291:, who was Stahl's publicity agent, inquired why there were no hired Jewish directors. Booth observed Stahl in the editing room. Because Stahl was a perfectionist, he would shoot multiple takes of several scenes and leave outtake footage literally on the cutting room floor. At the end of the day, Booth assembled the outtakes and stayed overnight to practice her cutting techniques. One day, Stahl was frustrated when he couldn't make a scene work. After he left, Booth took her own approach; when Stahl screened her work, he was impressed and hired her immediately as his editorial assistant. For Stahl, she edited
253:. Griffith hired Booth on a salary for ten dollars a week as one of several female editors for his studio. Booth remembered years later, "...in the old days we had to cut negative by eye. We matched the print to the negative without any edge numbers. We had to match the action. Sometimes there'd be a tiny pinpoint on the negative, and then you knew you were right, but it was very tedious work." One of the films she worked on was
435:, present. When the screening was over, she asked for two minutes of the film to be cut so it would be under two hours. Lumet pushed back and after two more screenings, Booth relented. Following the third screening, Lumet consoled a despondent Booth, who personally felt none of the new studio executives knew or care about filmmaking. She remained in her position until she retired in 1968.
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She was a pioneer of the classic editing style, the so-called "invisible cutting", the aim of which was to make the transition from one image to another as seamless as possible, so the audience was almost unaware of the flow of shots within a sequence. Narrative was dominant, maintaining a continuity
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for outstanding women who, through their endurance and the excellence of their work, have helped to expand the role of women within the entertainment industry. On her centennial birthday, in 1998, Booth was honored with a gala commemorating her seven-decade contributions to the film industry at the
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Stahl personally mentored Booth on the craft of film editing, explaining the exact purpose for his editing decisions. Booth reflected, "He taught the value of a scene. When a scene drops or doesn't drop, and when it sustains. You have to feel this, intrusively, in your work." In 1924, Mayer merged
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In 1936, Thalberg had unexpectedly died and Mayer assumed the position as production head. Three years later, in 1939, Mayer appointed Booth to be the studio's supervising film editor. Booth stated, "They liked me because I was fast. I was always very fast cutting everything I did. And boy, was I
329:—the greatest man who was ever in pictures. M-G-M was like home to me." Her editing skills were appreciated by Thalberg, MGM's head of production, that he asked her if she would consider directing. However, she was not interested. Regardless, according to film historian
232:, killing Elmer instantly. Browning and Siegmann however survived but suffered serious injuries. At Elmer's funeral, Griffith delivered an eulogy and approached Margaret with a job offer as a film joiner (also known as a
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to form Metro-Goldwyn-Mayer (MGM). Stahl and Booth joined MGM, where she edited several of his films. Stahl later left MGM, while Booth stayed. She was named the studio's first official film editor by
325:(MGM). Stahl stayed with MGM for several years, but when he left the studio in 1927, he asked Booth to join him but she declined. Booth stated, "I went on to working at M-G-M, mostly with
427:(1965) in England, in which she arrived on location and asked to see a rough-cut version, promptly at eight during the following morning. A screening was arranged for her, with Lumet and
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After
Thalberg's death, Mayer appointed Booth as the studio's supervising film editor, a position she held for nearly three decades. In 1968, Booth retired from MGM, and was hired by
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called Booth "a remarkable person. She was bright and tireless, and she loved movies. I don't know if she had any other life." He told one story while filming
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denoting her for "62 years of exceptionally distinguished service to the motion picture industry as a film editor." In 1983, she was awarded the
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stated, "All the filmmakers had to go through her in order to have a final editing of sound and vision approved," while describing her approach:
333:, Thalberg was the first known person to call cutters "film editors," starting with Booth. Her first official editing credit was for the 1929
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Margaret Booth was born on
January 16, 1898, in Los Angeles to Edward J. Booth, Sr. and Margaret A. Boland. Her older brother was
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tough." As the supervising editor, she did no actual film editing herself but instead hired the personnel and reviewed the
2549:"The Moviola Mavens and the Moguls: Three Pioneering Women Editors Who Had the Respect of Early Hollywood's Power-Brokers"
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as the supervising editor for his company, Rastar
Productions. She supervised the editing for several films, including
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for her decades-long contributions as a film editor. She received her last credit as an executive producer for
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as a supervising film editor for his studio Rastar
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236:) to provide income for the family. Margaret never forgave Browning for her brother's death.
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describes her as "the final authority of every picture the studio made for 30 years."
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On
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and the breadwinner for the family. On June 16, 1915, Elmer was riding with actor
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204:(1985). Booth became a centennial in 1998, and died in 2002 at the age of 104.
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Backwards and in Heels: The Past, Present and Future of Women
Working in Film
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Born in Los
Angeles, Margaret was the younger sister of actor
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486:(1982). She was last credited as an executive producer for
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to form a new conglomerate film production studio known as
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List of centenarians (actors, filmmakers and entertainers)
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1987:
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Lion of
Hollywood: The Life and Legend of Louis B. Mayer
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Reel Women: Pioneers of the Cinema, 1896 to the
Present
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In its 1982 article about Booth's long tenureship, the
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126:(January 16, 1898 – October 28, 2002) was an American
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Women Film
Editors: Unseen Artists of American Cinema
1933:"Margaret Booth, 104; Film Editor Had 70-Year Career"
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California, County Birth and Death Records, 1800–1994
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3057:Society of Motion Picture and Television Engineers
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1971:. Associated Press. November 2, 2002. p. B4.
