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350:. The project discussed the possibilities of having a locale create portable architecture based on the conditions of its environmental, urban and cultural conditions. It was organized to find ways in providing new arguments and sustaining an artistic impetus to our immediate environment. It addresses the timely issues of flooding and mobility, engaging participants to come up with designs that would respond to current environmental disasters and if portable architecture is applicable in our urban landscape.
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387:. With no limit to foraging, Swale Park aims to act as a source of provision while encouraging mutual trust and responsibility between participants. The food gardens on Swale include vegetables like broccoli and kale and also fruits like tomatoes and plums, and can be harvested for free distribution via community partners. During summer 2016, Swale docked in the Bronx at Concrete Plant Park, Brooklyn Bridge Park and Governors Island. The Bronx is one of the largest
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Narrating a watery urban ecotopia, the interior contains a living space, work space, and performance space, it combines art, architecture, and ecology. WetLand's overall ecosystem includes rainwater collection and purification, greywater filtration, dry compost systems, outdoor vegetable gardens, indoor hydroponic gardens, and railing gardens circling the perimeter.
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reclaimed materials and installed at temporary sites across the five boroughs of New York City. The structures are meant to be demonstrate the possibilities of small scale systems and run off a combination of passive and human-powered energy, and include human-scale gardens and systems for collecting water from rain run-off.
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Mattingly says she was inspired to create
Waterpod in 2006 because at the time she felt that NYC was not doing enough to bring attention to rising water levels. Over the life of the project a rotating cast of artist joined the crew of the Waterpod. A number of them were interviewed about the project,
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While focusing on collaborative artistic projects, the resident artists emphasized the repurposing and transformation of all forms of materials. The
Waterpod included space for: (i) community and artistic activities; (ii) eco-initiatives including food grown with collected rainwater, and gray water
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From August 15- Sept 17, 2014 on the
Delaware River, WetLand was a mobile, sculptural habitat and public space constructed to explore resource interdependency and climate change in urban centers. A floating sculpture, it resembles a partially submerged building, integrating nature with urban space.
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Swale is a floating food forest situated on a 130-foot by 140-foot barge that docks in harbors around NYC. It is part art installation, part community engagement project, and was launched during July 2016 after a year of planning and building in collaboration with numerous community groups. After
309:. Inspired by patterns of global human migration and pilgrimage, the Flock House Project is a group of mobile, sculptural, public habitats and self-contained ecosystems that are movable, modular, and scalable. It debuted in Omaha on March 13, 2014, the exhibition included selected works from her
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Mattingly explores the themes of home, travel, cartography, and humans' relationships with each other, with the environment, with machines, and with corporate and political entities. She has been recognized for creating photographs and sculptures depicting and representing futuristic and obscure
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Flock House premiered in May 2012 at The
Clocktower Gallery in NYC, and is an extension of previous projects to do with water, nomadic structures, and sustainability such as her Waterpod project from 2009. The project featured a series of four portable, self-sufficient ecosystems built with
181:. Mattingly envisions a future where technology has "made people separate, even afraid of others". The wearable homes are meant to convey notions of home and sustainability, but also to address specific survival issues like finding water and temperature regulation. While the images resemble
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After the initial run in NYC, Flock House travelled to other cities, including a commission for the Bemis Center in
Oklahoma from March–September 2014. Additionally, it was the focal point of an exhibition at College of Fine Arts School of Visual Arts at Boston University's 808 Gallery.
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From June through
September 2009, Mattingly led a NY-based multinational team of artists, designers, builders, civic activists, scientists, environmentalists, and marine engineers to launch the Waterpod, a free, participatory New York Citywide event docking in all 5 boroughs and at
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The inspiration for Swale came after
Mattingly learned that is generally illegal to grow food on public land. By utilizing marine law, Swale Park avoids facing repercussions of land-based laws by growing publicly accessible gardens on a floating barge rather than a plot of land.
238:. Designed as a new habitat for the global warming epoch, the Waterpod represented a sustainable, sculptural art and technology habitat, with as many as four artists living on and off it, generating food, water, and power in a contained and self-sufficient environment.
