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He painted with a metal ring of his own devising; attached to his right forearm, with screw-on clips to hold a brush, pen or piece of charcoal. Eventually, persecution of the uprising's participants intensified so, on the strength of his work with Gerson, he went to Munich and was allowed to enroll
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When he returned to Poland, he visited the gravesite of fellow insurgents who had been killed in the battle he survived. As a result, he was arrested on suspicion of "agitation" and briefly detained in the
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In addition to his art, he produced three volumes of poetry; one each for the 40th, 50th, and 60th anniversaries of the
January Uprising. He also wrote a book about
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He attended primary school in Warsaw then, in 1861, following in his father's footsteps, he went to the "Institute of Forest
Management Practices" in
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259:(with whom he frequently argued) and his role as a critic. In 1893, as an amateur chess player, he was involved in the creation of the
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Stanisław
Witkiewicz jako krytyk: jego pojęcia, zasady i teorye w malarstwie. Rozbiór krytyczny
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Prosthetic attachment made for
Benedyktowicz to allow him to paint after his arm was amputated
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After being released for lack of evidence, he moved to
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159:to study forestry with its founder, Professor
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166:He interrupted his studies to join the
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129:Ludomir Ludwik Dominik Benedyktowicz
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181:. During a skirmish with a
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272:Hieronim Czarnowski
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