537:
2121:
332:. Nearly 50,000 visitors came to the Whitworth during the exhibition, a huge increase on the same period in previous years. Gregor Schneider's installation, Kinderzimmer transformed the usually sunlit galleries at the Whitworth into a pitch black space with just a doorway to aim for. Visitors brushed against various walls and curtains before stumbling towards an eerily lit nursery. Commissioned by the Whitworth for the exhibition Subversive Spaces, Kinderzimmer is the most significant UK installation by Schneider since his
2097:
2133:
2109:
241:
228:. Initiated by the Clore Duffield Foundation, the Programme is the UK's first cross-disciplinary leadership programme for the cultural and creative sector. Balshaw was successful in her application to join the scheme from over 400 other applicants. Since completing the yearlong course, Balshaw has been appointed a member of the strategic advisory board for the Clore Programme.
2085:
252:. Throughout her work at the Whitworth, Balshaw has featured a broad range of disciplines championing art from around the world in particular West and South African art and the work of female artists. She has been quoted as saying "We do have a lot of women artists on show at the Whitworth, but only because they’re really good. That’s fair."
509:
reported: "At the front, they have softened the forbidding entrance with a sculpture forecourt and an inviting sequence of steps, ramps and benches; but the real meat of the project is saved for the back, where MUMA have extended the symmetrical composition with a pair of wings that project out into
745:
Pavilion
Charity. The charity was set up in 2014 with the aim of raising funds to transform the category A listed Pavilion into a new cultural centre for Bute. In 2015, the charity reached its funding target of £8m. The new development will upgrade the main auditorium and add a second performance
544:
In 2011, Balshaw took on the role of
Director of Manchester City Galleries alongside her duties at the Whitworth. This dual directorship brought the two institutions' collections of historic and modern art into alliance for the first time in their history. Upon the appointment,
220:
As part of the newly formed
Creative Partnerships, Balshaw was tasked with bringing arts organisations and artists into partnerships with schools. A role which taught Balshaw "a tremendous amount about how to inspire, persuade and cajole unlike partners into common goals".
422:(2013) – Chopra lived and worked in the half completed wing of a new gallery space at the Whitworth for 65 hours during Manchester International Festival. His work explored Manchester's textile history and the people involved in both India and Britain.
231:
Upon completion of the Clore
Leadership Programme, Balshaw acted as regional director of the West Midlands Creative Partnerships programme and then worked for nine months as director of external relations and development for ACE: West Midlands.
510:
Whitworth Park, framing a new sculpture garden. "It’s about having open arms and saying: ‘This place belongs to you.’" says
Balshaw. "Before, we turned our back with a blank brick wall – now you can see what’s going on inside."
462:. The new sample of graphene was turned into a work of art by Parker to be used on the opening night of the new gallery. A firework display was triggered by Novoselov breathing on a graphene sensor created with a Blake painting.
513:
Balshaw commissioned landscape architect Sarah Price to design two new areas of landscaping named the Art and
Orchard garden with other new facilities including a study centre, learning studio and a collections centre.
626:"Manchester's connections to West Africa are part of its industrial and trading history. This exhibition brings the dynamism of West African art today to Manchester, as the world comes to the UK for the Olympics."
645:(2014) – the UK’s largest exhibition of works by the Portuguese contemporary artist. This show included over twenty of Vasconcelos’ most significant sculptures including the world premiere of a new textile work.
277:(2007) – a wide range of the artist's work – from the Roberta Breitmore series (1974–1978) to videos from the 1980s and interactive installations that use the Internet and artificial intelligence software.
577:(2012) – a city wide exhibition of contemporary west African art that attracted more than a quarter of a million visitors across Manchester and included 33 exhibitors from nine countries including
675:
to commit significant funding to building a new artistic and cultural centre in
Manchester. In 2014, the government announced funding of £78m for The Factory, a brand new artistic hub on the old
636:(2013/2014) – Deller created a personal view of the cultural, sociological and technological impact of the Industrial Revolution using a combination of artworks, objects and historical accounts.
1829:
663:
In 2012, Balshaw led the partnership of
Manchester City Galleries, Whitworth Art Gallery and The Manchester Museum in their application for £5.3m of funding from the Arts Council England.
1564:
549:
leader of
Manchester City Council, said creating a joint director role for the two galleries would “not only safeguard, but significantly enhance the city’s cultural reputation”.
471:
Balshaw started the process of reviving the
Whitworth in 2007 with the launch of a new capital build project. Funding for the ambitious project totalling £15m came from the
2506:
1385:
213:
in Birmingham. She worked for Peter Jenkinson OBE, national director of creative partnerships and former West Midlands colleague where he had been founder director of the
520:
The Whitworth reopened on 14 February 2015, with over 18,000 people attending the new gallery in the first two days to explore new exhibitions from Cornelia Parker and
1591:
430:(2015) – an extensive exhibition that included a wide range of work. The exhibition included The War Room (one of two new commissions) and Parker's most famous work
259:
being the only other female director from 1925 to 1945. In June 2017, Balshaw stepped down as director of the Whitworth to become the first female director of Tate.
