Magical realism - Knowledge

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presentation of real, imagined or magical elements as if they were real. It relies upon realism, but only so that it can stretch what is acceptable as real to its limits." Literary theorist Kornelije Kvas wrote that "what is created in magic(al) realism works is a fictional world close to reality, marked by a strong presence of the unusual and the fantastic, in order to point out, among other things, the contradictions and shortcomings of society. The presence of the element of the fantastic does not violate the manifest coherence of a work that is characteristic of traditional realist literature. Fantastic (magical) elements appear as part of everyday reality, function as saviors of the human against the onslaught of conformism, evil and totalitarianism. Moreover, in magical realism works we find objective narration characteristic of traditional, 19th-century realism."

963:(1949); however, some debate whether he is truly a magical realist writer, or simply a precursor and source of inspiration. Maggie Bowers claims he is widely acknowledged as the originator of Latin American magical realism (as both a novelist and critic); she describes Carpentier's conception as a kind of heightened reality where elements of the miraculous can appear while seeming natural and unforced. She suggests that by disassociating himself and his writings from Roh's painterly magic realism, Carpentier aimed to show how—by virtue of Latin America's varied history, geography, demography, politics, myths, and beliefs—improbable and marvelous things are made possible. Furthermore, Carpentier's meaning is that Latin America is a land filled with marvels, and that "writing about this land automatically produces a literature of marvelous reality." 1116:—is the hostage used to express the writer's anxiety on this issue of who is reading the work and to what ends, and of how the writer is forever reliant upon the needs and desires of readers (the market). The magic realist writer with difficulty must reach a balance between saleability and intellectual integrity. Wendy Faris, talking about magic realism as a contemporary phenomenon that leaves modernism for postmodernism, says, "Magic realist fictions do seem more youthful and popular than their modernist predecessors, in that they often (though not always) cater with unidirectional story lines to our basic desire to hear what happens next. Thus they may be more clearly designed for the entertainment of readers." 974:"The marvelous" may be easily confused with magical realism, as both modes introduce supernatural events without surprising the implied author. In both, these magical events are expected and accepted as everyday occurrences. However, the marvelous world is a unidimensional world. The implied author believes that anything can happen here, as the entire world is filled with supernatural beings and situations to begin with. Fairy tales are a good example of marvelous literature. The important idea in defining the marvelous is that readers understand that this fictional world is different from the world where they live. The "marvelous" one-dimensional world differs from the 590:" as a formative influence: "The first line almost knocked me out of bed. It begins: 'As Gregor Samsa awoke from uneasy dreams, he found himself transformed in his bed into a gigantic insect.' When I read that line I thought to myself I didn't know anyone was allowed to write things like that. If I had known, I would have started writing a long time ago." He also cited the stories told to him by his grandmother: "She told me things that sounded supernatural and fantastic, but she told them with complete naturalness. She did not change her expression at all when telling her stories, and everyone was surprised. In previous attempts to write 1299:, he explores Şerban's work and influence within the context of American theatre. He wrote that the Fabulist style allowed Şerban to neatly combine technical form and his own imagination. Through directing fabulist works, Şerban can inspire an audience with innate goodness and romanticism through the magic of theatre. "The New Fabulism has allowed Şerban to pursue his own ideals of achieving on sage the naivete of a children's theater", wrote Menta. "It is in this simplicity, this innocence, this magic that Şerban finds any hope for contemporary theatre at all." 1960: 1412:

between copulation and reproduction. Humans are produced in giant test tubes, where chemical alterations during gestation determine their fates. Bowers argues that "The science fiction narrative's distinct difference from magical realism is that it is set in a world different from any known reality and its realism resides in the fact that we can recognize it as a possibility for our future. Unlike magical realism, it does not have a realistic setting that is recognizable in relation to any past or present reality."

897:, a root of magical realism more easily understood by non-Western cultures. Western confusion regarding magical realism is due to the "conception of the real" created in a magical realist text: rather than explain reality using natural or physical laws, as in typical Western texts, magical realist texts create a reality "in which the relation between incidents, characters, and setting could not be based upon or justified by their status within the physical world or their normal acceptance by bourgeois mentality." 1986:(1395–1441) highlights the complexity of a natural landscape by creating illusions of continuous and unseen areas that recede into the background, leaving it to the viewer's imagination to fill in those gaps in the image: for instance, in a rolling landscape with river and hills. The magic is contained in the viewer's interpretation of those mysterious unseen or hidden parts of the image. Other important aspects of magical realist painting, according to Roh, include: 1203:

important differences remain. Surrealism "is most distanced from magical realism the aspects that it explores are associated not with material reality but with the imagination and the mind, and in particular it attempts to express the 'inner life' and psychology of humans through art". It seeks to express the sub-conscious, unconscious, the repressed and inexpressible. Magical realism, on the other hand, rarely presents the extraordinary in the form of a dream or a

1766: 1449: 11329: 9901: 1312:(the simultaneous presence of two conflicting codes), the inclusion of events that cannot be integrated into a logical framework, and the use of authorial reticence. In fantasy, the presence of the supernatural code is perceived as problematic, something that draws special attention—where in magical realism, the presence of the supernatural is accepted. In fantasy, while authorial reticence creates a disturbing effect on the reader, it works to 4983:), a novel illustrated with fifty-two drawings. In it, Kubin set out to explore the 'other side' of the visible world—the corruption, the evil, the rot, as well as the power and mystery. The border between reality and dream remains consistently nebulous ... in certain ways an important precursor ,... exerted significant influence on subsequent German and Austrian literature." Guenther, Irene. "Magic realism in the Weimar Republic". 9911: 2022: 11319: 2868: 2882: 1347:, can create "new worlds, perhaps new planets. By contrast, writers like García Márquez, who use magical realism, don't create new worlds, but suggest the magical in our world." In magical realism, the supernatural realm blends with the natural, familiar world. This twofold world of magical realism differs from the onefold world that can be found in fairy-tale and fantasy literature. By contrast, in the series " 1340:, there is a hesitation experienced by the protagonist, implied author or reader in deciding whether to attribute natural or supernatural causes to an unsettling event, or between rational or irrational explanations. Fantastic literature has also been defined as a piece of narrative in which there is a constant faltering between belief and non-belief in the supernatural or extraordinary event. 1275:, a collection of moral tales told through surrealist fantasy. Like many fabulist collections, his work is often classified as allegories for children. Calvino wanted fiction, like folk tales, to act as a teaching device. "Time and again, Calvino insisted on the 'educational potential' of the fable and its function as a moral exemplum", wrote journalist Ian Thomson about the Italian Fabulist. 967: 1104:, the dissolution of character and narrative instance, the erasure of boundaries, and the destabilization of the reader". To further connect the two, magical realism and postmodernism share the themes of post-colonial discourse, in which jumps in time and focus cannot really be explained with scientific but rather with magical reasoning; textualization (of the reader); and metafiction. 70:. In his article "Magical Realism in Spanish American Literature", Luis Leal explains the difference between magic literature and magical realism, stating that, "Magical realism is not magic literature either. Its aim, unlike that of magic, is to express emotions, not to evoke them." Despite including certain magic elements, it is generally considered to be a different genre from 611:. Uslar Pietri was closely associated with Roh's form of magic realism and knew Bontempelli in Paris. Rather than follow Carpentier's developing versions of "the (Latin) American marvelous real", Uslar Pietri's writings emphasize "the mystery of human living amongst the reality of life". He believed magic realism was "a continuation of the 1982:'s extravagances, which sought to redesign objects to reveal the spirits of those objects. Magical realism, according to Roh, instead faithfully portrays the exterior of an object, and in doing so the spirit, or magic, of the object reveals itself. One could relate this exterior magic all the way back to the 15th century. Flemish painter 1881:

far less artistically faithful, rather born of the negation of art, seeking to expose the chaos, the true face of our time, with an addiction to primitive fact-finding and nervous baring of the self ... There is nothing left but to affirm it , especially since it seems strong enough to raise new artistic willpower.

400:. In them, just like Hoffmann, he frightens with a nightmare and contrasts it to a positive beginning ... Hoffmann's dream was free, graceful, attractive, cheerful to infinity. Reading his fairy tales, you understand that Hoffmann is, in essence, a kind, clear person, because he could tell a child such things as 1227:

suggested that fairy tales have psychological merit. They are used to translate trauma into a context that people can more easily understand and help to process difficult truths. Bettelheim posited that the darkness and morality of traditional fairy tales allowed children to grapple with questions of

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has called "half-made" societies, in which the impossibly old struggles against the appallingly new, in which public corruptions and private anguishes are somehow more garish and extreme than they ever get in the so-called "North", where centuries of wealth and power have formed thick layers over the

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This trait centers on the reader's role in literature. With its multiple realities and specific reference to the reader's world, it explores the impact fiction has on reality, reality on fiction, and the reader's role in between; as such, it is well suited for drawing attention to social or political

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is the "deliberate withholding of information and explanations about the disconcerting fictitious world". The narrator is indifferent, a characteristic enhanced by this absence of explanation of fantastic events; the story proceeds with "logical precision" as if nothing extraordinary had taken place.

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Unlike other romantics, Hoffmann was a satirist. He saw the reality surrounding him with unusual keenness, and in this sense he was one of the first and sharpest realists. The smallest details of everyday life, funny features in the people around him with extraordinary honesty were noticed by him. In

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rather than critically rigorous, and Matthew Strecher (1999) defines it as "what happens when a highly detailed, realistic setting is invaded by something too strange to believe." The term and its wide definition can often become confused, as many writers are categorized as magical realists. The term

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We are offered a new style that is thoroughly of this world that celebrates the mundane. This new world of objects is still alien to the current idea of Realism. It employs various techniques that endow all things with a deeper meaning and reveal mysteries that always threaten the secure tranquility

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In the new art, he saw a right, a left wing. One, conservative towards Classicism, taking roots in timelessness, wanting to sanctify again the healthy, physically plastic in pure drawing after nature ... after so much eccentricity and chaos ... The other, the left, glaringly contemporary,

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tells the story of the domestic life of women living on the margins of their families and society. The novel's protagonist, Tita, is kept from happiness and marriage by her mother. "Her unrequited love and ostracism from the family lead her to harness her extraordinary powers of imbuing her emotions

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n act of categorization which seeks to define Magic Realism as a culturally specific project, by identifying for his readers those (non-modern) societies where myth and magic persist and where Magic Realism might be expected to occur. There are objections to this analysis. Western rationalism models

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as the first magical realist, he failed to acknowledge either Carpentier or Uslar Pietri for bringing Roh's magic realism to Latin America. Borges is often seen as a predecessor of magical realists, with only Flores considering him a true magical realist. After Flores's essay, there was a resurgence

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writes that "The transactions between the extraordinary and the mundane that occur in so much Latin American fiction are not merely a literary technique, but also a mirror of a reality in which the fantastic is frequently part of everyday life." Magical realism often mixes history and fantasy, as in

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watercolors. Ingle's approach, as described in his own words, reflects the early inspiration of the magic realism movement as described by Roh; that is, the aim is not to add magical elements to a realistic painting, but to pursue a radically faithful rendering of reality; the "magic" effect on the

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as a novel that exemplifies the science fiction novel's requirement of a "rational, physical explanation for any unusual occurrences". Huxley portrays a world where the population is highly controlled with mood enhancing drugs, which are controlled by the government. In this world, there is no link

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is often confused with magical realism as they both explore illogical or non-realist aspects of humanity and existence. There is a strong historical connection between Franz Roh's concept of magic realism and surrealism, as well as the resulting influence on Carpentier's marvelous reality; however,

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El problema más importante era destruir la línea de demarcación que separa lo que parece real de lo que parece fantástico porque en el mundo que trataba de evocar, esa barrera no existía. Pero necesitaba un tono inocente, que por su prestigio volviera verosímiles las cosas que menos lo parecían, y

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summed up the difficulty of defining magical realism by writing, "If you can explain it, then it's not magical realism." He offers his own definition by writing, "Without thinking of the concept of magical realism, each writer gives expression to a reality he observes in the people. To me, magical

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poetry. These mixing ethnicities grow together with the American baroque; the space in between is where the "marvelous real" is seen. Marvelous: not meaning beautiful and pleasant, but extraordinary, strange, and excellent. Such a complex system of layering—encompassed in the Latin-American "boom"

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Magic realism contains an "implicit criticism of society, particularly the elite". Especially with regard to Latin America, the style breaks from the inarguable discourse of "privileged centers of literature". This is a mode primarily about and for "ex-centrics": the geographically, socially, and

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Mi problema más importante era destruir la línea de demarcación que separa lo que parece real de lo que parece fantástico. Porque en el mundo que trataba de evocar esa barrera no existía. Pero necesitaba un tono convincente, que por su propio prestigio volviera verosímiles las cosas que menos lo

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While magical realism is traditionally used to refer to works that are Latin American in origin, fabulism is not tied to any specific culture. Rather than focusing on political realities, fabulism tends to focus on the entirety of the human experience through the mechanization of fairy tales and

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Author Amber Sparks described fabulism as blending fantastical elements into a realistic setting. Crucial to the genre, said Sparks, is that the elements are often borrowed from specific myths, fairy tales, and folktales. Unlike magical realism, it does not just use general magical elements, but

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Fantasy and magic realism are commonly held to be unrelated apart from some shared inspirations in mythology and folklore. Amaryll Beatrice Chanady distinguishes magical realist literature from fantasy literature ("the fantastic") based on differences between three shared dimensions: the use of

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world. Guenther concludes, "Conjecture aside, it is in Latin America that was primarily seized by literary criticism and was, through translation and literary appropriation, transformed." Magic realism has been internationalized: dozens of non-Hispanic writers are categorized as such, and many

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Antonio Fernandez, Director of the Art Museum of Universidad de Concepción: "I was impressed by her original iconographic creativity, that in a way very close to magic realism, achieves to emphasize with precision the subjects specific to each folkloric tradition, local or regional", Chile, 29

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birthplace, writing that "Magical realism is a continuation of the romantic realist tradition of Spanish language literature and its European counterparts." There is disagreement between those who see magical realism as a Latin American invention and those who see it as the global product of a

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it presents it. In this way, a realist narrative acts as framework by which the reader constructs a world using the raw materials of life. Understanding both realism and magical realism within the realm of a narrative mode is key to understanding both terms. Magical realism "relies upon the

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Concerning attitude toward audience, the two have, some argue, a lot in common. Magical realist works do not seek to primarily satisfy a popular audience, but instead, a sophisticated audience that must be attuned to noticing textual "subtleties". While the postmodern writer condemns escapist

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Some have argued that connecting magical realism to postmodernism is a logical next step. To further connect the two concepts, there are descriptive commonalities between the two that Belgian critic Theo D'haen addresses in his essay, "Magical Realism and Postmodernism". While authors such as

469:('marvelous realism') in 1949. Maggie Ann Bowers writes that marvelous-realist literature and art expresses "the seemingly opposed perspectives of a pragmatic, practical and tangible approach to reality and an acceptance of magic and superstition" within an environment of differing cultures. 2302:(1992) begins and ends with the first person narrative to establish the magical realism storytelling frame. Telling a story from a child's point of view, the historical gaps and holes perspective, and with cinematic color heightening the presence, are magical realist tools in films. 1228:

fear through symbolism. Fabulism helped to work through these complexities and, in the words of Bettelheim, "make physical what is otherwise ephemeral or ineffable in an attempt ... of understanding those things that we struggle the most to talk about: loss, love, transition."

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movements, and Hartlaub curated his exhibition under the guideline: only those "who have remained true or have returned to a positive, palpable reality in order to reveal the truth of the times" would be included. The style was roughly divided into two subcategories: conservative,

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review of a Lewis biography discusses how his work creates "a fiction" in order to deliver a lesson. Says the Post of Lewis, "The fabulist ... illuminates the nature of things through a tale both he and his auditors, or readers, know to be an ingenious analogical invention."

4204: 375:, especially in their fairy tales and short stories, have been credited with originating a trend within Romanticism that contained "a European magical realism where the realms of fantasy are continuously encroaching and populating the realms of the real". In the words of 1617:. Perhaps the best known is Rushdie, whose "language form of magical realism straddles both the surrealist tradition of magic realism as it developed in Europe and the mythic tradition of magical realism as it developed in Latin America". Morrison's most notable work, 1316:

into the natural framework in magical realism. This integration is made possible in magical realism as the author presents the supernatural as being equally valid to the natural. There is no hierarchy between the two codes. The ghost of Melquíades in Márquez's

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García Márquez confessed: "My most important problem was destroying the line of demarcation that separates what seems real from what seems fantastic." Allende was the first Latin American woman writer recognized outside the continent. Her best-known novel,

1132:. Many literary critics attempt to classify novels and literary works in only one genre, such as "romantic" or "naturalist", not always taking into account that many works fall into multiple categories. Much discussion is cited from Maggie Ann Bowers' book 989:

attests that Carpentier was an originating pillar of the magical realist style by implicitly referring to the latter's critical works, writing that "The existence of the marvelous real is what started magical realist literature, which some critics claim is

1207:. "To do so", Bowers writes, "takes the magic of recognizable material reality and places it into the little understood world of the imagination. The ordinariness of magical realism's magic relies on its accepted and unquestioned position in tangible and 1112:: one, commercially successful pop fiction, and the other, philosophy, better suited to intellectuals. A singular reading of the first mode will render a distorted or reductive understanding of the text. The fictitious reader—such as Aureliano from 1528:, is also included, even though the author is not. Amado remains the best known of modern Brazilian writers, with his work having been translated into some 49 languages. He is the most adapted Brazilian author in cinema, theater, and television, notably 2013:

viewer comes from the intensity of that effort: "I don't want to make arbitrary changes in what I see to paint the picture, I want to paint what is given. The whole idea is to take something that's given and explore that reality as intensely as I can."

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might be widely considered postmodernist, they can "just as easily be categorized ... magic realist". A list has been compiled of characteristics one might typically attribute to postmodernism, but that also could describe literary magic realism:

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because magical realism uses a substantial amount of realistic detail and employs magical elements to make a point about reality, while fantasy stories are often separated from reality. The two are also distinguished in that magic realism is closer to

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The extent to which the characteristics below apply to a given magic realist text varies. Every text is different and employs a smattering of the qualities listed here. However, they accurately portray what one might expect from a magic realist text.

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While Ingle represents a "magic realism" that harks back to Roh's ideas, the term "magic realism" in mid-20th century visual art tends to refer to work that incorporates overtly fantastic elements, somewhat in the manner of its literary counterpart.

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while reading it, making them self-conscious of their status as readers—and secondly, where the textual world enters into the reader's (real) world. Good sense would negate this process, but "magic" is the flexible convention that allows it.

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defines magic realism: "when marvellous and impossible events occur in what otherwise purports to be a realistic narrative—is an effect especially associated with contemporary Latin American fiction (for example the work of the Colombian novelist

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Though often used to refer to works of magical realism, fabulism incorporates fantasy elements into reality, using myths and fables to critique the exterior world and offer direct allegorical interpretations. Austrian-American child psychologist

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Recent "magic realism" has gone beyond mere "overtones" of the fantastic or surreal to depict a frankly magical reality, with an increasingly tenuous anchoring in "everyday reality". Artists associated with this kind of magic realism include

1136:, wherein she attempts to delimit the terms magic realism and magical realism by examining the relationships with other genres such as realism, surrealism, fantastic literature, science fiction and its African version, the animist realism. 2855:

deploys the ambiguity and dubious narrator characteristic of high modernism, along with some suspense and romance elements, in a story whose meaning could change dramatically depending on the path taken through its lexias on each reading.