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2693:, Devereaux Jennings, Irmin Roberts, Art Smith,
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534:of time and space, and matching cuts to action.
1741:The Monster Show: A Cultural History of Horror
2824:, and the Republic Studio Sound Department /
2579:
2214:"Legendary Editor Gets Time in the Spotlight"
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374:(1936). Booth received her only competitive
346:At MGM, Booth edited several films starring
270:
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401:for each film, overseeing classics such as
19:For other people named Margaret Booth, see
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2555:. Vol. 27, no. 2. Archived from
1926:
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157:, where she was mentored by film director
38:
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2167:(November 30, 1982). "His Girl Friday".
2163:
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507:Sheraton Universal Hotel, hosted by the
161:. In 1924, Mayer merged his studio with
3237:Museum of Modern Art Department of Film
1921:
263:. After a few months, Booth worked for
249:By this time, Booth had graduated from
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1930:
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1823:Galloway, Douglas (October 31, 2002).
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452:After leaving MGM, Booth was hired by
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2536:Behind the Screen: How Films Are Made
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1945:from the original on December 2, 2023
1903:
1885:from the original on October 15, 2023
1853:
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245:1915–1921: Editing for D. W. Griffith
1931:Luther, Claudia (October 31, 2002).
1871:Bergan, Ronald (November 15, 2002).
392:1939–1968: Supervising editor of MGM
3061:Gilbert M. "Broncho Billy" Anderson
2153:from the original on April 2, 2024.
1975:from the original on April 12, 2022
1273:Academy Award for Best Film Editing
514:
141:, who starred in several films for
13:
3718:Burials at Inglewood Park Cemetery
2470:Women Filmmakers & Their Films
2224:from the original on July 10, 2015
2212:Viera, Lauren (January 15, 1998).
1965:"Margaret Booth, Film Editor, 104"
1835:from the original on April 2, 2024
14:
3749:
3688:Academy Honorary Award recipients
3015:Bausch & Lomb Optical Company
2997:20th Century-Fox Film Corporation
2783:and his associates / Rey Scott /
2661:Museum of Modern Art Film Library
2547:Lewis, Kevin (March–April 2006).
2497:
2466:Unterberger, Amy L., ed. (1998).
275:In 1921, Booth began working for
1649:
448:1969–1985: Editing for Ray Stark
16:American film editor (1898–2002)
3278:National Endowment for the Arts
2785:British Ministry of Information
2205:
2175:
2157:
2122:
1957:
1024:Susan Lenox (Her Fall and Rise)
281:namesake film production studio
21:Margaret Booth (disambiguation)
3733:Los Angeles High School alumni
3723:Film producers from California
2775:, John N. A. Hawkins, and the
2289:
1730:
1686:
1677:
1222:The Barretts of Wimpole Street
538:
495:In 1977, Booth was awarded an
365:The Barretts of Wimpole Street
1:
3713:American women film producers
3304:National Film Board of Canada
2447:. Jefferson, North Carolina:
2394:. New York: Alfred A. Knopf.
2139:Columbia University Libraries
1670:
207:
79:Los Angeles, California, U.S.
3728:Film people from Los Angeles
2522:Literature on Margaret Booth
1825:"Obituaries: Margaret Booth"
509:Motion Picture Editors Guild
7:
3708:American women film editors
3698:American women centenarians
3683:21st-century American women
3678:20th-century American women
3673:19th-century American women
3044:Samurai I: Musashi Miyamoto
2534:. In Watts, Stephen (ed.).
2135:Women Film Pioneers Project
1642:
10:
3754:
3693:Agnes Scott College people
2733:Motion Picture Relief Fund
1873:"Obituary: Margaret Booth"
1702:. July 3, 1915. p. 75
801:The Bridge of San Luis Rey
340:The Bridge of San Luis Rey
18:
3397:
3211:
3001:Bell & Howell Company
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2777:RCA Manufacturing Company
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413:(1959). In his 1995 book
271:1921–1938: Editing at MGM
239:
110:
102:
94:
84:
68:
46:
37:
30:
2527:Booth, Margaret (1938).
1364:The Owl and the Pussycat
604:Collaborated with Stahl
492:(1985) when she was 87.
356:(1936). She also edited
2729:William Cameron Menzies
2449:McFarland & Company
2129:Hatch, Kirsten (2013).
880:Strictly Unconventional
251:Los Angeles High School
216:, who was an actor for
89:Los Angeles High School
61:Los Angeles, California
3344:Michelangelo Antonioni
2868:William Nicholas Selig
2595:Academy Honorary Award
2553:Editors Guild Magazine
2441:Menuel, David (2016).
2386:Lumet, Sidney (1995).
1737:Ska, David J. (2001).
536:
497:Academy Honorary Award
196:Academy Honorary Award
3703:American film editors
3300:Eastman Kodak Company
2943:The Walls of Malapaga
2540:Arthur Barker Limited
2420:Coral Gables, Florida
1745:. Macmillan. p.
