Knowledge

Master shot

Source 📝

1510: 25: 157:
Historically, the master shot was the most important shot of any given scene. All shots in a given scene were somehow related to what was happening in the master shot. This is one reason that some of the films from the 1930s and the 1940s are considered "stagey" by today's standards. By the 1960s
166:
shifted to include radical angles that conveyed more subjectivity and intimacy within the scenes. Today, the master shot is still a key element of film production, but scenes are not built around the master shot in the same way that they were when professional filmmaking was in its infancy.
230: 722: 1547: 35: 138:. Usually, the master shot is the first shot checked off during the shooting of a scene. It is the foundation of what is called 1060: 93: 65: 223: 72: 1576: 1149: 270: 50: 333: 1566: 715: 216: 79: 1540: 328: 146:
that reveal different aspects of the action, groupings of two or three of the actors at crucial moments,
61: 1053: 988: 530: 1103: 1018: 708: 1533: 1482: 420: 1467: 1441: 1254: 781: 425: 1289: 1571: 1436: 1299: 1223: 1046: 913: 452: 1456: 1259: 1124: 873: 635: 239: 908: 8: 1185: 1170: 1093: 982: 893: 681: 448: 86: 1461: 1431: 1134: 923: 863: 771: 756: 505: 485: 430: 300: 1521: 1446: 1383: 1294: 1284: 1218: 1139: 888: 801: 795: 666: 651: 438: 360: 275: 135: 46: 1201: 1144: 883: 868: 840: 831: 791: 766: 739: 552: 540: 290: 255: 159: 1472: 1398: 1393: 1376: 1350: 1154: 1088: 1008: 898: 480: 139: 1517: 1477: 1355: 960: 903: 821: 746: 731: 618: 608: 500: 305: 260: 247: 1560: 1451: 1413: 1371: 1334: 1324: 1129: 943: 776: 676: 623: 613: 582: 562: 535: 470: 380: 295: 151: 1487: 1329: 1303: 1249: 1083: 1069: 1013: 1003: 811: 761: 567: 557: 495: 462: 395: 348: 163: 127: 1228: 1023: 998: 978: 968: 950: 938: 933: 853: 826: 816: 750: 587: 510: 475: 385: 143: 973: 928: 878: 858: 786: 628: 592: 490: 443: 343: 310: 285: 265: 208: 1388: 1319: 1211: 1180: 1175: 993: 918: 671: 577: 572: 375: 338: 280: 147: 131: 1119: 24: 1264: 1206: 806: 545: 400: 390: 203:
The Filmmaker's Handbook: A Comprehensive Guide for the Digital Age
1509: 1403: 126:
recording of an entire dramatized scene, start to finish, from a
1516:
This article related to film or motion picture terminology is a
42: 1408: 1233: 1038: 848: 661: 320: 123: 130:that keeps all the players in view. It is often a 134:and can sometimes perform a double function as an 1558: 1541: 1054: 716: 224: 51:introducing citations to additional sources 1548: 1534: 1061: 1047: 723: 709: 231: 217: 238: 41:Relevant discussion may be found on the 16:Camera angle that shows the whole scene 1559: 1042: 704: 212: 1504: 201:Ascher, Steven, and Edward Pincus. 18: 730: 13: 14: 1588: 1508: 1068: 34:relies largely or entirely on a 23: 182: 1: 170: 154:of various props, and so on. 1520:. You can help Knowledge by 158:and the 1970s, the style of 7: 10: 1593: 1503: 989:Computer-generated imagery 531:Unchained camera technique 1424: 1364: 1343: 1312: 1277: 1242: 1194: 1163: 1112: 1076: 959: 839: 738: 694: 644: 601: 523: 461: 416: 409: 368: 359: 319: 246: 205:. New York: Plume, 1999. 