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Love on the Dole

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135:. Sally Hardcastle, his older sister, falls in love with a doomed socialist agitator, Larry Meath, and suffers the unwelcome attention of the local illicit bookmaker, Sam Grundy. Sally feels unable to compete with Meath's socialist intellectualism, highlighting not only the economic but also the intellectual poverty of the local working-class community. The novel's climax focuses on an actual march, in which the 131:
working there as an apprentice, he is laid off in the midst of the Great Depression, and is from that point on unable to find work. He becomes romantically involved with a girl on his street, Helen, whom he gets pregnant; this forces them to marry, despite the fact that Harry now not only is unemployed but also has been taken off the dole by the
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marched on Salford Town Hall in October 1931. The march itself was met with violent police resistance; in the book, Larry Meath dies as a result of blows to the head from a policeman's truncheon. After Larry Meath's death, Sally despondently succumbs to the attentions of Sam Grundy, which allows both
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The novel received much attention from writers, journalists, and politicians, who were all moved by its description of poverty, but, more importantly, by its account of a working-class community attempting to deal with that poverty with dignity and intelligence. Reviewing the American edition of the
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as Sally Hardcastle. The "real" speech and contemporary social themes were new to British audiences. One reviewer said the play had been "conceived and written in blood." It toured Britain with two separate companies, playing up to three performances a day, sometimes in cinemas in towns that had no
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The novel follows the Hardcastle family as they are pulled apart by mass unemployment. The 17-year-old Harry Hardcastle of Mansfield, studying in Lincoln, starts the novel working in a pawn shop, but is attracted to the glamour of working in the engineering factory Marlows Ltd. After seven years
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Greenwood said he had "tried to show what life means to a young man living under the shadow of the dole, the tragedy of a lost generation who are denied consummation, in decency, of the natural hopes and desires of youth."
305:(BBFC) would not allow a film to be made during the 1930s: it was a "very sordid story in very sordid surroundings", and in Gow's words "regarded as 'dangerous'". In 1936, the BBFC rejected a proposed film version of 119:'s novel (1933) was written during the early 1930s as a response to the crisis of unemployment, which was being felt locally, nationally, and internationally. It is set in Hanky Park, an industrial slum in 156:, for example, also wrote: "I do not know when I have been so deeply, terribly moved." It was a commercial success, with three impressions that year, and eight more by 1939. 181:
theatre. A million people had seen it by the end of 1935. Runs in London, New York and Paris followed, making a name for Wendy Hiller, who married Gow in 1937.
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to the way it moved the mostly middle-class audiences without blaming them – Gow said he "aimed to touch the heart". In 1999, it was one of the
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said that "there isn't a character in it worth a curse, and there isn't a thought in it worth remembering."
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in 1970, written by Terry Hughes and Robert Gray, with music by Alan Fluck, directed and choreographed by
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drew the British public's attention to a social problem in the United Kingdom in a similar way that
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See Matthew Gaughan, "Palatable Socialism or the 'Real Thing'? Walter Greenwood's
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The film was the first English-made feature film to show British police wielding
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as Sally. But by then social conditions were being radically changed by the
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by Ronald Gow & Walter Greenwood. Heinemann Educational Books, 1986.
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Walter Greenwood Collection from the University of Salford archives
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Divided Kingdom: A History of Britain, 1900 to the Present
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But not all reviewers were impressed: writing in the
