564:
247:
270:. During the summer of 1874, Smetana began to lose his hearing, and total deafness soon followed; he described the gradual, but rapid loss of his hearing in a letter of resignation to the director of the Royal Provincial Czech Theatre, Antonín Čížek. In July 1874 he began hearing anomalous noise and then a permanent buzzing. Not long after the onset he was unable to distinguish individual sounds. At the beginning of October he lost all hearing in his right ear, and finally on 20 October in his left. His treatment was based on maintaining isolation from all sounds, but was unsuccessful.
741:
672:
622:
597:
524:
300:
46:
323:
413:
1509:
1521:
683:
1549:
1319:
724:
721:. Once again, the Hussite hymn used in Tábor is quoted, though this time it is the third line which rings out in the march at the end of the piece. The original lyrics to this line in the hymn are "so that finally with Him you will always be victorious", a reference to the eventual victorious rise of the Czech state.
306:
becomes a march. A seemingly triumphant climax is cut short by a descending passage depicting the collapse of the castle, and the music falls quiet. Then the opening harp material is heard again and the music reminds again of the beauty of the castle, now in ruins. The music ends quietly, depicting the river
716:
ends, "hammering" out the motto which was left unresolved, but now continuing on, as if in the aftermath of the battle. Thus these last two tone poems of the cycle form a cohesive pair, as do the first two; the High Castle's theme returns as the Vltava's river journey triumphantly reaches that same
607:
Smetana finished composing this piece, commonly translated as "From
Bohemia's Woods and Fields" or "From Bohemian Fields and Groves", on 18 October 1875, and it received its first public performance nearly eight weeks later, on 10 December. A depiction of the beauty of the Czech countryside and its
305:
In the score two harps are required to perform the opening arpeggios. After a dominant seventh chord, the winds take up the theme, followed by the strings, before the whole orchestra is employed to reach a climax. In the next part, Smetana recalls the story of the castle, using a faster tempo which
400:
and Teplá Vltava, to the unification of both streams into a single current, the course of the Vltava through woods and meadows, through landscapes where a farmer's wedding is celebrated, the round dance of the mermaids in the night's moonshine: on the nearby rocks loom proud castles, palaces and
580:. Šárka ties herself to a tree as bait and waits to be saved by the princely knight Ctirad, deceiving him into believing that she is an unwilling captive of the rebelling women. Once released by Ctirad, who has quickly fallen in love with her, Šárka serves him and his comrades with drugged
350:
655:
547:
612:
in the strings, interrupted by a soft woodland melody of the horns, which is later taken over by the whole orchestra. In the second part, a village festival is depicted in full swing. This tone poem was originally written to be the finale of
313:
Conceived between 1872 and 1874, it is the only piece in the cycle to be mostly completed before
Smetana began to go noticeably deaf in the summer of 1874. Most performances last approximately fifteen minutes in duration.
152:. The six pieces, conceived as individual works, are often presented and recorded as a single work in six movements. They premiered separately between 1875 and 1880. The complete set premiered on 5 November 1882 in
545:
348:
349:
546:
892:
277:, and then crosses over into the tones of the castle's arsenal. This section of the music introduces the main motifs, which are used in other parts of the cycle. A four note motif (B
1525:
588:: an agreed signal to the other women. The poem ends with the warrior maidens falling upon and murdering the sleeping men. It was first performed under the baton of
1189:
295:) represents the castle of Vyšehrad; this is heard again at the end of 'Vltava' and once more, to round the whole cycle off, at the conclusion of 'Blaník'.