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to the food she makes. In turn, people who eat her food enact her emotions for her. For example, after eating a wedding cake Tita made while suffering from a forbidden love, the guests all suffer from a wave of longing. The Mexican author

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All of these quotations reinforce the rough English translation of the first sentence given in the main text of this article. For those who wish to seek the original interview, the front cover and table of contents are reproduced at

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Although critics and writers debate which authors or works fall within the magical realism genre, the following authors represent the narrative mode. Within the Latin American world, the most iconic of magical realist writers are

2076:) "is anchored in everyday reality, but has overtones of fantasy or wonder". In the work of Cadmus, for example, the surreal atmosphere is sometimes achieved via stylized distortions or exaggerations that are not realistic. 1745:

is a novel that traces the evolution of 'gods' in a grounded setting via Mookajji's (the main character) preternatural ability to touch and see everything an inanimate object has witnessed in its entire existence. The novel

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Literary magic realism originated in Latin America. Writers often traveled between their home country and European cultural hubs, such as Paris or Berlin, and were influenced by the art movement of the time. Cuban writer

4998: 5662: 131:. All these writers have lived through great historical convulsions and wrenching personal upheavals, which they feel cannot be adequately represented in a discourse of undisturbed realism", citing Kundera's 1979 novel 1844:, rather than magical realism, which is attributed to that New objectivity is practical based, referential (to real practicing artists), while the magical realism is theoretical or critic's rhetoric. Eventually under 1290:

coined the term "The New Fabulism". Şerban is famous for his reinventions in the art of staging and directing, known for directing works like "The Stag King" and "The Serpent Woman", both fables adapted into plays by

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that tells the story of Comala both as a lively town in times of the eponymous Pedro Páramo and as a ghost town through the eyes of his son Juan Preciado who returns to Comala to fulfil a promise to his dead mother.

596:, I tried to tell the story without believing in it. I discovered that what I had to was believe in them myself and them write them with the same expression with which my grandmother told them: with a brick face." 2285:, but characteristics of magic realism present in literature can also be found in many moving pictures with fantasy elements. These characteristics may be presented matter-of-factly and occur without explanation. 515:, first emerged in the 1955 essay "Magical Realism in Spanish American Fiction" by critic Angel Flores in reference to writing that combines aspects of magic realism and marvelous realism. While Flores named 1004:(the American content). On that note, Lee A. Daniel categorizes critics of Carpentier into three groups: those that do not consider him a magical realist whatsoever (Ángel Flores), those that call him "a 789:, plot advancement, linear time structure, scientific reason, etc., to strive for a state of heightened awareness of life's connectedness or hidden meanings in order for the book to begin to make sense. 1702:'s Poena Damni trilogy, originally written in Greek, is also seen as displaying characteristics of magic realism in its simultaneous fusion of real and unreal situations in the same narrative context. 544:, during their stays in Paris in the 1920s and 1930s. One major event that linked painterly and literary magic realisms was the translation and publication of Franz Roh's book into Spanish by Spain's 1631:(1965) is often overlooked, perhaps because it appeared before the term 'magic realism' was commonly known in English, perhaps because too much was made of the supposed influence of Jones's friend 155:

Irene Guenther (1995) tackles the German roots of the term, and how an earlier magic realist art is related to a later magic realist literature; meanwhile, magical realism is often associated with

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Some of our first points of reference when sketching and imagining Kentucky Route Zero were in fiction - the magical realism of Gabriel Garcia Márquez and the southern gothic of Flannery O'Connor

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Magical realism plot lines characteristically employ hybrid multiple planes of reality that take place in "inharmonious arenas of such opposites as urban and rural, and Western and indigenous".

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que lo hiciera sin perturbar la unidad del relato. También el lenguaje era una dificultad de fondo, pues la verdad no parece verdad simplemente porque lo sea, sino por la forma en que se diga.

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Occupying an intermediate place in this line of development, the work of several European and American painters whose most important work dates from the 1930s through to the 1950s, including

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who visit or haunt the inhabitants of their previous residence are both presented by the narrator as ordinary occurrences; the reader, therefore, accepts the marvelous as normal and common.

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on his work, but this phantasmagorical blend of reality and myth with a twelve-year-old narrator set in a dreamlike version of the early 20th century clearly merits inclusion in the genre.

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Many films have magical realist narrative and events that contrast between real and magical elements, or different modes of production. This device explores the reality of what exists.

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surface of what's really going on. In the works of Márquez, as in the world he describes, impossible things happen constantly, and quite plausibly, out in the open under the midday sun.

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Magic realist literature tends to leave out explanation of its magical element or obfuscate elements of the story, creating a sense of confusion and mystery. For example, when reading

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Paradiso, Silvio Ruiz. 2014. "Postcolonialism and religiosity in African literatures". Proceedings of the 4th International Congress in Cultural Studies. Aveiro, Portugal. pp. 73–79.

885:, who described "man as a mystery surrounded by realistic facts. A poetic prediction or a poetic denial of reality. What for lack of another name could be called a magical realism." 607:

could be a means to create a collective consciousness by "opening new mythical and magical perspectives on reality", and used his writings to inspire an Italian nation governed by

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Both sides were seen all over Europe during the 1920s and 1930s, ranging from the Netherlands to Austria, France to Russia, with Germany and Italy as centers of growth. Indeed,

418:, who has been called the first to apply magic realism to writing, aiming to capture the fantastic, mysterious nature of reality. In 1926, he founded the magic realist magazine 1219:

Fabulism traditionally refers to fables, parables, and myths, and is sometimes used in contemporary contexts for authors whose work falls within or relates to magical realism.

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to the depiction of mundane subject matter, revealing an "interior" mystery, rather than imposing external, overtly magical features onto this everyday reality. Roh explains:

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elements in the real world provides the basis for magical realism. Writers do not invent new worlds, but rather, they reveal the magical in the existing world, as was done by

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this sense, his works are a whole mountain of delightfully sketched caricatures of reality. But he was not limited to them. Often he created nightmares similar to Gogol's

1876:. The following quote by Hartlaub distinguishes the two, though mostly with reference to Germany; however, one might apply the logic to all relevant European countries. 1401:

and magical realism both bend the notion of what is real, toy with human imagination, and are forms of (often fantastical) fiction, they differ greatly. Bower's cites

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argues that the formal experiment of magic realism allows political ideas to be expressed in ways that might not be possible through more established literary forms:

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of simple and ingenuous things ... it is a question of representing before our eyes, in an intuitive way, the fact, the interior figure, of the exterior world.

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articulates this feeling as "to seize the mystery that breathes behind things", and supports the claim by saying a writer must heighten his senses to the point of

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of the 1920s was explicitly made in the New York Museum of Modern Art exhibition, tellingly titled "American Realists and Magic Realists". French magical realist

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are two prominent works that dabbled in magical realism. Both the works are widely read and have been adapted into a movie and a limited TV series, respectively.

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in 1935. Between 1940 and 1950, magical realism in Latin America reached its peak, with prominent writers appearing mainly in Argentina. Alejo Carpentier's novel

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texts, revolutionary against socially-dominant forces. Alternatively, the socially-dominant may implement magical realism to disassociate themselves from their "

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events in an otherwise realistic tone. It brings fables, folk tales, and myths into contemporary social relevance. Fantasy traits given to characters, such as

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layers of reality: bidimensionality). While some use the terms magical realism and lo real maravilloso interchangeably, the key difference lies in the focus.

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The pictorial ideals of Roh's original magic realism attracted new generations of artists through the latter years of the 20th century and beyond. In a 1991

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may not actually describe Western modes of thinking and it is possible to conceive of instances where both orders of knowledge are simultaneously possible.

5743: 4531: 445:, who had known Bontempelli, wrote influential magic-realist short stories in the 1920s and 30s that focused on the mystery and reality of how we live. 1696:

and the young novelist Rune Salvesen have marked themselves as premier writers of magical realism, something that has been seen as very un-Norwegian.

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inspired and encouraged other Latin American writers in the development of magical realism – particularly with his first magical realist publication,

500:, among other artists during the 1940s and 1950s. However, in contrast with its use in literature, magic realist art does not often include overtly 5708: 1016:(Gómez Gil, Jean Franco, Carlos Fuentes)", and those that use the two terms interchangeably (Fernando Alegria, Luis Leal, Emir Rodriguez Monegal). 893:

The critical perspective towards magical realism as a conflict between reality and abnormality stems from the Western reader's disassociation with

4922: 54:

is the most commonly used of the three terms and refers to literature in particular. Magic realism often refers to literature in particular, with

4749: 1952:, as Ríos also shows, for the very title of Roh's 1925 essay was "Post-Expressionism, Magical Realism". Indeed, as Lois Parkinson Zamora of the 978:

world of magical realism because, in the latter, the supernatural realm blends with the natural, familiar world (arriving at the combination of

10845: 5685: 6714: 2786: 4218:. Proceedings of the University of Cambridge Interdisciplinary Graduate Conference. Cambridge, United Kingdom. pp. 9–15. Archived from 1911:

Further afield, American painters were later (in the 1940s and 1950s, mostly) coined magical realists; a link between these artists and the

714:

as its opposite.) From this angle, Carpentier views the baroque as a layering of elements, which translates easily into the postcolonial or

10373: 9719: 4808: 4411: 904:'s article, "Magic realism: A Typology", suggests that there are three kinds of magic realism, which however are by no means incompatible: 5147: 2546: 1334:

To Clark Zlotchew, the differentiating factor between the fantastic and magical realism is that in fantastic literature, such as Kafka's

1752:

blends magical realism and surrealism while telling the story of lives of people from the oppressed castes in rural parts of Karnataka.

568:, published in 1949, is often characterised as an important harbinger of magic realism, which reached its most canonical incarnation in 83:. Magical realism is often seen as an amalgamation of real and magical elements that produces a more inclusive writing form than either 2490: 808:

economically marginalized. Therefore, magic realism's "alternative world" works to correct the reality of established viewpoints (like

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directly incorporates details from well known stories. "Our lives are bizarre, meandering, and fantastic", said Hannah Gilham of the

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literature (like fantasy, crime, ghost fiction), he/she is inextricably related to it concerning readership. There are two modes in

9255: 7043: 5480: 5173: 2276: 5920: 4876: 3092:"What Is Magical Realism? Definition and Examples of Magical Realism in Literature, Plus 7 Magical Realism Novels You Should Read" 1919:, who worked and showed successfully in the US, is cited as having "helped spread Franz Roh's formulations" to the United States. 3751: 5851: 4709:

Garuba , Harry. 2003. "Explorations in Animist Materialism: Notes on Reading/Writing African Literature, Culture, and Society".

2808:

Jesper Juul argues that the intrinsic nature of video games is magic realist. Early video games such as the 1986 text adventure

1993:

A juxtaposition of forward movement with a sense of distance, as opposed to Expressionism's tendency to foreshorten the subject.

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Prominent English-language fantasy writers have rejected definitions of "magic realism" as something other than a synonym for

599:

The theoretical implications of visual art's magic realism greatly influenced European and Latin American literature. Italian

10301: 7362: 5799: 5646: 5621: 5547: 5386: 5008: 4950: 4330: 4100: 3253:

Wexler, Joyce (2002). "What Is a Nation? Magic Realism and National Identity in Midnight's Children and Clear Light of Day".

3204: 3169: 1774: 552:. "Within a year, Magic Realism was being applied to the prose of European authors in the literary circles of Buenos Aires." 5033: 152:, in which the children born at midnight on August 15, 1947, the moment of India's independence, are telepathically linked. 8115: 7904: 4828: 3474: 352:

of people and our modern technological environment. He also believed that magic realism was related to, but distinct from,

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that has been written based on the strong presence of the imaginary ancestor, the traditional religion and especially the

1295:. Gussow defined "The New Fabulism" as "taking ancient myths and turn(ing) them into morality tales", In Ed Menta's book, 10249: 6055: 1956:

writes, "Roh, in his 1925 essay, described a group of painters whom we now categorize generally as Post-Expressionists."

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franchise has also frequently been cited as a notable example of magic realism, because of its combination of realistic

686:

Magical events are presented as ordinary occurrences; therefore, the reader accepts the marvelous as normal and common.

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As a simple point of comparison, Roh's differentiation between expressionism and post-expressionism as described in

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criticism. Furthermore, it is the tool paramount in the execution of a related and major magic-realist phenomenon:

558: 3558: 1848:

guidance, the term 'magic realism' was fully embraced by the German as well as in Italian practicing communities.

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Jones, Glyn (1965). "Portrait of the Artist as a Young Man: Glyn Jones and The Island of Apples (pp. vii-xxii)".

2770: 2298: 786: 1904:), is seen as a precursor and as having an "influence ... greater than any other painter on the artists of 9682: 8028: 7839: 4522: 3322: 2815: 1529: 5948: 2072:, is designated as "magic realist". This work departs sharply from Roh's definition, in that it (according to 1246:, whose biographer, A.N. Wilson, referred to him as the greatest fabulist of the 20th century. His 1956 novel 9940: 9438: 9165: 8782: 8090: 7634: 7457: 7038: 6450: 3545: 3425: 2346: 1720: 1441: 1421: 1319: 837: 781: 735: 670: 592: 574: 504:

or magical content, but rather, it looks at the mundane through a hyper-realistic and often mysterious lens.

6009:

Ten Dreams Galleries - A comprehensive discussion of the historical development of Magic Realism in painting

4898: 4136: 3440:

Strecher, Matthew C. 1999. "Magical Realism and the Search for Identity in the Fiction of Murakami Haruki."

3309:(...) clearly insufficient shorthand definition of magic realism as an "amalgamation of realism and fantasy" 9821: 9053: 9028: 7879: 7859: 7307: 6592: 5106: 2666: 2554: 2272: 1507: 396: 360:

of things in the world, as opposed to surrealism's more abstract, psychological, and subconscious reality.

5426: 799:('limit state' or 'extreme') in order to realize all levels of reality, most importantly that of mystery. 11388: 11139: 10875: 10478: 10290: 9583: 9155: 8708: 8573: 8262: 7590: 5897: 3442: 2578: 1436: 1168: 1147:

is an attempt to create a depiction of actual life; a novel does not simply rely on what it presents but

832: 665: 160: 116: 5639:

Lies that Tell the Truth: Magic Realism Seen through Contemporary Fiction from Britain (Costerus NS 155)

1463:, is arguably similar to García Márquez's style of magical realist writing. Another notable novelist is 10725: 10380: 9593: 9200: 9043: 7688: 6028: 5735: 5398:"with an impressive chromatic delivery, images come immersed in such a magic realism full of symbols", 2698: 1786:

The painterly style began evolving as early as the first decade of the 20th century, but 1925 was when

1175:". On the other hand, magic realism encompasses the terms "myth/legend", "fantastic/supplementation", " 878:

realism is an attitude on the part of the characters in the novel toward the world", or toward nature.

386: 4741: 3238:

Magical realism is not pure fantasy because it contains a substantial amount of realistic detail (...)

390:. Gogol is a student of Hoffmann and is extremely dependent on Hoffmann in many works, for example in 104:

was influenced by a German and Italian painting style of the 1920s which were given the same name. In

11358: 11184: 10735: 10483: 9603: 9160: 9115: 9023: 8401: 7844: 7804: 7355: 7156: 6420: 4004: 3458: 2418: 1649: 1624: 959: 720: 564: 295: 156: 106: 6004:

The Essence of Magic Realism - Critical Study of the origins and development of Magic Realism in art

5312: 3977: 3953: 930:" magical realism, where a Native worldview is set side by side with the Western rational worldview. 579: 569: 10840: 10787: 10593: 10343: 10169: 9982: 9933: 9105: 8125: 8120: 7988: 7829: 7452: 7329: 6524: 5677: 3834: 1459: 1348: 1234: 1167:", "familiarization", "empiricism/logic", "narration", "closure-ridden/reductive naturalism", and " 674:. In the world of magical realism, the supernatural realm blends with the natural, familiar world. 521: 9170: 1598: 1000:

is especially distinct from 'magical realism' by the fact that the former applies specifically to

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Luber, Katherine Crawford (1998). "Recognizing Van Eyck: Magical Realism in Landscape Painting".

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Connell, Liam. 1998. "Discarding Magic Realism: Modernism, Anthropology, and Critical Practice".

3774: 2626: 2562: 2234: 2139: 1594: 813: 5613: 5607: 4800: 1685:'s novels and short stories are often cited as examples of magic realism in Italian literature. 549: 528:

being applied to a new type of literature known for matter-of-fact portrayal of magical events.

11353: 11157: 10661: 10306: 10282: 10232: 9367: 9315: 9180: 8901: 8693: 8502: 8374: 8207: 8110: 8095: 7889: 7777: 7225: 7124: 7114: 6850: 6664: 5874: 5539: 5533: 3516: 3508: 3091: 2846: 2674: 2466: 2174: 1565: 1533: 923:" magical realism, characterized by "matter-of-factness" in relating "inexplicable" events; and 706:

by a lack of emptiness, a departure from structure or rules, and an "extraordinary" abundance (

148: 100: 10513: 5472: 5143: 4613: 1553: 1389:(1989) and Harry Garuba (2003) to be a new conception of magic realism in African literature. 10448: 10412: 10227: 10028: 9551: 9110: 8752: 8642: 8299: 7134: 6959: 6954: 6934: 6835: 6288: 5041: 4443: 3954:"An Introduction to Magical Realism | Dr. Philip Irving Mitchell | Dallas Baptist University" 2947: 2842: 2682: 2402: 2041: 1953: 1730: 1109: 473: 299: 9588: 4973:"Austrian Alfred Kubin spent a lifetime wrestling with the uncanny, ... in 1909 published 1610: 11378: 11368: 11282: 11174: 10359: 10352: 10023: 9904: 9801: 9697: 9360: 9063: 8928: 8740: 8674: 8085: 8022: 8017: 7894: 7708: 7661: 7543: 7494: 7393: 7348: 7210: 7033: 6659: 6372: 6256: 6184: 5318: 5127: 3642: 2810: 2722: 2610: 2522: 2506: 2498: 2410: 2184: 2069: 1916: 1779: 1636: 1525: 767: 637: 247: 111: 67: 43: 5331: 4647: 4439:

A Second Ribcage: Fiction and an Article on New Wave Fabulism, Trauma, and the Environment

3073: – An imaginary community or society possessing highly desirable or perfect qualities 1496:

are some of the most famous authors of magic realism. Less well-known figures may include

8: 11169: 10666: 10555: 10518: 10493: 10296: 10147: 9407: 9280: 9265: 9130: 9033: 8968: 8664: 8625: 8497: 8482: 8309: 8068: 7874: 7849: 7814: 7767: 7297: 7139: 7089: 7057: 6996: 6949: 6721: 6704: 6699: 6692: 6652: 6604: 6512: 6415: 6397: 6268: 4128: 3871: 2941: 2820: 2778: 2746: 2738: 2474: 2370: 2333: 2194: 1845: 1835: 1654: 1257: 1024:Ángel Flores states that magical realism is an international commodity but that it has a 882: 600: 537: 465:, who rejected Roh's magic realism as tiresome pretension, developed his related concept 442: 415: 376: 279: 251: 192: 63: 47: 5169: 11322: 10835: 10815: 10805: 10678: 10616: 10573: 10387: 10259: 10219: 10174: 10089: 10074: 9972: 9967: 9811: 9731: 9655: 9541: 9531: 9433: 9325: 9305: 9205: 9185: 8953: 8881: 8787: 8772: 8703: 8408: 8344: 8202: 8182: 8073: 7723: 7644: 7578: 7568: 7531: 7275: 7270: 7260: 7200: 7146: 6914: 6904: 6678: 6647: 6634: 6445: 6430: 6387: 6347: 6273: 6224: 6041: 5588: 5580: 5204: 4956: 4872: 4366: 4167: 3919: 3719: 3479: 3279:

The oxymoron "magic realism" (...) It is a more inclusive form than realism or fantasy.

