380:
wants to take
Wellington up to his room, but Wellington is put off by the funeral of the recently deceased owner of the hotel. Meanwhile, Isaac is thrown out of the bar after trying to forcibly grab LĂgia. He is then seen driving his car and when he meets Kika, he takes her to his apartment and they have sex. As the film concludes, LĂgia is shown again complaining about her routine. This is followed by a montage of everyday city life, ending with Kika deciding to dye her hair in mango yellow, the same shade that made Isaac so attracted to LĂgia.
657:
753:
512:
648:
443:
456:, Stephen Holden interpreted the film's message as follows: "This is how the lower half lives in Brazil, and by extension, humanity at its most basic, getting along without the rose-colored protections that affluence affords." As it deals with these kinds of themes, the film was labeled as "violent". In response, Assis said that he "films life as it is". Jose Solis of
744:
is "a testimony of documentary and sociological value". Cinepop critic Andrea Don declared it a film that viewers would either love or hate, concluding that "you will not leave the cinema's room the same as you entered". In 2015, it was recognized by the
Brazilian Film Critics Association as the 86th
721:
The film received generally positive reviews in Brazil. The characters, the actor performances, and the soundtrack were praised by Person and Veras, with Veras noting that the film's characterizations avoided stereotypes. The film's cinematography was praised by Person and Veras as well as by
Marcelo
696:
won in every feature film category at the 13th Cine Ceará—Best Film, Best
Director, Best Cinematography, Best Screenplay, Best Art Direction, Best Original Score, Best Actor (for Nachtergaele), and Best Actress (for Paes)—and also received a special prize for its costume design. Although nominated in
785:
reviewer described the characters as "babbling caricatures" and the film as a "shallow
Brazilian trifle". Young called Nachtergaele a "standout" as "He embodies the film's savage over-the-topness without flattening out as some of the other characters do." Although praising its cinematography, Keith
462:
declared that "despite its sorrowful appearance, the film is a celebration of life". Assis tried to contrast the violence depicted by the
Hollywood action films with the "small violences" which people face everyday, making it "poetic and violent at the same time". Bloch's character shooting corpses
379:
Dunga anonymously reveals to Kika that her husband is cheating on her, thinking that if he can destroy their marriage, then he and
Wellington can become lovers. Kika finds Wellington and Dayse together, attacks them, and then leaves for good. Wellington goes to the Texas Hotel to seek solace. Dunga
792:
said it is "a film that has nothing to say". Sragow, Young, and Fox also praised cinematographer
Carvalho's work; Fox said it is "awdry stuff ... but it's glorious to look at". In Sragow's opinion, the penultimate scene—the montage—"boasts an eloquence that eclipses everything else in the movie".
608:("Yellow Time"), by sociologist Renato Carneiro Campos. The title of the film was borrowed from the book, in which the author describes the "rotten teeth of children, the color of poverty in the country". Assis wanted to create a film to show "the face of the Brazilian people. We are from the
31:
793:
Holden found the characters to be "robust, full-dimensional people" and praised the film's "surreal flavor". Solis praised it, saying "the real pleasure" in the film is that Assis "doesn't recur to exploitation to make these people memorable".
683:
was selected as Best Film by the official jury, the popular jury, and critics alike; it also received the awards for Best
Cinematography, Best Editing, Best Cast, and Best Actor (DĂaz). Assis won the award for Best Debut Film at the 25th
491:, from Hollywood films or French novels: love and happiness". Assis criticized the fact that several directors like to "glamorize poverty," and as such, he characterized his characters to show the people's vice. José Geraldo Couto of
328:
as working-class people who engage in amorous and social encounters, with most of the action taking place in a hotel and a bar. The directorial debut of Assis, the film was partially inspired by his previous short film
730:, with Netto appreciating that the imagery was neither "decorative" nor "spare", but a part of the film. The film's depiction of real life in Brazil was praised by Hessel and Veras, with both of them commenting that
363:
The film opens with LĂgia, a barmaid who is fed up with her grueling routine and who is forced to routinely turn down the sexual propositions of the bar's customers. One of the men who hits on LĂgia is Isaac, a
497:
wrote that the film shows that "the miserable are not dear waiting for the mercy of others, but are full of life, willing to kill or die to fulfill their desires and instincts". Deborah Young of
706:
579:
The production cost was R$ 450,000. Assis was happy with this, noting that
Brazilian films cost an average of R$ 3 million at the time. The filming took place in the suburbs of the cities of
351:. The film was generally praised by domestic reviewers for its characters, soundtrack, cinematography, and depictions of Brazil. Brazilian Film Critics Association selected it as one of the
634:
grossed R$ 769,750, with a viewership of 129,021 people in the sixteen Brazilian theaters in which it was shown, representing the twelfth largest audience for a domestic film in 2003.
