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Unfortunately her new husband's trading was not as successful as her singing so she returned to the stage for financial reasons in 1807 using her married name, Maria
Dickons. She and her husband separated in 1810. Between 1807 and 1815 she appeared at prime locations in London, but her forays to
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Martha
Frances Caroline Poole was born to a large family in the early 1770s or thereabouts. Her father, William, recognised her musical talents as a singer and harpsichordist. She began her singing career at an early age playing the harpsichord at a concert in Oxford In 1785. She used the name
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Paris and Italy met with undocumented or mixed success. It is suspected that she was demoted in Venice, but she used her time valuably and she created a large multi-volume collection of
Italian vocal music which she brought back to Britain.
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W. B. Squire, ‘Dickons , Martha
Frances Caroline (c.1774–1833)’, rev. John Rosselli, Oxford Dictionary of National Biography, Oxford University Press, 2004
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116:. By the time she married in 1800 she had appeared in Dublin, Edinburgh and Covent Garden where she had been paid eight pounds per annum.
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197:"Dickons [née Poole], Martha Frances Caroline [Maria] [known as Caroline Poole] (c. 1774–1833), singer"
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Women
Writing Music in Late Eighteenth-Century England: Social Harmony in Literature and Performance
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Caroline Poole in her early career but changed to using Maria Poole until her marriage.
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in his popularised operas in 1818 and 1819 and she then retired again.
156:, National Portrait Gallery, London, retrieved 21 December 2014
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88:(1770s – 4 May 1833) was a British opera singer.
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123:Dickons returned to Covent Garden to work with
275:Some British collectors of music c. 1600-1960
210:(online ed.). Oxford University Press.
100:Dickons received her training in Bath under
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321:18th-century British women opera singers
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207:Oxford Dictionary of National Biography
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231:UK public library membership
130:Dickons died at her home in
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108:, in 1787 in London at the
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271:King, A. Hyatt (2010).
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194:Squire, W. B. (2004).
216:10.1093/ref:odnb/7610
178:accessed 21 Dec 2014
39:Alfred Edward Chalon
257:978-1-351-53662-2
229:(Subscription or
102:Venanzio Rauzzini
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200:. In
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