1577:Film terminology stubs 1468:Video editing software 1442:Post-classical editing 782:Dead-character costume 1437:Soviet montage theory 453:multiple-camera setup 188:Ascher (1999), p. 227 1567:Cinematic techniques 1457:Linear video editing 874:Infrared photography 240:Cinematic techniques 47:improve this article 1094:Attentional control 1462:Non-linear editing 1432:Continuity editing 924:Tilted plane focus 864:Forced perspective 772:Costumed character 757:Air bladder effect 376:Wide / Long / Full 1529: 1528: 1498: 1497: 1483:Real-time editing 1447:In-camera editing 1384:Establishing shot 1295:Shot/reverse shot 1273: 1272: 1140:Multiple exposure 1036: 1035: 1032: 1031: 909:Schüfftan process 889:Multiple exposure 802:Prosthetic makeup 690: 689: 667:Freeze-frame shot 652:Establishing shot 519: 518: 426:Over-the-shoulder 136:establishing shot 112: 111: 97: 1584: 1550: 1543: 1536: 1512: 1505: 1161: 1160: 1145:Optical illusion 1063: 1056: 1049: 1040: 1039: 1009:Optical printing 884:Lighting effects 869:Front projection 832:Theatrical blood 792:Miniature effect 767:Bullet hit squib 725: 718: 711: 702: 701: 645:Other techniques 434: 414: 413: 410:Camera placement 366: 365: 233: 226: 219: 210: 209: 189: 186: 150:of individuals, 107: 104: 98: 96: 55: 27: 19: 1592: 1591: 1587: 1586: 1585: 1583: 1582: 1581: 1557: 1556: 1555: 1554: 1501: 1499: 1494: 1473:Offline editing 1420: 1399:External rhythm 1394:Internal rhythm 1377:Kuleshov effect 1360: 1351:180-degree rule 1339: 1308: 1269: 1238: 1190: 1159: 1108: 1089:Synchronization 1072: 1067: 1037: 1028: 955: 914:Shutter effects 899:Rear projection 835: 734: 732:Special effects 729: 700: 686: 640: 597: 524:Camera movement 515: 506:Worm's-eye view 457: 432: 405: 355: 315: 242: 237: 193: 192: 187: 183: 173: 140:camera coverage 108: 102: 99: 56: 54: 40: 28: 17: 12: 11: 5: 1590: 1580: 1579: 1574: 1569: 1553: 1552: 1545: 1538: 1530: 1527: 1526: 1513: 1496: 1495: 1493: 1492: 1491: 1490: 1485: 1480: 1478:Online editing 1475: 1470: 1465: 1459: 1449: 1444: 1439: 1434: 1428: 1426: 1422: 1421: 1419: 1418: 1417: 1416: 1411: 1401: 1396: 1391: 1386: 1381: 1380: 1379: 1368: 1366: 1362: 1361: 1359: 1358: 1356:30-degree rule 1353: 1347: 1345: 1341: 1340: 1338: 1337: 1332: 1327: 1322: 1316: 1314: 1310: 1309: 1307: 1306: 1297: 1292: 1287: 1281: 1279: 1275: 1274: 1271: 1270: 1268: 1267: 1262: 1257: 1252: 1246: 1244: 1240: 1239: 1237: 1236: 1231: 1226: 1221: 1216: 1215: 1214: 1204: 1198: 1196: 1192: 1191: 1189: 1188: 1183: 1178: 1173: 1167: 1165: 1158: 1157: 1152: 1147: 1142: 1137: 1135:Points of view 1132: 1127: 1122: 1116: 1114: 1110: 1109: 1107: 1106: 1101: 1096: 1091: 1086: 1080: 1078: 1074: 1073: 1066: 1065: 1058: 1051: 1043: 1034: 1033: 1030: 1029: 1027: 1026: 1021: 1016: 1011: 1006: 1001: 996: 991: 986: 976: 971: 965: 963: 957: 956: 954: 953: 948: 947: 946: 941: 936: 926: 921: 916: 911: 906: 904:Reverse motion 901: 896: 891: 886: 881: 876: 871: 866: 861: 856: 851: 845: 843: 837: 836: 834: 829: 824: 822:Matte painting 819: 814: 809: 804: 799: 789: 784: 779: 774: 769: 764: 759: 754: 747:Aerial rigging 744: 742: 736: 735: 728: 727: 720: 713: 705: 699: 698: 695: 692: 691: 688: 687: 685: 684: 679: 674: 669: 664: 659: 654: 648: 646: 642: 641: 639: 638: 633: 632: 631: 626: 621: 619:Depth of field 616: 605: 603: 599: 598: 596: 595: 590: 585: 580: 575: 570: 565: 560: 555: 550: 549: 548: 538: 533: 527: 525: 521: 