50:, a common background for the first generation of actresses in Italy: this was a good background for an actress because courtisans of that class were normally instructed in singing, declamation, music and dance, subjects otherwise rarely attainable for women, and the fact that she was noted with no last name in combination with the honorary title
38:
theatre company in Rome on 10 October 1564, in which she is stated to be able to sing, do declamation and play music. This is the first time any professional actress is mentioned in Italy since antiquity and the first time any actress known by name to perform in
Commedia dell'artre. All other members
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1564), was an
Italian stage actress. She is known as the first identified female actor in Europe since antiquity.
119:
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Mirella Schino, Dodici schede sul teatro italiano in Glynne
Wickham, Storia del Teatro, Il Mulino, Bologna 1988
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After this, actresses became common in Italy, and she was followed only three years later by
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54:(a common way of address for courtesans), supports this assumption.
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The
Palgrave Handbook of the History of Women on Stage
34:She signed a signature for an acting contract by a
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42:She is assumed to have been a former
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115:16th-century Italian actresses
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39:of the company were men.
89:Jan Sewell, Clare Smout,
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120:Italian stage actresses
16:Italian stage actress
125:Italian courtesans
110:Commedia dell'arte
36:Commedia dell'arte
48:cortigiana onesta
20:Lucrezia Di Siena
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63:Barbara Flaminia
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59:Vincenza Armani
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104:Categories
69:References
44:courtesan
52:Domina
30:Career
61:and
46:, a
24:fl.
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22:(
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