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129:, the first to write an opera on the text. Meanwhile, Gagliano or somebody else revised Rinuccini's poetry for the libretto so extensively that in some places it is impossible to find traces of the original. Peri indicated that Gagliano's way of setting text to music came closer to actual speech than any other, therefore accomplishing the aim of the
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Gagliano was extremely influential in his time, as could be expected of the
Medicis' head of all musical activities at their court; however, his popularity waned after his death, and his music has since been overshadowed by contemporaries such as Monteverdi.
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Gagliano wrote an enormous quantity of music, both sacred and secular, for the Medici; in addition, he was a singer and instrumentalist who entertained them privately. His works include fourteen published operas, of which two survive,
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162:). This mix of progressive and conservative trends can be seen throughout his music: some of his sacred music is
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154:, and written in a style reminiscent of the late Renaissance (in the first decades of the 17th century, the
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and lived most of his life there. After study with a religious confraternity and
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30:(1 May 1582 – 25 February 1643) was an Italian composer of the early
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style of the previous century, while other pieces show influence of the
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of decades before, who sought to recapture that (supposed) aspect of
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The New Grove
Dictionary of Music and Musicians, ed. Stanley Sadie
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madrigal was becoming predominant; for example, in the works of
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family, including his impressive operatic setting of
121:was praised as the best setting of the libretto by
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92:of their court, a position he held for 35 years.
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34:era. He was important in the early history of
62:as a singing instructor. In 1607, he went to
38:and the development of the solo and concerted
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243:International Music Score Library Project
140:Other music by Gagliano includes secular
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194:. London: Macmillan Publishers. 1980.
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82:Compagnia dell'Arcangelo Raffaello
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289:Italian male classical composers
239:Free scores by Marco da Gagliano
217:. London: J.M. Dent & Sons.
66:, where he wrote music for the
294:17th-century Italian composers
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264:Italian Renaissance composers
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107:(1628) set to a libretto by
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299:17th-century male musicians
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279:Italian Renaissance people
259:Italian Baroque composers
284:Musicians from Florence
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209:Arnold, Denis (1975).
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190:"Marco da Gagliano".
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135:ancient Greek music
131:Florentine Camerata
96:Music and influence
90:maestro di cappella
78:maestro di cappella
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28:Marco da Gagliano
23:Marco da Gagliano
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109:Andrea Salvadori
16:Italian composer
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169:prima prattica
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274:1643 deaths
269:1582 births
127:Jacopo Peri
60:San Lorenzo
253:Categories
213:Monteverdi
184:References
164:a cappella
160:Monteverdi
151:a cappella
146:madrigals
123:Rinuccini
88:made him
56:Luca Bati
156:continuo
142:monodies
119:La Dafne
117:(1608).
114:La Dafne
104:La Flora
73:La Dafne
52:Florence
40:madrigal
245:(IMSLP)
241:at the
80:at the
68:Gonzaga
32:Baroque
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86:Medici
64:Mantua
36:opera
219:ISBN
196:ISBN
111:and
46:Life
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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