1495:
1715:
2491:
1365:
1612:
1921:
1759:
267:
During her time as director at the Whitworth, Balshaw has been responsible for commissioning a wide range of exhibitions. Some of the most notable include:
2496:
2476:
2471:
1006:
1837:
494:, Balshaw ran an international competition, that attracted 139 submissions from architects from all over the world. The competition was chaired by
879:
763:
by Roy Vickery, her luxury item was a full set of flower and vegetable seeds and her favourite track was "Waiting for the Great Leap Forward" by
1115:
351:(2011) – four decades of projects by American artist Mary Kelly were brought together in the most comprehensive exhibition of her work presented.
2511:
2481:
1134:
788:
1675:
1449:
1576:
2486:
2029:
1423:
2381:
746:
space for young people. There will also be new gallery space, a bistro, shops and bars along with a new multi-purpose rooftop space.
1327:
2501:
832:
1900:
858:
502:
as a judge. McInnes Usher McKnight Architects (MUMA) were appointed architects for the project and building work began in 2013.
185:, where she gained an MA in critical theory (1992), followed by a DPhil in African American visual and literary culture (1996).
1397:
1154:
491:
403:(2012–2013) – An exhibition which included a world premiere where the Wilsons filmed the workers of Chernobyl in a new town.
1090:
2437:
1543:
1518:
1631:
571:(2012) – Bringing together 140 works from the Pre-Raphaelite painter, this was the first exhibition from Brown since 1964.
1244:
1954:
287:
1026:
357:(2011) – historic and contemporary landscape art exploring its imagery, and the places and power associated with it.
499:
495:
1180:
1049:
2516:
2307:
618:
304:(2009) – looking at the relationship between surrealism and contemporary art, this exhibition included work from
1650:
524:. In just six weeks over 100,000 visitors had explored the new gallery in the park. The new Whitworth was named
290:– Abramovich stripped the Whitworth of its artworks and replaced it with fourteen performance artists including
2165:
1346:
1306:
199:
2010:
2261:
1972:
505:
On completion, the gallery has doubled its exhibition space and opened up the gallery to Whitworth park. As
153:
On 12 June 2015 Balshaw was appointed a Commander of the Most Excellent Order of the British Empire, in the
2318:
2394:
916:
255:
Balshaw's appointment at the Whitworth made her the second female director in the history of the gallery.
610:
214:
108:
29:
407:
documented how the bright future promised by nuclear power turned out to be dangerous and unpredictable.
2425:
2075:
991:
961:
442:. Novoselov created samples of graphene from works in the Whitworth's collection including drawings by
225:
2387:
2238:
2125:
1067:
536:
1206:
394:'s Influence Machine filled the trees of Whitworth Park with glimmering ghostly faces from the past.
2213:
1868:
1480:
1162:
1034:
818:
810:
796:
723:
614:
472:
203:
131:
2208:
1176:
178:
143:
1760:"Jeremy Deller: All That Is Solid Melts Into Air @ Manchester Art Gallery, until 19 Jan: review"
487:, Headley Trust, The Granada Foundation as well as Friends of the Whitworth and private donors.
139:
2466:
1780:
1679:
558:
398:
135:
1901:"Maria Balshaw: 'Galleries that have collections like ours don't usually reside in Moss Side'"
2137:
1973:
With His Star on the Rise, Artist Samson Young Becomes First Winner of M+ Museum’s Sigg Prize
1860:
1764:
1472:
1431:
1393:
1075:
598:
594:
476:
459:
249:
210:
154:
127:
767:. In the programme she revealed that, prior to the birth of her son, she had suffered three
2461:
2408:
2249:
1572:
939:
480:
272:
182:
147:
95:'City of refuge': Harlem and urban aesthetic twentieth-century African American literature.
66:
936:'City of refuge': Harlem and urban aesthetic twentieth-century African American literature
8:
1991:
1882:
1805:
1660:
1370:
755:
696:
346:
256:
738:
wedding dress was included in the Something Blue exhibition at the Gallery of Costumes.
370:(2011) – as part of the Manchester International Festival, two films about the siege of
281:
2158:
1194:
726:
in 1997; they have a son and a daughter. The couple separated in 2006. Balshaw married
484:
365:
123:
at the time, on 16 January 2017, making Balshaw the first female director of the Tate.
2120:
1744:
590:
586:
578:
2374:
2369:
2364:
2359:
2354:
2349:
2344:
2339:
1929:
1785:
1095:
943:
854:
735:
731:
700:
640:
434:(1991). Parker also worked with scientists at the University of Manchester including
120:
1736:
1265:
671:
During 2014, as part of her role as director of culture, Balshaw worked to persuade
2255:
2089:
606:
602:
566:
435:
313:
291:
2273:
2232:
1655:
1523:
1100:
1011:
969:
761:
Vickery’s Folk Flora: an A-Z of the Folklore and Uses of British and Irish Plants
676:
447:
426:
1284:
983:
734:, in 2010. They live in Manchester with Balshaw's children. In 2014, Balshaw’s
379:
2244:
2193:
2113:
2096:
2039:
1790:
1186:
742:
672:
451:
387:
309:
1116:"From the archives: A conversation between Marina Abramović and Maria Balshaw"
177:. After gaining a BA (Hons) in English literature and cultural studies at the
2455:
2313:
2151:
1933:
1155:"Animating galleries – fresh perspectives on Surrealism and contemporary art"
727:
631:
546:
521:
443:
295:
2053:
1135:"The art of surrealism: Subversive Spaces at Manchester's Whitworth gallery"
947:
2334:
2267:
2203:
2188:
2034:
1905:
1720:
1596:
1565:"Refurbished Whitworth Gallery attracts 18,000 visitors on opening weekend"
1548:
1450:"MUMA unveils glass and brick extensions to Manchester's Whitworth gallery"
1311:
1249:
1245:"No flowers please: wallpaper exhibition exposes the dark side of the home"
1221:
1139:
884:
863:
711:
391:
317:
561:
hosted a wide range of contemporary and historical exhibitions including:
2198:
2101:
2011:"Profile: Maria Balshaw on art, change – & the emperor's new clothes"
768:
764:
750:
680:
649:
383:
305:
174:
116:
94:
2296:
1613:"The Whitworth hits 100,000 visitors – just six weeks after it reopens"
589:
and George Osodi. The event, led by Balshaw, received funding from the
582:
439:
411:
166:
54:
1651:"Balshaw named joint director of Whitworth and Manchester Art Gallery"
703:
on 16 January 2017, making her the first female director of the Tate.