1661:
1593:
689:
1259:
630:
on October 4, 2002, while it was released on domestic theaters on August 15, 2003. Despite receiving praise by film critics, it was moderately received by Brazilian audiences.
2002:
1749:
1631:
372:
man, works as a handyman. Dunga is attracted to Wellington, a butcher who delivers meat to the hotel. Wellington, however, is married to Kika, a woman who is proud to be an
481:
s Domingas Person wrote that the phrase "the human being is stomach and sex", which is said by the priest in the film, is an apt summary of the film's "spirit". Writing in
2627:
779:, which assigns a normalised rating out of 100 based on reviews from critics, the film has a score of 40 (indicating "mixed or average reviews") based on five reviews. A
2294:
2035:
2611:
1000:
2429:
1694:
2127:
2603:
2423:
847:
962:
2577:
2399:
2286:
2478:
503:
opined that the mango yellow color represents both "the jaundiced shade of their broken dreams" and their sense "of nonconformity and feeling alive."
376:. However, Wellington cheats on his wife with a woman named Dayse. Dayse tires of being Wellington's mistress and tells Dunga about the relationship.
1038:
2334:
1833:
1597:
1407:
2494:
2510:
2168:
2445:
2340:
1567:
2067:
2534:
1719:
1471:
1196:
1106:
1066:
1619:
926:
1780:
1438:
1142:
2619:
2120:
872:
1994:
1741:
2715:
1924:
1287:
1226:
2725:
702:
1365:
1331:
463:
represents "a harmless, symbolic addiction" in the same way other aspects of the film "come from it, this violence within us".
2720:
2695:
2113:
1971:
698:
595:
cameras brought from SĂŁo Paulo and Rio de Janeiro, and filming took place in five weeks between September and October 2001.
2184:
1493:
2024:
2589:
1811:
988:
604:
of a waitress he knew. Though he was unsure how to include this element, the yellow-colored pubic hair matched the book
1690:
2176:
1683:
746:
352:
2685:
801:
The film was released on DVD in Brazil by CalifĂłrnia Filmes in 2004, while in the United States it was released by
2270:
487:, Luciana Veras declared that the film "talk about the excluded who also crave the same as the characters in the
688:, where the film also won the award for Best Cinematography. It also won for Best Cinematography at the Seventh
2730:
2690:
952:
837:
2710:
2705:
809:
on the "Global Lens 2004/2003" series in 2005, and re-released on "The Best of Global Lens: Brazil" in 2011.
1398:
2700:
1028:
446:
Bloch's character is an example of how Assis tried to make the film "poetic and violent at the same time."
1653:
1461:
1249:
2383:
1589:
1393:
2542:
2302:
2680:
2643:
2472:
2235:
368:
who enjoys sodomizing corpses and drinking their blood. He lives at the Texas Hotel, where Dunga, a
2561:
1559:
2060:
1533:
1182:
1076:
732:
2136:
1727:
1116:
1111:
676:
483:
344:
2464:
2203:
1222:
806:
705:, it won the award for Best Film in the Forum section, and received the Grand Prix at the 15th
918:
2526:
2278:
1772:
1430:
1152:
373:
2597:
2583:
2318:
2160:
1563:
1254:
879:
685:
543:
472:, Michael Sragow said that "The human content ... is the stuff of art-house exploitation."
