278:. Isaac initially struggled to establish himself there, suffering from depression while the family settled into their new home. He worked as a woodcutter before opening a junkyard. His work as a lumberjack made wood a consistent presence in the family household, a material that would figure prominently in Nevelson's work. Eventually, he became a successful lumberyard owner and realtor. Another child, Lillian, was born in 1906. Nevelson was very close to her mother, who suffered from depression, perhaps brought on by the family's migration from Russia and their minority status as a Jewish family living in Maine. Minna overly compensated for this, dressing herself and the children up in clothing "regarded as sophisticated in the Old Country". Her mother wore flamboyant outfits with heavy make-up; Nevelson described her mother's "dressing up" as "art, her pride, and her job", also describing her as someone who should have lived "in a palace".
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Tamarind, Nevelson made twenty-six lithographs, becoming the most productive artist to complete the fellowship up until that time. The lithographs she created were some of her most creative graphic work, using unconventional materials like cheese cloth, lace, and textiles on the lithographic stone
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Nevelson's limited palette of black and white, became central. She spray painted her walls black until 1959. Nevelson stated that black "means totality. It means: contains all. It contained all color. It wasn't a negation of color. It was an acceptance. Because black encompasses all colors. Black is
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When
Nevelson was developing her style, many of her artistic colleagues were welding metal to create large-scale sculptures. Nevelson decided to go in the opposite direction by exploring the streets for inspiration and finding it in wood. Nevelson's most notable sculptures are her wooden, wall-like,
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The
Berliawskys had to stay behind, as Isaac, the youngest brother, had to care for his parents. While still in Europe, Minna gave birth to two of Nevelson's siblings: Nathan (born 1898) and Anita (born 1902). On his mother's death, Isaac moved to the United States in 1902. After he left, Minna and
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In 1960, she had her first one-woman show in Europe at
Galerie Daniel Cordier in Paris. Later that year a collection of her work, grouped together as "Dawn's Wedding Feast", was included in the group show, "Sixteen Americans", at the Museum of Modern Art. In 1962, she made her first museum sale to
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painting and sculpture divisions until 1939. In 1936, Nevelson won her first sculpture competition at the A.C.A Galleries in New York. For several years, the impoverished
Nevelson and her son walked through the streets gathering wood to burn in their fireplace. This firewood served as the starting
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In 2005, Maria
Nevelson, the youngest granddaughter, established the Louise Nevelson Foundation, a non-profit 501c(3). Its mission is to educate the public and celebrate the life and work of Louise Nevelson, thus furthering her legacy and place in American Art History. Maria Nevelson lectures
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was among those slated for demolition and redevelopment, and her increasing use of scrap materials in the years ahead drew upon on refuse left on the streets by her evicted neighbors. In 1955, Nevelson joined
Colette Roberts' Grand Central Modern Gallery, where she had numerous one-woman shows.
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in Boston. Having satisfied her parents' hope that she would marry into a wealthy family, she and her new husband moved to New York City, where she began to study painting, drawing, singing, acting, and dancing. She also became pregnant, and in 1922 she gave birth to her son Myron (later called
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in the fall of 1963, where she had shows regularly until the end of her career. In 1967 the
Whitney Museum hosted the first retrospective of Nevelson's work, showing over one hundred pieces, including drawings from the 1930s and contemporary sculptures. In 1964, she created two works:
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sculptures, of small pieces of wood assembled into house shapes and characteristically painted black. The works differ from many of her pieces in being fully three-dimensional rather than presenting a single façade, though each façade is recognizable as a
Nevelson work.
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She embraced the idea of her works being able to withstand climate change and the freedom in moving beyond limitations in size. These public artworks were created by the
Lippincott Foundry. Nevelson's public art commissions were a monetary success, but art historian
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said, "In Nevelson's case, she was the most ferocious artist there was. She was the most determined, the most forceful, the most difficult. She just forced her way in. And so that was one way to do it, but not all women chose to, or could take, that route."
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by collaging the heads of notable women artists over each man's head, and Nevelson was among them. This image, addressing the role of religious and art-historical iconography in the subordination of women, became "one of the most iconic images of the
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the most aristocratic color of all. The only aristocratic color ... I have seen things that were transformed into black that took on greatness. I don't want to use a lesser word." In the 1960s, she began incorporating white and gold into her works.