458:. He also used a pencil-written letter by the man who split the atom,
321:
224:
In 2004, Balshaw was selected as one of the inaugural fellows for the
2431:
2401:
2302:
1503:
1229:
361:
170:
2054:"BBC Radio 4 - Desert Island Discs, Maria Balshaw, Director of Tate"
240:
1886:
1810:
1328:"Review: Jane and Louise Wilson, Whitworth Art Gallery, Manchester"
375:
371:
329:
2108:
1976:
1958:
1592:"18,000 visit Manchester's revamped Whitworth in opening weekend"
1528:
1222:"Gregor Schneider: Die Kinderzimmer at The Whitworth Art Gallery"
455:
416:(2013) – an exhibition of Holt's fascination with time and space
1693:
1473:"£390,000 boost for Whitworth Art Gallery and Manchester Museum"
325:
1716:"Verve and excitement of West African arts comes to Manchester"
1457:
840:
374:
were premiered at the Whitworth alongside a number of previous
1922:"Tate to name Maria Balshaw as new director to succeed Serota"
1366:"Nikhil Chopra: Coal on Cotton, Whitworth Art Gallery, review"
880:"Maria Balshaw's Tate appointment confirmed by prime minister"
833:"Maria Balshaw appointed to the Board of Arts Council England"
1347:"Last chance: Nancy Holt's Land Art at Whitworth Art Gallery"
2174:
692:
525:
112:
77:
248:
In 2006, Balshaw was headhunted to become the director of
1815:
707:
378:
film projects, including films and installations made by
2143:
1007:"So are these the faces of the future in British arts?"
859:"Queen's birthday honours list 2015: GCB, DBE and CBE"
198:
Balshaw was appointed lecturer in cultural studies at
134:
and also of Manchester City Galleries, which includes
2073:
699:(1988 to 2017). Her appointment was confirmed by the
209:
In 2002, Balshaw left academia to become director of
146:. Balshaw also serves on the national council of the
1883:
Manchester to get new £78m theatre named The Factory
1806:"Artist Ryan Gander: Painting is 'an illogical act'"
2507:
People associated with the University of Manchester
2030:"Isle of Bute Art Deco pavilion set for £3m revamp"
1861:"Major new grant funding for cultural institutions"
871:
706:Balshaw was a member of the jury for the inaugural
483:, trusts and foundations including Clore Duffield,
206:as research fellow and lecturer in visual culture.
1422:Smith, Roland; Addelman, Mike (18 February 2011).
1836:. Manchester Cultural Partnership. Archived from
853:
593:and included work in the Manchester Art Gallery,
342:(2010) – the UK's first exhibition of wallpapers.
142:. Until May 2017 she was director of culture for
2453:
1955:M+ Museum to Launch $ 63,900 Sigg Prize in 2019
1778:
1424:"Award set to transform Whitworth Art Gallery"
2492:Commanders of the Order of the British Empire
2159:
1421:
658:
2027:
1920:Brown, Mark; Pidd, Helen (11 January 2017).
1913:
1858:
1803:
1734:
1673:
1632:"The Whitworth Wins NW Building Of The Year"
1562:
1544:"Hello world: the new Whitworth Art Gallery"
1519:"MUMA's £15m Whitworth Art Gallery tops out"
1132:
1004:
914:
786:
160:
2497:Directors of museums in the United Kingdom
2477:Academics of the University of Northampton
2166:
2152:
1889:, 3 December 2014. Accessed 9 October 2017
1781:"Reviews: Joana Vasconcelos in Manchester"
1779:Crichton-Miller, Emma (25 February 2014).
1676:"Ford Madox Brown: Pre-Raphaelite Pioneer"
1541:
1344:
1161:. School of Arts, Languages and Cultures,
877:
666:
654:(2014) – Gander's largest UK show to date.
111:(born 24 January 1970) is director of the
2472:Academics of the University of Birmingham
2382:List of Turner Prize winners and nominees
1919:
1629:
1443:
1441:
1300:
1298:
1282:
910:
908:
906:
904:
902:
749:In August 2020 Balshaw was the guest for
531:
466:
368:– 1395 Days without Red & Projections
1709:
1707:
1648:
1493:
1470:
535:
239:
2002:
1989:
1542:Wainwright, Oliver (11 February 2015).
1242:
1047:
933:
2454:
1713:
1649:Atkinson, Rebecca (25 February 2011).
1610:
1438:
1417:
1415:
1386:"Current exhibitions: Cornelia Parker"
1304:
1295:
1243:Higgins, Charlotte (6 February 2010).
