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Love Strange Love

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girls outside until she notices Hugo peeking out. Making eyes on him again, she approaches his room and stood in front of his door looking at him enticingly giving him an air kiss. Seeing Hugo looking down her body, she opens her robe to reveal full frontal nudity. Hugo's eyes widen but he soon closes the door as Olga then begins to walk towards him. Hugo then spies on Anna as she is taking her bath, observing Anna nude. The scene switches back briefly to the older man reflecting back on the past. Anna then escorts Hugo to his space in the attic. They pass a young, topless, woman and the woman and Anna glare at each other. In the attic, Anna promises Hugo that eventually they will have their own house together, but that Hugo might have to return to his grandmother for a short time. This upsets Hugo. Someone—possibly Dr. Osmar—arrives and Anna leaves. Shortly after, Hugo observes the topless woman, Tamara, being instructed as to the role she must play for a new customer. She is to take on the role of an innocent virgin who speaks mostly German and is therefore not that communicative in Portuguese, the language the characters mostly speak in Brazil.
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Osmar. A group of women work on getting Tamara ready for her encounter with Dr. Benicio as Hugo continues to take in events from his upstairs vantage point. One of Dr. Osmar's associates receives a call suggesting a potential threat to his plans, but Dr. Osmar goes ahead with a speech announcing the political alliance and what it means for the future of Brazil. Tamara asks Hugo, who is watching her, to come over. She says that she is dressing the way she is due to her being a present for someone, presumably Dr. Benicio. Tamara also invites Hugo to fondle her bare breasts, which he does. Dr. Benicio expresses his appreciation for the invitation to the event, commenting that it is rare that he gets invited to such events—it is unclear as yet whether he realizes this is a brothel. Hugo continues to fondle Tamara until Anna arrives and angrily dispatches Hugo back to the attic. Anna tells Hugo that she has to work in this job for a little while longer because the world runs on money and she needs the money so they can have a good life. Anna instructs Hugo to get ready for bed, stay in the attic, and not talk to anyone.
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Meanwhile, in the foyer, one of the women approaches the boy, makes eyes at him (enticingly while eating an apple), and then runs up the grand staircase to join the group of women standing on the balcony. The boy looks very self conscious. The manager—now referred to as the brothel's madam—summons a woman named Therese and instructs her to create a makeshift bedroom for the boy in the attic. Anna then escorts the boy past the group of women on the balcony, who continue to snigger at the thought of a young boy staying there. Anna scolds them for this. Anna takes the boy to her room, which appears especially opulent. The boy seems to recognize there is something unusual about the house, but is too innocent so far to realize its true nature. Anna identifies the madam as Laura, saying only vaguely that the women help Laura with various things. They discuss the letter and the trip, where apparently Anna's mother was complaining about money. Anna's mother also had some unspecified complaints about the boy's behavior. Anna tells the boy to take a bath and change clothes.
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continues to watch from above. Hugo finds some kind of hidden crawlway or space with a way to descend to a lower level where he is able to more closely witness various prostitutes having sex with men. Tamara then retreats to a private room with Dr. Benicio. The resourceful Hugo finds his way into a crawlspace adjacent to their room to spy on them, but isn't entirely quiet, making some noise that attracts the attention of Dr. Benicio. Dr. Benicio investigates, putting his hand into the crawlspace, but is seemingly unable to touch or see Hugo. Still, he remains suspicious, perhaps thinking they are bugged, and asks Tamara what is going on. Tamara then feigns little knowledge of Portuguese, retreating into German. Dr. Benicio then openly voices his suspicions, mentioning a friend who was photographed having sex in order to blackmail him, and wondering if the same thing is happening to him. Tamara tries to reassure him that they only want to please him, but he pushes her away.
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mother's line of work, and starts crying. After sex, Anna and Dr. Osmar listen to a radio broadcast about the growing fascist alliance of the time between Hitler and Mussolini, implying that Dr. Osmar is a would-be leader of a Brazilian fascist government that would ally with the Axis if given the chance. Olga, who has previously shown interest in Hugo arrives in the attic, complaining that all the men who patronize the brothel are slimy characters and implying she wants the chance to have sex with someone more wholesome like Hugo. She unbuttoned Hugo's shirt & pants and carcasses his body for a bit before she undresses and invites Hugo to fondle her breasts, which he does. After foreplay, she layer Hugo down caressing him a bit more before straddling him but was interrupted when another woman approaches and starts crying, for unknown reason. She retreats to the roof to hide but soon after, comes back, puts her robe back on, and leaves.