390:
348:
309:
100:
2152:
8:
2675:
2348:
291:
1301:
343:
received several awards at various film festivals, both in Brazil and abroad, including
2211:
2105:
2031:
1934:
1218:
1187:
957:
802:
775:, the film has a 60% rating based on five reviews, with an average score of 5.6/10. On
499:
452:
771:
received mixed reviews from English-speaking reviewers. On review aggregation website
2635:
2518:
2100:
1929:
1466:
1147:
781:
493:
1745:
1357:
1321:
2310:
1029:"A Tasty Sampler of Brazil's Good, Bad and Ugly: 'The Best of Global Lens: Brazil'"
154:
2391:
1957:
305:
62:
2219:
1902:
1866:
1861:
1297:
996:
772:
627:
592:
220:
133:
1892:
1508:
2407:
1071:
468:
1560:"Premios 25 EdiciĂłn del Festival Internacional del Nuevo Cine Latinoamericano"
2669:
2415:
2367:
1962:
1803:
1403:
1192:
788:
529:
414:
325:
120:
408:
321:
115:
2326:
2251:
2569:
2437:
710:
609:
396:
365:
313:
105:
2094:
515:
One of Assis's first ideas for the film led to a scene in which Cavalli
1897:
1834:"CrĂticos elegem 'Limite', de Mário Peixoto, o melhor filme brasileiro"
1033:
776:
752:
600:
588:
572:. Couto wrote that the "gratuitous series of aberrations" presented in
488:
458:
334:
301:
656:
1967:
402:
317:
110:
355:, while English-speaking critics were more mixed in their response.
2243:
1871:
1292:
557:
2502:
1726:(in Portuguese). Diários Associados. April 1, 2003. Archived from
842:
474:
2375:
1838:
1326:
1143:"Vencedor do Festival de BrasĂlia renova estĂ©tica dos desvalidos"
723:
527:, Cláudio Assis worked as a production director on the 1996 film
511:
584:
580:
576:
was turned into an "articulate narrative and full of meaning".
30:
598:
One of the first ideas Assis had for the film was to show the
442:
1534:""Amarelo Manga" ganha prĂŞmio do Forum do Festival de Berlim"
1507:(in Portuguese). December 22, 2003. p. 1. Archived from
647:
2227:
369:
2135:
1247:
1770:
1140:
878:(in Portuguese). Ancine. p. 32. Archived from
533:and as director on three short films. One of them,
1660:(in Portuguese). Grupo Estado. September 9, 2004.
916:
333:. It was filmed on a low budget in the suburbs of
1922:
2667:
1992:
1428:
953:"A Tropical City as Fruit, Rotten at the Center"
835:
1654:"Clima ruim na entrega do PrĂŞmio TAM de Cinema"
1540:(in Portuguese). Grupo Folha. February 15, 2003
1391:
1319:
1250:"Diretor da estética "árido movie" busca apoio"
1064:
950:
2001:(in Portuguese). Grupo Gazeta de Comunicação.
1180:
1104:
986:
701:, it only won for Best Cinematography. At the
2121:
1955:
1355:
1462:"He is Claudio Assis, he says what he wants"
1151:(in Portuguese). Grupo Folha. Archived from
1100:
1098:
1096:
1094:
669:) and Paes won awards for their performances
506:
1801:
1026:
873:"Filmes Brasileiros Lançados – 1995 a 2013"
2128:
2114:
1459:
1315:
1313:
1311:
1281:
1279:
1277:
1176:
1174:
1172:
1170:
29:
2169:Proezas de Satanás na Vila de Leva e Tráz
1141:Couto, José Geraldo (November 28, 2002).
1091:
946:
944:
1742:"Amarelo Manga concorre ao prĂŞmio Ariel"
1684:"53. Berlin International Film Festival"
1494:"Globo Filmes e Columbia se destacam no
1387:
1385:
1383:
1060:
1058:
1056:
982:
980:
867:
865:
751:
510:
441:
2657:There was no award in 1972, 1973, 1974.
2041:from the original on September 24, 2015
1308:
1274:
1167:
1136:
1134:
831:
829:
827:
825:
823:
821:
745:best Brazilian film of all time on its
703:53rd Berlin International Film Festival
2668:
1771:Netto, Alcino Leite (April 16, 2014).