3270: 2953: 2851: 2706: 2690: 2634: 2570: 2434: 2362: 1949: 1889: 1869: 1769: 1706: 1689: 1662: 1378: 1248: 986: 874: 817: 790: 633: 446: 287: 267: 243: 224: 212: 196: 5843: 4046:

D'haen, Theo. "Magical realism and postmodernism: decentering privileged centers". In

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Lies that Tell the Truth: Magic Realism Seen Through Contemporary Fiction from Britain

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Nach-Expressionismus. Magischer Realismus. Probleme der neuesten europäischen Malerei

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Some other films and television shows that convey elements of magic realism include:

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Nach-Expressionismus, Magischer Realismus: Probleme der neuesten europäischen Malerei

1795: 1428: 1344: 1336: 1176: 766:. This term defines two conditions—first, where a fictitious reader enters the 587: 553: 516: 458: 368: 336: 303: 232: 168: 9085: 4307:

Faris, Wendy. "Scheherezade's Children: Magical Realism and Postmodern Fiction". In

1935:

to visual art in 1925, he was designating a style of visual art that brings extreme

11332: 11196: 11042: 10898: 10867: 10568: 10366: 10136: 10038: 9977: 9881: 9871: 9781: 9709: 9692: 9687: 9608: 9536: 9402: 9397: 9387: 9382: 9330: 9270: 9240: 9195: 9058: 8958: 8871: 8834: 8539: 8487: 8413: 8354: 8267: 8063: 8056: 7946: 7819: 7671: 7656: 7620: 7605: 7538: 7509: 7489: 7398: 7220: 7062: 6964: 6939: 6929: 6924: 6899: 6803: 6619: 6609: 6567: 6357: 6322: 6241: 6209: 6125: 6100: 6072: 5572: 5196: 4358: 4159: 3911: 3756: 3711: 3593:

Introduction to the Special Issue: The Two-Hundred-Year Legacy of E. T. A. Hoffmann

3550: 3262: 3192: 3055: 2989: 2917: 2835: 2754: 2594: 2114: 2096: 1900: 1726: 1710: 1671: 1544: 1253: 1224: 1172: 1144: 948: 901: 809: 728:, engenders the baroque", made explicit by elaborate Aztec temples and associative 715: 699: 533: 462: 434: 275: 271: 235: 228: 138: 84: 76: 55: 10720: 6311: 4190: 1959: 1513: 1497: 1493: 1279: 11277: 10825: 10423: 10198: 10141: 9831: 9756: 9746: 9741: 9726: 9635: 9578: 9477: 9372: 9290: 9285: 9215: 9150: 9070: 8943: 8938: 8911: 8807: 8605: 8568: 8514: 8507: 8460: 8334: 8304: 8217: 8177: 8172: 8105: 8051: 8036: 7956: 7931: 7926: 7864: 7782: 7772: 7733: 7649: 7573: 7499: 7265: 7215: 7205: 7072: 7028: 7011: 6919: 6262: 6189: 6174: 6120: 5430: 5088: 4447: 3292: 3221: 2998: 2965: 2896: 2642: 2354: 2289: 2224: 2204: 2134: 2124: 2099:

and Will Teather have become associated with the term in the early 21st century.

2061: 2053: 1996:

A use of miniature details even in expansive paintings, such as large landscapes.

1905: 1841: 1828: 1815: 1699: 1619: 1407: 1398: 1363: 1355: 1097: 1076: 1052: 825: 461:, but dismissed her own work as a part of the genre. French-Russian Cuban writer 345: 283: 259: 9465: 3374: 3058: – artistic movement that combines elements of both romanticism and realism 1693: 1480: 1351:" the laws of natural world become a basis for a naturalistic concept of magic. 1048: 912:" magic realism, with its sense of estrangement and the uncanny, exemplified by 540:, for example, were strongly influenced by European artistic movements, such as 120: 11257: 11252: 10750: 10578: 10528: 10453: 10277: 10114: 10033: 9816: 9786: 9766: 9628: 9613: 9558: 9516: 9355: 9310: 9300: 9275: 9230: 9220: 8998: 8978: 8948: 8933: 8891: 8856: 8814: 8802: 8797: 8590: 8561: 8450: 8435: 8379: 8234: 8192: 7703: 7519: 7410: 7253: 7232: 7018: 7006: 6874: 6845: 6597: 6435: 6352: 6337: 6095: 5073: 4711: 3400: 3266: 2902: 2887: 2658: 2650: 2618: 2514: 2328: 2324: 2219: 2209: 2149: 2144: 2081: 1975: 1936: 1714: 1606: 1602: 1560: 1464: 1432: 1252:

has been referenced as a fabulist retelling. This re-imagining of the story of

1160: 1089: 1080: 842: 649: 307: 263: 255: 204: 164: 143: 124: 119:) but it is also encountered in novels from other continents, such as those of 39: 9672: 9470: 8762: 6018: 3939:

Thiem, Jon. "The Textualization of the Reader in Magical Realist Fiction". In

3902:

Daniel, Lee A. (1982). "Realismo Mágico: True Realism with a Pinch of Magic".

11347: 11152: 11029: 11002: 10698: 10607: 10540: 10508: 10463: 10458: 10181: 10164: 9791: 9771: 9320: 9260: 9245: 9135: 9080: 9075: 9048: 9018: 8983: 8824: 8777: 8767: 8730: 8698: 8688: 8679: 8649: 8519: 8455: 8396: 8391: 8329: 8294: 8239: 8197: 8167: 8157: 8150: 7966: 7914: 7884: 7869: 7824: 7809: 7728: 7595: 7548: 7514: 7474: 7442: 7415: 7314: 7179: 7067: 7023: 6969: 6889: 6859: 6798: 6756: 6539: 6517: 6464: 6304: 6283: 6278: 6130: 6110: 6090: 6003: 5061: 4772: 4474: 3049: 3004: 2873: 2602: 2316: 2254: 2244: 2239: 2199: 2179: 2169: 2129: 2057: 2049: 1979: 1861: 1856: 1852: 1812:

Post-Expressionism, Magical Realism: Problems of the Newest European Painting

1658: 1614: 1586: 1582: 1574: 1570: 1478:

pioneered the exposition through a non-linear structure with his short novel

1402: 1324: 1264: 1184: 1072: 1068: 1060: 1025: 855: 711: 497: 493: 477: 372: 341: 220: 208: 184: 128: 80: 9100: 1559:

In the English-speaking world, major authors include: British-Indian writer

11179: 10820: 10563: 10503: 10443: 10215: 10109: 10084: 10079: 10045: 9662: 9645: 9598: 9448: 9392: 8923: 8918: 8849: 8725: 8669: 8620: 8595: 8583: 8314: 8046: 8041: 7978: 7941: 7919: 7909: 7787: 7718: 7698: 7600: 7558: 7464: 7447: 7319: 7184: 6557: 6293: 6234: 6179: 6152: 5875:"How Metal Gear Eschewed Realism to Convey the Horror of Imperial Violence" 4960: 4940: 3475:"Critic's Notebook: Telling Truth Through Fantasy: Rushdie's Magic Realism" 3186: 2944: – Late 20th-century global proliferation of Latin American literature 2805: 2714: 2482: 2394: 2249: 2214: 2159: 2154: 2065: 1983: 1765: 1682: 1632: 1578: 1084: 1056: 994:

truly American literature." It can consequently be drawn that Carpentier's

927: 427: 423: 216: 59: 5283: 4437: 4298:. pp. 192–93. D'haen references many texts that attest to these qualities. 3196: 3067: – International cultural movement active from the 1920s to the 1950s 1362:

said, "magic realism is fantasy written by people who speak Spanish", and

11246: 11231: 11164: 11007: 10992: 10982: 10935: 10893: 10885: 10715: 10488: 10394: 10104: 10069: 9914: 9876: 9856: 9851: 9836: 9826: 9806: 9736: 9714: 9640: 9546: 9487: 9482: 9340: 9145: 9125: 9090: 8839: 8735: 8492: 8477: 8418: 8384: 8162: 8135: 8100: 7971: 7961: 7834: 7794: 7762: 7713: 7629: 7610: 7583: 7479: 7437: 7388: 7324: 7290: 7285: 6894: 6884: 6830: 6808: 6642: 6529: 6342: 6327: 6298: 6251: 6194: 6169: 6157: 5119: 4873:"Revista Primera Plana la Gran novela de América, Gabriel García Márquez" 4798:

This agrees well (minor textual variants) with other quotations found in

4778: 4349:

Simpkins, Scott (1988). "Magical Strategies: The Supplement of Realism".

4150:

Simpkins, Scott (1988). "Magical Strategies: The Supplement of Realism".

3702:

Flores, Angel (May 1955). "Magical Realism in Spanish American Fiction".

3509:"Magic Realism, New Objectivity, and the Arts during the Weimar Republic" 3043: 3037: 2935: 2458: 2442: 2320: 2306: 2189: 2164: 2119: 2045: 2025: 1489: 1292: 1243: 1188: 1093: 1064: 909: 756: 661: 645: 583: 501: 485: 481: 454: 364: 349: 200: 180: 5971: 4801:"Gabriel García Márquez cumple hoy 80 años y lo festejará todo el mundo" 2021: 1448: 449:

attests that Uslar Pietri seemed to have been the first to use the term

11241: 11092: 11017: 10987: 10967: 10962: 10925: 10915: 10908: 10903: 10889: 10857: 10550: 10473: 10191: 10131: 10126: 10001: 9866: 9846: 9796: 9776: 9761: 9751: 9667: 9618: 9428: 9235: 9175: 8993: 8886: 8829: 8757: 8715: 8546: 8364: 8349: 8319: 8277: 8246: 7936: 7799: 7563: 7504: 7484: 7374: 7174: 7079: 6771: 6687: 6682: 6362: 6332: 6080: 5584: 5208: 5034:

Magic Realism, New Objectivity, and the Arts during the Weimar Republic

4609: 4572:

Magical realism and the fantastic: Resolved versus unresolved antinomy.

3923: 3554: 3064: 2830: 2378: 2315:(2011) feature magical realist elements. Most of the films directed by 2282: 2092: 2009: 1865: 1501: 1475: 1366:

said magic realism "is like a polite way of saying you write fantasy".

1359: 1287: 1199: 1030: 821: 763: 604: 541: 353: 239: 172: 6013: 4370: 4171: 4002:

Carpentier, Alej. "On the Marvelous Real in America". Introduction in

3831:

Magical Realism and the Fantastic: Resolved versus Unresolved Antinomy

3723: 11292: 11082: 10997: 10977: 10810: 10795: 10646: 10186: 9677: 9623: 9521: 9460: 9453: 9295: 9190: 9140: 8861: 8747: 8610: 8556: 8359: 8282: 8272: 8145: 8140: 7755: 7750: 7740: 7666: 7639: 7615: 7553: 7526: 7469: 7101: 6864: 6786: 6587: 6487: 6410: 6367: 6317: 6229: 6164: 6105: 6085: 6064: 3570: 3031: 2386: 1928: 1801: 1666: 1644: 1590: 1256:

uses an age-old myth to impart moralistic knowledge on the reader. A

1180: 894: 725: 641: 331: 323: 10418: 8339: 6246: 5972:"Piecing together and tearing apart: finding the story in afternoon" 5200: 4386:"How a queer fabulism came to dominate contemporary women's writing" 3915: 2426: 1278:

While reviewing the work of Romanian-born American theater director

11226: 11077: 10972: 10920: 10852: 10708: 10656: 10545: 10119: 10050: 9563: 9225: 9120: 8906: 8896: 8844: 8534: 7993: 7745: 7422: 7302: 7109: 6793: 6761: 6673: 6668: 6547: 6492: 6425: 6382: 6147: 6136: 5925: 5576: 4685: 4412:"Discovering the Fabulists: The Value of the Bizarre in Literature" 4362: 4163: 3715: 3607: 3025: 3019: 2530: 2450: 2109: 1886: 1800:

were officially recognized as major trends. This was the year that

1386: 1309: 920: 489: 10777: 9925: 5709:"'The Wind Rises': Five things to know about Miyazaki's new movie" 4325:. Lanham, Boulder, New York, London: Lexington Books. p. 29. 3679:

Carpentier, Alejo. 1975. "The Baroque and the Marvelous Real". In

3028: – Mental diversion from unpleasant or boring aspects of life 2938: – Subgenre of fantasy fiction defined by a "mundane" setting 2867: 2331:

contain elements of magical realism, the most notable of which is

1974:

Roh used this term to describe painting that signaled a return to

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Leal, Luis. "Magical Realism in Spanish American Literature". In

2923: 2814:

combined elements of science fiction, fantasy and magic realism.

2762: 2016: 1948:

In painting, 'magical realism' is a term often interchanged with

1539: 1382: 1164: 703: 608: 71: 31: 4062:"Are Game Experiments Apolitical? Avant-garde and Magic Realism" 3661:

Faris, Wendy B., and Zamora, Lois Parkinson. "Introduction". In

2319:

are strongly influenced by magic realism; the animated films of

11191: 11107: 11087: 11067: 10765: 10730: 10671: 10099: 10094: 9841: 9038: 8963: 8615: 8551: 8524: 8187: 8000: 7854: 7241: 6991: 6776: 6552: 6459: 6218: 5949:"Marquez, Vamp, and Me – Metal Gear Solid and the Supernatural" 4795:

parecían, y que lo hicieran sin perturbar la unidad del relato.

4442:(Doctoral dissertation). University of Louisiana at Lafayette. 3070: 2959: 2956: – Pejorative term to describe certain realist-genre books 2929: 1873: 1101: 828:". Theo D'haen calls this change in perspective "decentering". 729: 695: 291: 278:

have infused magical realism in their most prominent works. In

7340: 5921:"Become a Metal Gear expert before The Phantom Pain comes out" 5767:

Half-Real: Video Games Between Real Rules and Fictional Worlds

5423: 4546: 3864: 785:, the reader must let go of pre-existing ties to conventional 453:

in literature, in 1948. There is evidence that Mexican writer

11297: 11267: 11236: 11147: 11129: 11062: 11057: 10942: 10740: 10693: 10651: 10639: 10634: 10629: 10624: 10011: 9526: 8659: 8637: 8630: 8430: 7248: 6815: 6766: 6744: 6497: 6482: 5606:

Zamora, Lois Parkinson; Faris, Wendy B. (November 30, 1995).

5284:"The Eye and the Heart: The Watercolors of John Stuart Ingle" 4214:. In French, Matthew; Jackson, Simon; Jokisuu, Elina (eds.). 2899: – Underlying fictitious assumption of a work of fiction 1990:

A return to ordinary subjects as opposed to fantastical ones.

1840:

in Mannheim, Germany. Guenther refers most frequently to the

1818:

curated the seminal exhibition on the theme, entitled simply

1640: 1573:(although she has contested this descriptor of her work) and 934:

Spindler's typology of magic realism has been criticized as:

913: 414:

German magic-realist paintings influenced the Italian writer

6033: 3185:

Zamora, Lois Parkinson; Faris, Wendy B., eds. (1995-11-14).

957:(roughly 'the marvelous real') in the prologue to his novel 159:, including founders of the genre, particularly the authors 11272: 11114: 10947: 10830: 10745: 10688: 8578: 7371: 6986: 6781: 6142: 5103:

German Realism of the Twenties: The Artist as Social Critic

648:, help to encompass modern political realities that can be 6024:, which recreates the mood via pictorial editing and sound 5663:"20 Great Magical Realism Movies That Are Worth Your Time" 1238:

regarding fabulism. "Shouldn't our fiction reflect that?"

422:

and his writings influenced Belgian magic realist writers

356:, due to magic realism's focus on material object and the 62:

phenomena presented in an otherwise real-world or mundane

11124: 11119: 11052: 11047: 10683: 5067:"Ein neuer Naturalismus?? Eine Rundfrage des Kunstblatts" 5028: 5026: 5024: 5022: 5020: 4618:

Shadows of the New Sun: Wolfe on Writing/Writers on Wolfe

3657: 3655: 3653: 3651: 3155: 3153: 3151: 3149: 3147: 3145: 3143: 3141: 3139: 3137: 3135: 3133: 3131: 3129: 3127: 3125: 3007: – Art that purports to transcend the physical world 2801: 1267:

is an example of a writer in the genre who uses the term

724:. "America, a continent of symbiosis, mutations ... 35: 5360:

Elga Perez-Laborde (10 October 1999). "Marcela Donoso".

4724: 4294:

D'haen, Theo L. "Magical realism and postmodernism". In

4281:

D'haen, Theo L. "Magical realism and postmodernism". In

4268:

Flores, Angel. "Magical Realism in Spanish America". In

3123: 3121: 3119: 3117: 3115: 3113: 3111: 3109: 3107: 3105: 1851:

New Objectivity saw an utter rejection of the preceding

1548:

is an example of magical realism in African literature.

4852:"Jardín Kiryesco: El coronel no tiene quien le escriba" 4344: 4342: 4185:

Spindler, William (1993). "Magic realism: A Typology".

3034: – Art based on dreams or meant to resemble dreams 3001: – 1920s German art movement against expressionism 2994:

Pages displaying short descriptions of redirect targets

2985:

Pages displaying short descriptions of redirect targets

2950: – Term used by critics in describing works of art 1343:

In Leal's view, writers of fantasy literature, such as

5017: 3648: 2327:

often utilize magic realism; and some of the films of

1569:

mixes history and fantasy; African American novelists

5563:

Jameson, Fredric (1986). "On Magic Realism in Film".

4255:

Leal, Luis. "Magical Realism in Spanish America". In

3897: 3895: 3893: 3624:

Leal, Luis. "Magical Realism in Spanish America." In

3102: 1639:

uses magical realism in exploring the history of the

472:

Magic realism was later used to describe the uncanny

282:, one of the most important authors of this genre is 4339: 3060:

Pages displaying wikidata descriptions as a fallback

3052: – Artistic, cultural, and theoretical movement 2863: 1892:, producing works in the late 1910s under the style 4093:

Imaginary Homelands: Essays and Criticism 1981–1991

3752:"Gabriel García Márquez, The Art of Fiction No. 69" 3511:. In Lois Parkinson Zamora; Wendy B. Faris (eds.). 2008:proves that Magic Realism lives" in his "virtuoso" 694:In his essay "The Baroque and the Marvelous Real", 615:modernist experimental writings of Latin America". 520:of interest in marvelous realism, which, after the 4521: 3890: 3349:"The Difference Between Magic Realism and Fantasy" 1922: 1128:, it is often helpful to define what something is 774: 739:—aims towards "translating the scope of America". 4824:Other quotations on the Internet can be found in 1119: 313: 11345: 5361: 4997:Zamora, Lois Parkinson; Faris, Wendy B. (1995). 4725:Parkinson Zamora, Lois; B. Faris, Wendy (1995). 4695: 4689: 4523:"Italo Calvino: a celebration of the fairy king" 4021:. University of Texas Press. 194. Archived from 3323:"How Is Magical Realism Different From Fantasy?" 2905: – List of different types of entertainment 888: 718:Latin-American atmosphere that he emphasizes in 322:('magical realism'). In 1925, German art critic 5736:"Entering the Oscar Race Via Magic and Realism" 5378:Iconografía de Mitos y Leyendas, Marcela Donoso 5375:Elga Perez-Laborde (December 2002). "Prologo". 4191:https://leftychan.net/edu/src/1608528039596.pdf 4019:"Twentieth-Century Spanish American Literature" 3771:The Concise Oxford Dictionary of Literary Terms 3502: 3500: 3498: 3496: 3494: 3492: 3490: 3320: 627: 433:Roh's magic realism also influenced writers in 310:, the 2018 Nobel Prize laureate in Literature. 5789: 4586:Sorcerous Stabber Orphen Anthology. Commentary 3346: 2017:Later development: incorporating the fantastic 1271:. Calvino is best known for his book trilogy, 820:). Magic-realist texts, under this logic, are 344:that was championed by German museum director 10374:The Magazine of Fantasy & Science Fiction 9941: 7356: 6049: 5399: 5376: 4729:. Durham & London: Duke University Press. 4323:The Boundaries of Realism in World Literature 3372: 2787:Bardo, False Chronicle of a Handful of Truths 1893: 1747: 1740: 1734: 1718: 1517: 1505: 1159:may be applied to magic realism and realism. 1019: 1011: 1005: 995: 952: 849: 794: 246:, prominent writers of magic realism include 5769:(Hardcover ed.). Cambridge: MIT Press. 5138: 5136: 5096: 5071: 5065: 4974: 3697: 3695: 3693: 3691: 3689: 3487: 2795: 2004:review, critic Vivien Raynor remarked that " 1833: 1819: 1805: 1793: 1787: 868: 863: 457:used the same term to describe the works of 79:than to fantasy, which is instead a type of 5609:Magical Realism: Theory, History, Community 5605: 5038:Magical Realism: Theory, History, Community 5000:Magical Realism: Theory, History, Community 4996: 4727:Magical Realism: Theory, History, Community 4048:Magical Realism: Theory, History, Community 3941:Magical Realism: Theory, History, Community 3839: 3681:Magical Realism: Theory, History, Community 3663:Magical Realism: Theory, History, Community 3605: 3513:Magical Realism: Theory, History, Community 3184: 3046: – Direction in Russian poetry and art 2547:Uncle Boonmee Who Can Recall His Past Lives 1096:, redundancy, multiplicity, discontinuity, 46:elements, often blurring the lines between 9948: 9934: 7363: 7349: 6056: 6042: 5101:' and German Realism of the Twenties". In 5040:, edited by L. P. Zamora and W. B. Faris. 4608: 4577: 4216:Diverse Engagement: Drawing in the Margins 3431:, 12 May 2023. Retrieved 3 September 2024. 3398: 3290: 1415: 1385:of African cultures. The term was used by 1191:", and "imagination/negative capability". 5918: 5898:"On Metal Gear Solid V: The Phantom Pain" 5636: 5133: 4945:(2 ed.). University of Wales Press. 4435: 3785: 3783: 3686: 3284: 2828:(2017) have also embraced the genre. The 2281:Magical realism is not a clearly defined 1760: 1124:When attempting to define what something 548:in 1927, headed by major literary figure 5814: 5706: 5678:"Salam Rushdie talks with Terry Gilliam" 5612:. Duke University Press Books. pp. 4560:. New York: Peter Lang. pp. 89–105. 4348: 4209:: A Case Study in Literary Anthropology" 4202: 4149: 3849:. New York: Routledge. Print. pp. 25–27. 3541:Magic realism as post-colonial discourse 3506: 3472: 2962: – Latin American literary movement 2020: 1958: 1764: 1447: 1242:myths. This can be seen in the works of 965: 5571:(2). University of Chicago Press: 311. 5562: 5501: 5441: 4899:"Analysis of Juan Rulfo's Pedro Páramo" 4896: 4519: 4090: 3473:Kakutani, Michiko (February 24, 1989). 1452:Plaque of Gabriel García Márquez, Paris 340:('New Objectivity'), an alternative to 11346: 6727:Types of fiction with multiple endings 5733: 5707:Zeitchik, Steven (16 September 2013). 5221: 5150:from the original on 25 September 2017 4835:(in Spanish). Universidad Maimónides. 4829:"Los 80 años de un mago de las letras" 4658:from the original on December 17, 2007 4588:(in Japanese). TO Books. p. 235. 4583: 3901: 3780: 3701: 3255:The Journal of Commonwealth Literature 3252: 3248: 3246: 3219: 3159: 2266: 943: 677: 318:The term first appeared as the German 290:the best-known writer of the style is 42:view of the world while incorporating 10302:Internet Speculative Fiction Database 9929: 7344: 6037: 5946: 5896:Keogh, Brendan (September 18, 2015). 5895: 5872: 5817:"Where literature and gaming collide" 5294:from the original on 6 September 2012 5263:from the original on 25 February 2006 5224:"ART; The Skill of the Watercolorist" 5186: 5105:, edited by L. Lincoln. Minneapolis: 5003:. Duke University Press. p. 41. 4938: 4739: 4555: 4042: 4040: 3935: 3933: 3825: 3823: 3809: 3807: 3805: 3803: 3801: 3799: 3749: 3675: 3673: 3671: 3612:История западноевропейской литературы 3577:. Leipzig: Klinkhardt & Biermann. 3213: 2983: – 20th century group of artists 802: 655: 437:, where it was translated in 1927 as 5919:Davenport, James (August 27, 2015). 5764: 5637:Hegerfeld, Anne (January 13, 2005). 5531: 5306: 5288:John Sandford – The Official Website 5124:American Realists and Magic Realists 4752:from the original on 15 January 2018 4460: 4320: 4059: 3586: 2926: – Genre of speculative fiction 1657:uses magic realism in examining the 710:) of disorienting detail. (He cites 9955: 5947:Valle, Nathaniel (April 29, 2014). 5675: 5342:from the original on 1 October 2009 5189:Philadelphia Museum of Art Bulletin 4648:"Terry Pratchett by Linda Richards" 4383: 3595:. London: Anglia Ruskin University. 3401:"Magic realism: Not fantasy. Sorry" 3243: 2491:The Curious Case of Benjamin Button 1804:published his book on the subject, 1653:. The South African-Italian author 134:The Book of Laughter and Forgetting 13: 11263:LGBT themes in speculative fiction 10589:Works inspired by J. R. R. Tolkien 9703:List of American independent films 5982:from the original on 15 March 2016 5969: 5746:from the original on 25 April 2018 5444:"ART IN REVIEW; Gregory Gillespie" 4570:Chanady, Amaryll Beatrice (1985). 4520:Thomson, Ian (19 September 2015). 4409: 4072:from the original on 25 April 2018 4037: 3930: 3878:from the original on June 20, 2009 3820: 3796: 3668: 3515:. Duke University Press. pp. 2968: – Subgenre of Gothic fiction 1577:; American Latino writers such as 1488:In the Portuguese-speaking world, 1445:was an instant worldwide success. 1392: 1377:is a term for conceptualizing the 1369: 1163:pertains to the terms "history", " 618: 306:, magic realism is represented by 296:Nobel Prize laureate in Literature 14: 11400: 7130:Third-person omniscient narrative 6020:Video montage of George Tooker's 5997: 5978:. ACM Hypertext 1999 conference. 5854:from the original on 22 June 2017 5734:Thomas, Kevin (9 February 1990). 5715:from the original on 22 July 2017 5688:from the original on 16 June 2017 5483:from the original on 23 July 2012 4897:Mambrol, Nasrullah (2023-08-03). 4691:Lueji, o nascimento de um império 4203:Aniballi, Francesca (June 2010). 4187:Forum for Modern Language Studies 3829:Chanady, Amaryll Beatrice. 1985. 3736:Stephen M. Hart,Wen-chin Ouyang, 3637:Lopátegui, Patricia Rosas. 2006. 3455: 3373:Allmann, Emma (8 February 2018). 2932: – Speculative fiction genre 2068:, such as in his well-known work 1492:and Nobel prize-winning novelist 16:Style of literary fiction and art 11328: 11327: 11317: 9909: 9900: 9899: 5963: 5940: 5912: 5889: 5866: 5836: 5808: 5783: 5758: 5727: 5700: 5669: 5655: 5630: 5599: 5556: 5532:Hurd, Mary (November 30, 2006). 5281: 5176:from the original on 2009-01-26. 4493: 3872:"Post Colonial Studies at Emory" 3223:Dictionary of Mexican Literature 2880: 2866: 1532:in 1976 and the American remake 1041: 559:Historia universal de la infamia 410:– these pearls of human fantasy. 11318: 10273:Ballantine Adult Fantasy series 7370: 5873:Moira, Hicks (August 3, 2019). 5815:McMullan, Thomas (2014-07-27). 5535:Women directors and their films 5525: 5514:from the original on 2009-02-02 5495: 5465: 5454:from the original on 2009-02-02 5435: 5417: 5407: 5392: 5369: 5354: 5324: 5275: 5253:"John Ingle - Artist Biography" 5245: 5234:from the original on 2009-02-02 5215: 5180: 5162: 5112: 5081: 5055: 4990: 4967: 4932: 4915: 4890: 4879:from the original on 2009-02-02 4858:from the original on 2011-07-08 4854:(in Spanish). 10 January 2009. 4839:from the original on 2009-02-02 4811:from the original on 2009-02-05 4785:from the original on 2009-03-06 4764: 4740:Jaggi, Maya (5 February 2000). 4733: 4718: 4703: 4679: 4670: 4640: 4602: 4564: 4534:from the original on 2022-01-11 4513: 4487: 4454: 4429: 4403: 4377: 4314: 4301: 4288: 4275: 4262: 4249: 4236: 4195: 4179: 4142: 4122: 4109: 4084: 4060:Juul, Jesper (13 August 2014). 4053: 4011: 3996: 3984: 3970: 3946: 3852: 3817:New Jersey: Academic Press ENE. 3764: 3743: 3740:Boydell & Brewer 2005, p. 3 3730: 3631: 3618: 3614:(in Russian). Moscow: Gosizdat. 3599: 3580: 3564: 3533: 3466: 3449: 3434: 3418: 3392: 3297:. New York: Rodopi. p. 6. 2771:Three Thousand Years of Longing 2277:Magic realism television series 1923:Excluding the overtly fantastic 1157:German Art in the 20th Century, 775:Heightened awareness of mystery 66:, commonly found in novels and 6518:Conflict between good and evil 6014:The Magic Realism Time Capsule 5794:. Boca Raton, USA: CRC Press. 5504:"ART IN REVIEW; James Valerio" 5144:"Magical Realism: Definitions" 4985:MR: Theory, History, Community 4697:União dos Escritores Angolanos 4620:. Liverpool University Press. 4558:Magic World Behind the Curtain 4309:MR: Theory, History, Community 4296:MR: Theory, History, Community 4283:MR: Theory, History, Community 4270:MR: Theory, History, Community 4257:MR: Theory, History, Community 3992:MR: Theory, History, Community 3978:"How to Write Magical Realism" 3738:A Companion to Magical Realism 3626:MR: Theory, History, Community 3399:Evans, Jon (23 October 2008). 3366: 3347:Davidson, Lale (16 May 2018). 3340: 3314: 3226:. Greenwood Publishing Group. 3178: 3084: 1613:; and English feminist writer 1530:Dona Flor and Her Two Husbands 1120:Comparison with related genres 1010:writer with no mention of his 750: 314:Etymology and literary origins 199:, its chief exponents include 110:, British novelist and critic 90: 1: 6063: 5790:Roger Tringham, Neal (2015). 5222:Raynor, Vivien (1991-05-19). 5107:Minneapolis Institute of Arts 4923:"Morrison on Magical Realism" 4903:Literary Theory and Criticism 4574:New York: Garland. pp. 30–31. 4133:Letras y hombres de Venezuela 3815:Varieties of Magical Realism. 3606:Lunacharsky, Anatoly (1924). 3589:"Transgression of Fantastika" 3078: 2731:I'm Thinking of Ending Things 1755: 1442:One Hundred Years of Solitude 1422:Category:Magic realism novels 1320:One Hundred Years of Solitude 1194: 889:Western and native worldviews 881:Leal and Guenther both quote 838:Chronicle of a Death Foretold 782:One Hundred Years of Solitude 736:One Hundred Years of Solitude 671:One Hundred Years of Solitude 668:, who wrote the seminal work 603:, for instance, claimed that 593:One Hundred Years of Solitude 575:One Hundred Years of Solitude 476:by such American painters as 5146:. Arizona State University. 4461:Kirk, Russell (1990-04-01). 4351:Twentieth Century Literature 4152:Twentieth Century Literature 3291:Hegerfeldt, Anne C. (2005). 2974:With reference to visual art 2911:With reference to literature 2838:with supernatural elements. 2667:The Killing of a Sacred Deer 1731:Kendra Sahitya Akademi award 1297:The Magic Behind the Curtain 1038:an international commodity. 742: 689: 628:Fantastical realism elements 7: 10291:The Encyclopedia of Fantasy 5792:Science Fiction Video Games 5502:Johnson, Ken (2003-05-23). 5442:Johnson, Ken (2000-09-22). 5424:http://www.marceladonoso.cl 4779:"Diario Digital del Choapa" 3639:El asesinato de Elena Garro 3443:Journal of Japanese Studies 3160:Bowers, Maggie Ann (2004). 2859: 2579:Beasts of the Southern Wild 2102: 1748: 1741: 1735: 1719: 1214: 10: 11405: 9594:Classical Hollywood cinema 8783:Commedia sexy all'italiana 7691:Exploitation film template 7635:Commedia sexy all'italiana 5473:"Gregory Gillespie Online" 4616:. In Wright, Peter (ed.). 4137:Fondo de Cultura Economica 3904:The South Central Bulletin 3608:"Романтическая литература" 3587:Owen, Christopher (2020). 3426:"What Is Magical Realism?" 3375:"What is magical realism?" 3267:10.1177/002198940203700209 2800:In his essay "Half-Real", 2270: 1601:; Native American authors 1419: 1314:integrate the supernatural 1302: 1139: 1020:Latin American exclusivity 754: 11374:Latin American literature 11313: 11219: 11138: 11028: 10866: 10786: 10615: 10606: 10536: 10527: 10436: 10404: 10342: 10329:List of story collections 10258: 10214: 10207: 10170:Occult detective fiction‎ 9991: 9963: 9895: 9498: 9416: 9161:German underground horror 9116:Documentary Film Movement 9024:American eccentric cinema 9009: 8255: 7381: 7193: 7165: 7157:Stream of unconsciousness 7100: 6844: 6735: 6688:Falling action/Catastasis 6633: 6538: 6473: 6396: 6208: 6071: 5711:. The Los Angeles Times. 5172:. University of Houston. 5170:"Swords and Silver Rings" 5097: 5066: 4696: 4612:; Baber, Brendan (2007). 4496:"The Faith of a Fabulist" 4463:"THE FAITH OF A FABULIST" 4436:Capettini, Emily (2014). 4005:The Kingdom of this World 3191:. Duke University Press. 2992: – Italian art style 2816:Point-and-click adventure 2796:Video games and new media 1834: 1650:Everything Is Illuminated 1187:", "open-ended/expansive 1012: 1006: 960:The Kingdom of this World 869:Ambiguities in definition 864:Major topics in criticism 850: 721:The Kingdom of this World 632:Magical realism portrays 565:The Kingdom of This World 227:, key proponents include 157:Latin-American literature 10594:World Fantasy Convention 6525:Self-fulfilling prophecy 5951:. Christ and Pop Culture 5118:Miller, Dorothy C., and 5032:Guenther, Irene. 1995. " 4776:5(234):52–55. Quoted in 4742:"A View From The Bridge" 4416:Washington Square Review 4321:Kvas, Kornelije (2019). 4148:Angel Flores, quoted in 4095:. London: Granta Books. 