466:
334:
1064:
538:
438:
1045:
1155:
258:(The High Castle), composed between the end of September and 18 November 1874 and premiered on 14 March 1875 at the Philharmonic, describes the
574:
The third poem was finished on 20 February 1875 and is named for the female warrior Šárka, a central figure in the ancient Czech legend of
1271:
1569:
182:
1289:
701:
sleep. The knights will awake and help the country in its gravest hour (sometimes described as four hostile armies attacking from all
1214:
1156:"BEDŘICH SMETANA: Born March 2, 1824 in Leitomischl, Bohemia; died May 12, 1884 in Prague: Šárka from Má Vlast ("My Country") (1875)"
1084:
1029:
905:
405:; then it widens and flows toward Prague, past the Vyšehrad, and then majestically vanishes into the distance, ending at the
1111:
983:
649:
727:
658:
416:
1240:
608:
people, the tone poem tells no real story. The first part is dedicated to the grandeur of the forest with a surprising
1186:
1264:
1208:
1462:
1424:
1418:
1318:
632:
This piece, which was finished on 13 December 1878 and premiered on 4 January 1880, is named after the town of
740:
671:
621:
596:
523:
299:
1304:
796:
698:
563:
246:
723:
654:
412:
1513:
1257:
174:, with the ideals of nationalistic music of the late nineteenth century. Each poem depicts an aspect of
1594:
1589:
1584:
1579:
1539:
1489:
1162:
471:
858:
1441:
377:, was composed between 20 November and 8 December 1874 and was premiered on 4 April 1875 under
1574:
1225:
693:
Blaník was finished on 9 March 1879 and premiered on 4 January 1880. It is named for the mountain
897:
730:
661:
515:
419:
1021:
1015:
687:
568:
274:
1553:
1076:
925:
637:
585:
505:
1392:
886:
8:
1365:
576:
402:
484:" (possibly through another derivative of the original tune, "Ack Värmeland du sköna").
1357:
1312:
702:
481:
1280:
149:
37:
1080:
1025:
935:
901:
153:
113:
1333:
1017:
The classical music experience: discover the music of the world's greatest composers
1004:
The
Classical Music Lover's Companion to Orchestral Music by Robert Philip, page 754
397:
1349:
1072:
648:. The theme for the piece is quoted from the first two lines of the Hussite hymn, "
45:
1446:
1325:
1193:
510:
485:
449:
1470:
1341:
808:
500:
493:
167:
145:
134:
59:
33:
1130:
931:
428:
Vltava contains
Smetana's most famous tune. It is an adaptation of the melody
1563:
1373:
957:
385:
1234:
589:
378:
322:
157:
772:
645:
462:
430:
884:
Ottlová, Marta; Pospíšil, Milan; Tyrrell, John; St. Pierre, Kelly (2020).
592:(sources disagree whether this was on 10 December 1876 or 17 March 1877).
1494:
489:
267:
171:
1219:
388:
to evoke the sounds of one of
Bohemia's great rivers. In his own words:
259:
200:
185:, on the 12 May anniversary of the death of their composer, since 1952.
970:
792:
780:
764:
477:
694:
235:
984:"The Prague Spring Festival builds on its tradition of great music"
857:
The rapids no longer exist, having been flooded by the creation of
776:
768:
453:
273:
The poem begins with the sounds of the harp of the mythical singer
1249:
633:
230:
1134:
800:
788:
752:
641:
442:
175:
883:
682:
756:
446:
393:
307:
263:
210:
1520:
1112:"Terrence Malick's 'Tree of Life': The classical music factor"
697:
inside which a legend says that a huge army of knights led by
804:
609:
435:
381:. It is about 13 minutes long, and is in the key of E minor.
784:
760:
581:
406:
717:
destination, and again returns triumphantly at the end of
729:
Audio playback is not supported in your browser. You can
660:
Audio playback is not supported in your browser. You can
554:
553:
Performed by the
Skidmore College Orchestra. Courtesy of
418:
Audio playback is not supported in your browser. You can
973:
Official site of Žofín Palace, accessed 7 December 2016.
1537:
148:
composed between 1874 and 1879 by the Czech composer
1222:
Czech Radio programme in
English by Christian Falvey
1013:
457:. The tune also appears in an old Czech folk song,
885:
16:Set of symphonic poems composed by Bedřich Smetana
1062:
1561:
1046:"Vltava (The Moldau), symphonic… | Details"
919:
917:
584:and once they have fallen asleep she sounds a
1265:
364:
392:The composition describes the course of the
372:
1131:"Everything Will Be OK – by Don Hertzfeldt"
914:
396:, starting from the two small springs, the
123:
24:
1272:
1258:
1128:
183:Prague Spring International Music Festival
44:
1215:International Music Score Library Project
1014:Jacobson, Julius H.; Kevin Kline (2002).