317:. Meanwhile, Anna discusses the letter with the manager. In the letter, the grandmother—Anna's mother—has various complaints about Anna. The primary issue, though, seems to be that Anna generally provides full support for the Santa Catarina household. Anna's mother is angry that no money has been forthcoming for the last few months, a shortfall Anna attributes to having recently bought a house. As Anna and the manager continue to talk, it becomes increasingly apparent that the large mansion they are in may serve as some kind of brothel. The mansion is owned by someone named Dr. Osmar, and the women apparently make a lot of money off of Dr. Osmar and other wealthy men. Dr. Osmar is currently most attracted to Anna, although he was formerly interested in the manager. This is the reason why Anna is now wealthy enough to buy a house herself as well as support her mother's household in Santa Catarina. 353:
will likely lead to his needing to go to France in exile, but he expresses hope it could be a happy exile with Anna. He writes Anna a check and says they will talk more in the afternoon. Tamara gets dressed and leaves the room of Dr. Benicio who remains fully dressed. She goes up to the attic, undresses, and climbs into bed with Hugo. They start having engaging in foreplay. Dr. Osmar wakes Dr. Benicio and tells him about the coup, saying he must leave. As Tamara prepares to mount Hugo and have sex with him in the cowgirl position, Anna approaches. Tamara quickly gets out of bed and puts her robe back on. It is still obvious to Anna what has been going on, and she fights Tamara, slapping her several times. Dr. Osmar, Dr. Benicio, and the men who work for them then leave the house in a hurry.
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a client. The prospective ally likes to present a Puritan image. The plan appears to be to show the man a good time, but put him at risk of future blackmail so that he feels some pressure to agree to the alliance. The potential ally is to be offered the chance to sleep with Tamara, who is said to always sexually feel like a virgin even though she is not. That is why she will be able to get away with claiming to be a virgin. Dr. Osmar is offered the chance to sleep with Tamara first, with Laura mentioning that if she is wrong she can always get a refund from the brothel Tamara is on loan from. Tamara then arrives on the patio. She wants to work permanently in this brothel, but to do so would need to relocate her entire family, and she wants Dr. Osmar's help on this.
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to Hugo. Anna then allows her son Hugo to make love to her. A political figure, apparently newly empowered by the coup, arrives at the house and somewhat vaguely promises to continue to protect the brothel from the law. A car arrives to return Hugo to his grandmother's house in Santa Catarina. The scene shifts back to the present day, where it is revealed that the older man in the house is donating the house to charity. He seems, himself, to be a very senior figure politically being referred to as "Your Excellency". In the film's final scene, the older man reveals that the young Hugo is his younger self from 45 years earlier.
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is being escorted on foot from a train station by his grandmother. The older woman produces a letter and asks the boy to give it to his mother. They are near the gate of the same mansion the older man would visit 45 years later, and the grandmother leaves the boy there. The gate is locked, but a woman greets the boy. He gives her the letter, saying it is for his mother, and she lets him in. His grandmother, who has continued to watch discreetly from a distance, leaves the area once she knows he has been admitted. The younger woman escorts the boy into the house. The older man appears to be recalling this in flashbacks.
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be an important upcoming event, cleaning and arranging flowers. The boy is escorted to a side room by the manager. She questions the boy who says that his grandmother left him there to stay with his mother. The grandmother is on her way back to Santa Catarina, Brazil. The manager seems shocked by the idea of the boy staying with his mother, though it isn't immediately clear why. Anna appears and embraces her son, commenting on how much more like a man he now is than he was the last time she saw him a year ago. The boy apparently usually lives with his grandmother, not Anna.
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Dr. Osmar, in bed with Anna, expresses confidence that his plan will work. Meanwhile Hugo moves from spying on Tamara to spying on Anna, enjoying Anna's increasing physical arousal. Hugo returns to his attic and goes to bed, dreaming of sex with first one woman and then a group of about six women. He
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Dr. Osmar talks with Anna about his need to be increasingly discreet when it comes to any association with the brothel. There will be increasing focus on his activities until after the election. He has asked Laura not to send anyone from the brothel to his office. He talks about the great uncertainty
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In 2006, Marcelo Ribeiro was found at 39 and gave several interviews, and also published a book on how everything happened at the time, including conversations behind the scenes with the actress. In 2007, Marcelo Ribeiro, then at age 40, gave an interview where he comments on the film's controversy.
