38:
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186:" or with "a voice so refined"). He picks her up and she takes him home to her lodgings. When he awakes the following morning, she has taken all his money and even his clothes, insisting that they are in "Kelly's locker", a pawn shop. When he fails to find his clothes in the pawn shop, he contacts the police. She is found guilty of theft and sentenced to
625:, the skiffle group formed by Lennon that evolved into the Beatles in 1960. Lennon was still making home recordings of the song shortly before his death in 1980. These instances demonstrate an important personal connection to the song for Lennon and may have contributed to the snippet being included on the album
1064:
I started singing "Maggie Mae," an old
Liverpudlian folk song about a prostitute . The Beatles had included it on "Let It Be" a year earlier. As I sang, the idea of a hooker popped into my head, then the jazz festival when I was 16 and then losing my virginity. It all flooded back as Martin and I got
357:
version in the 1964 musical uses the traditional tune, but changes the lyrics somewhat. It is sung in the third person and Maggie is transformed into a heroine whose departure from the streets is lamented ("some rotten
Homeward Bounder has got his grip around her"). This version was performed by
289:
mentioned in the lyrics as Maggie's fate. In the earliest known version, the protagonist is "charming Nellie Ray", who may have been a real transported prostitute and thief. The chorus is "Oh! my charming Nellie Ray, They have taken you away, You have gone to Van Dieman's cruel shore: For you've
301:
is unclear. The tune is very similar and the chorus of Hanby's song contains the lines "Oh, my darling Nellie Gray, they have taken you away, I'll never see my darling anymore". It's possible that Hanby's tune was adopted to the existing words. The same tune is used for the
571:
The version they performed was spelled "Maggie Mae" on the track listing and all four
Beatles were credited as arrangers of the traditional song, thus allowing them to collect the writers' share of the publishing income for this
638:. First, it is played for a teenage John Lennon by his mother, Julia, and he then learns to play it himself, both on the four-string banjo. Later in the film the song is shown as the first one played by Lennon's band
334:, describing it in the liner notes as "last fling of sailor balladry. It is a song that has found its way into every ship but none of the songbooks." Liz Winters and Bob Cort released a skiffle version in 1957. The
182:. He is paid off for the trip. With his wages in his pocket, he sees Maggie "cruising up and down old Canning Place". She had "a figure so divine" (either "like a frigate
45:
in
Canning Place, c. 1860. The sailor is "paid off at the Home" and meets Maggie "cruising up and down" the square. In one version of the lyrics she is wearing a "
784:""Maggie Mae" song by The Beatles. The in-depth story behind the songs of The Beatles. Recording History. Songwriting History. Song Structure and Style"
610:
did include "Maggie Mae" on the bonus disc, "Fly on the Wall" at 17 minutes and 30 seconds. This extends beyond the 39 seconds included on the original
642:, though this was not in fact their first public appearance. A performance by the cast (as "The Nowhere Boys") appears on the film's soundtrack album.
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381:(Jones later claimed that the real Maggie May lived in Duke Street and died in 1952). It was also recorded in several albums of sea shanties, by
17:
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writes that in different versions several streets are named, referring to different historical red light areas of
Liverpool, including
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sessions, in early 1969, at a point in the proceedings when they were warming up in the studio by playing old rock and roll and
1615:
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As with most folk songs, the lyrics exist in many variant forms. The song specifies several real streets in
Liverpool, notably
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song of
Liverpool origin apparently, but immensely popular among seamen all over the world". It became widely circulated in a
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song. At 39 seconds long, it is the second-shortest song released on an official
Beatles album (the shortest being "
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100:), used the song and its backstory as the basis of a musical set around the Liverpool Docks. The show, also called
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accents for the performance. A truncated version of it was included on the 1970 album drawn from those sessions,
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In the most established version, it is sung in the first person by a sailor who has come home to
Liverpool from
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writes of an early reference to the song in the diary of
Charles Picknell, a sailor on the female-convict ship
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skinned so many tailors, And you've robbed so many sailors, That we'll look for you in Peter Street no more".
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also released a version in that year. This became the best-known recording at the time, but it was banned by
197:
While the most famous version of the chorus contains the line "she'll never walk down Lime Street any more",
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Shanties from the Seven Seas: Shipboard Work Songs and Songs Used as Work Songs from the Great Days of Sail
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folk song about a prostitute who robbed a "homeward bounder": a sailor coming home from a round trip.