986:. Radio Prague International. 27 May 2005
1109:
951:
681:
602:
562:
434:, attributed to the Italian Renaissance
401:ruins aloft. The Vltava swirls into the
321:
245:
1077:10.1093/gmo/9781561592630.article.05274
947:
945:
879:
877:
644:and serving as their centre during the
1562:
1180:
1056:
887:"Smetana, Bedřich [Friedrich]"
686:Army of knights led by St. Wenceslas:
1253:
461:("The Cat Crawls Through the Hole");
178:'s countryside, history, or legends.
133:
964:
942:
874:
1279:
496:hit, "A Walk in the Black Forest."
266:which was the seat of the earliest
13:
954:Booklet to Decca recording 4833187
923:
746:
652:" ("Ye Who Are Warriors of God").
363:, also known by its English title
14:
1606:
1235:Sheet music of piano duet version
1202:
1129:Hertzfeldt, Don (31 March 2011).
1020:. New York: Sourcebooks. p.
445:form, was also the basis for the
1547:
1519:
1508:
1507:
1317:
739:
670:
620:
595:
543:
522:
346:
298:
1570:Compositions by Bedřich Smetana
1148:
1122:
1103:
1038:
250:Vyšehrad above the Vltava River
225:From Bohemia's Woods and Fields
1220:A symphonic poem to the nation
1007:
998:
976:
927:Smetana. Má vlast (My Country)
851:
836:, common translations include
832:Though usually referred to as
826:
1:
1305:The Brandenburgers in Bohemia
1245:(comparative CD review, 2006)
1187:Cincinnati Symphony Orchestra
814:
726:
657:
415:
384:In this piece, Smetana uses
188:
7:
492:version of the tune on his
241:
10:
1611:
1490:Moravian traditional music
1237:(arranged by the composer)
1063:Hill, John Walter (2001).
867:
310:flowing below the castle.
181:The works have opened the
1503:
1482:
1455:
1434:
1411:
1384:
1296:
1287:
952:Holloway, Amanda (2018).
677:
499:The piece is featured in
365:
317:
109:
98:5 November 1882
94:
89:
81:
65:
55:
43:
32:
23:
1110:David Ng (5 July 2011).
819:
627:
529:
196:consists of six pieces:
1099:(subscription required)
1071:. Oxford Music Online.
898:Oxford University Press
751:The work is scored for
731:download the audio file
662:download the audio file
650:Ktož jsú boží bojovníci
441:, which, in a borrowed
420:download the audio file
223:Z českých luhů a hájů (
1442:Bedřich Smetana Museum
690:
571:
411:
373:
327:
251:
124:
25:
685:
603:Z českých luhů a hájů
566:
506:Everything Will Be OK
390:
325:
249:
1425:String Quartet No. 2
1419:String Quartet No. 1
1290:List of compositions
1192:4 April 2015 at the
938: 9790260106000.
859:Štěchovice Reservoir
326:The Vltava in Prague
131:Czech pronunciation:
50:Smetana, before 1880
1228:of the second poem
924:Bartoš, František.
703:cardinal directions
168:symphonic poem form
1464:The Bartered Bride
1377:(1884, incomplete)
1313:The Bartered Bride
1069:Grove Music Online
893:Grove Music Online
712:begins exactly as
691:
572:
567:Šárka and Ctirad:
482:Dear Old Stockholm
467:Song of the Moldau
328:
252:
144:, is a set of six
135:[maːvlast]
1595:1879 compositions
1590:1878 compositions
1585:1875 compositions
1580:1874 compositions
1535:
1534:
1116:Los Angeles Times
1086:978-1-56159-263-0
1065:"Cenci, Giuseppe"
1031:978-1-57071-950-9
907:978-1-56159-263-0
735:
666:
548:
480:performed it as "
465:used it for his "
424:
371:, and the German
351:
138:), also known as
120:
119:
1602:
1552:
1551:
1550:
1543:
1523:
1511:
1510:
1483:Related articles
1456:Film adaptations
1385:Orchestral works
1366:The Devil's Wall
1321:
1274:
1267:
1260:
1251:
1250:
1213:: Scores at the
1196:
1184:
1178:
1177:
1175:
1173:
1168:on 10 March 2013
1167:
1161:. Archived from
1160:
1152:
1146:
1145:
1143:
1141:
1126:
1120:
1119:
1107:
1101:
1100:
1097:
1095:
1093:
1060:
1054:
1053:
1042:
1036:
1035:
1011:
1005:
1002:
996:
995:
993:
991:
980:
974:
968:
962:
961:
949:
940:
939:
921:
912:
911:
896:(8th ed.).