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NYFA Fellowship, EYEBEAM Fellowship, Harpo
Foundation Grant, Jerome Foundation Grant, Art Matters Grant, Yale School of Art Fellowship, Knight Foundation Grant, Marie Walsh Sharpe Residency, smArt Power Award, Bemis Center for Contemporary Arts
282:. During each installation of the work, and different person lived within the structure for the duration, sometimes for as long as two weeks at a time. Participating people include Christopher Robbins from Ghana ThinkTank,
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In 2012 she was a part of the smARTpower project, "Wearable/Portable
Architecture project", and worked with Green Papaya Art Space in Manila, the Philippines, initiated by the US Department of State and the
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Additionally, Swale functions as a community hub for events, scientific research, public discussions, and workshops, developed in collaboration with local communities and stewardship groups.
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in the United States. So, the creation and launch of Swale Park in this area act as a literal and figurative platform to discuss the necessity of universal food accessibility.
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was positioned as an environmental disaster opera and featured an art installation with music and performances depicting World War IV which was predicted by Albert
Einstein:
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479:; Lower Manhattan Cultural Council, New York City; Braziers International, Oxfordshire, England; and Yale Summer School of Music and Art, Norfolk, CT. Mattingly was an
246:, with energy provided from environmental and human sources; and (iii) an artists' residence. A critical intent of the Waterpod was to showcase the importance of
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scenes, Mattingly designs the suits for actual treks through the wilderness and was even commissioned to design a survival kit for the disaster-relief company
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Following the May 2012 premier, the migratory structures traveled the New York City park system between June and August 2012, appearing in places such as
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Duggan, Kevin. Common Ground: Art, Data, and Ecology at New York State Field Stations, Harvestworks Digital Media Arts Center, NY, May 2018, p.15 (
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943:"Bemis Center for Contemporary Arts : Exhibitions : Exhibitions: Mary Mattingly: Flock House Project: Omaha | A Citywide Workshop"
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1043:"PAPAYAPOST: smARTpower: Wearable, Portable Architecture - NY Artist Mary Mattingly's fellowship in Manila via Green Papaya Art Projects"
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and reported that life on the boat forced a shift in focus onto everything it takes to keep a fragile, man-made ecosystem running.
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803:"Join Artist Mary Mattingly's Latest Sustainable Floating Commune, the Flock House Project | In the Air | BLOUIN ARTINFO Blogs"
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receiving initial seed funding from A Blade of Grass as part of a fellowship, Mary Mattingly and her team, including curator
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landscapes, for making wearable sculpture, "wearable homes," and for her ecological installations, including the
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series made at the Bemis Center. The centerpiece for the exhibition was one of the three portable structures.
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The gallery was filled with water, sand, and tree stumps with a circular projection that covered the space.
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She has had one-person exhibitions at: Robert Mann Gallery, New York; White Box, New York; Galerie Adler,
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global environmental photography competition (2008). She has been awarded artist-residency grants at:
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School of Art Fellowship, and was a resident at Eyebeam Art and Technology Center from 2011 to 2012.
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Currently, under renovations, Swale Park is set to become a permanent floating park in 2022.
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In December 2006, she released a multimedia opera at White Box in New York titled
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116:(born September 8, 1978) is an American visual artist living and working in
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In this expansive series of photographs, Mattingly portrays scenes from a
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and the natural world, while serving as a model of an autonomous
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Mattingly was selected as a shortlist finalist in the inaugural
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world where nomadic individuals survive with the help of
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Flavorwire: Don't Rock the Boat on The Waterpod Project
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Televised coverage of Mattingly's work has appeared on
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New York Times: A Fluid Definition of Self-Sufficiency
417:; the Centre Culturel Calouste Gulbenkian, Paris; the
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1210:"Floating a Food Forest with Artist Mary Mattingly"
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1163:"Movable Feast: Mary Mattingly's Floating Garden"
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785:"Life, Art and Chickens, Afloat in the Harbor"
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1018:"Mary Mattingly: Flock House Project (Omaha)"
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1307:"Mary Mattingly and Eyebeam Atelier"
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1264:Prix Pictet Mary Mattingly Profile
1246:Mary Mattingly Robert Mann Profile
1066:Blakemore, Erin (April 18, 2016).
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