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116:, Hood was "a perfect picture to look at and equally pleasant to listen to ... tall, slight, and graceful, a typical English girl with a wealth of fair hair, which I believe was all her own. Her singing of the waltz song, 'Poor Wandering One', was quite one of the features of the first act ."
284:, sings the airs allotted to her so as to win plenty of applause, and only fails where the delivery of certain declamatory speeches overtaxes the strength of her voice." She also toured in Australia in 1892 in
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After that engagement, Hood left the company and married her second husband, Mr. Hesseltine, taking a brief break from performing until August 1881, when she appeared as
Constance in the first production of
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According to historian
Michael Walters, Hood "had a bitterly unhappy life, though this was never reflected in her stage performances." She died in
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beginning in 1886, playing in the show for a total of 350 performances, interrupted by her illness; she was replaced in the cast by
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performer as a child by the age of 11 under the name Marion Isaac. She married a Mr. Hunt of the
Alhambra Palace Music Hall in
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in the last decades of the 19th century. She is perhaps best remembered for creating the role of Mabel in
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265:(1889). She toured America on two occasions with Gaiety companies during the period 1888–90).
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benefit in 1898; this may have been her last appearance on the London stage.
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and J. L. Shine). A reviewer wrote, "Miss Marion Hood makes an attractive
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wrote that she had "a soprano voice of rare flexibility and power."
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and creating the role of Mabel for the London production of
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among other things. She played a member of the public in
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406:Good Old Gaiety: An Historiette & Remembrance
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219:in 1885–86. She then created the title role in
98:In 1880 she made her London stage debut at the
32:(1 April 1854 – 14 August 1912) was an English
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408:, p. 62 (1903) London: Gaiety Theatre Co.
274:Joan of Arc, or the Merry Maid of Orleans
184:, in which role she then appeared at the
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148:who had been her partner as Frederic in
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16:English soprano and actress (1854–1912)
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445:"Some Comments on Original Artists..."
343:, 20 April 1880, accessed 30 July 2020
268:In 1891, Hood returned to London in a
419:"From the Australian G&S website"
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256:Frankenstein, or The Vampire's Victim
467:The Gilbert & Sullivan Companion
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536:19th-century British women singers
469:. London: W.H. Allen & Co Ltd.
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156:and Avenue Theatre, performing in
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541:English musical theatre actresses
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82:. Her husband had died by 1880.
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393:Prince of Wales's Theatre
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152:. She then sang at the
109:The Pirates of Penzance
92:The Pirates of Penzance
51:The Pirates of Penzance
531:Singers from Liverpool
484:Information about Hood
372:Marion Hood (1880–81)"
203:Hood next appeared in
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80:Royal Academy of Music
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465:Ayre, Leslie (1972).
404:Hollingshead, John.
391:, Theatre Programme,
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58:Early life and career
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216:Little Jack Sheppard
46:Gilbert and Sullivan
425:on 16 February 2009
443:Walters, Michael.
340:The New York Times
311:at the age of 58.
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171:The Beggar Student
119:The New York Times
114:Rutland Barrington
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76:Kingston upon Hull
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449:Gilbertian Gossip
383:Leslie, Henry J.
287:Carmen up to Data
89:Hood as Mabel in
36:who performed in
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471:Introduction by
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521:1912 deaths
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333:The Pirates
282:Joan of Arc
278:Adrian Ross
192:Later years
176:grand opera
162:Golden Ring
54:in London.
30:Marion Hood
25:Marion Hood
510:Categories
459:References
335:in London"
239:burlesques
72:music hall
270:burlesque
68:Liverpool
253:(1887),
247:(1886),
128:Stephens
429:6 March
387:Dorothy
296:at the
230:Dorothy
227:'s hit
209:at the
150:Pirates
144:, with
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132:Solomon
34:soprano
395:(1887)
305:Thanet
315:Notes
181:Faust
62:Born
38:opera
431:2007
309:Kent
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