231:
690:
670:
650:
763:
726:
207:
192:
218:
745:
704:
176:
31:
157:
165:
387:
is one of the possible reasons given for the building having survived when most of the other Buen Retiro palace complex buildings were demolished in the nineteenth century, now it's an annex of the Prado Museum
Complex that holds a library for researchers. He also painted part of the frescoes at the
427:
After his return to Naples early in 1702, Giordano continued to paint prolifically. Executed in a lighter, less rhetorical style, these late works, prefiguring Rococo, proved influential throughout the eighteenth century, and were admired by
435:
He spent large sums in acts of munificence, and was particularly liberal to poorer artists. One of his maxims was that the good painter is the one whom the public like, and that the public are attracted more by colour than by design.
260:, which translates into "Luca paints quickly." His speed, in design as well as handiwork, and his versatility, which enabled him to imitate other painters deceptively, earned for him two other epithets, "The Thunderbolt" (
669:
253:
and his early work was heavily influenced by his teacher. Like Ribera, he painted many half-length figures of philosophers, either imaginary portraits of specific figures, or generic types.
744:
439:
Giordano had an astonishing facility, which often lead to an impression of superficiality of his works. He left many works in Rome, and far more in Naples. Of the latter, his
1074:
689:
315:. They include the prototypic hagiographic celebration of the Medici family in the center, surrounded by a series of interlocking narratives: allegorical figures (the
1025:, Volumes 1-2, By Giovanni Battista Gennaro Grossi, Tipografia del Giornale Enciclopedico, Strada del Salvadore a Sant'Angelo a Nilo #48, Naples (1820); page 197.
603:. He also painted much on the crystal borderings of looking-glasses, cabinets and others seen in many Italian palaces, and was, in this form of art, the master of
1245:
623:
painter, speedy, prolific, dazzling in colour, assured in draughtsmanship, ever-talented and never touching the fringe of genius." He has been viewed as a proto-
593:
762:
703:
581:
565:
312:
649:
569:
561:
308:
604:
533:
230:
557:
549:
359:. He stayed there for ten years, returning to Naples in 1702, following Charles' death. While in Spain, he painted major decorative schemes at the
589:
393:
725:
271:
and Venice, Giordano developed an elaborate
Baroque style fusing Venetian and Roman influences. His mature work combines the ornamental pomp of
403:
Giordano was popular at the
Spanish court, and the king granted him the title of "caballero". His works can be seen all around Madrid, and the
553:
408:
1293:
912:
857:
1384:
508:. However, his influence, like his travels and career, were broad and prolific. For example, he is said to have influenced in Venice,
1221:
307:. The vast frescoes of the latter are contained in the 1670s gallery addition, overlooking the gardens. The planning was overseen by
1344:
1285:
1180:
675:
1379:
1374:
389:
1301:
1277:
1237:
1261:
1008:
A Biographical
History of the Fine Arts, Being Memoirs of the Lives and Works of Eminent Painters, Sculptors and Architects
222:
1155:, a full text exhibition catalog from The Metropolitan Museum of Art, which includes material on Luca Giordano (see index)
638:
489:. In later years, he painted influential frescoes for the Cappella Corsini, the Palazzo Medici-Riccardi and other works.
1151:
1364:
1309:
962:
292:
937:
599:
As a young man, Giordano engraved works with considerable skill, including some of his own paintings, such as the
1349:
1198:
1359:
1354:
1117:
1229:
1173:
1131:
492:
Giordano died in Naples in 1705. Sources differ as to whether he died on 3 January or 12 January 1705.
250:
796:
1253:
1213:
769:
624:
412:
661:
474:
1269:
681:
513:
447:, a colossal work, full of expressive "lazzaroni" or beggars from Naples; also the frescoes of the
372:
1145:
429:
384:
287:
In 1682–1683 Giordano painted various fresco series in
Florence, including one in the dome of the
1369:
1067:
304:
1166:
735:
655:
537:
452:
296:
851:
206:
486:
466:
245:, Giordano was the son of the painter Antonio Giordano. In around 1650 he was apprenticed to
1055:. Catalogue of an exhibition held at the Royal Academy, London. London: Royal Academy. 1982.
1339:
1334:
883:
615:
Giordano has been criticized as being a prolific trader of all styles, and master of none.
185:
1140:
191:
8:
525:
356:
295:. In the large block occupied by the former Medici palace, he painted the ceiling of the
30:
1061:
1006:
627:, reanimating that grand manner of Cortona in a style that would brighten with Tiepolo.
