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A Latin inscription on the base of the niche records damage to the sculpture in 1493 - Mary was the protector of
Florence and the person who damaged the sculpture was sentenced to death. The Madonna was commissioned by the 'Arte dei Medici e Speziali' and completed around 1399. An object of great
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popular devotion, it was moved inside the church in 1628, meaning it is in a much better condition than the other thirteen sculptures in the cycle. It is now in the
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from his mother's hand. It forms part of a cycle of fourteen sculptures of the patron saints of the guilds of
Florence on the external niches of the
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church. No documents survive to precisely date it, leading to several theories and attributions. Most art historians attribute it to
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by
Donatello. It was restored in 1996, revealing it had possibly originally been painted.
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Le statue dei santi protettori delle arti fiorentine e il Museo di
Orsanmichele
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135:, a German or Flemish sculptor active in Florence in the sculpture-yard of
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179:, Quaderni del servizio educativo, Edizioni Polistampa, Firenze 2006.
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27:Sculpture attribued to Pietro di Giovanni Tedesco
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175:Paola Grifoni, Francesca Nannelli,
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18:Madonna della Rosa (Orsanmichele)
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77:220 cm (87 in)
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200:Sculptures in Orsanmichele
133:Pietro di Giovanni Tedesco
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52:Piero di Giovanni Tedesco
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195:14th-century sculptures
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105:in the external niche.
149:Museo di Orsanmichele
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86:Museo di Orsanmichele
112:Madonna of the Rose
103:Madonna of the Rose
101:The replica of the
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137:Florence Cathedral
121:Madonna della Rosa
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16:(Redirected from
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50:Attributed to
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173:(in Italian)
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154:Saint George
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125:rosa canina
189:Categories
161:References
74:Dimensions
90:Florence
82:Location
117:Italian
61:c. 1399
141:Giotto
66:Medium
47:Artist
109:The
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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