889:
881:
861:
855:
849:
830:
743:
674:
624:
599:
577:The Maidens' War
550:
549:
526:
516:The Tree of Life
475:
459:Kočka leze dírou
403:St John's Rapids
376:
370:
369:
353:
352:
302:
294:
293:
288:
287:
282:
281:
254:The first poem,
156:, Prague, under
137:
132:
127:
105:
103:
76:
74:
48:
28:
21:
20:
1610:
1609:
1605:
1604:
1603:
1601:
1600:
1599:
1575:Symphonic poems
1560:
1559:
1558:
1554:Classical music
1548:
1546:
1538:
1536:
1531:
1499:
1478:
1451:
1447:Smetana Quartet
1430:
1407:
1380:
1292:
1283:
1281:Bedřich Smetana
1278:
1205:
1200:
1199:
1194:Wayback Machine
1185:
1181:
1171:
1169:
1165:
1158:
1154:
1153:
1149:
1139:
1137:
1127:
1123:
1108:
1104:
1098:
1091:
1089:
1087:
1061:
1057:
1044:
1043:
1039:
1032:
1012:
1008:
1003:
999:
989:
987:
982:
981:
977:
969:
965:
950:
943:
922:
915:
908:
882:
875:
870:
865:
864:
856:
852:
831:
827:
822:
817:
749:
747:Instrumentation
737:
736:
734:
688:Věnceslav Černý
680:
668:
667:
665:
640:founded by the
630:
605:
569:Věnceslav Černý
561:
560:
559:
558:
557:
551:
544:
541:
532:
511:Terrence Malick
486:Horst Jankowski
469:
450:national anthem
426:
425:
423:
358:
357:
356:
355:
354:
347:
344:
320:
291:
290:
285:
284:
279:
278:
244:
205:The High Castle
191:
170:, pioneered by
150:Bedřich Smetana
146:symphonic poems
130:
101:
99:
72:
70:
51:
38:Bedřich Smetana
34:Symphonic poems
17:
12:
11:
5:
1608:
1598:
1597:
1592:
1587:
1582:
1577:
1572:
1557:
1556:
1533:
1532:
1530:
1529:
1517:
1504:
1501:
1500:
1498:
1497:
1492:
1486:
1484:
1480:
1479:
1477:
1476:
1468:
1459:
1457:
1453:
1452:
1450:
1449:
1444:
1438:
1436:
1432:
1431:
1429:
1428:
1422:
1415:
1413:
1409:
1408:
1406:
1405:
1397:
1388:
1386:
1382:
1381:
1379:
1378:
1370:
1362:
1354:
1346:
1342:The Two Widows
1338:
1330:
1322:
1309:
1300:
1298:
1294:
1293:
1288:
1285:
1284:
1277:
1276:
1269:
1262:
1254:
1248:
1247:
1238:
1232:
1223:
1217:
1204:
1203:External links
1201:
1198:
1197:
1179:
1147:
1121:
1102:
1085:
1055:
1037:
1030:
1006:
997:
975:
963:
941:
913:
906:
872:
871:
869:
866:
863:
862:
850:
824:
823:
821:
818:
816:
813:
748:
745:
728:
725:
699:St. Wenceslaus
679:
676:
659:
656:
629:
626:
604:
601:
552:
542:
537:
536:
535:
534:
533:
531:
528:
509:(2006) and in
503:'s short film
501:Don Hertzfeldt
494:easy listening
439:Giuseppe Cenci
417:
414:
345:
333:
332:
331:
330:
329:
319:
316:
243:
240:
239:
238:
233:
228:
221:
218:
208:
190:
187:
118:
117:
111:
107:
106:
96:
92:
91:
87:
86:
83:
79:
78:
67:
63:
62:
57:
53:
52:
49:
41:
40:
30:
29:
15:
9:
6:
4:
3:
2:
1607:
1596:
1593:
1591:
1588:
1586:
1583:
1581:
1578:
1576:
1573:
1571:
1568:
1567:
1565:
1555:
1545:
1544:
1541:
1528:
1527:
1522:
1518:
1516:
1515:
1506:
1505:
1502:
1496:
1493:
1491:
1488:
1487:
1485:
1481:
1474:
1473:
1469:
1466:
1465:
1461:
1460:
1458:
1454:
1448:
1445:
1443:
1440:
1439:
1437:
1433:
1426:
1423:
1420:
1417:
1416:
1414:
1412:Chamber music
1410:
1403:
1402:
1398:
1395:
1394:
1390:
1389:
1387:
1383:
1376:
1375:
1371:
1368:
1367:
1363:
1360:
1359:
1355:
1352:
1351:
1347:
1344:
1343:
1339:
1336:
1335:
1331:
1328:
1327:
1323:
1320:
1315:
1314:
1310:
1307:
1306:
1302:
1301:
1299:
1295:
1291:
1286:
1282:
1275:
1270:
1268:
1263:
1261:
1256:
1255:
1252:
1246:
1244:
1239:
1236:
1233:
1231:
1227:
1224:
1221:
1218:
1216:
1212:
1211:
1207:
1206:
1195:
1191:
1188:
1183:
1164:
1157:
1151:
1136:
1132:
1125:
1117:
1113:
1106:
1088:
1082:
1078:
1074:
1070:
1066:
1059:
1051:
1047:
1041:
1033:
1027:
1023:
1019:
1018:
1010:
1001:
985:
979:
972:
967:
959:
958:Decca Records
955:
948:
946:
937:
933:
929:
928:
920:
918:
909:
903:
899:
895:
894:
888:
880:
878:
873:
860:
854:
847:
843:
839:
838:My Fatherland
835:
829:
825:
812:
810:
806:
802:
798:
794:
790:
786:
782:
778:
774:
770:
766:
762:
758:
754:
744:
742:
732:
722:
720:
715:
711:
706:
704:
700:
696:
689:
684:
675:
673:
663:
653:
651:
647:
643:
639:
638:South Bohemia
635:
625:
623:
618:
616:
611:
600:
598:
593:
591:
587:
583:
579:
578:
570:
565:
556:
540:
527:
525:
520:
518:
517:
512:
508:
507:
502:
497:
495:
491:
487:
483:
479:
473:
468:
464:
460:
456:
455:
451:
448:
444:
440:
437:
433:
432:
421:
410:
408:
404:
399:
395:
389:
387:
386:tone painting
382:
380:
375:
368:
362:
343:
341:
337:
324:
315:
311:
309:
303:
301:
296:
276:
271:
269:
265:
261:
257:
248:
237:
234:
232:
229:
226:
222:
219:
216:
212:
209:
206:
202:
199:
198:
197:
195:
186:
184:
179:
177:
173:
169:
166:combines the
165:
161:
159:
155:
151:
147:
143:
142:
141:My Fatherland
136:
128:
126:
115:
112:
108:
97:
93:
88:
84:
80:
68:
64:
61:
58:
54:
47:
42:
39:
35:
31:
27:
22:
19:
1524:
1512:
1471:
1463:
1400:
1399:
1391:
1372:
1364:
1356:
1348:
1340:
1332:
1324:
1311:
1303:
1242:
1229:
1209:
1182:
1170:. Retrieved
1163:the original
1150:
1138:. Retrieved
1124:
1115:
1105:
1090:. Retrieved
1068:
1058:
1049:
1040:
1016:
1009:
1000:
988:. Retrieved
978:
971:Žofín Palace
966:
960:. p. 3.