1516:Editorial Supervisor
1499:Editorial Supervisor
1479:Editorial Supervisor
1457:Editorial Supervisor
1438:Editorial Supervisor
1418:Editorial Supervisor
1396:Editorial Supervisor
1374:Editorial Supervisor
1330:Editorial Supervisor
531:
98:Film editor, producer
3517:Jean-Claude Carrière
3107:/ Fred L. Metzler /
3105:William L. Hendricks
2983:/ George Mitchell /
2369:Simon & Schuster
2333:The Parade's Gone By
2309:Continuum Publishing
2187:Women in Film Awards
2147:10.7916/d8-ps4e-hw86
1699:Moving Picture World
1694:"Elmer Booth Killed"
1571:Editorial Supervisor
1561:Seems Like Old Times
1547:Editorial Supervisor
1259:Mutiny on the Bounty
568:Orphans of the Storm
385:Mutiny on the Bounty
256:Orphans of the Storm
184:Mutiny on the Bounty
3738:Women film pioneers
3174:Charles S. Boren /
2831:The House I Live In
2822:Daniel J. Bloomberg
2799:Metro-Goldwyn-Mayer
2542:. pp. 147–151.
2119:, pp. 152–154.
1634:Executive producer
1612:Associate producer
1595:Associate producer
1573:Associate producer
1549:Associate producer
1533:Associate producer
1525:The Cheap Detective
1352:Production advisor
1153:Richard Boleslawski
988:The Cuban Love Song
899:The Lady of Scandal
762:The Mysterious Lady
613:Husbands and Lovers
323:Metro-Goldwyn-Mayer
224:in a car driven by
132:Metro-Goldwyn-Mayer
3497:George Stevens Jr.
3176:Edward G. Robinson
2876:George Kirke Spoor
2713:and Allen Davey /
2709:, Walter Oberst /
2705:, Harry D. Mills,
2193:on August 30, 2011
2165:Rafferty, Terrance
1969:The New York Times
1624:The Slugger's Wife
1188:Robert Z. Leonard
1135:Robert Z. Leonard
1077:Robert Z. Leonard
1012:Robert Z. Leonard
976:Robert Z. Leonard
750:Collaborated with
719:Bringing Up Father
592:Why Men Leave Home
489:The Slugger's Wife
283:. Mayer had hired
265:Paramount Pictures
230:Salt Lake Railroad
201:The Slugger's Wife
3650:
3649:
3605:Samuel L. Jackson
3567:Donald Sutherland
3553:Frederick Wiseman
3115:William J. Tuttle
3075:Maurice Chevalier
2985:Joseph M. Schenck
2927:The Bicycle Thief
2854:Claude Jarman Jr.
2820:Republic Studio,
2781:Leopold Stokowski
2721:Douglas Fairbanks
2638:The March of Time
2559:on June 12, 2008.
2489:978-1-5586-2357-6
2458:978-1-476-62520-1
2433:978-1-6335-3618-0
2348:978-0-5200-3068-8
2318:978-0-8264-0499-2
2218:Los Angeles Times
2183:"Past Recipients"
1938:Los Angeles Times
1640:
1639:
1430:The Sunshine Boys
1271:Nominated for an
1147:Storm at Daybreak
1072:Strange Interlude
1041:Lovers Courageous
971:It's a Wise Child
785:Robert Z. Leonard
738:Telling the World
465:The Sunshine Boys
431:, the editor for
380:Best Film Editing
179:Best Film Editing
121:
120:
103:Years active
3745:
3489:D. A. Pennebaker
3479:James Earl Jones
3332:Federico Fellini
3256:Barbara Stanwyck
3229:Laurence Olivier
3131:Y. Frank Freeman
3065:Charles Brackett
2973:Merian C. Cooper
2922:Cecil B. DeMille
2899:Monsieur Vincent
2846:Laurence Olivier
2836:Peggy Ann Garner
2815:Margaret O'Brien
2657:W. Howard Greene
2643:W. Howard Greene
2588:
2581:
2574:
2565:
2564:
2560:
2543:
2533:
2493:
2473:
2462:
2437:
2424:Mango Publishing
2405:
2393:
2382:
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2336:
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2306:
2283:
2280:Unterberger 1998
2277:
2234:
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2231:
2229:
2209:
2203:
2202:
2200:
2198:
2189:. Archived from
2179:
2173:
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2161:
2155:
2154:
2131:"Margaret Booth"
2126:
2120:
2114:
2108:
2102:
2096:
2090:
2084:
2081:Unterberger 1998
2078:
1985:
1984:
1982:
1980:
1961:
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1716:
1715:
1712:Internet Archive
1709:
1707:
1690:
1684:
1681:
1659:
1657:Biography portal
1654:
1653:
1652:
1511:California Suite
1491:The Goodbye Girl
1322:A Yank at Oxford
1305:Romeo and Juliet
1227:Sidney Franklin
1089:The Son-Daughter
1060:Sidney Franklin
958:Harry A. Pollard
850:Lionel Barrymore
779:A Lady of Chance
652:The Gay Deceiver
543:
542:
515:Death and legacy
477:California Suite
471:The Goodbye Girl
404:The Wizard of Oz
371:Romeo and Juliet
319:Goldwyn Pictures
294:The Gay Deceiver
259:(1921) starring
167:Goldwyn Pictures
75:
72:October 28, 2002
57:January 16, 1898
56:
54:
42:
28:
27:
3753:
3752:
3748:
3747:
3746:
3744:
3743:
3742:
3653:
3652:
3651:
3646:
3641:Carol Littleton
3599:Lina Wertmüller
3559:Charles Burnett
3545:Lynn Stalmaster
3503:Angela Lansbury
3469:Jean-Luc Godard
3445:Robert F. Boyle
3439:Ennio Morricone
3393:
3207:
3169:Charlie Chaplin
3021:/ Kemp Niver /
2990:Forbidden Games
2949:
2872:Albert E. Smith
2763:Nathan Levinson
2711:Oliver T. Marsh
2695:Farciot Edouart
2687:Gordon Jennings
2613:Charlie Chaplin
2597:
2592:
2531:
2500:
2490:
2480:St. James Press
2459:
2434:
2402:
2379:
2349:
2339:Alfred A. Knopf
2327:Brownlow, Kevin
2319:
2292:
2287:
2286:
2278:
2237:
2227:
2225:
2210:
2206:
2196:
2194:
2181:
2180:
2176:
2162:
2158:
2127:
2123:
2115:
2111:
2103:
2099:
2091:
2087:
2079:
1988:
1978:
1976:
1963:
1962:
1958:
1948:
1946:
1929:
1922:
1914:
1910:
1902:
1898:
1888:
1886:
1869:
1860:
1852:
1848:
1838:
1836:
1821:
1817:
1809:
1802:
1794:
1783:
1775:
1764:
1757:
1735:
1731:
1723:
1719:
1705:
1703:
1692:
1691:
1687:
1682:
1678:
1673:
1655:
1650:
1648:
1645:
1572:
1548:
1469:Murder by Death
1408:The Way We Were
1348:Anthony Asquith
1270:
1247:Victor Fleming
1209:Edmund Goulding
1171:Victor Fleming
1130:Peg o' My Heart
1055:Smilin' Through
918:A Lady's Morals
905:Sidney Franklin
831:
826:E. Mason Hopper
749:
702:In Old Kentucky
603:
579:
541:
517:
459:The Way We Were
450:
394:
378:nomination for
306:In Old Kentucky
273:
247:
242:
234:negative cutter
222:George Siegmann
210:
177:nomination for
171:Irving Thalberg
155:namesake studio
147:negative cutter
80:
77:
76:(aged 104)
73:
64:
58:
52:
50:
33:
24:
17:
12:
11:
5:
3751:
3741:
3740:
3735:
3730:
3725:
3720:
3715:
3710:
3705:
3700:
3695:
3690:
3685:
3680:
3675:
3670:
3665:
3648:
3647:
3645:
3644:
3633:Angela Bassett
3630:
3616:
3602:
3588:
3574:
3556:
3549:Anne V. Coates
3538:
3528:
3525:Maureen O'Hara
3521:Hayao Miyazaki
3514:
3500:
3486:
3476:
3465:Kevin Brownlow
3462:
3448:
3442:
3436:
3430:
3424:
3418:
3412:
3409:Robert Redford
3405:Sidney Poitier
3401:
3399:
3395:
3394:
3392:
3391:
3381:
3375:
3369:
3363:
3357:
3347:
3341:
3335:
3329:
3323:
3313:
3310:Akira Kurosawa
3307:
3297:
3291:
3281:
3271:
3265:
3259:
3253:
3247:
3240:
3222:
3219:Margaret Booth
3215:
3213:
3209:
3208:
3206:
3205:
3199:
3189:
3182:Henri Langlois
3179:
3172:
3166:
3156:
3150:
3140:
3134:
3124:
3118:
3112:
3109:Jerome Robbins
3102:
3088:
3078:
3072:
3054:
3048:
3040:
3031:Vincent Winter
3012:
2994:
2970:
2957:
2955:
2951:
2950:
2948:
2947:
2934:Louis B. Mayer
2931:
2911:
2891:
2857:
2850:Ernst Lubitsch
2842:Harold Russell
2839:
2818:
2808:
2802:
2788:
2773:William Garity
2766:
2756:
2753:Technicolor SA
2718:
2707:Louis Mesenkop
2703:Loren L. Ryder
2671:J. Arthur Ball
2668:
2650:
2634:
2631:D. W. Griffith
2628:
2625:Shirley Temple
2622:
2616:
2605:
2603:
2599:
2598:
2591:
2590:
2583:
2576:
2568:
2562:
2561:
2544:
2524:
2519:
2513:Margaret Booth
2510:
2504:Margaret Booth
2499:
2498:External links
2496:
2495:
2494:
2488:
2463:
2457:
2438:
2432:
2410:Malone, Alicia
2406:
2400:
2383:
2377:
2353:
2347:
2323:
2317:
2291:
2288:
2285:
2284:
2235:
2204:
2174:
2156:
2121:
2109:
2107:, p. 151.
2097:
2085:
1986:
1956:
1920:
1918:, p. 303.
1908:
1896:
1858:
1846:
1815:
1800:
1798:, p. 302.
1781:
1779:, p. 221.