1664:from the original on December 23, 2014
1429:Arantes, Silvana (November 28, 2002).
1262:from the original on December 23, 2014
1022:
1020:
1018:
941:
2109:
1862:"Amarelo Manga (Mango Yellow) (2002)"
1590:"7Âş Brazilian Film Festival of Miami"
1380:
1351:
1349:
1248:Giannini, Alessandro (May 18, 2001).
1107:"Amarelo Manga Ă© a cor dos excluĂdos"
1065:Sragow, Michael (November 17, 2003).
1053:
977:
951:Holden, Stephen (November 13, 2003).
862:
716:
2185:The Hour and Turn of Augusto Matraga
1624:é grande vencedor do 13º Cine Ceará"
1285:
1131:
1041:from the original on August 10, 2014
987:Bezerra, Julio (December 15, 2011).
912:
910:
908:
906:
904:
902:
900:
836:Person, Domingas (August 18, 2003).
818:
707:Toulouse Latin America Film Festival
1974:from the original on March 13, 2014
1956:Phipps, Keith (September 8, 2004).
1923:Atkinson, Michael (November 2003).
1783:from the original on March 10, 2014
1752:from the original on March 18, 2014
1634:from the original on March 10, 2014
1630:(in Portuguese). R7. May 14, 2003.
1600:from the original on March 13, 2014
1570:from the original on March 13, 2014
1474:from the original on March 18, 2014
1441:from the original on March 18, 2014
1334:from the original on March 10, 2014
1320:Hessel, Marcelo (August 14, 2003).
1229:from the original on April 16, 2016
1199:from the original on March 13, 2014
1181:Young, Deborah (October 30, 2002).
1015:
965:from the original on March 27, 2014
612:and we need to look at ourselves".
551:is "a kind of 'privileged test' of
13:
2073:from the original on July 28, 2014
2005:from the original on July 27, 2014
1993:Brasil, Ubiratan (March 7, 2004).
1810:(in Portuguese). Universo Online.
1691:Berlin International Film Festival
1368:from the original on March 4, 2016
1364:(in Portuguese). Universo Online.
1356:Cavani, JĂşlio (November 1, 2001).
1346:
1330:(in Portuguese). Universo Online.
1105:Veras, Luciana (August 14, 2003).
1027:Solis, Jose (September 19, 2011).
1003:from the original on July 26, 2014
989:"Cláudio Assis continua indomável"
929:from the original on March 4, 2016
850:from the original on March 4, 2016
699:Grande PrĂŞmio do Cinema Brasileiro
14:
2742:
2088:
1814:from the original on June 3, 2016
1700:from the original on May 16, 2013
1410:from the original on May 25, 2014
897:
736:is "cosmeticized" if compared to
429:Magdale Alves as Dayse (or Daisy)
2590:Once Upon a Time Was I, VerĂ´nica
2061:"The Best of Global Lens Brazil"
1594:Brazilian Film Festival of Miami
1431:"Longa não tem estréia acertada"
709:. It was also nominated for the
690:Brazilian Film Festival of Miami
655:
646:
353:best Brazilian films of all time
2716:2000s Portuguese-language films
2053:
2017:
1986:
1949:
1916:
1885:
1854:
1826:
1795:
1764:
1734:
1712:
1676:
1646:
1612:
1582:
1552:
1526:
1486:
1453:
1422:
1258:(in Portuguese). Grupo Estado.
1241:
1211:
1115:(in Portuguese). Archived from
846:(in Portuguese). Editora TrĂŞs.
2726:2000s LGBT-related drama films
1995:""Amarelo Manga" chega ao DVD"
1779:(in Portuguese). Grupo Folha.
1460:Chu, Henry (October 3, 2004).
1437:(in Portuguese). Grupo Folha.
1358:"Amarelo Manga já é fotograma"
1219:"Film Catalogue: Mango Yellow"
919:"Entrevista com Claudio Assis"
740:, and the Hessel stating that
713:for Best Ibero-American Film.