1113:
899:
2512:People from Birmingham, West Midlands
2482:Alumni of the University of Liverpool
2147:
1953:Alex Greenberger (13 November 2018),
1704:
1630:Schofield, Jonathan (17 April 2015).
1494:McGregor, Shelia (20 February 2015).
1447:
1363:
1325:
1088:
976:
652:– Make Every Show Like It's Your Last
528:NW building of the year in May 2015.
492:Royal Institute of British Architects
202:in 1993. In 1997, Balshaw joined the
2008:
1898:
1757:
1589:
1496:"The new-look Whitworth Art Gallery"
1219:
552:
1516:
1412:
1326:Taber, Alexander (4 January 2013).
1175:
115:. The appointment was confirmed by
13:
2487:Alumni of the University of Sussex
1448:Mairs, Jessica (3 February 2015).
1048:Swirsky, Rebecca (15 March 2015).
634:– All That Is Solid Melts Into Air
432:Cold Dark Matter: An Exploded View
262:
14:
2528:
1834:manchesterculturalpartnership.org
1563:Staff writer (18 February 2015).
1471:Keighren, Jon (27 January 2012).
1289:The Land Between Us via WordPress
1263:
966:creativeconomy.britishcouncil.org
915:Staff writer (11 February 2015).
490:In 2009, with the support of the
405:Atomgrad (Nature Abhors a Vacuum)
288:Manchester International Festival
126:Balshaw has been director of the
2131:
2119:
2107:
2095:
2083:
2028:Staff writer (3 February 2015).
1859:Staff writer (24 January 2012).
1590:Pidd, Helen (16 February 2015).
1345:Stansfield, John (7 June 2013).
1089:Jones, Amelia (September 2008).
1056:. Rebecca Swirsky via WordPress.
717:
235:
2502:Directors of the Tate galleries
2046:
2021:
1983:
1965:
1947:
1899:Pidd, Helen (9 February 2015).
1892:
1875:
1852:
1822:
1797:
1772:
1751:
1728:
1686:
1667:
1642:
1623:
1611:Stubbs, Susie (27 March 2015).
1604:
1583:
1556:
1535:
1510:
1487:
1464:
1378:
1364:Sooke, Alastair (8 July 2013).
1357:
1338:
1319:
1276:
1257:
1236:
1213:
1169:
1147:
1126:
1107:
1082:
1060:
1041:
1019:
998:
730:, who was then director of the
619:Royal Northern College of Music
193:
1990:Balshaw, Maria (6 June 2015).
1305:Searle, Adrian (4 July 2011).
1220:Moss, Richard (2 March 2009).
1133:Staff writer (25 March 2009).
1099:. No. 117. Archived from
992:The Clore Leadership Programme
954:
927:
878:Mark Brown (17 January 2017).
847:
825:
803:
780:
693:Tate art museums and galleries
420:Nikhil Chopra – Coal On Cotton
200:University College Northampton
113:Tate art museums and galleries
1:
1971:Tessa Solomon (13 May 2020),
1758:Gunn, Ali (29 October 2013).
1714:Nugent, Helen (7 June 2012).
1674:Staff writer (January 2012).
962:"People: Peter Jenkinson OBE"
787:Staff writer (17 June 2011).
774:
741:Balshaw is a director of the
691:Balshaw has been director of
621:. Balshaw commented ahead of
557:During her time as director,
155:Queen's birthday honours list
2319:Outset Contemporary Art Fund
1804:Staff writer (8 July 2014).
1481:The University of Manchester
1163:The University of Manchester
1054:rebeccaswirsky.wordpress.com
1005:Staff writer (8 June 2004).
157:, for Services to the Arts.
7:
10:
2533:
1390:whitworth.manchester.ac.uk
1072:whitworth.manchester.ac.uk
1068:"The new gallery: history"
722:Balshaw married Professor
659:The Manchester Partnership
401:– Post-atrocity exhibition
226:Clore Leadership programme
2418:
2327:
2288:
2224:
2181:
2009:Feld, Kate (9 May 2013).
188:
181:(1991), she attended the
88:
83:
72:
62:
37:
23:
2214:Palais de Danse, St Ives
2173:
1869:University of Manchester
1700:. We Face Forward. 2012.
1283:Griffiths, Mary (2011).
1050:"Remaking the Whitworth"
1035:University of Manchester
1015:. Independent Print Ltd.
819:Manchester School of Art
615:National Football Museum
569:– Pre-Raphaelite Pioneer
473:University Of Manchester
286:(2009) – As part of the
204:University of Birmingham
161:Early life and education
132:University of Manchester
2209:Barbara Hepworth Museum
1636:Manchester Confidential
934:Balshaw, Maria (1998).
789:"The tales of one city"
695:since 2017, succeeding
686:
667:Manchester City Council
179:University of Liverpool
144:Manchester City Council
16:English museum director
2517:Women museum directors
2308:Sir Joseph Duveen, Bt.
1830:"Networks and Support"
1745:Paul Hamlyn Foundation
1680:Manchester Art Gallery
1638:. Confidential Direct.
1307:"A return to Sarajevo"
1114:Stubbs, Susie (2009).
759:. Her book choice was
613:, Gallery Of Costume,
591:Paul Hamlyn Foundation
559:Manchester Art Gallery
541:
540:Manchester Art Gallery
532:Manchester Art Gallery
467:Capital transformation
399:Jane and Louise Wilson
390:. Also as part of MIF
245:
136:Manchester Art Gallery
1735:Staff writer (2015).