4091:Rushdie, Salman (1991). 3845:Bowers, Maggie A. 2004. 3539:Slemon, Stephen. 1988. " 3507:Guenther, Irene (1995). 3040: – Creative ability 2920: – Genre of fiction 2299:Like Water for Chocolate 2294:On Magic Realism in Film 2271:See also the categories 1872:, politically motivated 1868:painting, and generally 1538:in 1982. Angolan author 1470:Like Water for Chocolate 1460:The House of the Spirits 1349:Sorcerous Stabber Orphen 1235:Washington Square Review 1205:psychological experience 522:Cuban revolution of 1959 10662:Fire-breathing monsters 9096:Cinema of Transgression 8230:Cinema of Transgression 7152:Stream of consciousness 6615:Suspension of disbelief 5641:. Rodopi. p. 147. 5282:Camp, Roswell Anthony. 3835:Garland Publishing Inc. 3813:Zlotchew, Clark. 2007. 3775:Oxford University Press 3220:Cortes, Eladio (1992). 3164:. New York: Routledge. 2235:Deirdre Sullivan Beeman 2140:Cagnaccio di San Pietro 1688:In Norway, the writers 1595:Helena Maria Viramontes 1416:Major authors and works 30:is a style or genre of 11384:Realism (art movement) 10413:Dungeons & Dragons 9181:Hollywood on the Tiber 6693:Denouement/Catastrophe 6674:Rising action/Epitasis 5400: 5377: 5362: 5072: 4975: 4690: 4614:"Gene Wolfe Interview" 3860:El Reino de este Mundo 3353:Luna Station Quarterly 3013:With reference to both 2675:Thirty Years of Adonis 2467:The Mistress of Spices 2033: 1971: 1946: 1894: 1883: 1820: 1806: 1794: 1788: 1783: 1761:Historical development 1518: 1506: 1453: 1437:Gabriel García Márquez 1034:believe that it truly 996: 971: 953: 941: 861: 833:Gabriel Garcia Márquez 795: 666:Gabriel García Márquez 570:Gabriel García Marquez 412: 161:Gabriel García Márquez 117:Gabriel García Márquez 10479:International Fantasy 9171:Grupo Cine Liberación 9111:Czechoslovak New Wave 9106:Commedia all'italiana 7453:Commedia all'italiana 7039:Utopian and dystopian 5765:Juul, Jesper (2015). 5740:The Los Angeles Times 5042:Duke University Press 4584:Mizuno, Ryou (2019). 4450:– via ProQuest. 3750:Stone, Peter (1981). 3446:25(2):263–98. p. 267. 3321:Shultz, Christopher. 3197:10.1515/9780822397212 2948:Hallucinatory realism 2843:electronic literature 2683:Tigers Are Not Afraid 2305:A number of films by 2042:Bettina Shaw-Lawrence 2024: 1962: 1954:University of Houston 1941: 1878: 1768: 1742:Mookajjiya Kanasugalu 1721:Mookajjiya Kanasugalu 1599:Miguel Ángel Asturias 1451: 1435:, and Nobel Laureate 1323:or the baby ghost in 1114:100 Years of Solitude 1110:postmodern literature 1013:'lo real maravilloso' 969: 936: 847: 381: 300:hallucinatory realism 177:Miguel Ángel Asturias 68:dramatic performances 11283:Supernatural fiction 10360:Fantastic Adventures 9698:Guerrilla filmmaking 9361:Kitchen sink realism 9316:Praška filmska škola 9246:New French Extremity 9156:German Expressionist 9064:Kitchen sink realism 8929:Contemporary Western 8709:Environmental issues 8240:New French Extremity 8198:New French Extremity 8023:Softcore pornography 8018:Hardcore pornography 7885:New French Extremity 6593:Narrative techniques 6373:Story within a story 6185:Supporting character 5538:. Praeger. pp. 5128:Museum of Modern Art 4942:The Island of Apples 4129:Pietri, Arturo Uslar 4025:on February 27, 2009 3561:on 2018-04-25. p. 9. 3557:. Archived from the 2723:Dick Johnson Is Dead 2611:The Dance of Reality 2499:John from Cincinnati 2411:Being John Malkovich 2185:Carroll N. Jones III 1780:Museum of Modern Art 1637:Jonathan Safran Foer 1629:The Island of Apples 1597:; Guatemalan author 1520:Incidente em Antares 951:originated the term 851:"El realismo mágico" 768:story within a story 550:José Ortega y Gasset 546:Revista de Occidente 496:, and Viennese-born 441:. Venezuelan writer 248:Nabarun Bhattacharya 10584:Tolkien's influence 10297:Fantasy Masterworks 10250:Television programs 10058:Fairy tale parodies 9434:Children and family 9408:Yugoslav Black Wave 9281:Nuevo Cine Mexicano 9166:Nigerian Golden Age 9131:European art cinema 9034:Australian New Wave 7298:Political narrative 7140:Unreliable narrator 6997:Speculative fiction 6705:Nonlinear narrative 6653:Three-act structure 6513:Deal with the Devil 5665:. 12 February 2015. 5401:El Mercurio – Chile 4694:. Porto, Portugal: 4500:The Washington Post 3858:Carpentier, Alejo, 3546:Canadian Literature 2942:Latin American Boom 2821:Kentucky Route Zero 2739:Where Is Anne Frank 2371:Edward Scissorhands 2334:Time of the Gypsies 2273:Magic realism films 2267:Film and television 2195:Gayane Khachaturian 1846:Massimo Bontempelli 1836:Kunsthalle Mannheim 1789:Magischer Realismus 1655:Patricia Schonstein 1566:Midnight's Children 1554:José Saramago Prize 997:lo real maravilloso 954:lo real maravilloso 944:Lo real maravilloso 883:Arturo Uslar-Pietri 683:Authorial reticence 678:Authorial reticence 601:Massimo Bontempelli 538:Arturo Uslar-Pietri 467:lo real maravilloso 443:Arturo Uslar-Pietri 416:Massimo Bontempelli 377:Anatoly Lunacharsky 328:magischer Realismus 320:magischer Realismus 280:Japanese literature 252:Akhteruzzaman Elias 238:and the playwright 193:Arturo Uslar Pietri 149:Midnight's Children 11389:Visual arts genres 10806:Damsel in distress 10574:Mythopoeic Society 10175:Paranormal romance 10090:Historical fantasy 10075:Fantasy of manners 10029:Children's fantasy 9732:Major film studios 9326:Pure Film Movement 9306:Polish Film School 9206:Italian neorealist 9186:Hong Kong New Wave 8788:Mexican sex comedy 7845:German underground 7276:Narrative paradigm 7271:Narrative identity 7201:Dominant narrative 7147:Multiple narrators 6431:Fictional location 6274:Dramatic structure 5850:. Digital Dragon. 5508:The New York Times 5448:The New York Times 5429:2008-12-02 at the 5363:Jornal do Brasilia 5228:The New York Times 4556:Menta, Ed (1995). 3555:10.14288/cl.v0i116 3480:The New York Times 3459:The Art of Fiction 3424:Woodson, Michael. 3022: – Film genre 2954:Hysterical realism 2852:afternoon, a story 2691:The Shape of Water 2635:The Age of Adaline 2571:The Skin I Live In 2435:Millennium Actress 2419:Hearts in Atlantis 2034: 1972: 1950:post-expressionism 1890:Giorgio de Chirico 1784: 1770:Giorgio de Chirico 1707:Kannada literature 1690:Erik Fosnes Hansen 1611:Louis de Bernières 1454: 1379:African literature 1249:Till We Have Faces 1090:self-reflexiveness 972: 900:Guatemalan author 803:Political critique 656:Real-world setting 524:, led to the term 288:Chinese literature 268:Kannada literature 244:Bengali literature 225:Russian literature 213:Louis De Bernieres 197:English literature 107:The Art of Fiction 11341: 11340: 11215: 11214: 11140:Places and events 10602: 10601: 10432: 10431: 10153:Planetary romance 10064:Fairytale fantasy 10019:Alternate history 10007:Sword and sorcery 9998:Action-adventure 9923: 9922: 9862:Socialist realist 9574:Behind-the-scenes 9351:Socialist realist 9346:Spaghetti Western 9336:Romanian New Wave 9211:Japanese New Wave 8877:Sword and sorcery 8793:Nazi exploitation 8375:Mumbai underworld 8131:Planetary romance 7338: 7337: 7281:Narrative therapy 6715:television series 6660:Freytag's Pyramid 6503:Moral development 6406:Alternate history 6116:False protagonist 5801:978-1-4822-0389-9 5648:978-90-420-1974-4 5623:978-0-8223-1640-4 5549:978-0-275-98578-3 5387:978-956-291-592-2 5321:Online Collection 5314:Christina's World 5195:(386/387): 7–23. 5098:Neue Sachlichkeit 5010:978-0-8223-1640-4 4952:978-0-7083-2429-5 4332:978-1-7936-0910-6 4102:978-0-670-83952-0 3847:Magic(al) Realism 3206:978-0-8223-9721-2 3171:978-0-415-26854-7 3162:Magic(al) Realism 2981:Fantastic realism 2347:The Holy Mountain 2312:Midnight in Paris 2260:Nicholas Zalevsky 2230:Priscilla Roberts 2086:Gregory Gillespie 2070:Christina's World 2006:John Stuart Ingle 1964:Alexander Kanoldt 1931:applied the term 1913:Neue Sachlichkeit 1822:Neue Sachlichkeit 1796:Neue Sachlichkeit 1677:A Quilt of Dreams 1609:; English author 1429:Jorge Luis Borges 1337:The Metamorphosis 1177:defamiliarization 1134:Magic(al) Realism 831:In his review of 660:The existence of 588:The Metamorphosis 554:Jorge Luis Borges 517:Jorge Luis Borges 459:E. T. A. Hoffmann 369:E. T. A. Hoffmann 337:Neue Sachlichkeit 304:Polish literature 169:Jorge Luis Borges 137:as an exemplar." 28:marvelous realism 11396: 11359:1920s neologisms 11331: 11330: 11321: 11320: 11197:Enchanted forest 10841:Occult detective 10613: 10612: 10569:Lovecraft fandom 10534: 10533: 10238:highest-grossing 10212: 10211: 10199:West‎ern fantasy 9950: 9943: 9936: 9927: 9926: 9913: 9903: 9902: 9882:Vulgar auteurism 9710:Interstitial art 9688:Hyperlink cinema 9403:Vulgar auteurism 9398:Toronto New Wave 9388:Telefoni Bianchi 9383:Sword-and-sandal 9201:Italian futurist 9196:Iranian New Wave 9059:British New Wave 8872:Sword-and-sandal 8753:Rape and revenge 8694:Mouth of Garbage 8540:Tentacle erotica 8488:Goona-goona epic 8468:Extraterrestrial 8355:Heroic bloodshed 7989:Occult detective 7820:Christmas horror 7672:Sword-and-sandal 7404:Hong Kong action 7399:Heroic bloodshed 7365: 7358: 7351: 7342: 7341: 7261:Literary science 6804:Narrative poetry 6700:Linear narrative 6610:Stylistic device 6605:Show, don't tell 6568:Figure of speech 6358:Shaggy dog story 6101:Characterization 6058: 6051: 6044: 6035: 6034: 6025: 5992: 5991: 5989: 5987: 5967: 5961: 5960: 5958: 5956: 5944: 5938: 5937: 5935: 5933: 5916: 5910: 5909: 5907: 5905: 5893: 5887: 5886: 5884: 5882: 5870: 5864: 5863: 5861: 5859: 5840: 5834: 5833: 5828: 5827: 5812: 5806: 5805: 5787: 5781: 5780: 5762: 5756: 5755: 5753: 5751: 5731: 5725: 5724: 5722: 5720: 5704: 5698: 5697: 5695: 5693: 5676:Rushdie, Salam. 5673: 5667: 5666: 5659: 5653: 5652: 5634: 5628: 5627: 5603: 5597: 5596: 5565:Critical Inquiry 5560: 5554: 5553: 5529: 5523: 5522: 5520: 5519: 5499: 5493: 5492: 5490: 5488: 5469: 5463: 5462: 5460: 5459: 5439: 5433: 5421: 5415: 5411: 5405: 5403: 5396: 5390: 5380: 5373: 5367: 5365: 5358: 5352: 5351: 5349: 5347: 5328: 5322: 5310: 5304: 5303: 5301: 5299: 5279: 5273: 5272: 5270: 5268: 5249: 5243: 5242: 5240: 5239: 5219: 5213: 5212: 5184: 5178: 5177: 5166: 5160: 5159: 5157: 5155: 5140: 5131: 5116: 5110: 5100: 5099: 5094: 5089:Schmied, Wieland 5085: 5079: 5077: 5069: 5068: 5059: 5053: 5036:." Pp. 33–73 in 5030: 5015: 5014: 4994: 4988: 4978: 4976:Die andere Seite 4971: 4965: 4964: 4936: 4930: 4929: 4927: 4919: 4913: 4912: 4910: 4909: 4894: 4888: 4887: 4885: 4884: 4866: 4864: 4863: 4847: 4845: 4844: 4823: 4817: 4816: 4797: 4791: 4790: 4768: 4762: 4761: 4759: 4757: 4737: 4731: 4730: 4722: 4716: 4707: 4701: 4699: 4698: 4693: 4683: 4677: 4674: 4668: 4667: 4665: 4663: 4652:January Magazine 4644: 4638: 4637: 4635: 4634: 4606: 4600: 4599: 4581: 4575: 4568: 4562: 4561: 4553: 4544: 4543: 4541: 4539: 4525: 4517: 4511: 4510: 4508: 4506: 4491: 4485: 4484: 4482: 4481: 4458: 4452: 4451: 4433: 4427: 4426: 4424: 4422: 4410:Gilham, Hannah. 4407: 4401: 4400: 4398: 4396: 4381: 4375: 4374: 4346: 4337: 4336: 4318: 4312: 4305: 4299: 4292: 4286: 4279: 4273: 4266: 4260: 4253: 4247: 4240: 4234: 4233: 4231: 4230: 4224: 4213: 4199: 4193: 4183: 4177: 4175: 4146: 4140: 4126: 4120: 4113: 4107: 4106: 4088: 4082: 4081: 4079: 4077: 4057: 4051: 4044: 4035: 4034: 4032: 4030: 4015: 4009: 4000: 3994: 3988: 3982: 3981: 3974: 3968: 3967: 3965: 3964: 3950: 3944: 3937: 3928: 3927: 3899: 3888: 3887: 3885: 3883: 3868: 3862: 3856: 3850: 3843: 3837: 3827: 3818: 3811: 3794: 3787: 3778: 3768: 3762: 3761: 3757:The Paris Review 3747: 3741: 3734: 3728: 3727: 3699: 3684: 3677: 3666: 3659: 3646: 3635: 3629: 3622: 3616: 3615: 3603: 3597: 3596: 3584: 3578: 3568: 3562: 3537: 3531: 3530: 3504: 3485: 3484: 3470: 3464: 3463: 3453: 3447: 3438: 3432: 3422: 3416: 3415: 3413: 3411: 3396: 3390: 3389: 3387: 3385: 3370: 3364: 3363: 3361: 3359: 3344: 3338: 3337: 3335: 3333: 3318: 3312: 3311: 3288: 3282: 3281: 3250: 3241: 3240: 3217: 3211: 3210: 3182: 3176: 3175: 3157: 3100: 3099: 3088: 3061: 3056:Romantic realism 2995: 2990:Metaphysical art 2986: 2918:Escapist fiction 2890: 2885: 2884: 2883: 2876: 2871: 2870: 2836:military fiction 2755:Reservation Dogs 2595:Moonrise Kingdom 2563:The Tree of Life 2555:Once Upon a Time 2115:Colleen Browning 2097:Richard T. Scott 2091:Artists such as 1927:When art critic 1901:Metaphysical art 1897: 1839: 1838: 1825: 1809: 1799: 1791: 1751: 1744: 1738: 1727:Devanur Mahadeva 1724: 1711:Shivaram Karanth 1672:A Time of Angels 1550:Transparent City 1545:Transparent City 1526:Erico Verrissimo 1523: 1511: 1254:Cupid and Psyche 1225:Bruno Bettelheim 1209:material reality 1173:cause and effect 1015: 1014: 1009: 1008: 999: 970:Alejo Carpentier 956: 949:Alejo Carpentier 902:William Spindler 853: 852: 798: 700:Alejo Carpentier 650:phantasmagorical 534:Alejo Carpentier 511:, as opposed to 463:Alejo Carpentier 435:Hispanic America 367:writers such as 358:actual existence 276:Devanur Mahadeva 272:Shivaram Karanth 236:Andrei Sinyavsky 233:Soviet dissident 229:Mikhail Bulgakov 139:Michiko Kakutani 85:literary realism 77:literary fiction 38:that presents a 11404: 11403: 11399: 11398: 11397: 11395: 11394: 11393: 11344: 11343: 11342: 11337: 11309: 11278:Science fiction 11211: 11134: 11024: 10931:Magical weapons 10862: 10826:Fairy godmother 10782: 10726:Talking animals 10598: 10523: 10449:British Fantasy 10428: 10400: 10381:Science Fantasy 10338: 10254: 10203: 10142:Science fantasy 9987: 9959: 9957:Fantasy fiction 9954: 9924: 9919: 9891: 9832:Semidocumentary 9757:Minimalist film 9747:Message picture 9742:Maximalist film 9636:Database cinema 9619:Computer screen 9579:Black-and-white 9504: 9502: 9500: 9494: 9412: 9368:Soviet parallel 9291:Parallel cinema 9286:Pan-Indian film 9216:Kammerspielfilm 9151:French New Wave 9071:Budapest school 9054:Brighton School 9029:New Objectivity 9011: 9005: 8974:Science fiction 8606:Bruceploitation 8515:Girls with guns 8461:Turksploitation 8335:Gentleman thief 8251: 8086:Science fiction 7932:Minimalist film 7927:Maximalist film 7905:Science fiction 7865:Japanese horror 7662:Social guidance 7377: 7369: 7339: 7334: 7266:Literary theory 7206:Fiction writing 7189: 7161: 7096: 6848: 6840: 6731: 6629: 6534: 6469: 6392: 6263:Deus ex machina 6204: 6190:Title character 6175:Stock character 6121:Focal character 6067: 6062: 6019: 6000: 5995: 5985: 5983: 5968: 5964: 5954: 5952: 5945: 5941: 5931: 5929: 5917: 5913: 5903: 5901: 5894: 5890: 5880: 5878: 5871: 5867: 5857: 5855: 5842: 5841: 5837: 5825: 5823: 5813: 5809: 5802: 5788: 5784: 5777: 5763: 5759: 5749: 5747: 5732: 5728: 5718: 5716: 5705: 5701: 5691: 5689: 5674: 5670: 5661: 5660: 5656: 5649: 5635: 5631: 5624: 5604: 5600: 5561: 5557: 5550: 5530: 5526: 5517: 5515: 5500: 5496: 5486: 5484: 5471: 5470: 5466: 5457: 5455: 5440: 5436: 5431:Wayback Machine 5422: 5418: 5412: 5408: 5397: 5393: 5374: 5370: 5359: 5355: 5345: 5343: 5332:"Magic Realism" 5330: 5329: 5325: 5311: 5307: 5297: 5295: 5280: 5276: 5266: 5264: 5251: 5250: 5246: 5237: 5235: 5220: 5216: 5201:10.2307/3795460 5185: 5181: 5168: 5167: 5163: 5153: 5151: 5142: 5141: 5134: 5117: 5113: 5092: 5086: 5082: 5060: 5056: 5031: 5018: 5011: 4995: 4991: 4972: 4968: 4953: 4937: 4933: 4925: 4921: 4920: 4916: 4907: 4905: 4895: 4891: 4882: 4880: 4871: 4861: 4859: 4850: 4842: 4840: 4827: 4814: 4812: 4799: 4788: 4786: 4777: 4769: 4765: 4755: 4753: 4738: 4734: 4723: 4719: 4708: 4704: 4684: 4680: 4675: 4671: 4661: 4659: 4646: 4645: 4641: 4632: 4630: 4628: 4607: 4603: 4596: 4582: 4578: 4569: 4565: 4554: 4547: 4537: 4535: 4518: 4514: 4504: 4502: 4494:Kirk, Russell. 