537:, served as an inspiration to
423:Cosme Prezado Soares as Bianor
1:
2271:Iracema: Uma Transa AmazĂ´nica
1958:"Mango Yellow · Movie Review"
812:
796:
420:Conceição Camarotti as Aurora
2721:2002 directorial debut films
2696:Brazilian LGBT-related films
1720:"Filme é premiado na França"
764:"is a standout" in the film.
726:and Alcino Leite Netto from
637:
568:as an "expanded version" of
7:
2139:Award for Best Feature Film
1802:Don, Andrea (May 6, 2013).
917:Eduardo, Cléber (c. 2003).
626:s premiere was held at the
10:
2747:
2177:Todas as Mulheres do Mundo
697:13 categories at the 2004
615:
426:Everaldo Pontes as RabecĂŁo
16:2002 film by Cláudio Assis
2654:
2553:
2473:To the Left of the Father
2456:
2359:
2262:
2195:
2144:
541:; Alessandro Giannini of
507:Background and production
437:
275:
267:
259:
251:
241:
234: (theatrical release)
226:August 15, 2003
211:October 4, 2002
202:
194:
165:
147:
139:
129:
93:
76:
68:
58:
54:
44:
40:
35:Theatrical release poster
28:
23:
1183:"Review: 'Mango Yellow'"
2686:2002 LGBT-related films
2628:A cidade onde envelheço
2303:Nunca Fomos tĂŁo Felizes
1322:"Amarelo Manga CrĂtica"
760:said that Nachtergaele
587:, both in the state of
383:
358:
2612:Branco Sai, Preto Fica
2204:Of Gods and the Undead
2066:. First Run Features.
1223:Global Film Initiative
807:Global Film Initiative
765:
520:
447:
300:) is a 2002 Brazilian
295:
2731:2000s Brazilian films
2691:Brazilian drama films
2562:O CĂ©u Sobre os Ombros
2430:Anahy de las Misiones
2384:A Maldição do Sanpaku
2295:O Mágico e o Delegado
2279:O Homem do Pau-Brasil
1392:Lima, Eduardo Souza.
1288:"Mango Yellow Review"
755:
514:
445:
374:evangelical Christian
2711:Films shot in Recife
2706:Films shot in Olinda
2319:A Cor do Seu Destino
2161:The Red Light Bandit
1937:on February 15, 2004
1748:. January 15, 2004.
1724:Diário de Pernambuco
1658:O Estado de S. Paulo
1564:Havana Film Festival
1255:O Estado de S. Paulo
1112:Diário de Pernambuco
805:in partnership with
686:Havana Film Festival
677:Festival de BrasĂlia
564:s Ken Fox described
544:O Estado de S. Paulo
484:Diário de Pernambuco
432:Jones Melo as priest
391:Matheus Nachtergaele
349:Berlin Film Festival
345:Festival de BrasĂlia
310:Matheus Nachtergaele
101:Matheus Nachtergaele
2701:Films set in hotels
2604:O Mestre e o Divino
2349:Que Bom Te Ver Viva
1842:. November 26, 2015
1730:on August 12, 2014.
1362:Jornal do Commercio
591:. It was shot with
2598:Exilados do VulcĂŁo
2236:Tenda dos Milagres
2212:A Casa Assassinada
2032:First Run Features
1394:"A cor da miséria"
1304:on March 13, 2014.
958:The New York Times
803:First Run Features
766:
717:Critical reception
521:
453:The New York Times
448:
2663:
2662:
2584:They'll Come Back
2519:Baixio das Bestas
2153:MemĂłria de Helena
2025:"Mango Yellow PK"
1930:The Village Voice
1777:Folha de S. Paulo
1744:(in Portuguese).
1592:(in Portuguese).
1538:Folha de S. Paulo
1514:on March 11, 2014
1467:Los Angeles Times
1435:Folha de S. Paulo
1402:(in Portuguese).
1155:on March 19, 2014
1148:Folha de S. Paulo
1119:on March 11, 2014
1079:on March 18, 2014
995:(in Portuguese).
993:Revista de Cinema
925:(in Portuguese).