520: 517: 516: 514: 513: 508: 503: 498: 493: 488: 483: 478: 473: 467: 465: 459: 458: 456: 455: 446: 441: 436: 431:Point-of-view 428: 423: 417: 411: 407: 406: 404: 403: 398: 393: 388: 383: 378: 372: 370: 363: 357: 356: 354: 353: 352: 351: 346: 341: 331: 325: 323: 317: 316: 314: 313: 308: 303: 298: 293: 288: 283: 278: 273: 268: 263: 258: 252: 250: 244: 243: 236: 235: 228: 221: 213: 207: 206: 198: 197: 191: 190: 180: 179: 178: 177: 172: 169: 110: 109: 45:. Please help 31: 29: 22: 15: 9: 6: 4: 3: 2: 1589: 1578: 1575: 1573: 1570: 1568: 1565: 1564: 1562: 1551: 1546: 1544: 1539: 1537: 1532: 1531: 1525: 1523: 1519: 1514: 1511: 1507: 1506: 1502: 1489: 1488:Vision mixing 1486: 1484: 1481: 1479: 1476: 1474: 1471: 1469: 1466: 1463: 1460: 1458: 1455: 1454: 1453: 1452:Video editing 1450: 1448: 1445: 1443: 1440: 1438: 1435: 1433: 1430: 1429: 1427: 1423: 1415: 1414:Stock footage 1412: 1410: 1407: 1406: 1405: 1402: 1400: 1397: 1395: 1392: 1390: 1387: 1385: 1382: 1378: 1375: 1374: 1373: 1372:Reaction shot 1370: 1369: 1367: 1363: 1357: 1354: 1352: 1349: 1348: 1346: 1342: 1336: 1335:Walk and talk 1333: 1331: 1328: 1326: 1323: 1321: 1318: 1317: 1315: 1311: 1305: 1301: 1298: 1296: 1293: 1291: 1288: 1286: 1285:Cut on action 1283: 1282: 1280: 1276: 1266: 1263: 1261: 1258: 1256: 1255:Invisible cut 1253: 1251: 1248: 1247: 1245: 1241: 1235: 1232: 1230: 1227: 1225: 1222: 1220: 1217: 1213: 1210: 1209: 1208: 1205: 1203: 1200: 1199: 1197: 1193: 1187: 1184: 1182: 1179: 1177: 1174: 1172: 1169: 1168: 1166: 1162: 1156: 1153: 1151: 1148: 1146: 1143: 1141: 1138: 1136: 1133: 1131: 1130:Eyeline match 1128: 1126: 1123: 1121: 1118: 1117: 1115: 1111: 1105: 1102: 1100: 1097: 1095: 1092: 1090: 1087: 1085: 1082: 1081: 1079: 1075: 1071: 1064: 1059: 1057: 1052: 1050: 1045: 1044: 1041: 1025: 1022: 1020: 1017: 1015: 1012: 1010: 1007: 1005: 1002: 1000: 997: 995: 992: 990: 987: 984: 980: 977: 975: 972: 970: 967: 966: 964: 962: 958: 952: 949: 945: 944:Speed ramping 942: 940: 937: 935: 932: 931: 930: 927: 925: 922: 920: 917: 915: 912: 910: 907: 905: 902: 900: 897: 895: 892: 890: 887: 885: 882: 880: 877: 875: 872: 870: 867: 865: 862: 860: 857: 855: 852: 850: 847: 846: 844: 842: 838: 833: 830: 828: 825: 823: 820: 818: 815: 813: 810: 808: 805: 803: 800: 797: 793: 790: 788: 785: 783: 780: 778: 777:Creature suit 775: 773: 770: 768: 765: 763: 760: 758: 755: 752: 748: 745: 743: 741: 737: 733: 726: 721: 719: 714: 712: 707: 706: 703: 697: 696: 693: 683: 680: 678: 675: 673: 670: 668: 665: 663: 660: 658: 655: 653: 650: 649: 647: 643: 637: 634: 630: 627: 625: 622: 620: 617: 615: 612: 611: 610: 607: 606: 604: 600: 594: 591: 589: 586: 584: 583:Walk and talk 581: 579: 576: 574: 571: 569: 566: 564: 561: 559: 556: 554: 551: 547: 544: 543: 542: 539: 537: 534: 532: 529: 528: 526: 522: 512: 509: 507: 504: 502: 499: 497: 494: 492: 489: 487: 484: 482: 479: 477: 474: 472: 469: 468: 466: 464: 460: 454: 450: 447: 445: 442: 440: 437: 435: 429: 427: 424: 422: 419: 418: 415: 412: 408: 402: 399: 397: 394: 392: 389: 387: 384: 382: 379: 377: 374: 373: 371: 367: 364: 362: 358: 350: 349:Sound effects 347: 345: 342: 340: 337: 336: 335: 332: 330: 327: 326: 324: 322: 318: 312: 309: 307: 304: 302: 299: 297: 294: 292: 289: 287: 284: 282: 279: 277: 274: 272: 269: 267: 264: 262: 259: 