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Mike), who grew up to be a sculptor. Nevelson studied art, despite the disapproval of her parents-in-law. She commented: "My husband's family was terribly refined. Within that circle you could know Beethoven, but God forbid if you were Beethoven."
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at a local law office. There she met Bernard Nevelson, co-owner with his brother Charles of the Nevelson Brothers Company, a shipping business. Bernard introduced her to his brother, and Charles and Louise Nevelson were married in June 1920 in a
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Upon Nevelson's death, her estate was worth at least $ 100 million. Her son Mike removed 36 sculptures from her house. Documentation showed that Nevelson had bequeathed these works (worth millions) to her friend and assistant of 25 years,
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as a catalyst for her to study art further. In 1931, she sent her son Mike to live with family and went to Europe, paying for the trip by selling a diamond bracelet that her now ex-husband had given her on the occasion of Mike's birth. In
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Even with her influence upon feminist artists, Nevelson's opinion of discrimination within the art world bordered on the belief that artists who were not gaining success based on gender suffered from a lack of confidence. When asked by
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was spoken at home. Unhappy with her family's economic status, language differences, the religious discrimination of the community, and her school, Nevelson set her sights on moving to high school in New York.
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During the last half of her life, Nevelson solidified her fame and her persona by cultivating a style for her "petite yet flamboyant" self that contributed to her legacy: dramatic dresses, scarves and large
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mounted a revival in November 2019. Nevelson's distinct and eccentric image has been documented by many celebrated photographers. Nevelson is listed on the Heritage Floor, among other famous women, in
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phase", inspired by her having been told as a child that America's streets were "paved with gold" and by the materialism and hedonism of the color, the Sun, and the Moon. Nevelson researched the
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Louise Nevelson constructed her sculpture much as she constructed her past: shaping each with her legendary sense of self as she created an extraordinary iconography through abstract means.
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Through her work, Nevelson often explored her complicated past, factious present, and anticipated future. A common symbol that appears in Nevelson's work is the bride, as seen in
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Between 1966 and 1979, Nevelson donated her papers to numerous non-profit institutions in several instalments. Now, these are fully digitized and in the collection of the
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Nevelson has been described as "the first woman to gain fame in the U.S. for her public art". In 1978, the City of New York commissioned a sculpture garden,
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In 1941, Nevelson had her first solo exhibition at Nierendorf Gallery, which represented her until 1947. During her time at Nierendorf, Nevelson obtained a
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point for the art that made her famous. Her work during the 1930s explored sculpture, painting and drawing. Nevelson also created ink and pencil drawings,
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to create interesting textural effects. With fresh creative inspiration and replenished funds, Nevelson returned to New York. She joined
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merchant. Even though the family lived comfortably, Nevelson's relatives had begun to leave the Russian Empire for America in the 1880s.
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Nevelson continued to utilize wood in her sculptures, but also experimented with other materials such as aluminum, plastic and metal.
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Nevelson (fourth from left) posing for a class portrait with her classmates, 1913, unidentified photographer. Louise Nevelson papers,
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Nevelson said that white was the color that "summoned the early morning and emotional promise." She described her gold phase as the "
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area. According to family lore, young Nevelson was so forlorn about her father's departure that she became mute for six months.
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stated that Nevelson's "intuitive gesture" is not evident in the large steel works. In spite of that, Nevelson was awarded the
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before visiting Italy and France. Returning to New York in 1932 she once again studied at the Art Students League. She met
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Women Artists and Postwar Abstraction | HOW TO SEE the art movement with Corey D'Augustine, The Museum of Modern Art
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During the 1950s, Nevelson exhibited her work as often as possible. Yet despite awards and growing popularity with
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in art, Nevelson challenged the vision of what type of art women would be creating with her dark, monumental, and
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Thalacker, Donald W. "The Place of Art in the World of Architecture." Chelsea House Publishers, New York (1980).
