368:, about the continuing Israeli occupation of Palestinian territories, to be co-directed with Israeli filmmaker Eyal Sivan. In part, the film seeks to focus on possible links between the 2014 Israeli war on Gaza and the rise in anti-Semitism in Europe as well as whether "Islamophobia is the new anti-Semitism." It was originally intended as a collaboration with
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and the atrocities of the Nazis. Disagreements with his French backers over interpretation led Ophuls to smuggle a print to New York where it was shown privately. Legal wrangles left him disappointed and financially broke, and Ophuls turned to university lecturing.
372:, who backed out early in the process; Godard makes an appearance as himself in the film. As of 2017, the film had not yet been completed due to unspecified financial and legal troubles, and may not be finished ever.
296:. Although he enjoyed making entertaining films, Ophuls became identified as a documentarian, using a characteristically sober interview style to resolve disparate experiences into a persuasive argument.
209:. His family left Germany in 1933 following the coming to power of the Nazi Party and settled in Paris, France. Following the invasion of France by Germany in May 1940 they were forced to flee to the
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Marcel, like his father Max, prefers not to use the German umlaut in his name. Ophuls senior removed the umlaut when he took French citizenship, and Marcel has adopted the same spelling.
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With a slump in box-office fortunes, Ophuls turned to television news reporting and a documentary on the Munich crisis of 1938:
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508:(2012) – self-portrait of the artist where Marcel Ophuls delivers his remembrances and sums up his experience
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754:"Marcel Ophuls, Director of 'The Sorrow and the Pity,' Wants to Tell Israelis Some 'Unpleasant Truths'"
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into Spain in order to travel to the United States, arriving there in
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In the mid-1970s, he began producing documentaries for CBS and ABC. His feature documentary
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screens an acclaimed filmmaker's ten favorite films. In 2007, Iranian filmmaker
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February 2015 Ophuls received the Berlinale Camera award for his life work.
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When the family returned to Paris in 1950 Marcel became an assistant to
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for his top ten classics from the history of documentary. At the 65th
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German-born
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citizen of France in 1938, and of the United States in 1950.
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In 2014, Ophuls began crowd-sourcing funds for his new film
286:(1967). He then embarked on his examination of France under
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Directors of Best
Documentary Feature Academy Award winners
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The
Troubles We've Seen: A History of Journalism in Wartime
332:(1992) and a ruminative look at how journalists cover war,
213:, remaining in hiding for over a year before crossing the
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Jewish emigrants from Nazi
Germany to the United States
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in
Collection Cinéma d'Aujourd'hui, Claude Beylie, 1963
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The sorrow and the pity : a film by Marcel Ophüls
205:, Germany, the son of Hildegard Wall and the director
782:"Film festival to honor documentarian Marcel Ophuls'"
698:"Marcel Ophuls | Biography and Filmography | 1927"
658:"Marcel Ophuls on Barbie: Reopening Wounds of War"
476:Hôtel Terminus: The Life and Times of Klaus Barbie
321:Hotel Terminus: The Life and Times of Klaus Barbie
190:Hôtel Terminus: The Life and Times of Klaus Barbie
117:Hôtel Terminus: The Life and Times of Klaus Barbie
471:, the Vietnam War, and the nature of war atrocity
181:maker and former actor, best known for his films
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177:; born 1 November 1927) is a German-French
857:Writings and interviews with Marcel Ophuls
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267:(1962). There followed the commercial hit
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310:(1973) was an ambitious comparison of
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271:(1964), a detective film starring
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823:10 great films about the Troubles
395:Matisse, ou Le talent du Bonheur
780:Avishay, Artsy (May 24, 2017).
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335:The Trouble We've Seen
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523:(1955) - (uncredited)
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429:The Harvest of My Lai
341:Every year the IDFA (
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219:Hollywood High School
66:Hollywood High School
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459:in Northern Ireland.
312:US policy in Vietnam
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467:(1973–76) - on the
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57:French and American
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759:The New York Times
727:"Berlinale Camera"
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455:(1972) – on
277:Jean-Paul Belmondo
229:. Ophuls became a
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302:(1972) looked at
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737:14 February
641:November 3,
520:Lola Montès
505:Un Voyageur
389:As director
384:Filmography
269:Banana Peel
254:Lola Montès
246:John Huston
231:naturalized
54:Citizenship
881:Categories
712:2017-10-13
585:References
535:Festspiele
211:Vichy zone
207:Max Ophüls
145:Max Ophüls
87:Occupation
35:1927-11-01
793:March 24,
681:19 August
676:0362-4331
609:19 August
353:selected
347:Amsterdam
203:Frankfurt
141:Parent(s)
62:Education
48:, Germany
46:Frankfurt
852:AllMovie
668:New York
632:Archived
630:. 2000.
573:See also
513:As actor
500:) (1994)
338:(1994).
215:Pyrenees
133:Children
872:YouTube
221:, then
170:German:
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605:. 2013
488:(1992)
431:(1970)
425:(1967)
419:(1965)
413:(1963)
405:(1962)
376:Umlaut
306:, and
284:Munich
159:(1988)
153:Awards
125:Spouse
120:(1988)
113:(1969)
635:(PDF)
628:(PDF)
345:) in
843:IMDb
795:2021
767:2018
739:2015
683:2013
672:ISSN
643:2018
611:2013
275:and
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