4492: 4488: 4479: 4477: 4467:Washington Post 4459: 4455: 4434: 4430: 4420: 4418: 4408: 4404: 4394: 4392: 4382: 4378: 4347: 4340: 4333: 4319: 4315: 4306: 4302: 4293: 4289: 4280: 4276: 4267: 4263: 4254: 4250: 4241: 4237: 4228: 4226: 4222: 4211: 4200: 4196: 4184: 4180: 4147: 4143: 4135:. Mexico City: 4127: 4123: 4114: 4110: 4103: 4089: 4085: 4075: 4073: 4058: 4054: 4045: 4038: 4028: 4026: 4017: 4016: 4012: 4001: 3997: 3989: 3985: 3976: 3975: 3971: 3962: 3960: 3952: 3951: 3947: 3938: 3931: 3916:10.2307/3188273 3900: 3891: 3881: 3879: 3870: 3869: 3865: 3857: 3853: 3844: 3840: 3828: 3821: 3812: 3797: 3788: 3781: 3769: 3765: 3748: 3744: 3735: 3731: 3700: 3687: 3678: 3669: 3660: 3649: 3636: 3632: 3623: 3619: 3604: 3600: 3585: 3581: 3569: 3565: 3538: 3534: 3527: 3505: 3488: 3471: 3467: 3454: 3450: 3439: 3435: 3429:Writer's Digest 3423: 3419: 3409: 3407: 3397: 3393: 3383: 3381: 3371: 3367: 3357: 3355: 3345: 3341: 3331: 3329: 3319: 3315: 3305: 3289: 3285: 3251: 3244: 3234: 3218: 3214: 3207: 3188:Magical Realism 3183: 3179: 3172: 3158: 3103: 3090: 3089: 3085: 3081: 3076: 3059: 3010: 2999:New Objectivity 2993: 2984: 2971: 2966:Southern Gothic 2908: 2897:Central conceit 2886: 2881: 2879: 2872: 2865: 2862: 2845:, early author 2798: 2793: 2290:Fredric Jameson 2279: 2269: 2264: 2205:Simphiwe Ndzube 2135:John Rogers Cox 2125:Felice Casorati 2105: 2054:Philip Evergood 2030:The Fleet's In! 2019: 1925: 1906:New Objectivity 1898:(translated as 1895:arte metafisica 1842:New Objectivity 1829:New Objectivity 1826:(translated as 1816:Gustav Hartlaub 1763: 1758: 1700:Dimitris Lyacos 1535:Kiss Me Goodbye 1424: 1418: 1408:Brave New World 1399:science fiction 1395: 1393:Science fiction 1375:Animist realism 1372: 1370:Animist realism 1364:Terry Pratchett 1356:fantasy fiction 1305: 1258:Washington Post 1217: 1197: 1169:rationalization 1142: 1122: 1098:intertextuality 1092:, metafiction, 1077:Michel Tournier 1053:Thomas Bernhard 1044: 1022: 946: 928:anthropological 891: 873:Mexican critic 871: 866: 826:power discourse 805: 777: 759: 753: 745: 733:novel, such as 692: 680: 658: 630: 621: 619:Characteristics 536:and Venezuelan 526:magical realism 509:magical realism 451:realismo mágico 439:realismo mágico 408:The Royal Bride 346:Gustav Hartlaub 334:style known as 316: 284:Haruki Murakami 260:Jibanananda Das 189:Rómulo Gallegos 93: 52:Magical realism 24:magical realism 17: 12: 11: 5: 11402: 11392: 11391: 11386: 11381: 11376: 11371: 11366: 11364:Fantasy genres 11361: 11356: 11339: 11338: 11336: 11335: 11325: 11314: 11311: 11310: 11308: 11307: 11302: 11301: 11300: 11290: 11285: 11280: 11275: 11270: 11265: 11260: 11258:Horror fiction 11255: 11253:Gothic fiction 11250: 11244: 11239: 11234: 11229: 11223: 11221: 11217: 11216: 11213: 11212: 11210: 11209: 11204: 11202:Thieves' guild 11199: 11194: 11189: 11188: 11187: 11177: 11172: 11167: 11162: 11161: 11160: 11150: 11144: 11142: 11136: 11135: 11133: 11132: 11127: 11122: 11117: 11112: 11111: 11110: 11105: 11095: 11090: 11085: 11080: 11075: 11070: 11065: 11060: 11055: 11050: 11045: 11040: 11034: 11032: 11026: 11025: 11023: 11022: 11021: 11020: 11015: 11010: 11005: 11000: 10995: 10990: 10985: 10980: 10975: 10970: 10965: 10960: 10952: 10951: 10950: 10945: 10940: 10939: 10938: 10928: 10923: 10913: 10912: 10911: 10906: 10901: 10896: 10883: 10872: 10870: 10864: 10863: 10861: 10860: 10855: 10850: 10849: 10848: 10838: 10833: 10828: 10823: 10818: 10813: 10808: 10803: 10798: 10792: 10790: 10784: 10783: 10781: 10780: 10775: 10770: 10769: 10768: 10763: 10758: 10753: 10748: 10743: 10738: 10728: 10723: 10718: 10713: 10712: 10711: 10706: 10696: 10691: 10686: 10681: 10676: 10675: 10674: 10669: 10659: 10654: 10649: 10644: 10643: 10642: 10637: 10627: 10621: 10619: 10610: 10604: 10603: 10600: 10599: 10597: 10596: 10591: 10586: 10581: 10579:Tolkien fandom 10576: 10571: 10566: 10561: 10553: 10548: 10543: 10537: 10531: 10525: 10524: 10522: 10521: 10516: 10511: 10506: 10501: 10496: 10491: 10486: 10481: 10476: 10471: 10466: 10461: 10456: 10451: 10446: 10440: 10438: 10434: 10433: 10430: 10429: 10427: 10426: 10421: 10416: 10408: 10406: 10402: 10401: 10399: 10398: 10391: 10384: 10377: 10370: 10363: 10356: 10348: 10346: 10340: 10339: 10337: 10336: 10331: 10326: 10325: 10324: 10319: 10314: 10307:List of novels 10304: 10299: 10294: 10287: 10286: 10285: 10275: 10270: 10264: 10262: 10256: 10255: 10253: 10252: 10247: 10246: 10245: 10240: 10230: 10224: 10222: 10209: 10205: 10204: 10202: 10201: 10196: 10195: 10194: 10189: 10179: 10178: 10177: 10172: 10162: 10157: 10156: 10155: 10150: 10139: 10134: 10129: 10124: 10123: 10122: 10112: 10107: 10102: 10097: 10092: 10087: 10082: 10077: 10072: 10067: 10061: 10055: 10054: 10053: 10043: 10042: 10041: 10031: 10026: 10021: 10016: 10015: 10014: 10009: 10004: 9995: 9993: 9989: 9988: 9986: 9985: 9980: 9975: 9970: 9964: 9961: 9960: 9953: 9952: 9945: 9938: 9930: 9921: 9920: 9918: 9917: 9907: 9896: 9893: 9892: 9890: 9889: 9884: 9879: 9874: 9869: 9864: 9859: 9854: 9849: 9844: 9839: 9834: 9829: 9824: 9819: 9817:Reverse motion 9814: 9809: 9804: 9799: 9794: 9789: 9784: 9779: 9774: 9769: 9767:Modernist film 9764: 9759: 9754: 9749: 9744: 9739: 9734: 9729: 9724: 9723: 9722: 9712: 9707: 9706: 9705: 9700: 9690: 9685: 9680: 9675: 9670: 9665: 9660: 9659: 9658: 9648: 9643: 9638: 9633: 9632: 9631: 9629:midnight movie 9621: 9616: 9611: 9606: 9601: 9596: 9591: 9586: 9581: 9576: 9571: 9566: 9561: 9556: 9555: 9554: 9549: 9544: 9539: 9534: 9529: 9519: 9514: 9508: 9506: 9496: 9495: 9493: 9492: 9491: 9490: 9485: 9475: 9474: 9473: 9468: 9458: 9457: 9456: 9451: 9443: 9442: 9441: 9431: 9426: 9420: 9418: 9417:By demographic 9414: 9413: 9411: 9410: 9405: 9400: 9395: 9390: 9385: 9380: 9375: 9370: 9365: 9364: 9363: 9356:Social realist 9353: 9348: 9343: 9338: 9333: 9328: 9323: 9318: 9313: 9311:Poliziotteschi 9308: 9303: 9301:Poetic realist 9298: 9293: 9288: 9283: 9278: 9273: 9268: 9263: 9258: 9256:New generation 9253: 9248: 9243: 9238: 9233: 9231:Modernist film 9228: 9223: 9221:L.A. Rebellion 9218: 9213: 9208: 9203: 9198: 9193: 9188: 9183: 9178: 9173: 9168: 9163: 9158: 9153: 9148: 9143: 9138: 9133: 9128: 9123: 9118: 9113: 9108: 9103: 9098: 9093: 9088: 9086:Cinéma du look 9083: 9078: 9073: 9068: 9067: 9066: 9056: 9051: 9046: 9041: 9036: 9031: 9026: 9021: 9015: 9013: 9007: 9006: 9004: 9003: 9002: 9001: 8999:Zapata Western 8996: 8991: 8986: 8981: 8979:Singing cowboy 8976: 8971: 8966: 8961: 8956: 8951: 8946: 8941: 8936: 8934:Dacoit Western 8931: 8926: 8916: 8915: 8914: 8909: 8904: 8894: 8889: 8884: 8879: 8874: 8869: 8864: 8859: 8854: 8853: 8852: 8842: 8837: 8832: 8827: 8822: 8817: 8815:Shoshimin-eiga 8812: 8811: 8810: 8805: 8803:Nunsploitation 8800: 8798:Pornochanchada 8795: 8790: 8785: 8780: 8770: 8765: 8760: 8755: 8750: 8745: 8744: 8743: 8733: 8728: 8723: 8718: 8713: 8712: 8711: 8701: 8696: 8691: 8686: 8685: 8684: 8683: 8682: 8672: 8667: 8662: 8657: 8647: 8646: 8645: 8635: 8634: 8633: 8628: 8623: 8618: 8613: 8608: 8598: 8593: 8588: 8587: 8586: 8581: 8571: 8566: 8565: 8564: 8554: 8549: 8544: 8543: 8542: 8537: 8532: 8522: 8517: 8512: 8511: 8510: 8505: 8500: 8490: 8485: 8480: 8475: 8473:Food and drink 8470: 8465: 8464: 8463: 8458: 8453: 8451:Blaxploitation 8443: 8438: 8433: 8428: 8423: 8422: 8421: 8416: 8406: 8405: 8404: 8394: 8389: 8388: 8387: 8382: 8380:Poliziotteschi 8377: 8372: 8367: 8362: 8357: 8352: 8347: 8342: 8337: 8332: 8327: 8317: 8312: 8307: 8302: 8297: 8292: 8291: 8290: 8285: 8275: 8270: 8265: 8259: 8257: 8253: 8252: 8250: 8249: 8244: 8243: 8242: 8237: 8235:Extreme cinema 8232: 8222: 8221: 8220: 8215: 8210: 8205: 8200: 8195: 8190: 8185: 8180: 8175: 8165: 8160: 8155: 8154: 8153: 8148: 8143: 8138: 8133: 8128: 8123: 8118: 8113: 8108: 8103: 8098: 8093: 8083: 8082: 8081: 8076: 8071: 8066: 8061: 8060: 8059: 8044: 8039: 8034: 8033: 8032: 8025: 8020: 8010: 8005: 8004: 8003: 7998: 7997: 7996: 7991: 7976: 7975: 7974: 7969: 7964: 7959: 7954: 7949: 7939: 7934: 7929: 7924: 7923: 7922: 7917: 7912: 7907: 7902: 7897: 7892: 7887: 7882: 7877: 7872: 7867: 7862: 7857: 7852: 7847: 7842: 7837: 7832: 7827: 7822: 7817: 7815:Chinese horror 7812: 7807: 7802: 7792: 7791: 7790: 7785: 7780: 7775: 7770: 7760: 7759: 7758: 7753: 7748: 7738: 7737: 7736: 7731: 7726: 7721: 7716: 7711: 7706: 7696: 7695: 7694: 7681: 7676: 7675: 7674: 7664: 7659: 7654: 7653: 7652: 7647: 7642: 7637: 7627: 7626: 7625: 7624: 7623: 7613: 7608: 7603: 7598: 7588: 7587: 7586: 7581: 7576: 7571: 7566: 7561: 7556: 7551: 7546: 7536: 7535: 7534: 7524: 7523: 7522: 7517: 7512: 7507: 7502: 7497: 7492: 7487: 7482: 7477: 7472: 7467: 7462: 7461: 7460: 7450: 7445: 7435: 7430: 7425: 7420: 7419: 7418: 7408: 7407: 7406: 7401: 7396: 7385: 7383: 7379: 7378: 7368: 7367: 7360: 7353: 7345: 7336: 7335: 7333: 7332: 7330:Verisimilitude 7327: 7322: 7317: 7312: 7311: 7310: 7300: 7295: 7294: 7293: 7283: 7278: 7273: 7268: 7263: 7258: 7257: 7256: 7246: 7245: 7244: 7235: 7233:Parallel novel 7230: 7229: 7228: 7223: 7218: 7203: 7197: 7195: 7191: 7190: 7188: 7187: 7182: 7177: 7171: 7169: 7163: 7162: 7160: 7159: 7154: 7149: 7144: 7143: 7142: 7137: 7132: 7122: 7117: 7112: 7106: 7104: 7098: 7097: 7095: 7094: 7093: 7092: 7087: 7077: 7076: 7075: 7070: 7065: 7060: 7055: 7054: 7053: 7048: 7047: 7046: 7041: 7036: 7026: 7021: 7016: 7015: 7014: 7004: 6994: 6989: 6984: 6983: 6982: 6977: 6967: 6962: 6957: 6952: 6947: 6942: 6937: 6932: 6927: 6922: 6917: 6912: 6907: 6902: 6897: 6892: 6887: 6882: 6877: 6875:Action fiction 6867: 6862: 6856: 6854: 6842: 6841: 6839: 6838: 6833: 6828: 6823: 6818: 6813: 6812: 6811: 6801: 6796: 6791: 6790: 6789: 6784: 6779: 6774: 6769: 6759: 6754: 6747: 6741: 6739: 6733: 6732: 6730: 6729: 6724: 6719: 6718: 6717: 6712: 6702: 6697: 6696: 6695: 6690: 6685: 6676: 6671: 6657: 6656: 6655: 6650: 6639: 6637: 6631: 6630: 6628: 6627: 6622: 6617: 6612: 6607: 6602: 6601: 6600: 6590: 6585: 6580: 6575: 6570: 6565: 6560: 6555: 6550: 6544: 6542: 6536: 6535: 6533: 6532: 6527: 6522: 6521: 6520: 6515: 6505: 6500: 6495: 6490: 6485: 6479: 6477: 6471: 6470: 6468: 6467: 6462: 6457: 6456: 6455: 6454: 6453: 6443: 6438: 6428: 6423: 6418: 6413: 6408: 6402: 6400: 6394: 6393: 6391: 6390: 6385: 6380: 6375: 6370: 6365: 6360: 6355: 6353:Self-insertion 6350: 6345: 6340: 6338:Poetic justice 6335: 6330: 6325: 6320: 6315: 6308: 6301: 6296: 6291: 6286: 6281: 6276: 6271: 6266: 6259: 6254: 6249: 6244: 6239: 6238: 6237: 6227: 6222: 6214: 6212: 6206: 6205: 6203: 6202: 6197: 6192: 6187: 6182: 6177: 6172: 6167: 6162: 6161: 6160: 6155: 6150: 6140: 6133: 6128: 6123: 6118: 6113: 6108: 6103: 6098: 6096:Character flaw 6093: 6088: 6083: 6077: 6075: 6069: 6068: 6061: 6060: 6053: 6046: 6038: 6032: 6031: 6016: 6011: 6006: 5999: 5998:External links 5996: 5994: 5993: 5970:Walker, Jill. 5962: 5939: 5911: 5888: 5865: 5835: 5807: 5800: 5782: 5775: 5757: 5726: 5699: 5668: 5654: 5647: 5629: 5622: 5598: 5577:10.1086/448333 5555: 5548: 5524: 5494: 5464: 5434: 5416: 5406: 5404:, 22bJune 1998 5391: 5368: 5353: 5323: 5305: 5274: 5244: 5214: 5179: 5161: 5132: 5111: 5080: 5074:Das Kunstblatt 5062:Westheim, Paul 5054: 5016: 5009: 4989: 4981:The Other Side 4966: 4951: 4931: 4914: 4889: 4875:(in Spanish). 4868: 4867: 4848: 4781:(in Spanish). 4763: 4732: 4717: 4712:Public Culture 4702: 4678: 4669: 4639: 4626: 4601: 4594: 4576: 4563: 4545: 4512: 4486: 4453: 4428: 4402: 4384:Haggard, Kit. 4376: 4363:10.2307/441074 4357:(2): 140–154. 4338: 4331: 4313: 4300: 4287: 4274: 4261: 4248: 4235: 4194: 4178: 4164:10.2307/441074 4158:(2): 140–154. 4141: 4121: 4108: 4101: 4083: 4066:The Ludologist 4052: 4036: 4010: 3995: 3983: 3969: 3945: 3929: 3910:(4): 129–130. 3889: 3863: 3851: 3838: 3819: 3795: 3779: 3763: 3742: 3729: 3716:10.2307/335812 3710:(2): 187–192. 3685: 3667: 3647: 3630: 3617: 3598: 3579: 3563: 3532: 3525: 3486: 3465: 3456:Lodge, David. 3448: 3433: 3417: 3391: 3365: 3339: 3313: 3303: 3283: 3261:(2): 137–155. 3242: 3232: 3212: 3205: 3177: 3170: 3101: 3082: 3080: 3077: 3075: 3074: 3068: 3062: 3053: 3047: 3041: 3035: 3029: 3023: 3016: 3009: 3008: 3002: 2996: 2987: 2977: 2970: 2969: 2963: 2957: 2951: 2945: 2939: 2933: 2927: 2921: 2914: 2907: 2906: 2903:List of genres 2900: 2893: 2892: 2891: 2888:Fantasy portal 2877: 2861: 2858: 2818:games such as 2804:professor and 2797: 2794: 2792: 2791: 2783: 2775: 2767: 2759: 2751: 2743: 2735: 2727: 2719: 2711: 2703: 2695: 2687: 2679: 2671: 2663: 2659:Swiss Army Man 2655: 2651:Endless Poetry 2647: 2639: 2631: 2623: 2615: 2607: 2599: 2591: 2583: 2575: 2567: 2559: 2551: 2543: 2535: 2527: 2519: 2511: 2503: 2495: 2487: 2479: 2471: 2463: 2455: 2447: 2439: 2431: 2423: 2415: 2407: 2403:The Green Mile 2399: 2391: 2383: 2375: 2367: 2359: 2351: 2342: 2329:Emir Kusturica 2325:Hayao Miyazaki 2268: 2265: 2263: 2262: 2257: 2252: 2247: 2242: 2237: 2232: 2227: 2222: 2220:Mohammad Rawas 2217: 2212: 2210:Michael Parkes 2207: 2202: 2197: 2192: 2187: 2182: 2177: 2172: 2167: 2162: 2157: 2152: 2150:Marcela Donoso 2147: 2145:Antonio Donghi 2142: 2137: 2132: 2127: 2122: 2117: 2112: 2106: 2104: 2101: 2082:Marcela Donoso 2018: 2015: 2002:New York Times 1998: 1997: 1994: 1991: 1924: 1921: 1762: 1759: 1757: 1754: 1733:winning novel 1717:winning novel 1715:Jnanpith award 1607:Sherman Alexie 1603:Louise Erdrich 1561:Salman Rushdie 1465:Laura Esquivel 1439:, whose novel 1433:Isabel Allende 1417: 1414: 1394: 1391: 1371: 1368: 1304: 1301: 1284:New York Times 1216: 1213: 1196: 1193: 1185:meta-narration 1141: 1138: 1121: 1118: 1081:Willem Brakman 1043: 1040: 1021: 1018: 1007:mágicorealista 945: 942: 932: 931: 924: 917: 890: 887: 870: 867: 865: 862: 843:Salman Rushdie 804: 801: 776: 773: 764:textualization 755:Main article: 752: 749: 744: 741: 691: 688: 679: 676: 657: 654: 629: 626: 620: 617: 580:García Marquez 420:900.Novecento, 403:The Nutcracker 330:to refer to a 315: 312: 308:Olga Tokarczuk 270:, the writers 264:Syed Waliullah 256:Shahidul Zahir 205:Salman Rushdie 165:Isabel Allende 144:Salman Rushdie 125:Salman Rushdie 92: 89: 15: 9: 6: 4: 3: 2: 11401: 11390: 11387: 11385: 11382: 11380: 11377: 11375: 11372: 11370: 11367: 11365: 11362: 11360: 11357: 11355: 11354:Magic realism 11352: 11351: 11349: 11334: 11326: 11324: 11316: 11315: 11312: 11306: 11303: 11299: 11296: 11295: 11294: 11291: 11289: 11286: 11284: 11281: 11279: 11276: 11274: 11271: 11269: 11266: 11264: 11261: 11259: 11256: 11254: 11251: 11248: 11247:Ghost stories 11245: 11243: 11240: 11238: 11235: 11233: 11230: 11228: 11225: 11224: 11222: 11218: 11208: 11205: 11203: 11200: 