38:. She is mentioned as performing in Vienna in 1569 and in Prague in 1570, where she was likely the first actress known by name to have performed. She was active in Paris in 1570–74 and in Spain 1574–84. Throughout her career she was incredibly popular with the public, who flocked to her performances.
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She is first mentioned in a performance in
Mantova in 1562, where she was noted to have been from Rome. She was engaged in the Comedia dell'arte Hortensia, the Desiosi company and the "Compagnia del Ganassi", and she performed at the court of
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At some point she married
Alberto Naselli, a comedian and actor who lead a troupe under the stage name Zan Ganassa. She toured the courts of Europe as part of her husband's troupe, often under her own stage name, Hortensia.
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70:"Barbara Flaminia attrice e cantante tra piazza, corte e accademia : Ipotesi di collaborazioni con Giorgio Vasari, Bernardo e Torquato Tasso"
22:(1540–1586) was an Italian stage actress. She was one of the earliest actresses known in Europe and internationally known in her time. She and
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Barbara
Flaminia attrice e cantante tra piazza, corte e accademia: ipotesi di collaborazioni con Giorgio Vasari, Bernardo e Torquato Tasso
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Staršà divadlo v ÄŤeskĂ˝ch zemĂch do konce 18. stoletĂ. Osobnosti a dĂla, ed. A. Jakubcová, Praha: DivadelnĂ Ăşstav – Academia 2007
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Staršà divadlo v ÄŤeskĂ˝ch zemĂch do konce 18. stoletĂ. Osobnosti a dĂla, ed. A. Jakubcová, Praha: DivadelnĂ Ăşstav – Academia 2007
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were the two most famed actresses in Italy in the 1560s and were described as great rivals.
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Theatre
Cultures within Globalising Empires: Looking at Early Modern England and Spain
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Itinerarios e Investigaciones en la Literatura y Cultura Italiana
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158:"Le pioniere dell'Arte: Barbara Flaminia e Vincenza Armani"
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304:European Theatre Performance Practice, 1580-1750
328:KĂĽpper, Joachim; Pawlita, Leonie (2018-08-06).
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210:"The Traveling Diva and Generic Innovation"
117:"Border-Crossing in the Commedia dell'Arte"
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16:Italian stage actress
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341:978-3-11-061203-5
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