127:of 1926, but its main action takes place in 1931. 312:It was eventually filmed and released in 1941 by 493: 301:Although the book and play were successful, the 108:. It has been made into both a play and a film. 463:. London: Hambledon and London, 2005, p. 141. 140:her father and brother finally to find work. 360: 358: 356: 34: 547:Films about poverty in the United Kingdom 461:Hard Men: Violence in England since 1750 413:NT2000 One Hundred Plays of the Century 353: 168:The novel was adapted for the stage by 104:, about working-class poverty in 1930s 29:Love on the Dole: a Tale of Two Cities 494: 423: 251:by John Finch, with a cast including 399:and Its Reception in the 1930s," in 13: 592:Unemployment in the United Kingdom 290: 279:version of the play opened at the 270: 14: 608: 527:British novels adapted into films 469: 247:In 1967 the play was adapted for 21:Love on the Dole (disambiguation) 378:A review – The thing that counts 242: 176:Repertory Theatre in 1934, with 482:​Love on the Dole​ 450: 417: 406: 389: 371: 364:Ray Speakman, Introduction to 340: 16:1933 novel by Walter Greenwood 1: 334: 303:British Board of Film Censors 424:Thane, Pat (2 August 2018). 111: 7: 163: 10: 613: 587:Films about social realism 557:Novels by Walter Greenwood 487:Internet Broadway Database 294: 18: 228:attributed the impact of 85: 75: 67: 59: 49: 33: 562:Novels set in Manchester 237:100 Plays of the Century 215:Boys from the Blackstuff 297:Love on the Dole (film) 577:Proletarian literature 567:Politics of Manchester 401:Literature and History 395:Stephen Constantine, " 314:British National Films 552:History of Manchester 267:as Sally Hardcastle. 40:Cover first edition, 281:Nottingham Playhouse 172:, and opened at the 152:is the real thing." 19:For other uses, see 542:Fiction set in 1931 522:Jonathan Cape books 502:1933 British novels 226:Stephen Constantine 30: 597:Welfare in England 572:Poverty in England 386:, 9 February 1935. 249:Granada Television 234:National Theatre's 203:Look Back in Anger 28: 331:against a crowd. 224:). The historian 93: 92: 86:Publication place 604: 464: 454: 448: 447: 421: 415: 410: 404: 397:Love on the Dole 393: 387: 375: 369: 366:Love on the Dole 362: 351: 348:Love on the Dole 344: 322:Second World War 307:Love on the Dole 265:Anne Stallybrass 253:George A. Cooper 230:Love on the Dole 198:Love on the Dole 150:Love on the Dole 117:Walter Greenwood 106:Northern England 102:Walter Greenwood 97:Love on the Dole 77:Publication date 54:Walter Greenwood 38: 31: 27: 612: 611: 607: 606: 605: 603: 602: 601: 512:1934 in England 507:1933 in England 492: 491: 472: 467: 455: 451: 436: 422: 418: 411: 407: 403:(1982), 232–49. 394: 390: 376: 372: 363: 354: 345: 341: 337: 299: 293: 291:Film adaptation 273: 271:Musical version 261:Malcolm Tierney 245: 221:Hobson's Choice 209:Cathy Come Home 166: 114: 78: 45: 24: 17: 12: 11: 5: 610: 600: 599: 594: 589: 584: 579: 574: 569: 564: 559: 554: 549: 544: 539: 534: 532:English novels 529: 524: 519: 514: 509: 504: 490: 489: 478: 471: 470:External links 468: 466: 465: 449: 434: 416: 405: 388: 370: 352: 338: 336: 333: 295:Main article: 292: 289: 272: 269: 244: 241: 165: 162: 125:General Strike 113: 110: 100:is a novel by 91: 90: 89:United Kingdom 87: 83: 82: 79: 76: 73: 72: 69: 65: 64: 61: 57: 56: 51: 47: 46: 39: 15: 9: 6: 4: 3: 2: 609: 598: 595: 593: 590: 588: 585: 583: 580: 578: 575: 573: 570: 568: 565: 563: 560: 558: 555: 553: 550: 548: 545: 543: 540: 538: 537:English plays 535: 533: 530: 528: 525: 523: 520: 518: 515: 513: 510: 508: 505: 503: 500: 499: 497: 488: 484: 483: 479: 477: 474: 473: 462: 458: 457:Emsley, Clive 453: 445: 441: 437: 435:9781107040915 431: 427: 420: 414: 409: 402: 398: 392: 385: 384: 383:New Statesman 379: 374: 367: 361: 359: 357: 349: 343: 339: 332: 330: 325: 323: 319: 315: 310: 308: 304: 298: 288: 286: 285:Gillian Lynne 282: 278: 268: 266: 262: 258: 254: 250: 243:TV adaptation 240: 238: 235: 231: 227: 223: 222: 217: 216: 211: 210: 205: 204: 199: 195: 193: 189: 188: 187:New Statesman 182: 179: 175: 171: 161: 157: 155: 154:Edith Sitwell 151: 147: 141: 138: 134: 128: 126: 122: 118: 109: 107: 103: 99: 98: 88: 84: 80: 74: 70: 66: 62: 58: 55: 52: 48: 43: 42:Jonathan Cape 37: 32: 26: 22: 481: 460: 452: 425: 419: 408: 400: 396: 391: 381: 373: 365: 347: 342: 326: 318:Deborah Kerr 311: 306: 300: 274: 246: 236: 229: 219: 213: 207: 201: 197: 196: 192:Seán O'Casey 185: 183: 178:Wendy Hiller 167: 158: 149: 142: 129: 115: 96: 95: 94: 25: 257:Martin Shaw 517:1934 plays 496:Categories 444:1009182965 335:References 329:truncheons 212:(1966) or 174:Manchester 170:Ronald Gow 146:Iris Barry 133:means test 148:stated: " 112:The novel 68:Publisher 206:(1956), 164:The play 60:Language 582:Salford 485:at the 316:, with 277:musical 144:novel, 121:Salford 63:English 442:  432:  263:, and 50:Author 44:, 1933 440:OCLC 430:ISBN 137:NUWM 81:1933 71:Cape 498:: 459:, 438:. 380:, 355:^ 350:." 324:. 309:. 287:. 275:A 259:, 255:, 239:. 190:, 446:. 23:.

Index

Love on the Dole (disambiguation)

Jonathan Cape
Walter Greenwood
Walter Greenwood
Northern England
Walter Greenwood
Salford
General Strike
means test
NUWM
Iris Barry
Edith Sitwell
Ronald Gow
Manchester
Wendy Hiller
New Statesman
Seán O'Casey
Look Back in Anger
Cathy Come Home
Boys from the Blackstuff
Hobson's Choice
Stephen Constantine
National Theatre's
Granada Television
George A. Cooper
Martin Shaw
Malcolm Tierney
Anne Stallybrass
musical

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