:Glazunov
1809:Giuliani
1699:Chausson
1689:Chadwick
1679:Bruckner
1489:Archived
1352:see also
1274:Archived
1264:Archived
1100:20402277
1089:70134745
1079:46095695
1069:46051295
1059:31118635
1048:24571012
1033:Analysis
1027:52613698
1013:42716282
1002:24958769
992:69237592
982:32930581
969:45035045
952:32394767
790:briefly:
745:Op.98 -
738:Op.51 -
731:Op.48 -
701:Pedagogy
625:TancrĂšde
246:â
125:Barletta
109:virtuoso
2495:â
2457:Science
2336:Mazurka
2311:Ballade
2244:VoĆĂĆĄek
2214:TĂĄrrega
2209:Taneyev
2169:Smetana
2124:Rossini
2079:Puccini
2074:Prudent
2034:Nielsen
1999:MĂ©reaux
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