885:on March 27, 2014
838:"EstĂ´mago e sexo"
782:The Village Voice
756:Deborah Young of
728:Folha de S. Paulo
494:Folha de S. Paulo
283:
282:
177:ParabĂłlica Brasil
2738:
2681:2002 drama films
2543:É Proibido Fumar
2400:Louco por Cinema
2311:Hour of the Star
2130:
2123:
2116:
2107:
2106:
2083:
2082:
2080:
2078:
2072:
2065:
2057:
2051:
2050:
2048:
2046:
2040:
2029:
2021:
2015:
2014:
2012:
2010:
1990:
1984:
1983:
1981:
1979:
1953:
1947:
1946:
1944:
1942:
1933:. Archived from
1925:"Tracking Shots"
1920:
1914:
1913:
1911:
1909:
1889:
1883:
1882:
1880:
1878:
1858:
1852:
1851:
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1457:
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1426:
1420:
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1415:
1389:
1378:
1377:
1375:
1373:
1353:
1344:
1343:
1341:
1339:
1317:
1306:
1305:
1300:. Archived from
1283:
1272:
1271:
1269:
1267:
1245:
1239:
1238:
1236:
1234:
1215:
1209:
1208:
1206:
1204:
1178:
1165:
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1162:
1160:
1138:
1129:
1128:
1126:
1124:
1102:
1089:
1088:
1086:
1084:
1075:. Archived from
1062:
1051:
1050:
1048:
1046:
1024:
1013:
1012:
1010:
1008:
984:
975:
974:
972:
970:
948:
939:
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914:
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855:
833:
659:
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625:
563:
480:
233:
231:
218:
216:
143:Paulo Sacramento
86:Paulo Sacramento
33:
21:
20:
2746:
2745:
2741:
2740:
2739:
2737:
2736:
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1893:"Mango Yellow"
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2554:2010—present
2541:
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2511:Eu me Lembro
2509:
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2487:Mango Yellow
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2335:MemĂłria Viva
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2327:Night Angels
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2252:Muito Prazer
2250:
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2159:
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2096:Mango Yellow
2095:
2075:. Retrieved
2055:
2043:. Retrieved
2019:
2007:. Retrieved
1998:
1988:
1976:. Retrieved
1961:
1951:
1939:. Retrieved
1935:the original
1928:
1918:
1906:. Retrieved
1896:
1887:
1875:. Retrieved
1865:
1856:
1844:. Retrieved
1837:
1828:
1816:. Retrieved
1807:
1797:
1785:. Retrieved
1776:
1766:
1754:. Retrieved
1736:
1728:the original
1723:
1714:
1702:. Retrieved
1678:
1666:. Retrieved
1657:
1648:
1636:. Retrieved
1627:
1621:
1614:
1602:. Retrieved
1584:
1572:. Retrieved
1554:
1542:. Retrieved
1537:
1528:
1516:. Retrieved
1509:the original
1504:
1495:
1488:
1476:. Retrieved
1465:
1455:
1443:. Retrieved
1434:
1424:
1412:. Retrieved
1397:
1370:. Retrieved
1361:
1336:. Retrieved
1325:
1302:the original
1291:
1264:. Retrieved
1253:
1243:
1231:. Retrieved
1213:
1201:. Retrieved
1186:
1157:. Retrieved
1153:the original
1146:
1121:. Retrieved
1117:the original
1110:
1081:. Retrieved
1077:the original
1070:
1043:. Retrieved
1032:
1005:. Retrieved
992:
967:. Retrieved
956:
933:December 14,
931:. Retrieved
922:
887:. Retrieved
880:the original
852:. Retrieved
841:
800:
787:
780:
769:Mango Yellow
768:
767:
761:
757:
742:Mango Yellow
741:
738:Mango Yellow
737:
731:
727:
722:Hessel from
720:
694:Mango Yellow
693:
681:Mango Yellow
680:
675:At the 35th
674:
666:
632:Mango Yellow
631:
621:Mango Yellow
620:
619:
605:
599:
597:
578:
573:
569:
566:Mango Yellow
565:
556:
553:Mango Yellow
552:
548:
542:
539:Mango Yellow
538:
534:
528:
525:Mango Yellow
524:
522:
516:
498:
492:
482:
473:
467:
465:
457:
451:
450:Writing for
449:
378:
366:necrophiliac
362:
341:Mango Yellow
340:
339:
330:
304:directed by
296:
287:Mango Yellow
286:
285:
284:
243:Running time
180:Olhos de CĂŁo
48:
24:Mango Yellow
18:
2446:Santo Forte
2438:Love and Co
2341:O Mentiroso
923:ContraCampo
843:IstoÉ Gente
733:City of God
711:Ariel Award
665:Both Diaz (
610:Third World
574:Texas Hotel
570:Hotel Texas
549:Texas Hotel
535:Texas Hotel
475:IstoÉ Gente
466:Writing in
397:Jonas Bloch
331:Texas Hotel
314:Jonas Bloch
308:. It stars
247:100 minutes
106:Jonas Bloch
77:Produced by
59:Directed by
2676:2002 films
2670:Categories
2535:FilmeFobia
2465:Brainstorm
1898:Metacritic
1846:August 26,
1286:Fox, Ken.
