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Negative cutting

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OSC/R is still used today in some negative cutting facilities but has been mostly replaced by newer and more advanced systems. Excalibur was a later Windows 98 based product developed by FilmLab Engineering in Britain. Film Fusion is one of the most recent developments and is a Windows XP and Vista based system developed in Sydney, Australia by Popsoft IT.
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There have been a number of dedicated software systems that have been developed for and by negative cutters to manage the process of cutting motion picture negative. A number of individual proprietary software systems have been developed starting in the early 1980s. Stan Sztaba developed a system for
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The first commercially available software product was OSC/R (pronounced "Oscar"), a DOS-based application developed in Toronto, Canada by The Adelaide Works. OSC/R was very widely used and at the time was the only negative cutting software on the market until Adelaide Works ceased operation in 1993.
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and release prints. The process of negative cutting has changed little since the beginning of cinema in the early 20th century. In the early 1980s computer software was first used to aid the cutting process. Kodak introduced barcode on motion picture negative in the mid-1990s. This enabled negative
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Traditionally a negative cutter would then fine cut the negative to match the editor's final edit frame accurately. The negative would be spliced together to create rolls less than 2,000 feet (610 m) which would then be sent to the film laboratory to print release prints.
176:. In some countries, due to the high cost of online suites, negative cutting is still used for commercials by reducing footage. Increasingly feature films are bypassing the negative cutting process altogether and are being scanned directly from the uncut 207:(OCN) is sent to a film laboratory for processing. Two or three 400-foot (120 m) camera rolls are spliced together to create a lab roll approximately 1,200–1,500 ft (370–460 m) long. After developing the lab roll, it is put through a 264:
together to create a new selected roll of negative. This reduces the negative required by up to 1/10 of the footage shot, saving considerable time during scanning or telecine. The negative cutter will create a new online EDL replacing the
276:. For television commercials or series the selected takes and EDL are sent to a post production facility for re-telecine and compiled in an Online Suite for final grading. 226:
tape is sent to the editor who loads it into an offline edit suite. The lab rolls are sent to the negative cutter for logging and storage.
325:, a purpose built keykode reader is used by most negative cutters in conjunction with software for logging the keykode from film. 89: 61: 233:
and the EDL is sent to the negative cutter. The negative cutter will translate the Timecode in the EDL to edge numbers (
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In the case of feature films the selected roll and online EDL are sent to a post production facility for scanning as a
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Wireless Email Phone and is now a publicly listed company. Other brands of barcode scanners are also in use.
289:, this system is still used today. Elliott Gamson of Immaculate Matching (New York) developed a system using 57: 132:) is the process of cutting motion picture negative to match precisely the final edit as specified by the 374: 310: 173: 256:. Television series and commercials shot on film follow the same extraction process but are sent for 204: 137: 435: 35: 333:
and in 1998 it won a Technical Achievement Academy Award for the design and development of the
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and re-spliced into new rolls (in edit order) to reduce the volume of footage for scanning.
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Toward the late 1990s and early 2000s negative cutting changed due to the advent of
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transfer tape is of lower quality than film and is used for editing purposes only.