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Anna tells Hugo that he will need to return to his grandmother, although Anna will send her mother more money. Anna says that staying in the brothel wouldn't be good for Hugo, but he has trouble understanding and starts to cry. Anna tries to comfort him, then removes her robe revealing her nude body
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Anna and Laura then talk on the patio with Dr. Osmar, who arrived earlier. Dr. Osmar is a major political figure preparing for the Brazilian election then scheduled for January 3, 1938. To win the election, however, he needs an alliance with another man who is coming to the brothel a little later as
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After they enter the house, another woman who appears to be serving as a business manager greets them. After being told about the letter for Anna, the boy's mother, the manager dispatches the first woman to find Anna. Meanwhile, many women in the house are hard at work preparing for what appears to
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An older man wearing a business suit is dropped off at a mansion by his driver. He is alone as he starts wandering through the rooms of the mansion. It is apparently abandoned, with empty rooms, but has an aura of past opulence. The scene shifts to some 45 years earlier, where a twelve year old boy
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The next morning an associate of Dr. Osmar arrives at the house. In an angry and urgent mood, he demands to speak with Dr. Osmar, who is still in bed with Anna. Once Dr. Osmar is roused from sleep, he is told that some kind of coup, similar to 1932, has happened. Dr. Osmar tells Anna that the coup
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After the boy—Hugo—finishes his bath, Anna gives him a towel. He covers his private parts as he emerges from the bath, and Anna says it is now her turn. Wandering off, Hugo opened the door slightly to peek out the room. The woman who had been previously eyeing Hugo—Olga—was chatting with the other
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Dr. Osmar continues to discuss the potential alliance with the other men. Soon a large crate wrapped up as a present is brought into the party and described as a present for Dr. Benicio. Someone—presumably Tamara—in a teddy bear costume emerges from the crate and gradually begins to undress. Hugo
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As the activities in the house are illegal, it is dangerous to allow a twelve year old boy to stay there. But Anna has no local family to send him to. They can return the boy—with some money to appease Anna's mother—to Santa Catarina, but need a plan for what to do until after the upcoming event.
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The planned event then begins that evening. A live band has been hired to provide entertainment. A group of mostly well dressed men arrives at the party in two cars. Their apparent leader, a man wearing a tuxedo, is introduced to other guests as Dr. Benicio, the prospective political ally of Dr.
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Anna and Dr. Osmar then have sex for an extended period while Hugo watches—from his vantage point in the attic Hugo appears to be able to spy on activities in a number of rooms in the house. Witnessing Anna having sex, Hugo seems to realize for the first time the true nature of the house and his
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In 2007, the entire film became available in 5 parts and uncut. No legal action has yet been taken on the case. In 2011, producer Anibal Massaine fights in justice in the attempt to commercialize the film, taking advantage of the fame of the artist. In 2014, Xuxa lost a lawsuit it filed against
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of the times, but says he will still provide Anna with a house. This appears to create some dispute with Anna. She wants a house, but would prefer the small house that she is purchasing herself but that she will own outright to a rented mansion provided by Dr. Osmar.
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caused some controversy due to the participation of Xuxa in the cast. In an interview, Xuxa explained that she was between 17 and 19 years old when the film was made. In another interview Xuxa comments that the film was made in 1979. Her character has
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The boy waits in the foyer as preparations for the event continue. There are a large number of attractive women in the house, some of whom comment on or make flirtatious glances in the boy's direction even giving him
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in the United States in 2005 and can be purchased by any Brazilian on foreign import sites. The US producer did not sell the rights to Xuxa, who filed a lawsuit in the US in 1993, but lost.
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Google to create a filter in order to eliminate results related to the movie in its search engine. Xuxa filed an appeal against that decision, but in 2017, the appeal was denied.
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copies continued circulating, making of the film a true legend among people who did not know the work.
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The film caused controversy because it contained the participation of the children's presenter Xuxa.
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has many sex scenes, a lot of free nudity, but, putting the drops on the is, it's a good movie."