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729:, which was number one in the United States, the United Kingdom, Australia and Canada.
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in the original cast recording of the musical. The Bart version was regularly sung by
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craze of the era. In this period Lime Street was established as her favoured haunt.
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in 1830. This indicates that versions of the song date back to the actual period of
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580:", at 23 seconds). It was also the first cover song to appear on an album since "
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EP in 1964. The Beatles are known to have seen and discussed the Bart musical.
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This article is about the traditional folk song. For the Rod Stewart song, see
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songs that they had known and played in their teenage years. They adopt heavy
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584:" was recorded in June 1965 as the last recorded song for the group's album
322:"Maggie May" was widely performed in the late 1950s, and was adapted to the
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618:" as McCartney sings "Take it Maggie...oh, I fancy me chances with you".
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The historical relation of the song to the 1856 American slave song "
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Lime Street in the 1890s, with St. George's Hall on the left and the
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A Tanner's Worth of Tune: Rediscovering the Post-War British Musical
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Radio on its release because of the sexual content of the lyrics.
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1027:(Second Revised ed.). London: Pimlico (Rand). p. 336.
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1082:- versions by the Vipers Skiffle Group (1957) and the Beatles
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49:", the bell-shaped dress worn by the woman in the foreground.
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Revolution in the Head: The Beatles' Records and the Sixties
405:
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has said that this folk song inspired his 1971 hit single
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339:
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John, Paul, George, Ringo And Me: The Real Beatles Story
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Come on Down?: Popular Media Culture in Post-War Britain
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Mods, Rockers, and the Music of the British Invasion
996:"Pirates of the Caribbean: Dead Men Tell No Tales"
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651:, by a character named Uncle Jack, portrayed by
648:Pirates of the Caribbean: Dead Men Tell No Tales
621:The song had been a staple of the repertoire of
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158:And she'll never walk down Lime Street anymore
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156:Oh, dirty Maggie Mae they have taken her away
27:Traditional folk song from Liverpool, England
1065:into it and I started coming up with words.
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944:, Liverpool University Press, 2007, p.241.
924:"BBC Liverpool Local History - Maggie May"
632:The song appears twice in the 2010 biopic
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766:"Australian Folk Songs | Maggie May"
212:The Beatles refer to currency in the old
1631:Song recordings produced by Phil Spector
942:Writing Liverpool: Essays and Interviews
173:Two pounds ten a week, that was my pay.
36:
1651:Songs about fictional female characters
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164:That dirty, no good, robbin' Maggie Mae
14:
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900:, Boydell & Brewer, 2010, p.244-5.
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1543:Sgt. Pepper's Lonely Hearts Club Band
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1402:The Palace of the King of the Birds
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645:The song is sung in the 2017 film,
600:album, but are not included on the
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346:also sang a version on his 1958 EP
216:system; "Two pounds ten" means two
90:In 1964, the composer and lyricist
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1621:Music published by Startling Music
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160:Oh, the judge, he guilty found her
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1656:Songs published by Northern Songs
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849:The Billboard, 2 Sep 1957, p. 57.
546:A brief extract was performed by
366:, and was recorded by her on the
330:recorded it in 1956 on the album
308:Keep yor feet still Geordie hinny
802:The Kains, female convict vessel
681: – vocal, acoustic guitar (
550:in a joking manner during their
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162:For robbin' the homeward bounder
1048:Myers, Marc (20 October 2015).
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373:The song was also recorded by
209:, Peter Street and Park Lane.
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1616:Music published by Harrisongs
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1050:"Maggie May – A Song of Loss"
804:, Sullivans Cove, 1989, p.40.
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87:version from the late 1950s.
18:Maggie May (traditional song)
913:, Da Capo Press, 2005, p.83.
755:, Routledge, 1979, pp.404-6.
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273:British sea music historian
203:Shanties from the Seven Seas
110:was included on their album
94:(the creator of the musical
77:Penguin Australian Song Book
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297:" published as the work of
128:in the centre of the city.
65:No. 1757) is a traditional
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1080:"Maggie May"/"Maggie Mae"
967:Little, Brown and Company
887:, Routledge, 1992, p.305.
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820:"Maggie May (Roud 1757)"
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1450:Break-up of the Beatles
1440:The Beatles discography
1360:The Back Seat of My Car
1060:Dow Jones & Company
1055:The Wall Street Journal
874:, 29 April 1957, p. 56.