1762:
1756:978-0571199969
1755:
1729:
1717:
1685:
1675:
1674:
1672:
1669:
1668:
1667:
1661:
1660:
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1632:
1627:
1620:
1616:
1615:
1613:
1610:
1607:
1599:
1598:
1596:
1593:
1591:Richard Donner
1588:
1581:
1577:
1576:
1574:
1569:
1564:
1557:
1553:
1552:
1550:
1545:
1537:
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1520:
1519:
1517:
1514:
1507:
1503:
1502:
1500:
1497:
1494:
1487:
1483:
1482:
1480:
1477:
1472:
1465:
1461:
1460:
1458:
1455:
1450:
1447:The Black Bird
1442:
1441:
1439:
1436:
1433:
1426:
1422:
1421:
1419:
1416:
1414:Sydney Pollock
1411:
1404:
1400:
1399:
1397:
1394:
1389:
1382:
1378:
1377:
1375:
1372:
1367:
1360:
1356:
1355:
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1345:
1338:
1334:
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1331:
1328:
1325:
1318:
1314:
1313:
1311:
1308:
1300:
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1267:
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1254:
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1245:
1238:
1234:
1233:
1231:
1228:
1225:
1217:
1216:
1214:
1211:
1206:
1199:
1195:
1194:
1192:
1189:
1186:
1178:
1177:
1175:
1172:
1169:
1161:
1160:
1158:
1155:
1150:
1142:
1141:
1139:
1136:
1133:
1125:
1124:
1122:
1119:
1117:Victor Fleming
1114:
1107:
1103:
1102:
1100:
1097:
1095:Clarence Brown
1092:
1084:
1083:
1081:
1078:
1075:
1067:
1066:
1064:
1061:
1058:
1050:
1049:
1047:
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1037:
1033:
1032:
1030:
1027:
1019:
1018:
1016:
1013:
1010:
1002:
1001:
999:
996:
994:W. S. Van Dyke
991:
983:
982:
980:
977:
974:
966:
965:
963:
960:
955:
947:
946:
944:
941:
938:
931:
927:
926:
924:
921:
913:
912:
910:
907:
902:
894:
893:
891:
888:
883:
875:
874:
872:
869:
866:
858:
857:
855:
852:
847:
844:The Rogue Song
840:
836:
835:
833:
828:
823:
815:
814:
812:
809:
807:Charles Brabin
804:
797:
793:
792:
790:
787:
782:
774:
773:
771:
768:
765:
757:
756:
754:
746:
741:
733:
732:
730:
727:
722:
715:
711:
710:
708:
705:
697:
696:
694:
691:
690:John M. Stahl
688:
680:
679:
677:
674:
669:
662:
658:
657:
655:
647:
646:
644:
637:
633:
632:
630:
623:
619:
618:
616:
608:
607:
605:
600:
595:
588:
584:
583:
581:
576:
574:D. W. Griffith
571:
564:
560:
559:
556:
553:
550:
547:
540:
537:
516:
513:
449:
446:
429:Thelma Connell
393:
390:
331:Cari Beauchamp
315:Metro Pictures
277:Louis B. Mayer
272:
269:
246:
243:
241:
238:
218:D. W. Griffith
209:
206:
163:Metro Pictures
151:Louis B. Mayer
143:D. W. Griffith
124:Margaret Booth
119:
118:
112:
108:
107:
104:
100:
99:
96:
92:
91:
86:
82:
81:
78:
70:
66:
65:
59:
48:
44:
43:
35:
34:
32:Margaret Booth
31:
15:
9:
6:
4:
3:
2:
3750:
3739:
3736:
3734:
3731:
3729:
3726:
3724:
3721:
3719:
3716:
3714:
3711:
3709:
3706:
3704:
3701:
3699:
3696:
3694:
3691:
3689:
3686:
3684:
3681:
3679:
3676:
3674:
3671:
3669:
3666:
3664:
3661:
3660:
3658:
3642:
3638:
3634:
3631:
3628:
3624:
3620:
3617:
3614:
3610:
3606:
3603:
3600:
3596:
3592:
3589:
3586:
3582:
3581:Lalo Schifrin
3578:
3575:
3572:
3568:
3564:
3560:
3557:
3554:
3550:
3546:
3542:
3539:
3536:
3535:Gena Rowlands
3532:
3529:
3526:
3522:
3518:
3515:
3512:
3508:
3504:
3501:
3498:
3494:
3490:
3487:
3484:
3480:
3477:
3474:
3470:
3466:
3463:
3460:
3459:Gordon Willis
3456:
3452:
3451:Lauren Bacall
3449:
3446:
3443:
3440:
3437:
3434:
3433:Robert Altman
3431:
3428:
3425:
3422:
3421:Blake Edwards
3419:
3416:
3415:Peter O'Toole
3413:
3410:
3406:
3403:
3402:
3400:
3396:
3389:
3388:Ernest Lehman
3385:
3382:
3379:
3378:Andrzej Wajda
3376:
3373:
3370:
3367:
3366:Stanley Donen
3364:
3361:
3358:
3355:
3351:
3348:
3345:
3342:
3339:
3336:
3333:
3330:
3327:
3324:
3321:
3317:
3314:
3311:
3308:
3305:
3301:
3298:
3295:
3294:Ralph Bellamy
3292:
3289:
3285:
3282:
3279:
3275:
3274:James Stewart
3272:
3269:
3266:
3263:
3262:Mickey Rooney
3260:
3257:
3254:
3251:
3248:
3245:
3244:Alec Guinness
3241:
3238:
3234:
3230:
3226:
3223:
3220:
3217:
3216:
3214:
3210:
3203:
3202:Mary Pickford
3200:
3197:
3193:
3190:
3187:
3183:
3180:
3177:
3173:
3170:
3167:
3164:
3160:
3157:
3154:
3151:
3148:
3144:
3143:John Chambers
3141:
3138:
3135:
3132:
3128:
3127:Yakima Canutt
3125:
3122:
3119:
3116:
3113:
3110:
3106:
3103:
3100:
3096:
3092:
3089:
3086:
3085:Lee de Forest
3082:
3081:Buster Keaton
3079:
3076:
3073:
3070:
3066:
3062:
3058:
3055:
3052:
3049:
3046:
3045:
3041:
3038:
3037:
3032:
3028:
3024:
3020:
3016:
3013:
3010:
3006:
3002:
2998:
2995:
2992:
2991:
2986:
2982:
2978:
2974:
2971:
2968:
2967:
2962:
2959:
2958:
2956:
2952:
2945:
2944:
2939:
2938:George Murphy
2935:
2932:
2929:
2928:
2923:
2919:
2915:
2914:Jean Hersholt
2912:
2909:
2905:
2901:
2900:
2895:
2894:Walter Wanger
2892:
2889:
2888:
2883:
2882:
2877:
2873:
2869:
2865:
2861:
2860:James Baskett
2858:
2855:
2851:
2847:
2843:
2840:
2837:
2833:
2832:
2827:
2826:Walter Wanger
2823:
2819:
2816:
2812:
2809:
2806:
2803:
2800:
2796:
2792:
2791:Charles Boyer
2789:
2786:
2782:
2778:
2774:
2770:
2767:
2764:
2760:
2757:
2754:
2750:
2746:
2742:
2738:
2737:Jean Hersholt
2734:
2730:
2726:
2722:
2719:
2716:
2712:
2708:
2704:
2700:
2696:
2692:
2688:
2684:
2683:Mickey Rooney
2680:
2679:Deanna Durbin
2676:
2672:
2669:
2666:
2662:
2658:
2654:
2651:
2648:
2647:Harold Rosson
2644:
2640:
2639:
2635:
2632:
2629:
2626:
2623:
2620:
2617:
2614:
2610:
2607:
2606:
2604:
2600:
2596:
2589:
2584:
2582:
2577:
2575:
2570:
2569:
2566:
2558:
2554:
2550:
2545:
2541:
2537:
2530:
2525:
2523:
2520:
2518:
2514:
2511:
2509:
2505:
2502:
2501:
2491:
2485:
2481:
2477:
2472:
2471:
2464:
2460:
2454:
2450:
2446:
2445:
2439:
2435:
2429:
2425:
2421:
2417:
2416:
2411:
2407:
2403:
2401:0-679-43709-6
2397:
2392:
2391:
2390:Making Movies
2384:
2380:
2378:0-7432-0481-6
2374:
2370:
2365:
2364:
2358:
2354:
2350:
2344:
2340:
2335:
2334:
2328:
2324:
2320:
2314:
2310:
2305:
2304:
2298:
2294:
2293:
2282:, p. 42.
2281:
2276:
2274:
2272:
2270:
2268:
2266:
2264:
2262:
2260:
2258:
2256:
2254:
2252:
2250:
2248:
2246:
2244:
2242:
2240:
2223:
2219:
2215:
2208:
2192:
2188:
2184:
2178:
2171:. p. 83.
2170:
2169:Village Voice
2166:
2160:
2152:
2148:
2144:
2140:
2136:
2132:
2125:
2118:
2113:
2106:
2101:
2095:, p. 36.
2094:
2089:
2083:, p. 43.
2082:
2077:
2075:
2073:
2071:
2069:
2067:
2065:
2063:
2061:
2059:
2057:
2055:
2053:
2051:
2049:
2047:
2045:
2043:
2041:
2039:
2037:
2035:
2033:
2031:
2029:
2027:
2025:
2023:
2021:
2019:
2017:
2015:
2013:
2011:
2009:
2007:
2005:
2003:
2001:
1999:
1997:
1995:
1993:
1991:
1974:
1970:
1966:
1960:
1944:
1940:
1939:
1934:
1927:
1925:
1917:
1916:Brownlow 1968
1912:
1906:, p. 66.
1905:
1900:
1884:
1880:
1879:
1874:
1867:
1865:
1863:
1856:, p. 56.
1855:
1850:
1834:
1830:
1826:
1819:
1813:, p. 35.
1812:
1807:
1805:
1797:
1796:Brownlow 1968
1792:
1790:
1788:
1786:
1778:
1773:
1771:
1769:
1767:
1758:
1752:
1748:
1743:
1742:
1733:
1727:, p. 34.
