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17:
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sculptures were reorganized around the Villa in a thematic new ordering that celebrated the
Borghese position in Rome. For example, in 1785, he had
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The rehabilitation of the much-visited villa as a genuinely public museum in the late eighteenth century was the subject of an exhibition at the
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Getty
Research Institute (17 June-17 September 2000). Catalogue by Carole Paul, with an essay by Alberta Campitelli.
117:, Los Angeles, in 2000, spurred by the Getty's acquisition of fifty-four drawings related to the project.
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82:
147:
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Making a Prince's Museum: Drawings for the Late
Eighteenth-Century Redecoration of the Villa Borghese.
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68:, old tapestry and leather hangings were removed, new ceiling decorations commissioned and the
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into a structured museum. From about 1775, under the guidance of architect
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37:(16 September 1730 – 26 March 1800) was the head of the
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60:Prince Marcantonio began recasting his family's
93:from a formal garden architecture into an
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49:in sympathies, he was the father of
27:Head of the Borghese family of Rome
24:
25:
18:Marcantonio, 5th Prince of Sulmona
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86:moved to the centre of its room.
51:Camillo Filippo Ludovico Borghese
55:Francesco, 7th Prince of Sulmona
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13:
1:
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89:Marcantonio transformed the
53:, 6th Prince of Sulmona and
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158:Rome in the Napoleonic Wars
10:
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95:English landscape garden
31:Marcantonio III Borghese
74:Borghese collection
153:Nobility from Rome
148:House of Borghese
83:Apollo and Daphne
35:Prince of Sulmona
16:(Redirected from
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66:Antonio Asprucci
21:
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91:villa's gardens
72:renovated. The
39:Borghese family
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57:(1832–1839).
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115:Getty Center
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30:
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143:1800 deaths
138:1730 births
132:Categories
101:References
62:Rome villa
47:Napoleon
78:Bernini
70:Casina
45:. Pro-
33:, 5th
43:Rome
80:'s
41:of
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20:)
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