585:
545:
505:
444:
360:
217:
573:
541:
529:
276:
64:
1146:
Work of the month – Erminia and the
Shepherds – Ducal House of Medinaceli Foundation
791:
521:
509:
501:
368:
175:
1022:
455:
404:
246:
199:
1127:
577:
397:
288:
1328:
846:
752:
616:
517:
469:. This church contains the artist's own tomb. Other notable examples are the
272:
478:
392:
and many pictures for the court, private patrons and churches. His pupils,
156:
419:
long term loan, belonging to
Baroness Carmen Thyssen Private Collection.
364:
861:. Vol. 12 (11th ed.). Cambridge University Press. p. 31.
180:
125:
850:
164:
717:
141:
99:
457:, and those in the Tesoro della Certosa, including the subject of
1036:
Rococo to
Revolution: Major Trends in Eighteenth-Century Painting
407:
houses a large compilation of his works. Not far from there, the
129:
121:
109:
1158:
1121:
1093:, in "Strenna Piacentina 2011" - Amici dell'Arte, Piacenza 2011
713:
620:
462:
380:
242:
145:
133:
60:
268:
120:(18 October 1634 – 3 January 1705) was an Italian late-
913:"Giordano, Luca - The Collection - Museo Nacional del Prado"
1135:
279:. He is also noted for his lively and showy use of colour.
137:
938:"Búsqueda por autor - Catálogo digital de pinturas RABASF"
1060:
De
Dominici, Bernardo (1729). Francesco Ricciardo (ed.).
1053:
Painting in Naples 1606-1705: From
Caravaggio to Giordano
1063:
Vita del Cavaliere D. Luca Giordano, pittore napoletano'
275:
with the lively complex schemes, the "grand manner", of
1246:
The Patron Saints of Naples Adoring Christ on the Cross
1076:
Encyclopædia Britannica 2004 Ultimate Reference Suite
355:
In 1692 Giordano went to Spain at the invitation of
350:
756:, 1684–1686, fresco in the Palazzo Medici-Riccardi
132:. Fluent and decorative, he worked successfully in
411:owns several of his works and in the neighboring
1326:
1130:in English about Luca Giordano both in web and
1174:
1105:Luca Giordano: la grande pala in Santa Teresa
409:Real Academia de Bellas Artes de San Fernando
1107:, in "Panorama Musei", anno XVII, n. 1, 2012
1091:Importanti opera di Luca Giordano a Piacenza
895:
893:
891:
441:Christ expelling the Traders from the Temple
1086:, Napoli, varie edizioni (1966, 1992, 2000)
1059:
1181:
1167:
151:
29:
888:
845:
237:, CasĂłn del Buen Retiro, Madrid, c. 1694
229:
216:
205:
190:
174:
163:
155:
1066:. Francesco RIcciardo, Naples. p.
1004:
751:Triumph of the Medici in the clouds of
619:remarks of him "Giordano was the ideal
1327:
1011:. Philadelphia: G. Gebbie. p. lm.
610:
422:
390:Church of Saint Anthony of the Germans
1162:
1118:60 artworks by or after Luca Giordano
1045:
536:(il Franceschitto or Francesquitto),
483:Christ with the Doctors in the Temple
267:Following a period studying in Rome,
148:, before spending a decade in Spain.
841:
839:
837:
835:
833:
831:
829:
773:, 1663, Museo di Capodimonte, Naples
639:Category:Paintings by Luca Giordano
333:The Triumphal procession of Bacchus
16:Italian Baroque painter (1634–1705)
13:
716:in the Palazzo Medici-Riccardi in
351:Court painter in Spain (1692–1702)
14:
1396:
1385:18th-century Italian male artists
1188:
1111:
967:Museo Nacional Thyssen-Bornemisza
826:
500:His best pupils in painting were
377:The Allegory of the Golden Fleece
293:Santa Maria del Carmine, Florence
264:) and "The Proteus" of painting.
761:
743:
724:
702:
688:
668:
648:
601:Slaughter of the Priests of Baal
1098:Luca Giordano giovane 1650-1664
1028:
1016:
998:
989:
980:
955:
1345:17th-century Neapolitan people
1222:Saint Luke Painting the Virgin
1141:Luca Giordano at Artcyclopedia
930:
905:
877:
865:
814:
802:
785:
303:) and the long gallery of the
1:
1380:18th-century Italian painters
1375:17th-century Italian painters
1005:Spooner, Shearjashub (1873).
