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Lucca Madonna

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706: 33: 118: 167:, (bullseyes), set within a lead lattice framework. The right side wall is a mirror image to the window, while a shelf contains empty candlestick and a half-filled glass carafe, or flask. There is a large bowl or sink on the lower ledge. The floor tiles are formed from blue and white, geometrical patterns, mostly covered by the carpet centered around the base of the throne. 353:
Cosimo 'il Vecchio' de' Medici, 1389-1464: essays in commemoration of the 600th anniversary of Cosimo de' Medici's birth : including papers delivered at the Society for Renaissance Studies Sexcentenary Symposium at the Warburg Institute, London, 19 May
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The two fruits on the windowsill have not been positively identified, but they are either apples or oranges, both of which would be allusions to paradise. The window is crafted with
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where water for the priest to wash his hands was kept, all contribute to the comparison. The unusual shape of the room, very narrow for such a large chair, suggests a small chapel.
82:. Its carpentry suggests it was once the inner panel of a triptych, while its small size indicates it was meant for private devotion. The painting is in the collection of the 1082: 152:, in that she supports the infant Christ on her lap, shown oversized and flattened, just as the altar supports the presence of Christ in the host at 1016: 737: 105:
in the early 19th century. It is one of the latest works by Jan van Eyck. The Virgin has been identified as a portrait of the painters's wife,
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As in many paintings by van Eyck and his contemporaries, this comparison is further elaborated by specifically depicting Mary similar to an
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The Virgin sits on a wooden throne crowned by a canopy, with four small lion statues made of brass. This is a reference to the
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put it: "the throne of the true Solomon is the most Blessed Virgin Mary, In which sat Jesus Christ, the true wisdom."
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is one of six extant Madonna paintings by van Eyck that are dated to the period between his completion of the
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The Altar and the Altarpiece, Sacramental Themes in Early Netherlandish Painting
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Harbison, Craig. "Jan van Eyck: The Play of Realism". Reaktion Books, 1997.
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seated on a wooden throne and crowned by a canopy, breastfeeding the infant
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Fokus auf Jan van Eyck: Lukas Madonna, um 1437/1438 (Inv. Nr. 944)
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Petrus Christus: His Place in Fifteenth-Century Flemish Painting
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On Display: Visual Politics, Material Culture, and Education
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Van Eyck – die Begründer der altniederländischen Malerei
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Society for Renaissance Studies (Great Britain) (1992).
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which had twelve lions on the sides and steps. The
1083:Christ on the Cross with the Virgin and Saint John 109:, of whom van Eyck also made a secular portrait. 1127: 170: 251: 286: 575: 421:. Insel Taschenbuchverlag, Frankfurt 1986, 419:Besuch im Städel – Betrachtungen zu Bildern 282: 280: 582: 568: 74:, painted in approximately 1437. It shows 781:Virgin and Child with Canon van der Paele 681:Portrait of Giovanni di Nicolao Arnolfini 287:Priem, Karin; te Heesen, Kerstin (2016). 480:. Publication of the Städel Museum, 2006 277: 116: 31: 377:1 Kings 10:18-20 and Chronicles 9:17-19 185:and his death in June 1441. These are: 14: 1128: 841:Crucifixion and Last Judgement Diptych 636:Portrait of Cardinal Niccolò Albergati 615:Portrait of a Man with a Blue Chaperon 563: 322: 914:Study for Cardinal Niccolò Albergati 738:Saint Francis Receiving the Stigmata 471:The Marian Paintings of Jan van Eyck 97:as it belonged to the collection of 24: 1151:Paintings of the Madonna and Child 644:Portrait of a Man (Self Portrait?) 