1432:Heritage Lottery Fund
599:The Manchester Museum
539:
477:Heritage Lottery Fund
460:Sir Ernest Rutherford
334:Die Familie Schneider
243:
211:Creative Partnerships
169:, Balshaw grew up in
1579:on 6 September 2015.
1573:Arts Council England
1517:Hopkirk, Elizabeth.
1159:alc.manchester.ac.uk
1103:on 7 September 2015.
968:. Creative Economy,
940:University of Sussex
607:The Bridgewater Hall
481:Arts Council England
349:– Projects 1973–2010
273:Lynn Hershman Leeson
183:University of Sussex
148:Arts Council England
67:University of Sussex
2426:Frankfurt Art Theft
2388:The Weather Project
1840:on 16 February 2015
1661:Museums Association
1371:The Daily Telegraph
1270:marykellyartist.com
988:cloreleadership.org
756:Desert Island Discs
714:as winner in 2020.
697:Sir Nicholas Serota
679:site in the city’s
355:The Land Between Us
275:– Autonomous Agents
257:Margaret Pilkington
2126:Greater Manchester
1569:artscouncil.org.uk
799:on 8 January 2016.
542:
485:Wolfson Foundation
246:
140:Gallery of Costume
106:Maria Jane Balshaw
2449:
2448:
1698:wefaceforward.org
921:Arts Professional
855:Press Association
736:Vivienne Westwood
732:Manchester Museum
710:, which selected
701:UK prime minister
641:Joana Vasconcelos
340:Walls Are Talking
302:Subversive spaces
121:UK Prime Minister
103:
102:
32:
2524:
2256:John Rothenstein
2168:
2161:
2154:
2145:
2144:
2136:
2135:
2134:
2124:
2123:
2112:
2111:
2100:
2099:
2088:
2087:
2086:
2079:
2069:
2068:
2066:
2064:
2050:
2044:
2043:
2025:
2019:
2018:
2015:Creative Tourist
2006:
2000:
1999:
1987:
1981:
1969:
1963:
1951:
1945:
1944:
1942:
1940:
1917:
1911:
1910:
1896:
1890:
1879:
1873:
1872:
1865:manchester.ac.uk
1856:
1850:
1849:
1847:
1845:
1826:
1820:
1819:
1801:
1795:
1794:
1776:
1770:
1769:
1755:
1749:
1748:
1732:
1726:
1725:
1711:
1702:
1701:
1690:
1684:
1683:
1671:
1665:
1664:
1646:
1640:
1639:
1627:
1621:
1620:
1617:Creative Tourist
1608:
1602:
1601:
1587:
1581:
1580:
1575:. Archived from
1560:
1554:
1553:
1539:
1533:
1532:
1514:
1508:
1507:
1500:culture24.org.uk
1491:
1485:
1484:
1477:manchester.ac.uk
1468:
1462:
1461:
1445:
1436:
1435:
1419:
1410:
1409:
1407:
1405:
1396:. Archived from
1382:
1376:
1375:
1361:
1355:
1354:
1342:
1336:
1335:
1323:
1317:
1316:
1302:
1293:
1292:
1280:
1274:
1273:
1261:
1255:
1254:
1240:
1234:
1233:
1226:culture24.org.uk
1217:
1211:
1210:
1204:
1200:
1198:
1190:
1179:(4 March 2009).
1173:
1167:
1166:
1151:
1145:
1144:
1130:
1124:
1123:
1120:Creative Tourist
1111:
1105:
1104:
1086:
1080:
1079:
1064:
1058:
1057:
1045:
1039:
1038:
1031:manchester.ac.uk
1023:
1017:
1016:
1002:
996:
995:
980:
974:
973:
958:
952:
951:
931:
925:
924:
912:
897:
896:
894:
892:
875:
869:
868:
857:(12 June 2015).