11198: 11195: 11193: 11190: 11186: 11183: 11182: 11181: 11178: 11176: 11173: 11171: 11168: 11166: 11163: 11159: 11156: 11155: 11154: 11151: 11149: 11146: 11145: 11143: 11141: 11137: 11131: 11128: 11126: 11123: 11121: 11118: 11116: 11113: 11109: 11106: 11104: 11101: 11100: 11099: 11096: 11094: 11091: 11089: 11086: 11084: 11081: 11079: 11076: 11074: 11071: 11069: 11066: 11064: 11061: 11059: 11056: 11054: 11051: 11049: 11046: 11044: 11041: 11039: 11036: 11035: 11033: 11031: 11030:Fantasy races 11027: 11019: 11016: 11014: 11011: 11009: 11006: 11004: 11003:Shapeshifting 11001: 10999: 10996: 10994: 10991: 10989: 10986: 10984: 10981: 10979: 10976: 10974: 10971: 10969: 10966: 10964: 10961: 10959: 10956: 10955: 10953: 10949: 10946: 10944: 10941: 10937: 10934: 10933: 10932: 10929: 10927: 10924: 10922: 10919: 10918: 10917: 10914: 10910: 10907: 10905: 10902: 10900: 10897: 10895: 10891: 10887: 10884: 10882: 10879: 10878: 10877: 10876:Hard and soft 10874: 10873: 10871: 10869: 10865: 10859: 10856: 10854: 10851: 10847: 10844: 10843: 10842: 10839: 10837: 10834: 10832: 10829: 10827: 10824: 10822: 10819: 10817: 10814: 10812: 10809: 10807: 10804: 10802: 10799: 10797: 10794: 10793: 10791: 10789: 10785: 10779: 10776: 10774: 10771: 10767: 10764: 10762: 10759: 10757: 10754: 10752: 10749: 10747: 10744: 10742: 10739: 10737: 10734: 10733: 10732: 10729: 10727: 10724: 10722: 10719: 10717: 10714: 10710: 10707: 10705: 10702: 10701: 10700: 10699:Shapeshifters 10697: 10695: 10692: 10690: 10687: 10685: 10682: 10680: 10677: 10673: 10670: 10668: 10665: 10664: 10663: 10660: 10658: 10655: 10653: 10650: 10648: 10645: 10641: 10638: 10636: 10633: 10632: 10631: 10628: 10626: 10623: 10622: 10620: 10618: 10614: 10611: 10609: 10605: 10595: 10592: 10590: 10587: 10585: 10582: 10580: 10577: 10575: 10572: 10570: 10567: 10565: 10562: 10560: 10558: 10554: 10552: 10549: 10547: 10544: 10542: 10539: 10538: 10535: 10532: 10530: 10526: 10520: 10519:World Fantasy 10517: 10515: 10514:Tähtifantasia 10512: 10510: 10507: 10505: 10502: 10500: 10497: 10495: 10492: 10490: 10487: 10485: 10484:Japan Fantasy 10482: 10480: 10477: 10475: 10472: 10470: 10467: 10465: 10462: 10460: 10457: 10455: 10452: 10450: 10447: 10445: 10442: 10441: 10439: 10435: 10425: 10422: 10420: 10417: 10415: 10414: 10410: 10409: 10407: 10403: 10397: 10396: 10392: 10390: 10389: 10385: 10383: 10382: 10378: 10376: 10375: 10371: 10369: 10368: 10364: 10362: 10361: 10357: 10355: 10354: 10350: 10349: 10347: 10345: 10341: 10335: 10332: 10330: 10327: 10323: 10320: 10318: 10315: 10313: 10310: 10309: 10308: 10305: 10303: 10300: 10298: 10295: 10293: 10292: 10288: 10284: 10281: 10280: 10279: 10276: 10274: 10271: 10269: 10266: 10265: 10263: 10261: 10257: 10251: 10248: 10244: 10241: 10239: 10236: 10235: 10234: 10231: 10229: 10226: 10225: 10223: 10221: 10217: 10213: 10210: 10206: 10200: 10197: 10193: 10190: 10188: 10185: 10184: 10183: 10182:Weird fiction 10180: 10176: 10173: 10171: 10168: 10167: 10166: 10165:Urban fantasy 10163: 10161: 10158: 10154: 10151: 10149: 10146: 10145: 10143: 10140: 10138: 10135: 10133: 10130: 10128: 10125: 10121: 10118: 10117: 10116: 10113: 10111: 10108: 10106: 10103: 10101: 10098: 10096: 10093: 10091: 10088: 10086: 10083: 10081: 10078: 10076: 10073: 10071: 10068: 10065: 10062: 10059: 10056: 10052: 10049: 10048: 10047: 10044: 10040: 10037: 10036: 10035: 10032: 10030: 10027: 10025: 10022: 10020: 10017: 10013: 10010: 10008: 10005: 10003: 10000: 9999: 9997: 9996: 9994: 9990: 9984: 9981: 9979: 9976: 9974: 9971: 9969: 9966: 9965: 9962: 9958: 9951: 9946: 9944: 9939: 9937: 9932: 9931: 9928: 9916: 9912: 9908: 9906: 9898: 9897: 9894: 9888: 9885: 9883: 9880: 9878: 9875: 9873: 9870: 9868: 9865: 9863: 9860: 9858: 9855: 9853: 9850: 9848: 9845: 9843: 9840: 9838: 9835: 9833: 9830: 9828: 9825: 9823: 9820: 9818: 9815: 9813: 9812:Postmodernist 9810: 9808: 9805: 9803: 9802:Participatory 9800: 9798: 9795: 9793: 9790: 9788: 9785: 9783: 9780: 9778: 9775: 9773: 9772:Musical short 9770: 9768: 9765: 9763: 9760: 9758: 9755: 9753: 9750: 9748: 9745: 9743: 9740: 9738: 9735: 9733: 9730: 9728: 9725: 9721: 9718: 9717: 9716: 9713: 9711: 9708: 9704: 9701: 9699: 9696: 9695: 9694: 9691: 9689: 9686: 9684: 9683:Found footage 9681: 9679: 9676: 9674: 9671: 9669: 9666: 9664: 9661: 9657: 9654: 9653: 9652: 9649: 9647: 9644: 9642: 9639: 9637: 9634: 9630: 9627: 9626: 9625: 9622: 9620: 9617: 9615: 9612: 9610: 9607: 9605: 9602: 9600: 9597: 9595: 9592: 9590: 9589:Cinéma vérité 9587: 9585: 9582: 9580: 9577: 9575: 9572: 9570: 9567: 9565: 9562: 9560: 9557: 9553: 9550: 9548: 9545: 9543: 9540: 9538: 9535: 9533: 9530: 9528: 9525: 9524: 9523: 9520: 9518: 9515: 9513: 9510: 9509: 9507: 9505:or production 9497: 9489: 9486: 9484: 9481: 9480: 9479: 9476: 9472: 9469: 9467: 9464: 9463: 9462: 9459: 9455: 9452: 9450: 9447: 9446: 9444: 9440: 9437: 9436: 9435: 9432: 9430: 9427: 9425: 9422: 9421: 9419: 9415: 9409: 9406: 9404: 9401: 9399: 9396: 9394: 9391: 9389: 9386: 9384: 9381: 9379: 9376: 9374: 9371: 9369: 9366: 9362: 9359: 9358: 9357: 9354: 9352: 9349: 9347: 9344: 9342: 9339: 9337: 9334: 9332: 9329: 9327: 9324: 9322: 9321:Prussian film 9319: 9317: 9314: 9312: 9309: 9307: 9304: 9302: 9299: 9297: 9294: 9292: 9289: 9287: 9284: 9282: 9279: 9277: 9274: 9272: 9269: 9267: 9266:New Nollywood 9264: 9262: 9261:New Hollywood 9259: 9257: 9254: 9252: 9249: 9247: 9244: 9242: 9239: 9237: 9234: 9232: 9229: 9227: 9224: 9222: 9219: 9217: 9214: 9212: 9209: 9207: 9204: 9202: 9199: 9197: 9194: 9192: 9189: 9187: 9184: 9182: 9179: 9177: 9174: 9172: 9169: 9167: 9164: 9162: 9159: 9157: 9154: 9152: 9149: 9147: 9144: 9142: 9139: 9137: 9134: 9132: 9129: 9127: 9124: 9122: 9119: 9117: 9114: 9112: 9109: 9107: 9104: 9102: 9099: 9097: 9094: 9092: 9089: 9087: 9084: 9082: 9081:Cannibal boom 9079: 9077: 9076:Calligrafismo 9074: 9072: 9069: 9065: 9062: 9061: 9060: 9057: 9055: 9052: 9050: 9047: 9045: 9044:Berlin School 9042: 9040: 9037: 9035: 9032: 9030: 9027: 9025: 9022: 9020: 9017: 9016: 9014: 9008: 9000: 8997: 8995: 8994:Weird Western 8992: 8990: 8987: 8985: 8982: 8980: 8977: 8975: 8972: 8970: 8967: 8965: 8962: 8960: 8957: 8955: 8952: 8950: 8947: 8945: 8942: 8940: 8937: 8935: 8932: 8930: 8927: 8925: 8922: 8921: 8920: 8917: 8913: 8910: 8908: 8905: 8903: 8900: 8899: 8898: 8895: 8893: 8890: 8888: 8885: 8883: 8880: 8878: 8875: 8873: 8870: 8868: 8865: 8863: 8860: 8858: 8855: 8851: 8848: 8847: 8846: 8843: 8841: 8838: 8836: 8833: 8831: 8828: 8826: 8825:Slice of life 8823: 8821: 8818: 8816: 8813: 8809: 8806: 8804: 8801: 8799: 8796: 8794: 8791: 8789: 8786: 8784: 8781: 8779: 8778:Bavarian porn 8776: 8775: 8774: 8773:Sexploitation 8771: 8769: 8766: 8764: 8761: 8759: 8756: 8754: 8751: 8749: 8746: 8742: 8739: 8738: 8737: 8734: 8732: 8731:Partisan film 8729: 8727: 8724: 8722: 8719: 8717: 8714: 8710: 8707: 8706: 8705: 8702: 8700: 8699:Muslim social 8697: 8695: 8692: 8690: 8687: 8681: 8680:Zombie comedy 8678: 8677: 8676: 8673: 8671: 8668: 8666: 8663: 8661: 8658: 8656: 8655:Giant monster 8653: 8652: 8651: 8648: 8644: 8641: 8640: 8639: 8636: 8632: 8629: 8627: 8624: 8622: 8619: 8617: 8614: 8612: 8609: 8607: 8604: 8603: 8602: 8599: 8597: 8594: 8592: 8589: 8585: 8582: 8580: 8577: 8576: 8575: 8572: 8570: 8567: 8563: 8560: 8559: 8558: 8555: 8553: 8550: 8548: 8545: 8541: 8538: 8536: 8533: 8531: 8528: 8527: 8526: 8523: 8521: 8518: 8516: 8513: 8509: 8506: 8504: 8501: 8499: 8496: 8495: 8494: 8491: 8489: 8486: 8484: 8481: 8479: 8476: 8474: 8471: 8469: 8466: 8462: 8459: 8457: 8456:Mexploitation 8454: 8452: 8449: 8448: 8447: 8444: 8442: 8439: 8437: 8434: 8432: 8429: 8427: 8424: 8420: 8417: 8415: 8412: 8411: 8410: 8407: 8403: 8400: 8399: 8398: 8395: 8393: 8390: 8386: 8383: 8381: 8378: 8376: 8373: 8371: 8368: 8366: 8363: 8361: 8358: 8356: 8353: 8351: 8348: 8346: 8343: 8341: 8338: 8336: 8333: 8331: 8328: 8326: 8323: 8322: 8321: 8318: 8316: 8313: 8311: 8310:Coming-of-age 8308: 8306: 8303: 8301: 8298: 8296: 8293: 8289: 8286: 8284: 8281: 8280: 8279: 8276: 8274: 8271: 8269: 8266: 8264: 8261: 8260: 8258: 8254: 8248: 8245: 8241: 8238: 8236: 8233: 8231: 8228: 8227: 8226: 8225:Transgressive 8223: 8219: 8216: 8214: 8211: 8209: 8208:Psychological 8206: 8204: 8201: 8199: 8196: 8194: 8191: 8189: 8186: 8184: 8181: 8179: 8176: 8174: 8171: 8170: 8169: 8166: 8164: 8161: 8159: 8158:Slice of life 8156: 8152: 8149: 8147: 8144: 8142: 8139: 8137: 8134: 8132: 8129: 8127: 8124: 8122: 8119: 8117: 8114: 8112: 8109: 8107: 8104: 8102: 8099: 8097: 8094: 8092: 8089: 8088: 8087: 8084: 8080: 8077: 8075: 8072: 8070: 8067: 8065: 8062: 8058: 8055: 8054: 8053: 8050: 8049: 8048: 8045: 8043: 8040: 8038: 8035: 8030: 8026: 8024: 8021: 8019: 8016: 8015: 8014: 8011: 8009: 8006: 8002: 7999: 7995: 7992: 7990: 7987: 7986: 7985: 7982: 7981: 7980: 7977: 7973: 7970: 7968: 7965: 7963: 7960: 7958: 7955: 7953: 7950: 7948: 7945: 7944: 7943: 7940: 7938: 7935: 7933: 7930: 7928: 7925: 7921: 7918: 7916: 7913: 7911: 7908: 7906: 7903: 7901: 7898: 7896: 7895:Psychological 7893: 7891: 7888: 7886: 7883: 7881: 7878: 7876: 7873: 7871: 7870:Korean horror 7868: 7866: 7863: 7861: 7858: 7856: 7853: 7851: 7848: 7846: 7843: 7841: 7840:Found footage 7838: 7836: 7833: 7831: 7828: 7826: 7823: 7821: 7818: 7816: 7813: 7811: 7808: 7806: 7803: 7801: 7798: 7797: 7796: 7793: 7789: 7786: 7784: 7781: 7779: 7776: 7774: 7771: 7769: 7766: 7765: 7764: 7761: 7757: 7754: 7752: 7749: 7747: 7744: 7743: 7742: 7739: 7735: 7732: 7730: 7729:Magic realism 7727: 7725: 7722: 7720: 7717: 7715: 7712: 7710: 7707: 7705: 7702: 7701: 7700: 7697: 7693: 7692: 7687: 7686: 7685: 7682: 7680: 7677: 7673: 7670: 7669: 7668: 7665: 7663: 7660: 7658: 7655: 7651: 7648: 7646: 7645:Sexploitation 7643: 7641: 7638: 7636: 7633: 7632: 7631: 7628: 7622: 7619: 7618: 7617: 7614: 7612: 7609: 7607: 7604: 7602: 7599: 7597: 7596:Calligrafismo 7594: 7593: 7592: 7589: 7585: 7582: 7580: 7577: 7575: 7572: 7570: 7567: 7565: 7562: 7560: 7557: 7555: 7552: 7550: 7549:City symphony 7547: 7545: 7542: 7541: 7540: 7537: 7533: 7530: 7529: 7528: 7525: 7521: 7518: 7516: 7513: 7511: 7508: 7506: 7503: 7501: 7498: 7496: 7493: 7491: 7488: 7486: 7483: 7481: 7478: 7476: 7473: 7471: 7468: 7466: 7463: 7459: 7456: 7455: 7454: 7451: 7449: 7446: 7444: 7441: 7440: 7439: 7436: 7434: 7431: 7429: 7426: 7424: 7421: 7417: 7414: 7413: 7412: 7409: 7405: 7402: 7400: 7397: 7395: 7392: 7391: 7390: 7387: 7386: 7384: 7380: 7376: 7373: 7366: 7361: 7359: 7354: 7352: 7347: 7346: 7343: 7331: 7328: 7326: 7323: 7321: 7318: 7316: 7315:Screenwriting 7313: 7309: 7306: 7305: 7304: 7301: 7299: 7296: 7292: 7289: 7288: 7287: 7284: 7282: 7279: 7277: 7274: 7272: 7269: 7267: 7264: 7262: 7259: 7255: 7252: 7251: 7250: 7247: 7243: 7239: 7236: 7234: 7231: 7227: 7224: 7222: 7219: 7217: 7214: 7213: 7212: 7209: 7208: 7207: 7204: 7202: 7199: 7198: 7196: 7192: 7186: 7183: 7181: 7178: 7176: 7173: 7172: 7170: 7168: 7164: 7158: 7155: 7153: 7150: 7148: 7145: 7141: 7138: 7136: 7133: 7131: 7128: 7127: 7126: 7123: 7121: 7120:Second-person 7118: 7116: 7113: 7111: 7108: 7107: 7105: 7103: 7099: 7091: 7088: 7086: 7083: 7082: 7081: 7078: 7074: 7071: 7069: 7066: 7064: 7061: 7059: 7056: 7052: 7049: 7045: 7042: 7040: 7037: 7035: 7032: 7031: 7030: 7027: 7025: 7024:Magic realism 7022: 7020: 7017: 7013: 7010: 7009: 7008: 7005: 7003: 7000: 6999: 6998: 6995: 6993: 6990: 6988: 6985: 6981: 6978: 6976: 6973: 6972: 6971: 6968: 6966: 6963: 6961: 6958: 6956: 6955:Psychological 6953: 6951: 6948: 6946: 6943: 6941: 6938: 6936: 6935:Philosophical 6933: 6931: 6928: 6926: 6923: 6921: 6918: 6916: 6913: 6911: 6908: 6906: 6903: 6901: 6898: 6896: 6893: 6891: 6888: 6886: 6883: 6881: 6878: 6876: 6873: 6872: 6871: 6868: 6866: 6863: 6861: 6860:Autobiography 6858: 6857: 6855: 6852: 6847: 6843: 6837: 6834: 6832: 6829: 6827: 6824: 6822: 6819: 6817: 6814: 6810: 6807: 6806: 6805: 6802: 6800: 6799:Narrative art 6797: 6795: 6792: 6788: 6785: 6783: 6780: 6778: 6775: 6773: 6770: 6768: 6765: 6764: 6763: 6760: 6758: 6757:Flash fiction 6755: 6753: 6752: 6748: 6746: 6743: 6742: 6740: 6738: 6734: 6728: 6725: 6723: 6720: 6716: 6713: 6711: 6708: 6707: 6706: 6703: 6701: 6698: 6694: 6691: 6689: 6686: 6684: 6680: 6677: 6675: 6672: 6670: 6666: 6663: 6662: 6661: 6658: 6654: 6651: 6649: 6648:Act structure 6646: 6645: 6644: 6641: 6640: 6638: 6636: 6632: 6626: 6623: 6621: 6618: 6616: 6613: 6611: 6608: 6606: 6603: 6599: 6596: 6595: 6594: 6591: 6589: 6586: 6584: 6581: 6579: 6576: 6574: 6571: 6569: 6566: 6564: 6561: 6559: 6556: 6554: 6551: 6549: 6546: 6545: 6543: 6541: 6537: 6531: 6528: 6526: 6523: 6519: 6516: 6514: 6511: 6510: 6509: 6506: 6504: 6501: 6499: 6496: 6494: 6491: 6489: 6486: 6484: 6481: 6480: 6478: 6476: 6472: 6466: 6465:Worldbuilding 6463: 6461: 6458: 6452: 6449: 6448: 6447: 6444: 6442: 6439: 6437: 6434: 6433: 6432: 6429: 6427: 6424: 6422: 6419: 6417: 6414: 6412: 6409: 6407: 6404: 6403: 6401: 6399: 6395: 6389: 6386: 6384: 6381: 6379: 6376: 6374: 6371: 6369: 6366: 6364: 6361: 6359: 6356: 6354: 6351: 6349: 6346: 6344: 6341: 6339: 6336: 6334: 6331: 6329: 6326: 6324: 6321: 6319: 6316: 6314: 6313: 6312:Kishōtenketsu 6309: 6307: 6306: 6305:In medias res 6302: 6300: 6297: 6295: 6292: 6290: 6287: 6285: 6284:Foreshadowing 6282: 6280: 6279:Eucatastrophe 6277: 6275: 6272: 6270: 6267: 6265: 6264: 6260: 6258: 6255: 6253: 6250: 6248: 6245: 6243: 6242:Chekhov's gun 6240: 6236: 6233: 6232: 6231: 6228: 6226: 6223: 6221: 6220: 6216: 6215: 6213: 6211: 6207: 6201: 6198: 6196: 6193: 6191: 6188: 6186: 6183: 6181: 6178: 6176: 6173: 6171: 6168: 6166: 6163: 6159: 6156: 6154: 6151: 6149: 6146: 6145: 6144: 6141: 6139: 6138: 6134: 6132: 6131:Gothic double 6129: 6127: 6124: 6122: 6119: 6117: 6114: 6112: 6111:Deuteragonist 6109: 6107: 6104: 6102: 6099: 6097: 6094: 6092: 6091:Character arc 6089: 6087: 6084: 6082: 6079: 6078: 6076: 6074: 6070: 6066: 6059: 6054: 6052: 6047: 6045: 6040: 6039: 6036: 6030: 6026: 6023: 6017: 6015: 6012: 6010: 6007: 6005: 6002: 6001: 5981: 5977: 5973: 5966: 5950: 5943: 5928: 5927: 5922: 5915: 5900:. Brkeogh.com 5899: 5892: 5876: 5869: 5853: 5849: 5845: 5839: 5832: 5822: 5818: 5811: 5803: 5797: 5793: 5786: 5778: 5776:9780262101103 5772: 5768: 5761: 5745: 5741: 5737: 5730: 5714: 5710: 5703: 5687: 5683: 5679: 5672: 5664: 5658: 5650: 5644: 5640: 5633: 5625: 5619: 5615: 5611: 5610: 5602: 5594: 5590: 5586: 5582: 5578: 5574: 5570: 5566: 5559: 5551: 5545: 5541: 5537: 5536: 5528: 5513: 5509: 5505: 5498: 5482: 5478: 5477:Artcyclopedia 5474: 5468: 5453: 5449: 5445: 5438: 5432: 5428: 5425: 5420: 5414:December 1997 5410: 5402: 5395: 5388: 5384: 5379: 5372: 5364: 5357: 5341: 5337: 5336:Artcyclopedia 5333: 5327: 5320: 5316: 5315: 5309: 5293: 5289: 5285: 5278: 5262: 5258: 5254: 5248: 5233: 5229: 5225: 5218: 5210: 5206: 5202: 5198: 5194: 5190: 5183: 5175: 5171: 5165: 5149: 5145: 5139: 5137: 5129: 5125: 5122:, eds. 1943. 