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The story only loosely resembles the original novel by Prévost (where, for instance, Lescaut is Manon's brother, not her cousin). There is one character – the
Marquis d'Herigny – who represents the several wealthy suitors that Manon became involved with in the novel. Some other characters are absent
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of outstanding technical difficulty. Nonetheless, it also presents great opportunities for characterisation and (at least before the appearance of the operas on the same subject by
Puccini and Massenet) was one of the staples of the operatic repertoire – not only in France, but also in Germany. The
469:, also features several significant solos; but the tenor role of Des Grieux (given two major arias by Massenet and three by Puccini) lacks a major solo, although the character does participate in a series of fine duets, notably at the death of Manon near the end of the opera.
484:" or the "Laughing Song". It is not a free-standing aria – in fact, it forms part of the act 1 finale – but ever since its creation it has been a chosen showcase for the technique of singers such as
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in 1875, revived at the Opéra-Comique in 1882, and regularly performed in
Germany as well as France. However, since the dawn of the twentieth century stagings have become something of a rarity.
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at the second Salle Favart in Paris. It was the first work to be staged by that company that did not have a happy ending. It was staged in
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and André Cognet, directed by David
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was staged at the Opéra-Comique with the
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One number in the score has retained its popularity with coloratura sopranos. This is Manon's solo, "
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entirely, and others are completely new to this telling of the story.
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role of the
Marquis d'Herigny, written for the famous baritone,
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The role of Manon
Lescaut is a demanding one, with a very high
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in
October 2002, conducted by Jean-Luc Tingaud, and featured
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in the title role (her first principal role), Alain
Gabriel,
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Le marquis d'HĂ©rigny, Manon Lescaut, Marguerite, Des Grieux
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In North America, the opera was performed in 2006 by the
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Inhabitants of New Orleans, negroes, colonial soldiers
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541:(recorded in October 1974).
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1176:Le premier jour de bonheur
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163:Performance history
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944:Fra Diavolo
634:, Verona",
598: [
553:René Massis
527: [
520:Mady Mesplé
412:A Sergeant
407:Mlle BĂ©lia
372:commissaire
282:Des Grieux
276:Marie Cabel
259:Conductor:
200:René Massis
1414:Categories
1144:Jenny Bell
976:Le serment
960:Le philtre
936:La fiancée
675:, Auber",
564:References
510:Recordings
365:Mme FĂ©lix
342:her fiancé
253:Voice type
99:1856-02-23
56:Librettist
1088:La sirène
912:Le timide
856:Leicester
458:tessitura
418:Duvernoy
390:baritone
386:Inspector
376:baritone
340:Gervais,
310:Lescaut,
153:'s novel
1291:Manon 70
1204:Category
920:Fiorella
904:Le maçon
896:LĂ©ocadie
864:La neige
749:(staged)
612:col. 920
443:Synopsis
404:soprano
379:Lemaire
349:Jourdan
332:soprano
321:Beckers
299:baritone
131:libretto
91:Premiere
74:Based on
66:Language
1128:Zerline
1056:Zanetta
992:Lestocq
737:(audio)
731:YouTube
716:(Auber)
393:Nathan
221:at the
108:, Paris
97: (
1440:Operas
1390:Portal
1353:(1952)
1345:(1894)
1337:(1893)
1329:(1884)
1321:(1856)
1313:(1836)
1302:Operas
1294:(1968)
1286:(1949)
1278:(1927)
1270:(1926)
1187:(1869)
1179:(1868)
1171:(1864)
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1008:Actéon
1003:(1835)
995:(1834)
987:(1833)
979:(1832)
971:(1831)
963:(1831)
955:(1830)
947:(1830)
939:(1829)
931:(1828)
923:(1826)
915:(1826)
907:(1825)
899:(1824)
891:(1824)
883:(1824)
875:(1823)
867:(1823)
859:(1823)
851:(1821)
843:(1820)
835:(1819)
827:(1813)
819:(1812)
811:(1805)
800:Operas
618:
569:Notes
398:Zaby,
346:tenor
69:French
1404:Opera
1361:Other
1326:Manon
1283:Manon
1259:Films
808:Julie
696:Opera
678:Opera
656:Opera
651:Manon
637:Opera
632:Manon
602:]
531:]
462:arias
452:Music
415:bass
286:tenor
249:Role
229:Roles
194:with
173:Liège
146:Manon
129:to a
848:Emma
616:ISBN
502:and
317:bass
1248:'s
729:on
653:",
539:EMI
494:),
133:by
83:by
36:by
1416::
733:,
610:,
604:,
600:de
547:–
529:de
518:–
506:.
498:,
225:.
1392::
1378:"
1374:"
1238:e
1231:t
1224:v
776:e
769:t
762:v
101:)
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