851:
845:
844:
829:
823:
822:
807:
801:
800:
795:. Archived from
784:
623:We Face Forward:
603:Band on the Wall
567:Ford Madox Brown
436:Kostya Novoselov
314:Gregor Schneider
282:Marina Abramović
51:
47:
45:
28:
21:
20:
2532:
2531:
2527:
2526:
2525:
2523:
2522:
2521:
2452:
2451:
2450:
2445:
2414:
2323:
2284:
2274:Nicholas Serota
2233:Charles Holroyd
2220:
2177:
2172:
2142:
2132:
2130:
2118:
2106:
2094:
2084:
2082:
2074:
2072:
2062:
2060:
2052:
2051:
2047:
2026:
2022:
2007:
2003:
1988:
1984:
1970:
1966:
1952:
1948:
1938:
1936:
1918:
1914:
1897:
1893:
1880:
1876:
1857:
1853:
1843:
1841:
1828:
1827:
1823:
1802:
1798:
1786:Apollo Magazine
1777:
1773:
1756:
1752:
1737:"Maria Balshaw"
1733:
1729:
1712:
1705:
1692:
1691:
1687:
1672:
1668:
1656:Museums Journal
1647:
1643:
1628:
1624:
1609:
1605:
1588:
1584:
1561:
1557:
1540:
1536:
1515:
1511:
1492:
1488:
1469:
1465:
1446:
1439:
1420:
1413:
1403:
1401:
1384:
1383:
1379:
1362:
1358:
1351:Manchester Wire
1343:
1339:
1324:
1320:
1303:
1296:
1281:
1277:
1262:
1258:
1241:
1237:
1218:
1214:
1202:
1201:
1192:
1191:
1182:Domestic terror
1174:
1170:
1153:
1152:
1148:
1131:
1127:
1112:
1108:
1087:
1083:
1066:
1065:
1061:
1046:
1042:
1025:
1024:
1020:
1012:The Independent
1003:
999:
982:
981:
977:
970:British Council
960:
959:
955:
932:
928:
913:
900:
890:
888:
876:
872:
852:
848:
831:
830:
826:
811:"Maria Balshaw"
809:
808:
804:
785:
781:
777:
720:
689:
677:Granada Studios
669:
661:
587:Romuald Hazoumè
579:Georges Adéagbo
575:We Face Forward
555:
553:Key exhibitions
534:
469:
427:Cornelia Parker
292:Kira O’Reilly’s
265:
263:Key exhibitions
238:
215:New Art Gallery
196:
191:
163:
99:
63:Alma mater
58:
52:
49:
48:24 January 1970
43:
41:
33:
26:
17:
12:
11:
5:
2530:
2520:
2519:
2514:
2509:
2504:
2499:
2494:
2489:
2484:
2479:
2474:
2469:
2464:
2447:
2446:
2444:
2443:
2440:The Upper Room
2435:
2428:
2422:
2420:
2416:
2415:
2413:
2412:
2405:
2398:
2391:
2384:
2379:
2378:
2377:
2372:
2367:
2362:
2357:
2352:
2347:
2342:
2331:
2329:
2325:
2324:
2322:
2321:
2316:
2310:
2305:
2299:
2292:
2290:
2286:
2285:
2283:
2282:
2281:(2017–present)
2276:
2270:
2264:
2258:
2252:
2247:
2245:Charles Aitken
2242:
2236:
2228:
2226:
2222:
2221:
2219:
2218:
2217:
2216:
2206:
2201:
2196:
2194:Tate Liverpool
2191:
2185:
2183:
2179:
2178:
2171:
2170:
2163:
2156:
2148:
2141:
2140:
2138:United Kingdom
2128:
2116:
2104:
2092:
2071:
2070:
2045:
2040:Johnston Press
2020:
2001:
1982:
1964:
1946:
1912:
1891:
1874:
1851:
1821:
1796:
1791:Press Holdings
1771:
1768:. Radge Media.
1750:
1727:
1703:
1685:
1666:
1641:
1622:
1603:
1582:
1555:
1534:
1509:
1486:
1463:
1437:
1411:
1400:on 11 May 2015
1377:
1356:
1337:
1318:
1294:
1275:
1266:"Announcement"
1256:
1235:
1212:
1187:Trinity Mirror
1168:
1146:
1125:
1106:
1081:
1059:
1040:
1018:
997:
975:
953:
938:(PhD thesis).
926:
898:
870:
846:
824:
802:
778:
776:
773:
719:
716:
688:
685:
673:George Osborne
668:
665:
660:
657:
656:
655:
646:
643:– Time Machine
637:
628:
611:The Printworks
572:
554:
551:
533:
530:
468:
465:
464:
463:
423:
417:
408:
395:
388:Catherine Yass
358:
352:
343:
337:
310:Douglas Gordon
299:
278:
264:
261:
237:
234:
195:
192:
190:
187:
162:
159:
101:
100:
89:
86:
85:
81:
80:
74:
70:
69:
64:
60:
59:
53:
39:
35:
34:
27:
24:
15:
9:
6:
4:
3:
2:
2529:
2518:
2515:
2513:
2510:
2508:
2505:
2503:
2500:
2498:
2495:
2493:
2490:
2488:
2485:
2483:
2480:
2478:
2475:
2473:
2470:
2468:
2467:Living people
2465:
2463:
2460:
2459:
2457:
2442:
2441:
2436:
2434:
2433:
2429:
2427:
2424:
2423:
2421:
2417:
2411:
2410:
2406:
2404:
2403:
2399:
2397:
2396:
2392:
2390:
2389:
2385:
2383:
2380:
2376:
2373:
2371:
2368:
2366:
2363:
2361:
2358:
2356:
2353:
2351:
2348:
2346:
2343:
2341:
2338:
2337:
2336:
2333:
2332:
2330:
2326:
2320:
2317:
2315:
2314:Charles Clore
2311:
2309:
2306:
2304:
2300:
2298:
2294:
2293:
2291:
2287:
2280:
2279:Maria Balshaw
2277:
2275:
2271:
2269:
2265:
2263:
2259:
2257:
2253:
2251:
2248:
2246:
2243:
2240:
2239:D. S. MacColl
2237:
2234:
2230:
2229:
2227:
2223:
2215:
2212:
2211:
2210:
2207:
2205:
2202:
2200:
2197:
2195:
2192:
2190:
2187:
2186:
2184:
2180:
2176:
2169:
2164:
2162:
2157:
2155:
2150:
2149:
2146:
2139:
2129:
2127:
2122:
2117:
2115:
2110:
2105:
2103:
2098:
2093:
2091:
2081:
2080:
2077:
2059:
2055:
2049:
2041:
2037:
2036:
2031:
2024:
2016:
2012:
2005:
1997:
1993:
1986:
1979:
1978:
1974:
1968:
1961:
1960:
1956:
1950:
1935:
1931:
1927:
1923:
1916:
1908:
1907:
1902:
1895:
1888:
1884:
1878:
1870:
1866:
1862:
1855:
1839:
1835:
1831:
1825:
1817:
1813:
1812:
1807:
1800:
1792:
1788:
1787:
1782:
1775:
1767:
1766:
1761:
1754:
1746:
1742:
1738:
1731:
1723:
1722:
1717:
1710:
1708:
1699:
1695:
1689:
1681:
1677:
1670:
1662:
1658:
1657:
1652:
1645:
1637:
1633:
1626:
1618:
1614:
1607:
1599:
1598:
1593:
1586:
1578:
1574:
1570:
1566:
1559:
1551:
1550:
1545:
1538:
1530:
1526:
1525:
1520:
1513:
1505:
1501:
1497:
1490:
1482:
1478:
1474:
1467:
1459:
1455:
1451:
1444:
1442:
1433:
1429:
1425:
1418:
1416:
1399:
1395:
1394:The Whitworth
1391:
1387:
1381:
1373:
1372:
1367:
1360:
1352:
1348:
1341:
1333:
1329:
1322:
1314:
1313:
1308:
1301:
1299:
1290:
1286:
1279:
1272:. Mary Kelly.