257: 254: 253: 251: 249: 245: 241: 234: 229: 227: 222: 220: 215: 214: 211: 204: 200: 199: 195: 194: 185: 181: 175: 174: 168: 165: 161: 160:film shooting 155: 153: 149: 145: 141: 137: 133: 129: 125: 121: 117: 106: 95: 92: 88: 85: 81: 78: 74: 71: 67: 64: –  63: 62:"Master shot" 59: 58:Find sources: 52: 48: 44: 38: 37: 36:single source 32:This article 30: 26: 21: 20: 1572:Film editing 1522:expanding it 1515: 1500: 1330:Slow cutting 1304:Flashforward 1290:Contrast cut 1278:Storytelling 1250:Fast cutting 1150:Split screen 1104:Parallel cut 1098: 1084:Choreography 1070:Film editing 1019:Split screen 1014:Smallgantics 1004:Match moving 812:Pyrotechnics 762:Animatronics 656: 602:Lens effects 463:Camera angle 451: / 334:Non-diegetic 202: 196:Bibliography 184: 156: 152:insert shots 128:camera angle 119: 115: 113: 100: 90: 83: 76: 69: 57: 33: 1229:Slow motion 1195:Timelapsing 1099:Master shot 1024:Stop motion 999:Introvision 979:Compositing 969:Bullet time 951:Stop motion 939:Slow motion 934:Fast motion 879:Lens flares 854:Bullet time 827:Sugar glass 817:Rubber mask 751:wire-flying 657:Master shot 511:Dutch angle 421:Perspective 116:master shot 1561:Categories 1155:Transition 974:Chroma key 929:Time-lapse 894:Filtration 859:Dolly zoom 787:Kitbashing 593:Dolly zoom 491:Crane shot 486:Bird's-eye 481:High-angle 369:Field size 344:Film score 286:Lens flare 256:Background 171:References 118:(or short 73:newspapers 1389:Long take 1325:Cross cut 1320:Smash cut 1300:Flashback 1212:Axial cut 1181:Long shot 1176:Match cut 1164:Insertion 1113:Technique 994:Go motion 919:Slit-scan 841:In-camera 740:Practical 672:Long take 578:SnorriCam 573:Steadicam 553:Hand-held 501:Low-angle 339:Narration 301:Rembrandt 176:Footnotes 148:close-ups 132:long shot 103:June 2017 43:talk page 1265:Supercut 1224:Dissolve 1207:Jump cut 1171:Dialogue 807:Puppetry 677:One-shot 563:Tracking 546:Whip pan 496:Jib shot 401:Two shot 391:Close-up 381:American 361:Shooting 329:Diegetic 276:High-key 248:Lighting 142:, other 1425:Editing 1404:Footage 1260:Montage 1125:Cutaway 1077:Concept 983:digital 981: ( 849:Bipacks 796:hanging 794: ( 749: ( 636:Zooming 624:Shallow 614:Racking 541:Panning 536:Tilting 439:Reverse 396:Italian 291:Low-key 164:editing 122:) is a 87:scholar 1409:B-roll 1313:Action 1234:Prelap 1186:Insert 961:Visual 682:Insert 662:B-roll 588:Follow 476:Aerial 449:Single 386:Medium 120:master 89:  82:  75:  68:  60:  1464:(NLE) 1243:Other 1120:Clues 609:Focus 568:Dolly 558:Shaky 444:Trunk 433:(POV) 321:Sound 306:Stage 271:Flood 261:Cameo 144:shots 94:JSTOR 80:books 1518:stub 1365:Term 1344:Rule 1219:Wipe 629:Deep 471:Tilt 311:Soft 296:Mood 266:Fill 162:and 124:film 66:news 1202:Cut 281:Key 49:by 1563:: 1302:/ 114:A 1549:e 1542:t 1535:v 1524:. 1062:e 1055:t 1048:v 985:) 798:) 753:) 724:e 717:t 710:v 232:e 225:t 218:v 105:) 101:( 91:· 84:· 77:· 70:· 53:. 39:.

Index


single source
talk page
improve this article
introducing citations to additional sources
"Master shot"
news
newspapers
books
scholar
JSTOR
film
camera angle
long shot
establishing shot
camera coverage
shots
close-ups
insert shots
film shooting
editing
v
t
e
Cinematic techniques
Lighting
Background
Cameo
Fill
Flood

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.