1726:
1721:
1713:
1701:
1700:
1695:
1689:
1680:
1676:
1666:
1663:
1662:
1658:
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1628:
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1621:
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1601:
1600:
1597:
1594:
1592:
1589:
1587:
1586:
1582:
1578:
1575:
1570:
1568:
1565:
1563:
1562:
1558:
1555:
1554:
1551:
1546:
1544:
1543:
1539:
1538:
1535:
1532:
1530:Robert Moore
1527:
1526:
1522:
1521:
1518:
1515:
1513:
1512:
1508:
1504:
1501:
1498:
1496:Herbert Ross
1493:
1492:
1488:
1485:
1484:
1481:
1478:
1476:
1473:
1471:
1470:
1466:
1463:
1462:
1459:
1456:
1454:
1451:
1449:
1448:
1444:
1443:
1440:
1437:
1435:Herbert Ross
1434:
1432:
1431:
1427:
1423:
1420:
1417:
1415:
1412:
1410:
1409:
1405:
1402:
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1223:
1219:
1218:
1215:
1212:
1210:
1207:
1205:
1204:
1200:
1196:
1193:
1190:
1187:
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504:Crystal Award
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95:Occupation(s)
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62:
49:
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36:
29:
26:
22:
3623:Diane Warren
3619:Euzhan Palcy
3585:Cicely Tyson
3563:Owen Roizman
3507:Steve Martin
3455:Roger Corman
3427:Sidney Lumet
3398:2001–present
3384:Jack Cardiff
3360:Michael Kidd
3350:Kirk Douglas
3338:Deborah Kerr
3326:Satyajit Ray
3316:Sophia Loren
3242:Hal Elias /
3225:Walter Lantz
3218:
3192:Howard Hawks
3186:Groucho Marx
3163:Orson Welles
3159:Lillian Gish
3137:Arthur Freed
3099:Hayley Mills
3069:B. B. Kahane
3051:Eddie Cantor
3042:
3036:Gate of Hell
3035:
3027:Jon Whiteley
3005:Joseph Breen
2988:
2981:Harold Lloyd
2964:
2941:
2925:
2918:Fred Astaire
2908:Adolph Zukor
2897:
2885:
2881:Bill and Coo
2879:
2864:Thomas Armat
2829:
2749:Conrad Nagel
2741:Ralph Morgan
2725:Judy Garland
2715:Harry Warner
2699:Loyal Griggs
2665:Mack Sennett
2653:Edgar Bergen
2636:
2609:Warner Bros.
2557:the original
2552:
2535:
2529:"The Cutter"
2517:Find a Grave
2469:
2443:
2414:
2389:
2367:. New York:
2362:
2357:Eyman, Scott
2337:. New York:
2332:
2307:. New York:
2302:
2226:. Retrieved
2217:
2207:
2195:. Retrieved
2191:the original
2186:
2177:
2168:
2159:
2137:. New York:
2134:
2124:
2112:
2100:
2088:
1977:. Retrieved
1968:
1959:
1947:. Retrieved
1936:
1911:
1899:
1887:. Retrieved
1878:The Guardian
1876:
1849:
1837:. Retrieved
1828:
1818:
1740:
1732:
1720:
1710:– via
1704:. Retrieved
1697:
1688:
1679:
1622:
1609:John Huston
1602:
1583:
1567:Jay Sandrich
1559:
1540:
1523:
1509:
1489:
1475:Robert Moore
1467:
1445:
1428:
1406:
1384:
1370:Herbert Ross
1362:
1340:
1327:Jack Conway
1320:
1303:
1292:George Cukor
1284:
1257:
1240:
1220:
1201:
1183:Dancing Lady
1181:
1164:
1145:
1128:
1111:White Sister
1109:
1087:
1070:
1053:
1039:
1022:
1007:Five and Ten
1005:
986:
969:
952:The Prodigal
950:
940:Jack Conway
933:
916:
897:
886:David Burton
878:
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842:
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760:
736:
717:
700:
683:
664:
650:
639:
627:Fine Clothes
625:
611:
590:
566:
532:
526:The Guardian
524:
518:
494:
487:
481:
480:(1978), and
475:
469:
463:
457:
451:
439:
437:
432:
422:
419:Sidney Lumet
414:
408:
402:
395:
383:
369:
368:(1934), and
363:
357:
351:
350:, including
345:
338:
311:
304:
303:(1927), and
298:
292:
289:Edward Small
274:
261:Lillian Gish
254:
248:
226:Tod Browning
211:
199:
189:
182:
136:
123:
122:
74:(2002-10-28)
25:
3668:2002 deaths
3663:1898 births
3613:Liv Ullmann
3591:David Lynch
3577:Marvin Levy
3571:Agnès Varda
3541:Jackie Chan
3493:Hal Needham
3473:Eli Wallach
3354:Chuck Jones
3284:Paul Newman
3250:Henry Fonda
3196:Jean Renoir
3095:Stan Laurel
3091:Gary Cooper
3023:Greta Garbo
2904:Sid Grauman
2795:Noël Coward
2769:Walt Disney
2745:Ralph Block
2675:Walt Disney
2619:Walt Disney
2297:Acker, Ally
2290:Works cited
2093:Malone 2017
1949:October 15,
1811:Malone 2017
1725:Malone 2017
1542:Chapter Two
1453:David Giler
1392:John Huston
1342:The V.I.P.s
1265:Frank Lloyd
868:Fred Niblo
767:Fred Niblo
752:John Colton
725:Jack Conway
641:Memory Lane
580:Uncredited
539:Filmography
417:, director
407:(1939) and
348:Greta Garbo
335:part-talkie
214:Elmer Booth
139:Elmer Booth
128:film editor
115:Elmer Booth
3657:Categories
3637:Mel Brooks
3627:Peter Weir
3609:Elaine May
3511:Piero Tosi
3483:Dick Smith
3372:Elia Kazan
3288:Alex North
3233:King Vidor
3153:Cary Grant
3147:Onna White
3019:Danny Kaye
3009:Pete Smith
2961:Gene Kelly
2805:George Pal
2691:Jan Domela
2538:. London:
2117:Lumet 1995
2105:Lumet 1995
1904:Eyman 2005
1854:Eyman 2005
1777:Acker 1991
1671:References
863:Redemption
820:Wise Girls
672:Fred Niblo
359:Wise Girls
208:Early life
53:1898-01-16
3595:Wes Studi
3531:Spike Lee
3320:Myrna Loy
3268:Hal Roach
3212:1976–2000
2954:1951–1975
2887:Shoeshine
2602:1928–1950
1630:Hal Ashby
1166:Bombshell
666:The Enemy
602:Co-editor
552:Director
454:Ray Stark
192:Ray Stark
117:(brother)
111:Relatives
106:1915–1985
85:Education
3121:Bob Hope
2977:Bob Hope
2966:Rashomon
2811:Bob Hope
2759:Bob Hope
2412:(2017).