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has its marketing and distribution prohibited in the country. However, the film was released on
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Taking advantage of his momentary popularity, he made a
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Archived from 13: 1811:Films about prostitution in Brazil 1474:Xuxa e o Tesouro da Cidade Perdida 1397:Os Trapalhões no Reino da Fantasia 861: 780: 420:said that, unlike his first movie 14: 1857: 958: 617:Miller, Rick (January 13, 1993). 577: 1753: 1741: 1729: 1717: 1390:Os Trapalhões e o Mágico de OrĂłz 23: 1841:Obscenity controversies in film 1791:1980s Portuguese-language films 1502:Xuxa em O MistĂ©rio de Feiurinha 1411:A Princesa Xuxa e os Trapalhões 912: 883: 855: 828: 16:1982 film by Walter Hugo Khouri 1404:Super Xuxa Contra Baixo Astral 1326:Super Xuxa Contra Baixo Astral 774: 747: 717: 692: 681: 655: 638: 610: 449: 34:consists almost entirely of a 1: 864:"CrĂ´nica de um estranho amor" 570: 412: 1801:Brazilian erotic drama films 429: 7: 1796:Brazilian crime drama films 1569:Xuxa no Mundo da Imaginação 10: 1862: 1383:O TrapalhĂŁo na Arca de NoĂ© 809:"O vĂ­deo polĂŞmico de Xuxa" 203:November 1, 1982 1683: 1667: 1658:SĂł Para Baixinhos 1 to 13 1649: 1613: 1518: 1511: 1360: 1342: 1317: 1243: 1036: 1013: 619:"She's Coming To America" 537: 515: 508: 235: 227: 217: 194: 184: 170: 160: 152: 144: 122: 114: 106: 96: 91:Theatrical release poster 84: 79: 1786:1980s erotic drama films 1425:O MistĂ©rio de Robin Hood 1213:Baixinhos, Bichinhos e + 1005: 729:filmesdochico.uol.com.br 688:Love Strange Love (1982) 530:Recipients and nominees 268:written and directed by 1831:Films shot in SĂŁo Paulo 1760:Erotica and pornography 1495:Xuxa em Sonho de Menina 360: 299: 1826:Films set in SĂŁo Paulo 1806:Films about pedophilia 1781:1982 crime drama films 1308:Solamente para Bajitos 1301:El Mundo Es de los Dos 942:Cite journal requires 459: 258:) is a 1982 Brazilian 255: 1846:1980s Brazilian films 1597:Dancing Brasil JĂşnior 783:"Xuxa Precisa Chorar" 725:"Amor, Estranho Amor" 592:Cinemateca Brasileira 457: 1244:International Albums 1122:TĂ´ de Bem com a Vida 704:www.alocidade.com.br 588:"Amor Estranho Amor" 423:Eros, o Deus do Amor 390:ĂŤris Bruzzi as Laura 290:Festival de BrasĂ­lia 118:Anibal Massaini Neto 1059:Xegundo Xou da Xuxa 735:on October 19, 2016 476:judicial injunction 444:Amor, Estranho Amor 43:improve the article 1836:Films about incest 1115:Luz No Meu Caminho 1045:Xuxa e Seus Amigos 807:Elizabeth Orsini. 460: 270:Walter Hugo Khouri 256:Amor Estranho Amor 110:Walter Hugo Khouri 101:Walter Hugo Khouri 47:real-world context 1821:Films set in 1937 1705: 1704: 1645: 1644: 1453:Xuxa e os Duendes 1369:Love Strange Love 1333:Xuxa e os Duendes 1150:SĂł Para Baixinhos 966:Love Strange Love 646:Love Strange Love 624:Chicago Sun-Times 598:on March 24, 2016 590:(in Portuguese). 568: 567: 499:pornographic film 487:Love Strange Love 463:Love Strange Love 385:Matilde Mastrangi 286:Matilde Mastrangi 272:. 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Walter Hugo Khouri
Vera Fischer
Marcelo Ribeiro
TarcĂ­sio Meira
Xuxa Meneghel
Rogério Duprat
Embrafilme
Portuguese
erotic
crime
drama film
Walter Hugo Khouri
Vera Fischer
TarcĂ­sio Meira
Xuxa Meneghel
Matilde Mastrangi
Festival de BrasĂ­lia
Air France
air kisses
Vera Fischer
TarcĂ­sio Meira
Xuxa Meneghel
Matilde Mastrangi
Walter Forster
Marcelo Ribeiro

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