1271:
1267:
1264:Kelly, Mary.
1260:
1252:
1251:
1246:
1239:
1231:
1227:
1223:
1216:
1208:
1196:
1188:
1184:
1183:
1178:
1172:
1164:
1160:
1156:
1150:
1142:
1141:
1136:
1129:
1121:
1117:
1110:
1102:
1098:
1097:
1092:
1085:
1077:
1076:The Whitworth
1073:
1069:
1063:
1055:
1051:
1044:
1036:
1032:
1028:
1022:
1014:
1013:
1008:
1001:
993:
989:
985:
979:
971:
967:
963:
957:
949:
945:
941:
937:
930:
922:
918:
917:"Jobs Ladder"
911:
909:
907:
905:
903:
887:
886:
881:
874:
866:
865:
860:
856:
850:
842:
838:
834:
828:
820:
816:
815:art.mmu.ac.uk
812:
806:
798:
794:
793:Arts Industry
790:
783:
779:
772:
770:
766:
762:
758:
757:
752:
747:
744:
739:
737:
733:
729:
728:Nick Merriman
725:
718:Personal life
715:
713:
709:
704:
702:
698:
694:
684:
682:
678:
674:
664:
653:
651:
647:
644:
642:
638:
635:
633:
632:Jeremy Deller
629:
627:
624:
620:
616:
612:
608:
604:
600:
596:
595:the Whitworth
592:
588:
584:
580:
576:
573:
570:
568:
564:
563:
562:
560:
550:
548:
547:Richard Leese
538:
529:
527:
523:
522:Cai Guo-Qiang
519:
515:
511:
508:
503:
501:
500:Peter Saville
498:and included
497:
493:
488:
486:
482:
478:
474:
461:
457:
453:
449:
445:
444:William Blake
441:
437:
433:
429:
428:
424:
421:
418:
415:
413:
409:
406:
402:
400:
396:
393:
389:
385:
381:
377:
373:
369:
367:
366:Šejla Kamerić
363:
359:
356:
353:
350:
348:
344:
341:
338:
335:
331:
327:
323:
319:
315:
311:
307:
303:
300:
297:
293:
289:
285:
283:
279:
276:
274:
270:
269:
268:
260:
258:
253:
251:
250:the Whitworth
244:The Whitworth
242:
236:The Whitworth
233:
229:
227:
222:
218:
216:
212:
207:
205:
201:
186:
184:
180:
176:
172:
168:
158:
156:
151:
149:
145:
141:
137:
133:
129:
124:
122:
118:
114:
110:
107:
97:
96:
92:
87:
82:
79:
75:
71:
68:
65:
61:
56:
50:(age 54)
40:
36:
31:
25:Maria Balshaw
22:
19:
2439:
2438:Purchase of
2430:
2407:
2400:
2393:
2386:
2335:Turner Prize
2278:
2268:Alan Bowness
2250:J. B. Manson
2204:Tate St Ives
2189:Tate Britain
2061:. Retrieved
2057:
2048:
2035:The Scotsman
2033:
2023:
2014:
2004:
1995:
1985:
1975:
1967:
1957:
1949:
1937:. Retrieved
1926:The Guardian
1925:
1915:
1906:The Guardian
1904:
1894:
1877:
1864:
1854:
1842:. Retrieved
1838:the original
1833:
1824:
1809:
1799:
1784:
1774:
1763:
1753:
1740:
1730:
1721:The Guardian
1719:
1697:
1688:
1669:
1654:
1644:
1635:
1625:
1616:
1606:
1597:The Guardian
1595:
1585:
1577:the original
1568:
1558:
1549:The Guardian
1547:
1537:
1522:
1512:
1499:
1489:
1476:
1466:
1453:
1427:
1402:. Retrieved
1398:the original
1389:
1380:
1369:
1359:
1350:
1340:
1331:
1321:
1312:The Guardian
1310:
1288:
1278:
1269:
1259:
1250:The Guardian
1248:
1238:
1225:
1215:
1181:
1171:
1158:
1149:
1140:The Guardian
1138:
1128:
1119:
1109:
1101:the original
1094:
1084:
1071:
1062:
1053:
1043:
1030:
1021:
1010:
1000:
987:
978:
965:
956:
935:
929:
920:
889:. Retrieved
885:The Guardian
883:
873:
864:The Guardian
862:
849:
836:
827:
814:
805:
797:the original
792:
782:
769:miscarriages
760:
754:
748:
740:
724:Liam Kennedy
721:
712:Samson Young
705:
690:
670:
662:
648:
639:
630:
625:
622:
574:
565:
556:
543:
517:
516:
512:
507:The Guardian
506:
504:
489:
470:
431:
425:
419:
410:
404:
397:
392:Tony Oursler
380:Francis Alÿs
360:
354:
345:
339:
333:
318:Paul Delvaux
301:
280:
271:
266:
254:
247:
230:
223:
219:
208:
197:
194:Early career
164:
152:
125:
105:
104:
93:
90:
76:Director of
18:
2462:1970 births
2328:Exhibitions
2289:Benefactors
2262:Norman Reid
2199:Tate Modern
1996:twitter.com
1694:"Home page"
1203:|work=
1091:"This Life"
765:Billy Bragg
751:BBC Radio 4
681:Castlefield
650:Ryan Gander
496:Tom Bloxham
384:Atom Egoyan
306:Sarah Lucas
217:, Walsall.
