33:
573:
608:
313:
company for fourteen years, travelling with them to the Lyceum. The presence of Mrs. Jordan was for some time an obstacle. Miss Duncan, however, was loved by audiences everywhere, not only in the characters named, but in parts essentially in Mrs. Jordan's line, such as Nell in the
139:
Davison was taller than average, with dark hair, and strongly formed with very expressive features. She had a fine voice and a good knowledge of music, sang with much expression, and was in her day unequalled in such Scotch ballads as
265:. At Margate in 1804, she was engaged by Wroughton for Drury Lane, where she appeared 8 October 1804 as Miss Duncan from Edinburgh, playing Lady Teazle to the Sir Peter of Mathews, and the Charles Surface of
152:, which took place at Drury Lane 13 May 1823, proved she was an opera singer. It was said that there was no better exponent of Lady Teazle, Lady Townly, Beatrice, and other similar parts. As Juliana in the
381:
13 June 1829, she is once more mentioned in connection with Drury Lane. This is thought to be her last appearance there. Her subsequent performances, if any, were presumably at other theatres.
583:
168:
and advocates her ability to capture the audience and transform herself into a masculine figure. She is mentioned with implied commendation by
Hazlitt, and Talfourd says in the
530:
360:
In 1825, Mrs. Davison was at the
Haymarket, taking leading business. Afterwards, in the same year she returned to Drury Lane, acting Villetta in
370:
Mrs. Candour, &c. In the season of 1827–8 she was still at Drury Lane, assuming elderly characters, Lucretia McTab, Mrs. Dangleton in the
229:
Miss Farren, by whom she was noticed in the last-named character, is said to have recognized in her, a talent kindred to her own.
652:
647:
612:
384:
She lived for many years in retirement, greatly respected, and died at
Brompton on 30 May 1858, ten weeks after her husband.
179:
that she acts it "in high style," that it is "by far her best character," and that he wishes for nothing better of the kind.
211:. Her first recorded appearance was, according to varying accounts, in 1794–5, as the Duke of York to the Richard III of
637:
642:
592:
354:
for one night only. On 15 June 1821 she played Lady Teazle for her benefit at Covent Garden, and Marian Ramsay in
222:
362:
469:
128:
474:
294:
346:, as Lady Teazle to Macready's Joseph Surface. The following year, on 31 October, she returned to
266:
174:
113:
in the early years of her career before her marriage. She appeared as a leading performer at the
461:
434:
426:
400:
277:
212:
627:
120:
632:
8:
284:
208:
524:
448:
421:
217:
124:
535:
443:
337:
554:
413:
376:
324:
191:, which is believed to be Duncan's place of birth. As a child, she played mostly
299:
and many other leading characters were taken in the course of her first season.
587:
456:
395:
304:
271:
238:
117:
83:
539:
335:, and on 5 November 1812 played as Mrs. Davison, late miss Duncan, Belinda in
275:
followed on the 18th, and Lady Townly on the 27th. Miss
Hardcastle, Sylvia in
245:
near the end of last century, playing as her first role, Sophia in
Holcroft's
621:
577:
408:
343:
332:
106:
94:
32:
525:"Davison [née Duncan], Maria Rebecca (1780x1783-1858), actress"
347:
310:
192:
157:
262:
254:
188:
309:
the character she is most well known for playing. She was with the
576: This article incorporates text from a publication now in the
258:
196:
521:
607:
204:
200:
114:
302:
On 31 January 1805, she "created" the role of
Juliana in the
242:
534:. Vol. 1 (online ed.). Oxford University Press.
187:
Maria
Rebecca Duncan was born to actors who had worked in
162:
Critical Essays on the
Performers of the London Theatres,
342:
On 8 September 1819, she made her first appearance at
505:
503:
501:
499:
497:
495:
493:
491:
522:Joseph Knight and Jean Gilliland (September 2004).
523:
488:
619:
241:, as a member of whose company she appeared in
596:. Vol. 14. London: Smith, Elder & Co.
215:. She also played Rosella at an early age in
31:
253:As she became more popular, she acted in
148:Her singing as Marchioness Mérida in the
160:gave her large amounts of credit in his
531:Oxford Dictionary of National Biography
620:
581:
509:
237:Her first regular engagement was from
166:best lady our comic stage possesses,
13:
14:
664:
601:
387:
292:Lydia Languish, Letitia Hardy in
172:(vol. vi.) of her Mrs. Sullen in
606:
593:Dictionary of National Biography
571:
331:On 31 October 1812, she married
232:
565:
653:19th-century English actresses
648:18th-century English actresses
515:
134:
1:
582:Knight, John Joseph (1888). "
481:
182:
555:UK public library membership
58:1858 (aged 77–78)
7:
363:She Would and She Would Not
105:(1780?–1858) was a British
10:
669:
374:&c. As Mrs. Subtle in
528:. In Gilliland, J (ed.).
164:and speaks of her as the
90:
78:
70:
62:
54:
39:
30:
23:
638:Actresses from Liverpool
643:English child actresses
438:by Richard Leigh (1811)
249:and Gillim in Dibdin's
584:Davison, Maria Rebecca
435:Where to Find a Friend
278:The Recruiting Officer
213:George Frederick Cooke
615:at Wikimedia Commons
613:Maria Rebecca Davison
540:10.1093/ref:odnb/7304
295:The Belle's Stratagem
103:Maria Rebecca Davison
25:Maria Rebecca Davison
16:British stage actress
175:The Beaux' Stratagem
170:New Monthly Magazine
127:and particularly at
109:. She was billed as
366:, Flippanta in the
285:The Way to Keep Him
156:she had no rival.