953:
926:
891:
853:
845:
841:
837:
833:
828:
773:French horns
750:
738:
718:
713:
709:
707:
692:
669:
646:Hussite Wars
631:
619:
614:
606:
594:
586:hunting horn
575:
573:
521:
514:
504:
498:
463:Hanns Eisler
458:
452:
431:La Mantovana
429:
427:
391:
383:
366:
360:
359:
339:
335:
312:
304:
297:
272:
255:
253:
224:
214:
204:
193:
192:
180:
163:
162:
154:Žofín Palace
140:
139:
122:
121:
114:Žofín Palace
18:
1475:(1956 film)
1467:(1932 film)
1092:21 February
932:Bärenreiter
846:My Homeland
708:Musically,
470: [
268:Czech kings
172:Franz Liszt
1564:Categories
1393:Hakon Jarl
1358:The Secret
1241:Ates Orga
1226:Full score
1140:14 January
990:27 January
842:My Country
815:References
590:Adolf Čech
490:syncopated
379:Adolf Čech
374:Die Moldau
367:The Moldau
340:Die Moldau
262:castle in
215:The Moldau
158:Adolf Čech
102:1882-11-05
1435:Namesakes
1427:(1882–83)
1404:(1872–79)
1396:(1860–61)
1316:(1866)
793:bass drum
781:trombones
765:clarinets
488:played a
478:Stan Getz
342:) (12:51)
189:Structure
82:Movements
1514:Category
1401:Má vlast
1350:The Kiss
1243:Má vlast
1210:Ma vlast
1190:Archived
1172:21 April
1050:AllMusic
834:Má vlast
797:triangle
779:, three
777:trumpets
769:bassoons
642:Hussites
615:Má vlast
519:(2011).
454:Hatikvah
443:Romanian
292:♭
286:♭
280:♭
260:Vyšehrad
256:Vyšehrad
242:Vyšehrad
201:Vyšehrad
194:Má vlast
164:Má vlast
125:Má vlast
116:, Prague
110:Location
90:Premiere
66:Composed
60:Romantic
26:Má vlast
1472:Dalibor
1326:Dalibor
1135:YouTube
868:Sources
809:strings
801:cymbals
789:timpani
771:, four
753:piccolo
555:Musopen
476:"; and
447:Israeli
398:Studená
176:Bohemia
100: (
71: (
1540:Portal
1495:Skočná
1421:(1876)
1369:(1882)
1361:(1878)
1353:(1876)
1345:(1874)
1337:(1872)
1334:Libuše
1329:(1868)
1308:(1863)
1230:Vltava
1083:
1028:
904:
844:, and
807:, and
803:, two
775:, two
767:, two
763:, two
759:, two
757:flutes
755:, two
719:Blaník
710:Blaník
695:Blaník
678:Blaník
394:Vltava
361:Vltava
336:Vltava
318:Vltava
308:Vltava
264:Prague
236:Blaník
211:Vltava
56:Period
1526:Audio
1374:Viola
1297:Opera
1166:(PDF)
1159:(PDF)
820:Notes
805:harps
761:oboes
714:Tábor
634:Tábor
628:Tábor
610:fugue
539:Šárka
530:Šárka
474:]
436:tenor
275:Lumír
231:Tábor
220:Šárka
1174:2013
1142:2022
1094:2010
1081:ISBN
1026:ISBN
992:2024
936:ISMN
902:ISBN
785:tuba
582:mead
407:Elbe
289:–D–B
95:Date
73:1874
69:1874
1073:doi
1022:122
705:).
636:in
513:'s
77:–79
36:by
1566::
1133:.
1114:.
1079:.
1067:.
1048:.
1024:.
956:.
944:^
934:.
930:.
916:^
900:.
890:.
876:^
840:,
811:.
799:,
795:,
791:,
787:,
783:,
617:.
472:de
283:–E
160:.
1542::
1273:e
1266:t
1259:v
1176:.
1144:.
1118:.
1096:.
1075::
1052:.
1034:.
994:.
910:.
848:.
733:.
664:.
422:.
409:.
338:(
227:)
217:)
213:(
207:)
203:(
129:(
104:)
85:6
75:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
.jpg)
.jpg)