2359:(2005).
2329:(1968).
2299:(1991).
2228:April 2,
2222:Archived
2151:Archived
1979:April 2,
1973:Archived
1943:Archived
1889:April 2,
1883:Archived
1839:April 2,
1833:Archived
1706:April 1,
1643:See also
1386:Fat City
1242:Reckless
935:New Moon
744:Sam Wood
474:(1977),
468:(1975),
462:(1973),
433:The Hill
424:The Hill
388:(1935).
362:(1929),
327:Thalberg
309:(1927).
297:(1926),
134:(MGM).
2476:Detroit
2197:May 10,
1829:Variety
1585:The Toy
1310:Editor
1296:Editor
1286:Camille
1250:Editor
1230:Editor
1213:Editor
1203:Riptide
1191:Editor
1174:Editor
1157:Editor
1138:Editor
1121:Editor
1099:Editor
1080:Editor
1063:Editor
1046:Editor
1029:Editor
1015:Editor
998:Editor
979:Editor
962:Editor
943:Editor
923:Editor
909:Editor
890:Editor
871:Editor
854:Editor
811:Editor
789:Editor
770:Editor
729:Editor
707:Editor
693:Editor
685:Lovers?
676:Editor
410:Ben-Hur
399:dailies
353:Camille
300:Lovers?
279:at his
3643:(2023)
3629:(2022)
3615:(2021)
3601:(2019)
3587:(2018)
3573:(2017)
3555:(2016)
3537:(2015)
3527:(2014)
3513:(2013)
3499:(2012)
3485:(2011)
3475:(2010)
3461:(2009)
3447:(2007)
3441:(2006)
3435:(2005)
3429:(2004)
3423:(2003)
3417:(2002)
3411:(2001)
3390:(2000)
3380:(1999)
3374:(1998)
3368:(1997)
3362:(1996)
3356:(1995)
3346:(1994)
3340:(1993)
3334:(1992)
3328:(1991)
3322:(1990)
3312:(1989)
3306:(1988)
3296:(1986)
3290:(1985)
3280:(1984)
3270:(1983)
3264:(1982)
3258:(1981)
3252:(1980)
3246:(1979)
3239:(1978)
3221:(1977)
3204:(1975)
3198:(1974)
3188:(1973)
3178:(1972)
3171:(1971)
3165:(1970)
3155:(1969)
3149:(1968)
3139:(1967)
3133:(1966)
3123:(1965)
3117:(1964)
3111:(1961)
3101:(1960)
3087:(1959)
3077:(1958)
3071:(1957)
3053:(1956)
3047:(1955)
3039:(1954)
3011:(1953)
2993:(1952)
2969:(1951)
2946:(1950)
2930:(1949)
2910:(1948)
2890:(1947)
2874:, and
2856:(1946)
2838:(1945)
2817:(1944)
2807:(1943)
2801:(1942)
2787:(1941)
2765:(1940)
2755:(1939)
2717:(1938)
2667:(1937)
2649:(1936)
2633:(1935)
2627:(1934)
2621:(1932)
2615:(1928)
2486:
2455:
2430:
2398:
2375:
2345:
2315:
1753:
1269:Editor
830:Editor
748:Editor
578:Cutter
555:Notes
549:Title
521:stroke
240:Career
63:, U.S.
2532:(PDF)
1619:1985
1604:Annie
1580:1982
1556:1980
1506:1978
1486:1977
1464:1976
1425:1975
1403:1973
1381:1972
1359:1970
1337:1963
1317:1938
1281:1936
1237:1935
1198:1934
1106:1933
1036:1932
930:1931
839:1930
796:1929
714:1928
661:1927
636:1926
622:1925
587:1924
563:1921
558:Refs
546:Year
483:Annie
337:film
313:with
287:when
2751:) /
2681:and
2645:and
2508:IMDb
2484:ISBN
2453:ISBN
2428:ISBN
2396:ISBN
2373:ISBN
2343:ISBN
2313:ISBN
2230:2024
2199:2011
1981:2024
1951:2019
1891:2024
1841:2024
1751:ISBN
1708:2024
317:and
165:and
69:Died
47:Born
2515:at
2506:at
2143:doi
382:on
187:.
181:on
153:'s
3659::
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2551:.
2482:.
2478::
2474:.
2451:.
2426:.
2422::
2418:.
2371:.
2341:.
2311:.
2238:^
2220:.
2216:.
2185:.
2149:.
2141:.
2133:.
1989:^
1967:.
1941:.
1935:.
1923:^
1881:.
1875:.
1861:^
1831:.
1827:.
1803:^
1784:^
1765:^
1749:.
1747:35
1696:.
511:.
343:.
2735:(
2587:e
2580:t
2573:v
2492:.
2461:.
2436:.
2404:.
2381:.
2351:.
2321:.
2232:.
2201:.
2145::
1983:.
1953:.
1893:.
1843:.
1759:.
1714:.
55:)
51:(
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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