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asked Nevelson how she dressed so beautifully, Nevelson replied "Fucking, dear, fucking", in reference to her
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2358:"Pérez Art Museum Miami Celebrates Its 35th Anniversary With The Gift Of Art Permanent Collection Exhibition"
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curated a major exhibition of her work, which traveled for two years. In 1975, she designed the chapel of
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series, Nevelson commented: "This is the Universe, the stars, the moon – and you and I, everyone."
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houses the second largest collection of her works, including jewelry she designed. In 2000, the
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In 1905, Minna and the children emigrated to the United States, where they joined Isaac in
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Interview with Louise Nevelson in the Women of Wisdom series by photographer Lynn Gilbert
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Senie, Harriet F. (July–August 2007). "The Perils of Public Art: Louise Nevelson Plaza".
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Georgia O'Keeffe, A Private Friendship, Part II: Walking the Abiquiu and Ghost Ranch Land
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them to disguise their actual function or meaning. Nevelson called herself "the original
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made frequent appearances. In school, she practiced her English, her second language, as
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173:(September 23, 1899 – April 17, 1988) was an American sculptor known for her monumental,
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public school system. Her own work began to grow to monumental size, moving beyond the
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A prominent figure in the international art scene, Nevelson participated in the 31st
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playing Nevelson, but because of Bancroft's illness it never moved beyond previews.
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works of the early 1940s. Nevelson also visited Latin America and was influenced by
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by Louise Nevelson, c. 1942 (John D. Schiff, photographer, Louise Nevelson papers,
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Seaman, Donna (2008). "The Empress of in-between: A Portrait of Louise Nevelson".
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Nevelson's work has been exhibited in many American galleries, including the
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2069:"A sad aftermath: The death of a sculptor opens a messy fight for her works"
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2738:. Washington, D.C.: National Museum of Women in the Arts. Archived from
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Nevelson continued to experiment with other artistic mediums, including
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Nevelson: Wood Sculptures, An Exhibition Organized by Walker Art Center
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if she suffered from sexism within the art world, Nevelson replied: "I
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released a series of commemorative postage stamps in Nevelson's honor.
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Thalacker was Director of the Art-In-Architecture Program of the U.S.
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as a homage to the sculptor. The show opened in New York in 2002 with
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widely on her grandmother at museums and provides research services.
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American Abstract Expressionism of the 1950s, An Illustrated Survey.
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Rom, Cristine (1981–1982). "One View: "The Feminist Art Journal"".
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In 1962 she left Martha Jackson Gallery for a brief stint at the
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Nevelson's first experience of art was at the age of nine at the
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Hobbs, Robert C. "Louise Nevelson: A Place That Is an Essence".
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There she exhibited some of her most notable mid-century works:
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in November 1943. In that year, Nevelson exhibited her work in
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She graduated from high school in 1918, and began working as a
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1423:. Birmingham, Alabama: Birmingham Museum of Art. p. 234.
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Her work is included in museum collections worldwide such as
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1657:(5 ed.). New York: Thames and Hudson Inc. p. 331.
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I'm not a feminist. I'm an artist who happens to be a woman.
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in which she constructed sculptures about the circus from
2516:"Louise Nevelson Dedicates Her Sculpture at Trade Center"
2189:"The Sculpture of Louise Nevelson: Constructing a Legend"
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Starting in 1929, Nevelson studied art full-time at the
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By the early 1930s she was attending art classes at the
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Dawns and Dusks: Taped Conversations With Diana MacKown
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The Sculpture of Louise Nevelson: Constructing a Legend
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Modern Women: Women Artists at The Museum of Modern Art
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in structure, rather like her later professional work.
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Emigrants from the Russian Empire to the United States
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Heresies: A Feminist Publication on Art and Politics
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Louise Nevelson's Sculpture: drag, color, join, face
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Louise Nevelson was born Leah Berliawsky in 1899 in
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Brandeis University Creative Arts Award in Sculpture
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2384:"Louise Nevelson | Smithsonian American Art Museum"
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1212:a woman's liberation." The former president of the
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1787:"Louise Nevelson (Sept 23, 1899 – April 17, 1988)"
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1147:Louise Nevelson has been a fundamental key in the
846:Louise Nevelson Plaza in Lower Manhattan with the
2915:A Decade of Sculpture: the New Media in the 1960s
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1716:Butler, Cornelia H.; Schwartz, Alexandra (2010).