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World Cinevision Services Inc (New York) in 1983 using Apple II DOS and then
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cutters to more easily track shots and identify film sections based on
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After the editor finishes the edit it is exported to an offline
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Negative cutters use various hardware tools such as film
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process and occurs after editing and prior to striking
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Today most feature films are extracted full takes (as
269:roll timecode with the new selected roll timecode. 49:. Unsourced material may be challenged and removed. 341:later moved on to bigger things and invented the 422: 140:(OCN) is cut with scissors and joined using a 109:Learn how and when to remove this message 423: 398: 293:. Computamatch was one of the first 47:adding citations to reliable sources 18: 13: 401:Film Technology in Post Production 148:. Negative cutting is part of the 14: 447: 23: 399:Case, Dominic (26 April 2013). 34:needs additional citations for 392: 1: 385: 252:) and scanned digitally as a 172:(DI), digital projection and 7: 375:Synchronizer (film editing) 348: 304: 279: 10: 452: 321:and film keykode readers. 174:high-definition television 431:Film and video technology 205:original camera negative 203:After a film shoot, the 198: 138:Original camera negative 191:which are cut from the 16:Film editing technique 337:Film Keykode Reader. 185:digital intermediates 168:technologies such as 360:Digital intermediate 274:digital intermediate 254:digital intermediate 215:transfer tape. This 170:digital intermediate 43:improve this article 403:. CRC Press, 2012. 130:negative conforming 339:Research In Motion 331:Research In Motion 231:edit decision list 58:"Negative cutting" 329:was developed by 183:The existence of 126:negative matching 119: 118: 111: 93: 443: 415: 414: 396: 122:Negative cutting 114: 107: 103: 100: 94: 92: 51: 27: 19: 451: 450: 446: 445: 444: 442: 441: 440: 421: 420: 419: 418: 411: 397: 393: 388: 351: 307: 282: 201: 150:post-production 124:(also known as 115: 104: 98: 95: 52: 50: 40: 28: 17: 12: 11: 5: 449: 439: 438: 436:Cinematography 433: 417: 416: 409: 390: 389: 387: 384: 383: 382: 377: 372: 367: 362: 357: 350: 347: 313:, re-winders, 306: 303: 281: 278: 250:selected takes 200: 197: 189:selected takes 166:digital cinema 154:internegatives 117: 116: 99:September 2018 31: 29: 22: 15: 9: 6: 4: 3: 2: 448: 437: 434: 432: 429: 428: 426: 412: 410:9781136049774 406: 402: 395: 391: 381: 378: 376: 373: 371: 368: 366: 363: 361: 358: 356: 353: 352: 346: 344: 340: 336: 332: 328: 324: 320: 316: 315:film splicers 312: 311:synchronizers 302: 298: 296: 292: 288: 277: 275: 270: 268: 263: 259: 255: 251: 246: 242: 240: 236: 232: 227: 225: 220: 218: 214: 210: 206: 196: 194: 190: 186: 181: 179: 175: 171: 167: 162: 160: 155: 151: 147: 143: 139: 135: 131: 127: 123: 113: 110: 102: 91: 88: 84: 81: 77: 74: 70: 67: 63: 60: –  59: 55: 54:Find sources: 48: 44: 38: 37: 32:This article 30: 26: 21: 20: 400: 394: 365:Film splicer 317:, scissors, 308: 299: 283: 271: 247: 243: 228: 221: 211:to create a 202: 182: 163: 142:film splicer 129: 125: 121: 120: 105: 96: 86: 79: 72: 65: 53: 41:Please help 36:verification 33: 370:Film cement 355:Film editor 319:film cement 146:film cement 134:film editor 425:Categories 386:References 343:BlackBerry 241:negative. 69:newspapers 262:respliced 380:Mo Henry 349:See also 335:DigiSync 327:DigiSync 323:DigiSync 305:Hardware 280:Software 258:telecine 209:telecine 235:keykode 159:keykode 83:scholar 407:  295:MS-DOS 291:MS-DOS 287:ProDOS 267:rushes 239:rushes 224:rushes 217:rushes 213:rushes 193:rushes 178:rushes 85:  78:  71:  64:  56:  199:Basic 90:JSTOR 76:books 405:ISBN 222:The 144:and 128:and 62:news 45:by 427:: 180:. 161:. 136:. 413:. 112:) 106:( 101:) 97:( 87:· 80:· 73:· 66:· 39:.

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"Negative cutting"
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film editor
Original camera negative
film splicer
film cement
post-production
internegatives
keykode
digital cinema
digital intermediate
high-definition television
rushes
digital intermediates
selected takes
rushes
original camera negative
telecine
rushes
rushes
rushes

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