470:Forget and Forgive
467:Lady Ratcliffe in
454:Lady Wellgrove in
350:, as Julia in the
611:Media related to
553:(Subscription or
449:Marianne Chambers
441:Miss Beaufort in
322:and Priscilla in
288:, Miranda in the
218:Love in a Village
207:, Liverpool, and
125:Haymarket Theatre
100:
99:
660:
610:
597:
575:
574:
559:
558:
550:
548:
546:
527:
519:
513:
507:
338:All in the Wrong
82:Juliana in the "
50:
48:
35:
21:
20:
668:
667:
663:
662:
661:
659:
658:
657:
618:
617:
604:
588:Stephen, Leslie
572:
568:
563:
562:
552:
544:
542:
520:
516:
508:
489:
484:
432:Lady Morden in
414:Henry James Pye
390:
235:
185:
137:
118:patent theatres
46:
44:
26:
17:
12:
11:
5:
666:
656:
655:
650:
645:
640:
635:
630:
603:
602:External links
600:
599:
598:
567:
564:
561:
560:
514:
486:
485:
483:
480:
479:
478:
465:
457:The Faro Table
452:
439:
430:
417:
404:
389:
388:Selected roles
386:
372:Wealthy Widow,
272:As You Like It
269:. Rosalind in
239:Tate Wilkinson
234:
231:
184:
181:
136:
133:
98:
97:
92:
88:
87:
80:
79:Known for
76:
75:
72:
68:
67:
64:
60:
59:
56:
52:
51:
41:
37:
36:
28:
27:
24:
15:
9:
6:
4:
3:
2:
665:
654:
651:
649:
646:
644:
641:
639:
636:
634:
631:
629:
626:
625:
623:
616:
614:
609:
595:
594:
589:
585:
579:
578:public domain
570:
569:
556:
541:
537:
533:
532:
526:
518:
511:
506:
504:
502:
500:
498:
496:
494:
492:
487:
476:
472:
471:
466:
463:
459:
458:
453:
450:
446:
445:
440:
437:
436:
431:
428:
424:
423:
418:
415:
411:
410:
409:A Prior Claim
405:
402:
398:
397:
396:The Honeymoon
392:
391:
385:
382:
380:
378:
373:
369:
365:
364:
358:
357:
353:
349:
345:
344:Covent Garden
341:
339:
334:
333:James Davison
329:
327:
326:
321:
320:Country Girl,
318:Peggy in the
317:
316:Devil to Pay,
312:
308:
306:
300:
298:
296:
291:
287:
286:
281:
279:
274:
273:
268:
264:
260:
256:
252:
248:
247:Road to Ruin,
244:
240:
233:Acting career
230:
228:
224:
221:and Polly in
220:
219:
214:
210:
206:
202:
198:
194:
190:
180:
178:
176:
171:
167:
163:
159:
155:
151:
147:
143:
142:John Anderson
132:
130:
126:
122:
121:Covent Garden
119:
116:
112:
108:
107:stage actress
104:
96:
95:James Davison
93:
89:
85:
81:
77:
73:
69:
65:
61:
57:
53:
42:
38:
34:
29:
22:
19:
628:1780s births
605:
591:
566:Bibliography
543:. Retrieved
529:
517:
475:James Kenney
468:
455:
442:
433:
420:
419:Florence in
407:
394:
383:
375:
371:
368:Confederacy,
367:
361:
359:
355:
351:
336:
330:
323:
319:
315:
303:
301:
293:
289:
283:
276:
270:
250:
246:
236:
227:The Woodman.
226:
216:
186:
173:
169:
165:
161:
153:
149:
145:
141:
138:
110:
102:
101:
18:
633:1858 deaths
510:Knight 1888
393:Juliana in
251:The Quaker.
223:Bate Dudley
150:Travellers,
146:Roy's Wife.
135:Description
111:Miss Duncan
63:Nationality
622:Categories
557:required.)
545:29 October
482:References
462:John Tobin
427:John Tobin
422:The Curfew
401:John Tobin
348:Drury Lane
311:Drury Lane
290:Busy Body,
193:hobgoblins
183:Early life
158:Leigh Hunt
129:Drury Lane
71:Occupation
444:Ourselves
406:Maria in
356:Turn out.
305:Honeymoon
282:Maria in
263:Liverpool
255:Edinburgh
225:'s opera
209:Newcastle
189:Liverpool
154:Honeymoon
84:Honeymoon
377:Paul Pry
325:The Romp
267:Elliston
590:(ed.).
580::
352:Rivals,
259:Glasgow
197:fairies
74:Actress
66:British
45: (
586:". In
551:
477:(1827)
464:(1816)
451:(1811)
429:(1807)
416:(1805)
403:(1805)
261:, and
205:Dublin
201:cupids
123:, the
115:London
91:Spouse
203:, in
547:2014
473:by
243:York
199:and
144:and
55:Died
47:1780
43:1780
40:Born
536:doi
460:by
447:by
425:by
412:by
399:by
624::
490:^
328:.
257:,
195:,
131:.
549:.
538::
512:.
379:,
340:.
307:,
297:,
280:,
177:,
86:"
49:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