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1132:Feminism and Nevelson's influence on feminist art
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1180:Some Living American Women Artists / Last Supper
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125:American Academy of Arts and Letters Gold Medals
4231:United States National Medal of Arts recipients
2917:. Philadelphia: The Art Alliance Press (1974).
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2225:. Connoisseur. New York: The Hearst Corporation
1896:Louise Nevelson: Prints and Drawings, 1953–1966
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1883:. New York: Praeger Publishers. pp. 12–14.
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1706:(November 15, 1943). Retrieved November 6, 2011
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594:and had her first Martha Jackson solo exhibit.
1986:. Philart.net. Retrieved on February 28, 2014.
1945:(2017). "Keeping House with Louise Nevelson".
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2957:Louise Nevelson: Atmospheres and Environments
2000:. New York: Chelsea House. pp. 120–125.
1998:The Place of Art In the World of Architecture
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1238:Chapel of the Good Shepherd (Louise Nevelson)
790:At the time of his death in 1995, her friend
3759:Elizabeth A. Sackler Center for Feminist Art
1941:
1898:. New York: Brooklyn Museum. pp. 12–13.
1839:"Louise Nevelson: The Artist and the Legend"
1832:
1830:
1768:Taylor, Alex (2016). "Rebuilding New York".
1036:on the opposite site of Financial District.
653:
4196:American people of Ukrainian-Jewish descent
3937:Why Have There Been No Great Women Artists?
3737:New York School of Applied Design for Women
2130:
2128:
2126:
2124:
2036:
2034:
1868:. New York: Summit Books. pp. 236–239.
1588:
1515:
1513:
1511:
1509:
1507:
1505:
1503:
1501:
1499:
1497:
1284:
1282:
434:
222:
3688:Feminist art movement in the United States
3679:
3665:
3261:
3247:
3119:
3105:
2654:Rabinowitz, Dorothy (September 25, 1989).
2622:"Nevelson Estate Is the Focus of a Battle"
2333:"The Gift of Art • Pérez Art Museum Miami"
2102:"Nevelson Estate Is the Focus of a Battle"
1702:. Louise Nevelson papers. Tear sheet from
1437:
1159:artworks that art historians have seen as
1086:The following year, friend and playwright
519:
31:
1995:
1827:
1384:"Louise Nevelson papers, circa 1903–1979"
1259:Reily, Nancy Hopkins (December 1, 2014).
227:
3725:American Association of University Women
3038:Louise Nevelson: Iconography and Sources
2973:New York: New York School Press (2004).
2851:
2760:
2693:
2681:
2502:
2246:
2234:
2168:
2121:
2031:
2025:
1984:Philadelphia Public Art: Louise Nevelson
1926:
1922:
1920:
1911:
1755:
1709:
1684:
1652:
1640:
1560:
1494:
1279:
1227:List of Louise Nevelson public art works
1043:
841:
825:
806:
724:
678:is an example of the artist's all-black
657:
438:
231:
3040:. New York: Garland Publishers (1981).
2858:. New York: Jewish Museum of New York.
2754:
2460:"The Guggenheim Museums and Foundation"
1810:
1784:
830:Visitors in front of Louise Nevelson's
758:James A. Byrne United States Courthouse
702:, which she described as a "blessing".
4206:Art Students League of New York alumni
4158:
2619:
2536:
2183:
2181:
2179:
2177:
2099:
1907:
1905:
1841:. Studio International. Archived from
1767:
1468:
1378:
1376:
1374:
1372:
1370:
1368:
1366:
1364:
1327:Crystal Bridges Museum of American Art
1214:Crystal Bridges Museum of American Art
794:was working on a book about Nevelson.
147:National Institute of Arts and Letters
4251:20th-century American women sculptors
3884:WACK! Art and the Feminist Revolution
3731:National Association of Women Artists
3660:
3242:
3100:
2483:
2464:The Guggenheim Museums and Foundation
1917:
1751:
1749:
1747:
1680:
1678:
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1358:
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1350:
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1346:
1344:
1258:
610:and she became national president of
418:(WPA). She worked for the WPA in the
353:. Nevelson credited an exhibition of
3825:The Women's Building (San Francisco)
3784:National Museum of Women in the Arts
2711:The Frost Art Museum Drawing Project
2647:
1811:Taggart, Hollis (December 8, 2021),
1556:
1554:
1552:
1550:
1548:
1546:
1544:
674:from 1969, in the collection of the
502:The Clown as the Center of his World
3126:
2687:
2620:Yarrow, Andrew L. (June 10, 1989).