1034:PopMatters
813:References
797:Home media
786:Phipps of
777:Metacritic
762:(pictured)
601:mons pubis
589:Pernambuco
517:(pictured)
459:PopMatters
409:Chico DĂaz
335:Pernambuco
322:Chico DĂaz
302:drama film
292:Portuguese
279:R$ 769,750
276:Box office
271:R$ 450,000
263:Portuguese
230:2003-08-15
215:2002-10-04
167:Production
157:LĂşcio Maia
116:Chico DĂaz
69:Written by
45:Portuguese
2527:CleĂłpatra
2457:2000—2009
2360:1990—1999
2263:1980—1989
2196:1970—1979
2145:1965—1969
1978:March 10,
1968:The Onion
1941:March 10,
1908:March 10,
1877:March 10,
1818:March 10,
1787:March 10,
1756:March 18,
1704:March 10,
1668:March 10,
1638:March 10,
1628:Cineclick
1604:March 10,
1574:March 10,
1518:March 10,
1478:March 18,
1445:March 10,
1372:March 10,
1338:March 10,
1266:March 10,
1203:March 10,
1123:March 10,
1083:March 18,
969:March 10,
854:March 10,
638:Accolades
555:", while
523:Prior to
403:Dira Paes
318:Dira Paes
169:companies
140:Edited by
111:Dira Paes
2620:Big Jato
2244:Tudo Bem
2137:Candango
2077:July 24,
2068:Archived
2045:July 24,
2036:Archived
2009:July 24,
2003:Archived
1972:Archived
1872:Flixster
1812:Archived
1781:Archived
1750:Archived
1695:Archived
1662:Archived
1632:Archived
1598:Archived
1568:Archived
1544:July 24,
1498:nacionl"
1472:Archived
1439:Archived
1408:Archived
1366:Archived
1332:Archived
1293:TV Guide
1260:Archived
1233:July 24,
1227:Archived
1197:Archived
1159:June 28,
1045:July 24,
1039:Archived
1007:June 28,
1001:Archived
963:Archived
927:Archived
889:July 17,
848:Archived
558:TV Guide
417:as LĂgia
399:as Isaac
393:as Dunga
347:and the
260:Language
198:RioFilme
183:Labocine
148:Music by
94:Starring
2424:Miramar
2408:The Jew
2376:O Corpo
1839:O Globo
1808:Cinepop
1505:Filme B
1496:ranking
1414:May 18,
1327:Omelete
1188:Variety
758:Variety
747:Top 100
724:Omelete
616:Release
500:Variety
405:as Kika
252:Country
228: (
213: (
2647:(2018)
2639:(2017)
2631:(2016)
2623:(2015)
2615:(2014)
2607:(2013)
2593:(2012)
2573:(2011)
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585:Olinda
581:Recife
489:novela
438:Themes
324:, and
268:Budget
255:Brazil
219: (
186:Quanta
2636:Araby
2503:Peões
2071:(PDF)
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1399:Época
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1848:2017
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667:left
583:and
384:Cast
359:Plot
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