778:
323:) and mythological episodes (
249:on the recommendation of the
36:
1294:The Rape of the Sabine Women
1286:The Fall of the Rebel Angels
986:R. Wittkower pages 346, 348.
900:Painting in Naples 1606-1705
872:Painting in Naples 1606-1705
821:Painting in Naples 1606-1705
809:Painting in Naples 1606-1705
677:The Fall of the Rebel Angels
495:
459:Moses and the Brazen Serpent
7:
1297:(c. 1680; several versions)
1230:Saint Januarius Interceding
1152:Jusepe de Ribera, 1591–1652
1136:Spanish Old Masters Gallery
995:J. R. Hobbes, page 104-105.
942:www.academiacolecciones.com
465:paintings in the Church of
443:in the church of the Padri
282:
10:
1401:
1302:Adoration of the Shepherds
1096:G. Scavizzi - G. De Vito,
1082:O. Ferrari - G. Scavizzi,
963:"The Judgement of Solomon"
630:
235:AlegorĂa del ToisĂłn de Oro
1254:Mars and Venus with Cupid
1205:
1196:
770:Mars and Venus with Cupid
696:The Adoration of the Magi
532:(Nunzio degli Afflitti),
413:Thyssen-Bornemisza Museum
400:, assisted him in Spain.
301:Allegory of Divine Wisdom
256:He acquired the nickname
105:
95:
87:
82:Naples, Kingdom of Naples
71:
46:
28:
21:
1365:Italian Baroque painters
682:Kunsthistorisches Museum
524:. Other pupils included
514:Giovan Battista Langetti
373:Royal Palace of Aranjuez
858:Encyclopædia Britannica
797:Encyclopædia Britannica
305:Palazzo Medici-Riccardi
152:Early life and training
1310:Marriage of the Virgin
852:"Giordano, Luca"
736:Certosa di San Martino
662:Gemäldegalerie, Berlin
538:Giovanni Battista Lama
475:Gemäldegalerie, Berlin
383:on the ceiling of the
329:The Rape of Proserpine
325:Neptune and Amphitrita
297:Biblioteca Riccardiana
238:
227:
214:
203:
188:
172:
161:
1350:Italian male painters
487:Palazzo Corsini, Rome
385:CasĂłn del Buen Retiro
233:
220:
209:
194:
178:
167:
159:
1360:Painters from Naples
1262:Lucretia and Tarquin
917:www.museodelprado.es
594:Raimondo de Dominici
311:and commissioned by
223:The Rape of Lucretia
186:Hamburger Kunsthalle
1355:Italian printmakers
710:The creation of man
611:Critical reputation
582:Francisco Tramulles
526:Juan Antonio Boujas
477:, but destroyed in
423:Late work in Naples
367:, the sacristry of
337:The Death of Adonis
213:, c. 1694–1695
1278:Apollo and Marsyas
1238:Apollo and Marsyas
1128:Scholarly articles
1046:Additional sources
586:Nicolo Maria Rossi
566:Domenico di Marino
546:Giuseppe Simonelli
506:Nicola Malinconico
417:Judging of Salomon
361:Buen Retiro Palace
321:Elements of Nature
313:Francesco Riccardi
239:
228:
215:
204:
189:
173:
162:
1320:
1319:
732:Triumph of Judith
574:Pedro de Calabria
570:Pietro di Martino
562:Tommaso Giaquinto
542:Andrea Miglionico
530:Nunzio Ferraiuoli
471:Judgment of Paris
449:Triumph of Judith
277:Pietro da Cortona
251:viceroy of Naples
115:
114:
65:Kingdom of Naples
1392:
1183:
1176:
1169:
1160:
1159:
1071:
1056:
1039:
1034:Levey, Michael.
1032:
1026:
1020:
1014:
1012:
1002:
996:
993:
987:
984:
978:
977:
975:
973:
959:
953:
952:
950:
948:
934:
928:
927:
925:
923:
909:
903:
897:
886:
881:
875:
869:
863:
862:
854:
843:
824:
818:
812:
806:
800:
789:
765:
747:
728:
706:
692:
680:, c. 1666,
672:
660:, c. 1663,
652:
522:Filippo Gherardi
510:Sebastiano Ricci
502:Paolo de Matteis
473:formerly in the
369:Toledo Cathedral
317:Cardinal Virtues
309:Alessandro Segni
211:Dream of Solomon
88:Other names
78:
56:
54:
41:
38:
33:
19:
18:
1400:
1399:
1395:
1394:
1393:
1391:
1390:
1389:
1325:
1324:
1321:
1316:
1201:
1192:
1187:
1114:
1051:
1048:
1043:
1042:
1033:
1029:
1021:
1017:
1003:
999:
994:
990:
985:
981:
971:
969:
961:
960:
956:
946:
944:
936:
935:
931:
921:
919:
911:
910:
906:
898:
889:
884:Palazzo Medici.