2587:
2240:
2228:
2174:
2162:
2100:Yarrow, Andrew L. (June 10, 1989).
2067:Yarrow, Andrew L. (June 18, 1989).
1902:
1290:"MacDowell Medal winners 1960–2011"
1234:, her granddaughter, also an artist
13:
3815:Women's Art Resources of Minnesota
2999:Louise Nevelson: A Passionate Life
2873:
2675:
2496:
2477:
1866:Louise Nevelson: A Passionate Life
1771:Black Wall 1959 by Louise Nevelson
1744:
1671:
1625:
1407:
1341:
932:works often took years to create;
816:Amon Carter Museum of American Art
797:
662:Louise Nevelson and granddaughter
489:In the 1940s, she began producing
408:Madison Square Boys and Girls Club
14:
4277:
4147:Feminist movements and ideologies
3270:National Medal of Arts recipients
3051:
3001:. Bloomington: IUniverse (2001).
2736:Clara – Database of Women Artists
1541:
787:Nevelson died on April 17, 1988.
602:, which purchased the black wall
3057:
2407:
2260:"Louise Nevelson | Pace Gallery"
1785:Raphael, Barry (July 31, 2016).
1022:Federal Reserve Bank of New York
870:Nevelson took found objects and
848:Federal Reserve Bank of New York
552:. In 1954, Nevelson's street in
345:1930s: Study and experimentation
4256:Sculptors from New York (state)
4201:20th-century American sculptors
4181:People from Pereyaslavsky Uyezd
3789:New York Feminist Art Institute
2852:Rapaport, Brooke Kamin (2007).
2771:(2). Women's Art, Inc.: 21–24.
2613:
2562:
2508:
2452:
2427:
2401:
2376:
2350:
2325:
2300:
2278:
2252:
2215:
2093:
2060:
2019:
2014:General Services Administration
1989:
1977:
1887:
1804:
1778:
1761:
1690:
1646:
1075:. The Farnsworth Art Museum in
989:
964:Smithsonian American Art Museum
462:. She displayed the box at the
202:Art Students League of New York
104:Art Students League of New York
4266:American women collage artists
4136:Women in the art history field
3820:Woman's Building (Los Angeles)
2945:. Boston: E.P. Dutton (1973).
1566:
1323:"The Fabulous Louise Nevelson"
980:Museum of Modern Art, New York
972:Whitney Museum of American Art
834:originally completed in 1977,
717:In 1972–1973, she created her
600:Whitney Museum of American Art
300:, in which furniture appeared
1:
3804:Washington Women's Art Center
2959:. Clarkson N. Potter (1988).
1996:Thalacker, Donald W. (1980).
1697:Article about Louise Nevelson
1243:
784:created many of her clothes.
416:Works Progress Administration
161:Skowhegan Medal for Sculpture
16:American sculptor (1899–1988)
3844:Exhibitions or installations
3583:John Birks "Dizzy" Gillespie
2842:Resources in other libraries
2823:Resources in other libraries
1879:Glimcher, Arnold B. (1972).
1774:. Tate Research Publication.
1081:United States Postal Service
496:in materials such as stone,
333:In 1924 the family moved to
7:
4246:Federal Art Project artists
4241:People from Rockland, Maine
3969:Women Artists in Revolution
3809:Women Artists in Revolution
3209:Chapel of the Good Shepherd
2410:"Louise Nevelson 1899–1988"
2290:Anita Shapolsky Gallery NYC
2136:"Sky Cathedral: Night Wall"
1220:
936:, in the collection of the
814:, 1959–1960, painted wood (
802:
746:St. Peter's Lutheran Church
642:as a tribute to victims of
484:Art of This Century gallery
337:, a popular Jewish area of
10:
4282:
3085:Louise Nevelson Foundation
3015:. Encore Editions (1980).