25: 1162: 491: 1043:Portrait of a Man with Carnation 951:Portrait of Isabella of Portugal 704: 589: 497: 459:. Prestel Verlag, MĂĽnchen 1989, 357:. Clarendon Press. p. 235. 133:mixes the earlier style of the " 998:Madonna of Nicolas van Maelbeke 293:. Waxmann Verlag. p. 108. 660:Portrait of Baudouin de Lannoy 398: 389: 380: 371: 343: 316: 307: 112: 13: 1: 1086: 1065: 1033: 1020: 980: 967: 954: 930: 917: 884: 857: 844: 792: 755: 741: 728: 694:Portrait of Margaret van Eyck 684: 663: 618: 411: 234:List of works by Jan van Eyck 171:Position in van Eyck's oeuvre 195:of 1437, where, like in the 143:Speculum Humanae Salvationis 7: 1017:The Three Marys at the Tomb 765:Madonna of Chancellor Rolin 323:Upton, Joel Morgan (1990). 227: 217:Madonna of Chancellor Rolin 10: 1167: 990:Vera Icon (Head of Christ) 445:. Harper & Row, 1984, 239: 44:on panel, 65.7 x 49.6 cm. 1141:Paintings by Jan van Eyck 1106: 1096:Saint Jerome in His Study 1053: 1008: 942: 897: 869: 820: 713: 702: 606: 597: 99:Charles II, Duke of Parma 46:Städelsches Kunstinstitut 673:Portrait of Jan de Leeuw 541:"Fokus auf Jan van Eyck" 519:"van Eyck Lucca Madonna" 244: 27:Painting by Jan van Eyck 18:Lucca Madonna (van Eyck) 1146:Paintings in the Städel 927:Study for a Crucifixion 802:Madonna at the Fountain 417:Gallwitz, Klaus (ed). 122: 53: 789:Madonna in the Church 476:Sander, Jochen (ed). 205:Madonna in the Church 120: 35: 1030:The Fountain of Life 68:Early Netherlandish 810:Madonna of Jan Vos 652:Arnolfini Portrait 504:Digital Collection 123: 54: 1123: 1122: 1075:Ince Hall Madonna 964:Saint Christopher 880:Turin–Milan Hours 836:, completed 1432) 469:Purtle, Carol J. 364:978-0-19-817394-6 300:978-3-8309-8469-6 127:throne of Solomon 16:(Redirected from 1158: 1091: 1088: 1070: 1069: 1430–1432 1067: 1038: 1035: 1025: 1022: 985: 982: 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Retrieved 544: 529:. Retrieved 522: 507:. Retrieved 503: 485:Jan van Eyck 484: 477: 470: 456: 442: 418: 400: 391: 382: 373: 352: 345: 325: 318: 313:Harbison, 97 309: 289: 267:. Retrieved 262: 253: 215: 203: 196: 190: 180: 176: 174: 162: 147: 137:" with the " 124: 94: 92: 72:Jan van Eyck 64:oil painting 58: 57: 55: 37: 29: 1090: 1435 1062:Crucifixion 1037: 1432 984: 1434 971: 1460 934: 1440 921: 1432 888: 1420 883:("Hand G", 872:manuscripts 870:Illuminated 861: 1437 813:(1441–1443) 688: 1438 667: 1435 622: 1430 547:(in German) 527:(in German) 404:Purtle, 110 165:crown glass 141:". As the 131:iconography 113:Iconography 1130:Categories 821:Polyptychs 412:References 107:Margaretha 1116:(brother) 1009:Contested 607:Portraits 88:Frankfurt 52:, Germany 50:Frankfurt 1054:Workshop 898:Drawings 726:(Madrid) 395:Lane, 16 386:Lane, 15 228:See also 86:Museum, 40:, 1436. 1107:Related 240:Sources 158:piscina 70:master 66:by the 1099:(1442) 1046:(1435) 909:(1437) 832:(with 805:(1439) 784:(1436) 776:(1436) 768:(1435) 697:(1439) 676:(1436) 655:(1434) 647:(1433) 639:(1432) 631:(1432) 551:7 July 531:7 July 509:7 July 463:  449:  435:  425:  361:  333:  297:  269:7 July 263:Artble 121:Detail 84:Städel 80:Christ 62:is an 716:works 245:Notes 150:altar 103:Lucca 943:Lost 553:2023 533:2023 511:2023 461:ISBN 447:ISBN 433:ISBN 423:ISBN 359:ISBN 354:1989 331:ISBN 295:ISBN 271:2023 214:The 202:The 189:The 175:The 154:Mass 101:and 76:Mary 56:The 524:ZDF 42:Oil 1132:: 1087:c. 1066:c. 1034:c. 1021:c. 981:c. 968:c. 955:c. 931:c. 918:c. 885:c. 858:c. 845:c. 793:c. 756:c. 742:c. 729:c. 685:c. 664:c. 619:c. 543:. 521:. 502:. 279:^ 261:. 220:, 208:, 90:. 48:, 890:) 583:e 576:t 569:v 555:. 535:. 513:. 367:. 339:. 303:. 273:. 20:)

Index

Lucca Madonna (van Eyck)

Oil
Städelsches Kunstinstitut
Frankfurt
oil painting
Early Netherlandish
Jan van Eyck
Mary
Christ
Städel
Frankfurt
Charles II, Duke of Parma
Lucca
Margaretha

throne of Solomon
iconography
Nursing Madonna
Throne of Wisdom
Speculum Humanae Salvationis
altar
Mass
piscina
crown glass
Ghent Altarpiece
Dresden Triptych
Madonna in the Church
Gemäldegalerie
Madonna of Chancellor Rolin

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