175:Northampton
117:Theresa May
2456:Categories
2409:Shibboleth
2395:Embankment
2297:Henry Tate
1998:. Twitter.
1939:11 January
1765:The Skinny
1741:phf.org.uk
1454:dezeen.com
1428:hlf.org.uk
1332:Corridor 8
1027:"Profiles"
984:"About us"
891:17 January
775:References
708:Sigg Prize
683:district.
583:El Anatsui
518:Reopening
440:Andre Geim
414:– Land Art
412:Nancy Holt
347:Mary Kelly
296:Ivan Civic
284:– Presents
167:Birmingham
73:Occupation
55:Birmingham
44:1970-01-24
2432:Tate Etc.
2402:Test Site
2303:Hugh Lane
2225:Directors
2182:Galleries
2090:Biography
2063:14 August
1934:0261-3077
1524:BD Online
1504:Culture24
1230:Culture24
1205:ignored (
1195:cite book
452:Constable
362:Anri Sala
171:Leicester
128:Whitworth
57:, England
2241:(Keeper)
2235:(Keeper)
1992:"Status"
1887:BBC News
1811:BBC News
948:59429343
743:Rothesay
376:Artangel
372:Sarajevo
336:in 2004.
330:Magritte
165:Born in
2114:Society
2076:Portals
1977:ARTnews
1959:ARTnews
1844:12 June
1404:12 June
1285:"About"
456:Picasso
322:Brassaï
1932:
1458:Dezeen
1096:frieze
946:
841:GOV.UK
837:gov.uk
448:Turner
189:Career
119:, the
98:(1998)
91:Thesis
2419:Other
84:Notes
2375:2013
2370:2012
2365:2011
2360:2010
2355:2009
2350:2008
2345:2007
2340:2006
2312:Sir
2301:Sir
2295:Sir
2272:Sir
2266:Sir
2260:Sir
2254:Sir
2231:Sir
2175:Tate
2102:Arts
2065:2020
1941:2017
1930:ISSN
1846:2015
1406:2015
1207:help
944:OCLC
893:2017
687:Tate
617:and
526:RIBA
454:and
438:and
386:and
364:and
328:and
326:Dalí
294:and
173:and
138:and
78:Tate
38:Born
2058:BBC
1816:BBC
1529:UBM
1177:MEN
753:'s
109:CBE
30:CBE
2458::
2056:.
2038:.
2032:.
2013:.
1994:.
1928:.
1924:.
1903:.
1885:"
1867:.
1863:.
1832:.
1814:.
1808:.
1789:.
1783:.
1762:.
1743:.
1739:.
1718:.
1706:^
1696:.
1678:.
1659:.
1653:.
1634:.
1615:.
1594:.
1571:.
1567:.
1546:.
1527:.
1521:.
1502:.
1498:.
1479:.
1475:.
1456:.
1452:.
1440:^
1430:.
1426:.
1414:^
1392:.
1388:.
1368:.
1349:.
1330:.
1309:.
1297:^
1287:.
1268:.
1247:.
1228:.
1224:.
1199::
1197:}}
1193:{{
1185:.
1157:.
1137:.
1118:.
1093:.
1074:.
1070:.
1052:.
1033:.
1029:.
1009:.
990:.
986:.
964:.
942:.
919:.
901:^
882:.
861:.
839:.
835:.
817:.
813:.
791:.
771:.
609:,
605:,
601:,
597:,
585:,
581:,
479:,
475:,
450:,
446:,
382:,
324:,
320:,
316:,
312:,
308:,
150:.
130:,
46:)
2167:e
2160:t
2153:v
2078::
2067:.
2042:.
2017:.
1980:.
1962:.
1943:.
1909:.
1881:"
1871:.
1848:.
1818:.
1793:.
1747:.
1724:.
1682:.
1663:.
1619:.
1600:.
1552:.
1531:.
1506:.
1483:.
1460:.
1434:.
1408:.
1374:.
1353:.
1334:.
1315:.
1291:.
1253:.
1232:.
1209:)
1189:.
1165:.
1143:.
1122:.
1078:.
1037:.
994:.
972:.
950:.
923:.
895:.
867:.
843:.
821:.
298:.
42:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