5121: 5115: 5108: 5104: 5090: 5084: 5076: 5075: 5063: 5058: 5051: 5050:0-8223-1640-4 5047: 5043: 5039: 5035: 5029: 5027: 5025: 5023: 5021: 5012: 5006: 5002: 5001: 4993: 4986: 4982: 4977: 4970: 4962: 4958: 4954: 4948: 4944: 4943: 4935: 4924: 4918: 4904: 4900: 4893: 4878: 4874: 4857: 4853: 4849: 4838: 4834: 4830: 4826: 4825: 4822: 4810: 4806: 4802: 4796: 4784: 4780: 4775: 4774: 4773:Primera Plana 4770:Interview in 4767: 4751: 4747: 4743: 4736: 4728: 4721: 4714: 4713: 4706: 4692: 4687: 4682: 4673: 4657: 4653: 4649: 4643: 4629: 4627:9781846310577 4623: 4619: 4615: 4611: 4605: 4597: 4595:9784864728799 4591: 4587: 4580: 4573: 4567: 4559: 4552: 4550: 4533: 4529: 4528:The Telegraph 4524: 4516: 4501: 4497: 4490: 4476: 4472: 4468: 4464: 4457: 4449: 4445: 4441: 4440: 4432: 4417: 4413: 4406: 4391: 4387: 4380: 4372: 4368: 4364: 4360: 4356: 4352: 4345: 4343: 4334: 4328: 4324: 4317: 4310: 4304: 4297: 4291: 4284: 4278: 4271: 4265: 4258: 4252: 4246:29(2):95–110. 4245: 4239: 4225:on 2012-01-19 4221: 4217: 4210: 4208: 4198: 4192: 4188: 4182: 4173: 4169: 4165: 4161: 4157: 4153: 4145: 4138: 4134: 4130: 4125: 4118: 4112: 4104: 4098: 4094: 4087: 4071: 4067: 4063: 4056: 4049: 4043: 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3198: 3194: 3190: 3189: 3181: 3173: 3167: 3163: 3156: 3154: 3152: 3150: 3148: 3146: 3144: 3142: 3140: 3138: 3136: 3134: 3132: 3130: 3128: 3126: 3124: 3122: 3120: 3118: 3116: 3114: 3112: 3110: 3108: 3106: 3097: 3093: 3087: 3083: 3072: 3069: 3066: 3063: 3057: 3054: 3051: 3050:Postmodernism 3048: 3045: 3042: 3039: 3036: 3033: 3030: 3027: 3024: 3021: 3018: 3017: 3015: 3014: 3006: 3005:Visionary art 3003: 3000: 2997: 2991: 2988: 2982: 2979: 2978: 2976: 2975: 2967: 2964: 2961: 2958: 2955: 2952: 2949: 2946: 2943: 2940: 2937: 2934: 2931: 2928: 2925: 2922: 2919: 2916: 2915: 2913: 2912: 2904: 2901: 2898: 2895: 2894: 2889: 2878: 2875: 2874:Novels portal 2869: 2864: 2857: 2854: 2853: 2848: 2847:Michael Joyce 2844: 2839: 2837: 2833: 2832: 2827: 2823: 2822: 2817: 2813: 2812: 2807: 2803: 2789: 2788: 2784: 2781: 2780: 2776: 2773: 2772: 2768: 2765: 2764: 2760: 2757: 2756: 2752: 2749: 2748: 2744: 2741: 2740: 2736: 2733: 2732: 2728: 2725: 2724: 2720: 2717: 2716: 2712: 2709: 2708: 2704: 2701: 2700: 2696: 2693: 2692: 2688: 2685: 2684: 2680: 2677: 2676: 2672: 2669: 2668: 2664: 2661: 2660: 2656: 2653: 2652: 2648: 2645: 2644: 2640: 2637: 2636: 2632: 2629: 2628: 2624: 2621: 2620: 2616: 2613: 2612: 2608: 2605: 2604: 2603:Wolf Children 2600: 2597: 2596: 2592: 2589: 2588: 2584: 2581: 2580: 2576: 2573: 2572: 2568: 2565: 2564: 2560: 2557: 2556: 2552: 2549: 2548: 2544: 2541: 2540: 2536: 2533: 2532: 2528: 2525: 2524: 2520: 2517: 2516: 2512: 2509: 2508: 2504: 2501: 2500: 2496: 2493: 2492: 2488: 2485: 2484: 2480: 2477: 2476: 2472: 2469: 2468: 2464: 2461: 2460: 2456: 2453: 2452: 2448: 2445: 2444: 2440: 2437: 2436: 2432: 2429: 2428: 2424: 2421: 2420: 2416: 2413: 2412: 2408: 2405: 2404: 2400: 2397: 2396: 2392: 2389: 2388: 2384: 2381: 2380: 2376: 2373: 2372: 2368: 2365: 2364: 2360: 2357: 2356: 2352: 2349: 2348: 2344: 2343: 2341: 2338: 2336: 2335: 2330: 2326: 2322: 2318: 2317:Terry Gilliam 2314: 2313: 2308: 2303: 2301: 2300: 2295: 2291: 2286: 2284: 2278: 2274: 2261: 2258: 2256: 2255:Carel Willink 2253: 2251: 2248: 2246: 2245:Ramon Unzueta 2243: 2241: 2240:George Tooker 2238: 2236: 2233: 2231: 2228: 2226: 2223: 2221: 2218: 2216: 2213: 2211: 2208: 2206: 2203: 2201: 2200:Henry Koerner 2198: 2196: 2193: 2191: 2188: 2186: 2183: 2181: 2180:Edward Hopper 2178: 2176: 2175:Juan Gonzalez 2173: 2171: 2170:Rob Gonsalves 2168: 2166: 2163: 2161: 2158: 2156: 2153: 2151: 2148: 2146: 2143: 2141: 2138: 2136: 2133: 2131: 2130:Alex Colville 2128: 2126: 2123: 2121: 2118: 2116: 2113: 2111: 2108: 2107: 2100: 2098: 2094: 2089: 2087: 2083: 2077: 2075: 2074:Artcyclopedia 2071: 2067: 2063: 2059: 2058:George Tooker 2055: 2051: 2050:Ivan Albright 2047: 2043: 2038: 2031: 2027: 2023: 2014: 2011: 2007: 2003: 1995: 1992: 1989: 1988: 1987: 1985: 1981: 1980:expressionism 1977: 1969: 1968:Still Life II 1965: 1961: 1957: 1955: 1951: 1945: 1940: 1938: 1934: 1933:magic realism 1930: 1920: 1918: 1914: 1909: 1907: 1903: 1902: 1896: 1891: 1888: 1882: 1877: 1875: 1871: 1867: 1863: 1858: 1857:expressionist 1854: 1853:impressionist 1849: 1847: 1843: 1837: 1831: 1830: 1824: 1823: 1817: 1813: 1808: 1803: 1798: 1797: 1790: 1781: 1777: 1776: 1771: 1767: 1753: 1750: 1743: 1737: 1732: 1728: 1723: 1722: 1716: 1712: 1708: 1703: 1701: 1697: 1695: 1691: 1686: 1684: 1680: 1678: 1674: 1673: 1668: 1664: 1663:Rhodesian War 1660: 1656: 1652: 1651: 1646: 1642: 1638: 1634: 1630: 1626: 1622: 1621: 1616: 1615:Angela Carter 1612: 1608: 1604: 1600: 1596: 1592: 1588: 1587:Daniel Olivas 1584: 1583:Rudolfo Anaya 1580: 1576: 1575:Gloria Naylor 1572: 1571:Toni Morrison 1568: 1567: 1562: 1557: 1555: 1551: 1547: 1546: 1541: 1537: 1536: 1531: 1527: 1524:, a novel by 1522: 1521: 1515: 1514:José J. Veiga 1510: 1509: 1503: 1500:, playwright 1499: 1498:Murilo Rubião 1495: 1494:José Saramago 1491: 1486: 1483: 1482: 1477: 1472: 1471: 1466: 1462: 1461: 1450: 1446: 1444: 1443: 1438: 1434: 1430: 1423: 1413: 1410: 1409: 1404: 1403:Aldous Huxley 1400: 1390: 1388: 1384: 1380: 1376: 1367: 1365: 1361: 1357: 1352: 1350: 1346: 1341: 1339: 1338: 1332: 1330: 1326: 1325:Toni Morrison 1322: 1321: 1315: 1311: 1300: 1298: 1294: 1289: 1285: 1281: 1280:Andrei Şerban 1276: 1274: 1273:Our Ancestors 1270: 1266: 1265:Italo Calvino 1262: 1259: 1255: 1251: 1250: 1245: 1239: 1237: 1236: 1229: 1226: 1220: 1212: 1210: 1206: 1201: 1192: 1190: 1186: 1182: 1178: 1174: 1170: 1166: 1162: 1158: 1153: 1150: 1146: 1137: 1135: 1131: 1127: 1117: 1115: 1111: 1105: 1103: 1099: 1095: 1091: 1086: 1082: 1078: 1074: 1073:John Banville 1070: 1069:Angela Carter 1066: 1062: 1061:Italo Calvino 1058: 1054: 1050: 1042:Postmodernism 1039: 1037: 1032: 1027: 1017: 1003: 998: 993: 988: 983: 981: 977: 976:bidimensional 968: 964: 962: 961: 955: 950: 940: 935: 929: 925: 922: 918: 915: 911: 907: 906: 905: 903: 898: 896: 886: 884: 879: 876: 860: 857: 846: 844: 840: 839: 834: 829: 827: 823: 819: 815: 811: 800: 797: 796:estado limite 792: 788: 784: 783: 772: 769: 765: 758: 748: 740: 738: 737: 731: 727: 723: 722: 717: 716:transcultural 713: 709: 705: 701: 697: 687: 684: 675: 673: 672: 667: 663: 653: 651: 647: 643: 639: 635: 625: 616: 614: 610: 606: 602: 597: 595: 594: 589: 585: 581: 577: 576: 571: 567: 566: 561: 560: 555: 551: 547: 543: 539: 535: 529: 527: 523: 518: 514: 513:magic realism 510: 505: 503: 499: 498:Henry Koerner 495: 494:George Tooker 491: 487: 483: 479: 478:Ivan Albright 475: 470: 468: 464: 460: 456: 452: 448: 444: 440: 436: 431: 429: 425: 421: 417: 411: 409: 405: 404: 399: 398: 393: 389: 388: 380: 378: 374: 373:Nikolai Gogol 370: 366: 363:19th-century 361: 359: 355: 351: 347: 343: 342:expressionism 339: 338: 333: 329: 325: 321: 311: 309: 305: 301: 297: 293: 289: 285: 281: 277: 273: 269: 265: 261: 257: 253: 249: 245: 241: 237: 234: 230: 226: 222: 221:Nicola Barker 218: 214: 210: 209:Alice Hoffman 206: 202: 198: 194: 190: 186: 185:Mireya Robles 182: 178: 174: 170: 166: 162: 158: 153: 151: 150: 145: 140: 136: 135: 130: 129:Milan Kundera 126: 122: 118: 113: 109: 108: 102: 98: 97:magic realism 88: 86: 82: 81:genre fiction 78: 73: 69: 65: 61: 57: 53: 50:and reality. 49: 45: 41: 37: 33: 29: 25: 21: 20:Magic realism 11305:Urban legend 11207:Magic school 11180:Astral plane 11175:Hollow Earth 10868:Magic system 10821:Dragonslayer 10716:Skin-walkers 10564:The Inklings 10557:Harry Potter 10556: 10411: 10393: 10386: 10379: 10372: 10365: 10358: 10351: 10289: 10110:Magical girl 10085:High fantasy 10080:Hard fantasy 10046:Dark fantasy 10024:Contemporary 9651:Experimental 9646:Ethnofiction 9393:Third Cinema 9296:Persian Film 9039:Auteur films 9010:By movement 8867:Swashbuckler 8726:Ozploitation 8721:Outlaw biker 8601:Martial arts 8596:Magical girl 8446:Exploitation 8441:Ethnographic 8370:Mafia comedy 8013:Pornographic 7890:Psycho-biddy 7875:Lovecraftian 7709:Contemporary 7690: 7684:Exploitation 7679:Experimental 7559:Mockumentary 7428:Biographical 7320:Storytelling 7135:Subjectivity 7125:Third-person 7115:First-person 6749: 6558:Comic relief 6310: 6303: 6294:Flashforward 6261: 6235:Origin story 6217: 6180:Straight man 6135: 6021: 5984:. 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R. Giger 2120:Paul Cadmus 2046:Paul Cadmus 2026:Paul Cadmus 1508:Saramandaia 1490:Jorge Amado 1244:C. S. Lewis 1189:romanticism 1094:eclecticism 1065:John Fowles 921:ontological 916:'s fiction; 757:Metafiction 751:Metafiction 646:telekinesis 634:fantastical 486:Paul Cadmus 482:Peter Blume 455:Elena Garro 350:uncanniness 294:, the 2012 201:Neil Gaiman 181:Elena Garro 112:David Lodge 101:descriptive 99:is broadly 91:Description 48:speculation 11348:Categories 11293:Tokusatsu‎ 11242:Fairy tale 11185:Dreamworld 11083:Hobgoblins 11018:Witchcraft 10988:Necromancy 10968:Divination 10963:Demonology 10926:Magic ring 10916:Magic item 10899:Ceremonial 10788:Characters 10709:Werewolves 10647:Elementals 10551:Filk music 10499:Mythopoeic 10334:Publishers 10260:Literature 10220:television 10192:Weird West 10132:Omegaverse 10002:Lost world 9973:Literature 9797:Paracinema 9782:Neorealist 9777:Mythopoeia 9762:Mockbuster 9727:Low-budget 9668:Featurette 9501:technique, 9499:By format, 9378:Surrealist 9373:Structural 9251:New German 9241:Neorealist 9236:Mumblecore 9176:Heimatfilm 9136:Film d'art 9101:Cinéma pur 8835:South Seas 8808:Sex report 8074:Paranormal 8037:Propaganda 7937:Mumblecore 7724:Historical 7606:Historical 7495:Remarriage 7485:Mo lei tau 7211:Continuity 7080:Nonfiction 7044:Underwater 6940:Picaresque 6915:Historical 6900:Epistolary 6772:Fairy tale 6683:Peripeteia 6665:Exposition 6421:Dreamworld 6363:Stereotype 6333:Plot twist 6081:Antagonist 6022:The Subway 5826:2020-03-24 5518:2010-05-12 5458:2010-05-12 5238:2010-05-12 5087:See also: 4908:2024-01-18 4883:2009-01-25 4862:2009-01-25 4843:2009-01-25 4815:2009-01-25 4805:Territorio 4789:2009-01-25 4756:15 January 4633:2009-01-20 4538:8 December 4480:2024-01-12 4448:1548306771 4229:2024-01-11 3963:2024-01-12 3641:. México: 3571:Roh, Franz 3549:116:9–24. 3327:Litbreaker 3079:References 3065:Surrealism 2831:Metal Gear 2806:ludologist 2587:Life of Pi 2539:Black Swan 2379:Twin Peaks 2309:including 2283:film genre 2093:Peter Doig 2010:still life 1917:Pierre Roy 1866:classicist 1832:), at the 1782:, New York 1756:Visual art 1625:Glyn Jones 1502:Dias Gomes 1476:Juan Rulfo 1420:See also: 1360:Gene Wolfe 1293:Carl Gozzi 1288:Mel Gussow 1200:Surrealism 1195:Surrealism 1183:/magic", " 1031:postmodern 908:European " 835:'s novel, 822:subversive 814:naturalism 787:exposition 638:levitation 613:vanguardia 605:literature 542:Surrealism 354:surrealism 240:Nina Sadur 173:Juan Rulfo 11288:Superhero 11273:Mythology 11170:Lost city 11078:Halflings 10998:Shamanism 10993:Runecraft 10978:Evocation 10836:Magicians 10811:Dark lord 10796:Barbarian 10756:Skeletons 10679:Gargoyles 10657:Familiars 10617:Creatures 10353:Fantastic 10344:Magazines 10187:New weird 9992:Subgenres 9787:No-budget 9752:Meta-film 9720:animation 9678:Film-poem 9614:Composite 9559:Anthology 9522:Animation 9517:Actuality 9503:approach, 9271:New Queer 9191:Indiewood 9141:Film gris 9012:or period 8989:Spaghetti 8912:Submarine 8892:Vigilante 8857:Superhero 8611:Chopsocky 8557:Jidaigeki 8426:Dystopian 8325:Detective 8283:Buddy cop 8273:Body swap 8203:Political 8183:Financial 8146:Tokusatsu 8141:Steampunk 8057:Bromantic 8029:Malayalam 8008:Crossover 7984:Detective 7952:Backstage 7900:Religious 7756:Tech noir 7751:Pulp noir 7741:Film noir 7616:Melodrama 7554:Docudrama 7527:Cyberpunk 7520:Slapstick 7510:Screwball 7470:Gross out 7433:Christian 7411:Adventure 7102:Narration 7051:Superhero 6975:Chivalric 6960:Religious 6945:Political 6880:Adventure 6865:Biography 6787:Tall tale 6635:Structure 6620:Symbolism 6588:Narration 6488:Leitmotif 6416:Crossover 6411:Backstory 6368:Story arc 6318:MacGuffin 6289:Flashback 6230:Backstory 6106:Confidant 6086:Archenemy 6073:Character 6065:Narrative 5877:. Gematsu 5821:Eurogamer 5593:161057644 4475:0190-8286 4311:. p. 163. 4285:. pp. 193 4259:. pp. 122 4201:Cited in 4139:. p. 161. 3628:. p. 120. 3275:161325155 3032:Dream art 2826:Memoranda 2387:Liar Liar 1929:Franz Roh 1870:left-wing 1802:Franz Roh 1775:Love Song 1667:apartheid 1659:Holocaust 1645:Holocaust 1627:'s novel 1591:Rudy Ruiz 1556:in 2013. 1542:'s novel 1181:mysticism 987:Luis Leal 895:mythology 875:Luis Leal 818:modernism 791:Luis Leal 743:Hybridity 726:mestizaje 708:plenitude 690:Plenitude 662:fantastic 642:telepathy 572:'s novel 507:The term 502:fantastic 447:Luis Leal 332:painterly 324:Franz Roh 298:for his " 95:The term 40:realistic 11333:Category 11227:Allegory 11103:Mermaids 11073:Gremlins 11038:Centaurs 10973:Egregore 10954:Schools 10921:Grimoire 10881:Elements 10853:Wild man 10773:Unicorns 10761:Vampires 10704:Werecats 10546:Fanspeak 10454:Crawford 10424:Podcasts 10137:Romantic 10120:Mythpunk 10051:Grimdark 10039:Bangsian 9905:Category 9792:One-shot 9656:Abstract 9542:Computer 9226:Lettrist 9121:Dogme 95 9049:Bourekas 9019:Absolute 8959:Northern 8954:Meat pie 8907:Euro War 8902:Anti-war 8768:Rumberas 8689:Mountain 8591:Luchador 8547:Homeland 8535:Shotacon 8508:Suburban 8436:Economic 8397:Disaster 8330:Gangster 8305:Colonial 8295:Cannibal 8256:By theme 8213:Romantic 8168:Thriller 8126:New Wave 8121:Military 8079:Thriller 8047:Romantic 7994:Whodunit 7967:Operetta 7947:Arthouse 7915:Splatter 7810:Cannibal 7800:Arthouse 7783:Suburban 7773:Southern 7746:Neo-noir 7650:Thriller 7544:Animated 7532:Japanese 7500:Romantic 7490:Thriller 7416:Survival 7394:Arthouse 7382:By style 7308:Glossary 7303:Rhetoric 7110:Diegesis 7090:Creative 7063:Thriller 7012:Southern 6930:Paranoid 6925:Nautical 6836:Vignette 6794:Gamebook 6762:Folklore 6669:Protasis 6548:Allegory 6493:Metaphor 6451:parallel 6446:universe 6426:Dystopia 6383:Suspense 6269:Dialogue 6257:Conflict 6165:Narrator 6137:Hamartia 5980:Archived 5976:jill/txt 5955:June 12, 5932:June 12, 5926:PC Gamer 5904:June 12, 5881:June 12, 5852:Archived 5744:Archived 5713:Archived 5686:Archived 5512:Archived 5487:25 April 5481:Archived 5452:Archived 5427:Archived 5346:25 April 5340:Archived 5298:25 April 5292:Archived 5267:25 April 5261:Archived 5232:Archived 5174:Archived 5154:25 April 5148:Archived 5109:. p. 42. 5091:. 1980. 5064:. 1922. 4987:. p. 57. 4877:Archived 4856:Archived 4837:Archived 4809:Archived 4783:Archived 4750:Archived 4688:(1989). 4686:Pepetela 4656:Archived 4654:. 2002. 4532:Archived 4444:ProQuest 4207:Ceremony 4131:. 1949. 4115:García, 4070:Archived 4029:June 18, 3882:June 18, 3876:Archived 3874:. 1998. 3793:, p. 89. 3789:García, 3704:Hispania 3573:. 1925. 3559:original 3026:Escapism 3020:Art film 2860:See also 2643:Utopians 2531:Biutiful 2523:Undertow 2507:Marigold 2451:Big Fish 2337:(1988). 2110:Alex And 2103:Painters 1984:Van Eyck 1778:, 1914, 1563:, whose 1552:won the 1467:, whose 1387:Pepetela 1310:antinomy 1269:fabulist 1215:Fabulism 1026:Hispanic 712:Mondrian 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