377:and by Hughie Jones of
135:' version, arranged by
43:Liverpool Sailors' Home
1088:- instrumental version
862:, ABC-CLIO, 2009, p.9.
332:English Drinking Songs
176:
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1636:Songs about Liverpool
1186:The Beatles: Get Back
1092:"Darling Nellie Gray"
788:www.beatlesebooks.com
691: – bass-line on
261:Canning Place in 1843
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79:, described it as "A
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1661:Year of song unknown
1550:Magical Mystery Tour
1346:All Things Must Pass
437:24 January 1969
393:The Beatles' version
336:Vipers Skiffle Group
287:penal transportation
1646:Songs about sailors
1626:Public domain music
1225:Across the Universe
295:Darling Nellie Gray
171:They returned me to
1666:Songwriter unknown
1611:English folk songs
1601:19th-century songs
1508:A Hard Day's Night
1487:The Beatles albums
1271:I've Got a Feeling
1172:Let It Be... Naked
883:Dominic Strinati,
824:mainlynorfolk.info
616:I Fancy Me Chances
608:Let It Be... Naked
603:Let It Be... Naked
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1606:The Beatles songs
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1321:Don't Let Me Down
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980:978-0-316-80352-6
858:James E. Perone,
697:Fender Telecaster
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283:Van Diemen's Land
168:port of Liverpool
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16:(Redirected from
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1564:Yellow Submarine
1515:Beatles for Sale
1501:With the Beatles
1494:Please Please Me
1433:Related articles
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1381:Hear Me Lord
1292:For You Blue
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1086:"Maggie May"
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1003:. Retrieved
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539:Phil Spector
417:
400:"Maggie Mae"
389:and others.
383:Cyril Tawney
379:The Spinners
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364:Judy Garland
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247:on the right
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1557:The Beatles
1529:Rubber Soul
1409:Suzy Parker
1388:Let It Down
1367:Every Night
1353:Another Day
1112:Nowhere Boy
1102:Nowhere Boy
723:Rod Stewart
703:Ringo Starr
683:Martin D-28
665:John Lennon
635:Nowhere Boy
578:Her Majesty
548:the Beatles
533:Producer(s)
410:the Beatles
387:Bob Roberts
355:Lionel Bart
328:A. L. Lloyd
275:Stan Hugill
199:Stan Hugill
184:of the line
149:Ringo Starr
137:John Lennon
126:Lime Street
108:the Beatles
92:Lionel Bart
47:crin-o-line
1595:Categories
1571:Abbey Road
1253:Maggie Mae
1218:Dig a Pony
955:Spitz, Bob
733:References
727:Maggie May
718:Other uses
368:Maggie May
344:Stan Kelly
318:Recordings
312:Joe Wilson
192:Botany Bay
103:Maggie May
59:Maggie Mae
55:Maggie May
32:Maggie May
1578:Let It Be
1473:(musical)
1471:Let It Be
1456:Let It Be
1416:Teddy Boy
1246:Let It Be
1232:I Me Mine
1211:Two of Us
1166:1970 film
1154:Let It Be
659:Personnel
627:Let It Be
612:Let it Be
598:Let It Be
565:Let It Be
517:McCartney
419:Let It Be
222:shillings
166:'Tis the
113:Let It Be
75:, in his
67:Liverpool
1536:Revolver
1464:Kum Back
1338:Outtakes
1299:Get Back
1263:Side two
1203:Side one
1108:Scene #2
1097:Scene #1
1023:(2005).
1005:24 April
985:pp 57-61
971:New York
957:(2005).
552:Get Back
521:Harrison
450:, London
434:Recorded
426:Released
220:and ten
1313:B-sides
606:album.
556:skiffle
525:Starkey
461:Skiffle
324:skiffle
304:Geordie
269:Origins
228:History
201:in his
133:Beatles
97:Oliver!
85:skiffle
81:foc'sle
57:" (or "
1395:Madman
1239:Dig It
1031:
977:
594:Dig It
560:scouse
513:Lennon
467:Length
443:Studio
306:song "
120:Lyrics
1522:Help!
1196:Songs
587:Help!
507:trad.
489:Apple
484:Label
456:Genre
448:Apple
279:Kains
1029:ISBN
1007:2018
1000:IMDb
975:ISBN
510:arr.
406:Song
353:The
147:and
131:The
63:Roud
61:") (
41:The
973:).
493:EMI
408:by
340:BBC
214:£sd
190:to
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