882:
878:
870:
866:
844:
827:
819:
815:
807:
803:
790:
786:
781:
774:
766:
757:
748:
739:
729:
720:
707:
698:
693:
684:
673:
664:
653:
633:
613:
605:Pietro Garofalo
534:Ansel Fiammingo
498:
425:
405:Museo del Prado
353:
285:
200:Residenzgalerie
171:, c. 1670s
154:
83:
80:
76:
67:
58:
57:18 October 1634
52:
50:
42:
39:
35:Self-portrait,
24:
17:
12:
11:
5:
1398:
1388:
1387:
1382:
1377:
1372:
1370:Court painters
1367:
1362:
1357:
1352:
1347:
1342:
1337:
1318:
1317:
1315:
1314:
1306:
1298:
1290:
1282:
1274:
1273:(c. 1663)
1266:
1258:
1250:
1242:
1234:
1226:
1218:
1214:The Entombment
1209:
1207:
1203:
1202:
1197:
1194:
1193:
1186:
1185:
1178:
1171:
1163:
1157:
1156:
1148:
1143:
1138:
1125:
1113:
1112:External links
1110:
1109:
1108:
1101:
1100:, Napoli, 2012
1094:
1087:
1080:
1072:
1057:
1047:
1044:
1041:
1040:
1027:
1015:
997:
988:
979:
954:
929:
904:
887:
876:
864:
849:, ed. (1911).
847:Chisholm, Hugh
825:
813:
801:
783:
782:
780:
777:
776:
775:
767:
760:
758:
749:
742:
740:
730:
723:
721:
708:
701:
699:
694:
687:
685:
674:
667:
665:
654:
647:
644:
643:
632:
629:
612:
609:
578:Matteo Pacelli
558:Tommaso Fasano
550:Andrea Vicenti
497:
494:
424:
421:
398:Matteo Pacelli
352:
349:
284:
281:
258:Luca fa presto
198:, after 1665,
169:Venus and Mars
153:
150:
113:
112:
107:
103:
102:
97:
96:Known for
93:
92:
91:Luca fa presto
89:
85:
84:
81:
79:(aged 70)
75:3 January 1705
73:
69:
68:
59:
48:
44:
43:
34:
26:
25:
22:
15:
9:
6:
4:
3:
2:
1397:
1386:
1383:
1381:
1378:
1376:
1373:
1371:
1368:
1366:
1363:
1361:
1358:
1356:
1353:
1351:
1348:
1346:
1343:
1341:
1338:
1336:
1333:
1332:
1330:
1323:
1312:
1311:
1307:
1304:
1303:
1299:
1296:
1295:
1291:
1288:
1287:
1283:
1280:
1279:
1275:
1272:
1271:
1270:Saint Michael
1267:
1264:
1263:
1259:
1256:
1255:
1251:
1248:
1247:
1243:
1240:
1239:
1235:
1232:
1231:
1227:
1224:
1223:
1219:
1216:
1215:
1211:
1210:
1208:
1204:
1200:
1199:List of works
1195:
1191:
1190:Luca Giordano
1184:
1179:
1177:
1172:
1170:
1165:
1164:
1161:
1154:
1153:
1149:
1147:
1144:
1142:
1139:
1137:
1133:
1129:
1126:
1123:
1119:
1116:
1115:
1106:
1102:
1099:
1095:
1092:
1088:
1085:
1084:Luca Giordano
1081:
1079:
1077:
1073:
1069:
1065:
1064:
1058:
1054:
1050:
1049:
1037:
1031:
1024:
1023:Le belle arti
1019:
1010:
1009:
1001:
992:
983:
968:
964:
958:
943:
939:
933:
918:
914:
908:
901:
896:
894:
892:
885:
880:
873:
868:
860:
859:
853:
848:
842:
840:
838:
836:
834:
832:
830:
822:
817:
810:
805:
799:
798:
793:
792:Luca Giordano
788:
784:
772:
771:
764:
759:
755:
754:
753:Mount Olympus
746:
741:
737:
733:
727:
722:
719:
715:
712:, 1684–1686,
711:
705:
700:
697:
691:
686:
683:
679:
678:
671:
666:
663:
659:
658:
651:
646:
645:
642:
640:
635:
634:
628:
626:
622:
618:
617:Michael Levey
608:
606:
602:
597:
595:
591:
590:Aniello Rossi
587:
583:
579:
575:
571:
567:
563:
559:
555:
551:
547:
543:
539:
535:
531:
527:
523:
519:
518:Giovanni Coli
515:
511:
507:
503:
493:
490:
488:
484:
480:
476:
472:
468:
467:Santa Brigida
464:
460:
456:
454:
450:
446:
442:
437:
433:
431:
420:
418:
414:
410:
406:
401:
399:
395:
394:Aniello Rossi
391:
386:
382:
378:
374:
370:
366:
362:
358:
348:
346:
342:
338:
334:
330:
326:
322:
318:
314:
310:
306:
302:
298:
294:
290:
280:
278:
274:
273:Paul Veronese
270:
265:
263:
259:
254:
252:
248:
244:
236:
232:
225:
224:
219:
212:
208:
201:
197:
193:
187:
183:
182:
177:
170:
166:
160:Luca Giordano
158:
149:
147:
143:
139:
135:
131:
127:
123:
119:
118:Luca Giordano
111:
108:
104:
101:
98:
94:
90:
86:
74:
70:
66:
62:
49:
45:
32:
27:
23:Luca Giordano
20:
1322:
1308:
1300:
1292:
1284:
1276:
1268:
1260:
1252:
1244:
1236:
1228:
1220:
1212:
1189:
1150:
1120: at the
1104:
1097:
1090:
1083:
1075:
1062:
1052:
1035:
1030:
1018:
1007:
1000:
991:
982:
970:. Retrieved
966:
957:
945:. Retrieved
941:
932:
920:. Retrieved
916:
907:
899:
879:
871:
867:
856:
820:
816:
808:
804:
795:
787:
768:
750:
731:
709:
695:
676:
656:
636:
614:
600:
598:
499:
491:
482:
479:World War II
470:
458:
453:San Martino
448:
440:
438:
434:
426:
416:
402:
379:, a c. 1694
376:
354:
344:
340:
336:
332:
328:
324:
320:
316:
300:
286:
266:
261:
257:
255:
240:
234:
221:
210:
196:Resurrection
195:
179:
168:
124:painter and
117:
116:
77:(1705-01-03)
1340:1705 deaths
1335:1634 births
1249:(1660–1661)
1241:(1959–1960)
1225:(1650–1655)
1217:(1650–1653)
972:18 November
947:18 November
922:18 November
657:St. Michael
554:Andrea Viso
415:there is a
365:El Escorial
345:Triptolemus
40: 1692
1329:Categories
1103:M. Horak,
1038:, 1985:24.
779:References
461:; and the
445:Girolamini
357:Charles II
291:Chapel of
202:, Salzburg
181:Democritus
126:printmaker
53:1634-10-18
1313:(c. 1688)
1305:(c. 1688)
1289:(c. 1666)
1281:(c. 1665)
1233:(c. 1656)
1206:Paintings
1089:M.Horak,
637:See also
496:Influence
485:, in the
430:Fragonard
874:, p.169.
738:, Naples
718:Florence
371:and the
283:Florence
241:Born in
184:, 1690,
142:Florence
106:Movement
100:Painting
902:, p.168
823:, p.51.
794:at the
631:Gallery
625:Tiepolo
289:Corsini
262:Fulmine
130:etching
122:Baroque
110:Baroque
1265:(1663)
1257:(1663)
1134:– the
1122:Art UK
811:, p.68
714:fresco
621:rococo
592:, and
520:, and
481:, and
463:cupola
381:fresco
319:, the
247:Ribera
243:Naples
226:, 1663
146:Venice
144:, and
134:Naples
61:Naples
341:Ceres
269:Parma
1124:site
974:2019
949:2019
924:2019
504:and
396:and
343:and
138:Rome
72:Died
47:Born
1132:PDF
1078:DVD
451:at
347:).
128:in
1331::
965:.
940:.
915:.
890:^
855:.
828:^
734:,
607:.
596:.
588:,
584:,
580:,
576:,
572:,
568:,
564:,
560:,
556:,
552:,
548:,
544:,
540:,
528:,
516:,
512:,
432:.
375:.
363:,
335:,
331:,
327:,
140:,
136:,
63:,
37:c.
1182:e
1175:t
1168:v
1070:.
1068:1
1013:.
976:.
951:.
926:.
641:.
339:,
299:(
55:)
51:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
2.jpg)
.jpg)