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77:. His best violins, which by some connoisseurs are considered hardly inferior to those of the Amatis, are dated at the end of the 17th and beginning of the 18th century.
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Obermair, Hannes; Sisto, Luigi; Engl, Hanns; Schröder, F. Benjamin (2024). Veggetti, Stefano (ed.).
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Fecit in Tyroli. Matthias Alban – kunstreicher Lauten- und
Geigenmacher, Kaltern-Bozen
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His son, also named
Mathias, was at first a pupil of his father, afterwards of the
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A third Albani, whose given name is not known, lived during the 17th century at
54:'s best pupils. The tone of his violins, which are generally very high in the
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92:. He also made good violins, which resemble those of the old German makers.
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This article incorporates text from a publication now in the
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26:(29 December 1634 – 7 February 1712) was a
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106:(in German). Bozen: Retina. p. 152.
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222:Artisans from the Holy Roman Empire
181:A Dictionary of Music and Musicians
139:A Dictionary of Music and Musicians
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175:"Albani, Mathias"
129:"Albani, Mathias"
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144:Macmillan and Company
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172:David, Paul (1900).
126:David, Paul (1900).
16:Italian violin maker
207:People from Bolzano
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50:and became one of
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42:Biography
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136:(ed.).
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90:Palermo
71:Cremona
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48:Kaltern
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67:Amatis
32:Botzen
28:violin
132:. In
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