2931:. New York: Skira (2011).
2887:. New Haven, Connecticut:
2797:
1653:Chadwick, Whitney (2012).
1576:. The Art Story Foundation
993:
919:Metropolitan Museum of Art
850:building in the background
734:Metropolitan Museum of Art
682:incorporating the plastic
450:, Smithsonian Institution)
427:semi-abstract animals and
362:Metropolitan Museum of Art
267:the children moved to the
4226:American modern sculptors
4211:American feminist artists
4144:
4123:
3987:
3946:
3912:
3894:
3843:
3746:
3717:
3694:
3621:
3613:Dayton Hudson Corporation
3552:
3481:
3419:
3348:
3277:
3219:
3200:
3134:
2837:Resources in your library
2818:Resources in your library
2570:"Edward Albee's Occupant"
1275:– via Google Books.
1110:'s 1974–1979 masterpiece
1039:
934:Sky Cathedral: Night Wall
654:1970s–death: Later career
117:
109:
99:
91:
75:
42:
30:
23:
4261:American collage artists
4131:List of feminist artists
3929:The Feminist Art Journal
3075:Works by Louise Nevelson
1894:Johnson, Una E. (1967).
1837:Di Marzo, Cindi (2007).
1700:Archives of American Art
1415:Birmingham Museum of Art
1389:Archives of American Art
1073:Archives of American Art
1028:it was installed in the
780:lifestyle. The designer
576:where she forged a long
448:Archives of American Art
435:1940s: First exhibitions
238:Archives of American Art
223:Life and artistic career
4216:Jewish American artists
3835:Women's Studio Workshop
3830:Women's Interart Center
3747:Venues or organizations
3320:Dorothy Buffum Chandler
3079:National Gallery of Art
2790:(subscription required)
2221:Braun, Barbara (1987).
1955:Oxford University Press
1655:Women, Art, and Society
1520:Brody, Seymour (2011).
1490:(subscription required)
1420:Guide to the collection
1394:Smithsonian Institution
1066:The Jewish Museum, 2007
949:Anita Shapolsky Gallery
926:Bride of the Black Moon
578:friendship and advocacy
562:Bride of the Black Moon
520:1950s–1960s: Mid-career
444:Clown tight rope walker
283:Rockland Public Library
242:Smithsonian Institution
4236:Artists from Manhattan
4176:People from Pereiaslav
3974:Women's Caucus for Art
3895:Films or documentaries
3769:Feminist Art Coalition
3062:Quotations related to
2987:. 1. 1 (1980): 39–43.
2439:Jewish Women's Archive
2337:Pérez Art Museum Miami
2199:. 2007. Archived from
2146:. 2015. Archived from
2144:Columbus Museum of Art
1864:Lisle, Laurie (1990).
1609:. 2010. Archived from
1527:Jewish Virtual Library
1145:
1069:
1057:
960:Pérez Art Museum Miami
938:Columbus Museum of Art
851:
839:
823:
737:
712:Edward MacDowell Medal
676:Honolulu Museum of Art
667:
640:Homage to 6,000,000 II
614:, serving until 1964.
586:Martha Jackson Gallery
479:Exhibition by 31 Women
451:
335:Mount Vernon, New York
244:
228:1899–1920s: Early life
157:Edward MacDowell Medal
152:National Medal of Arts
3903:!Women Art Revolution
3704:Feminist art movement
3144:Louise Nevelson Plaza
2889:Yale University Press
2656:"The Art of the Feud"
2150:on September 17, 2015
2048:. The Art Story. 2011
1963:10.1093/oxartj/kcx015
1607:Farnsworth Art Museum
1196:feminist art movement
1149:feminist art movement
1135:
1059:
1047:
1002:Louise Nevelson Plaza
996:Louise Nevelson Plaza
994:Further information:
896:Joaquín Torres García
845:
829:
810:
728:
708:Brooke Kamin Rapaport
661:
636:Homage to 6,000,000 I
442:
380:Man at the Crossroads
235:
3340:Hallmark Cards, Inc.
1724:Museum of Modern Art
1329:. September 22, 2013
1205:Feminist Art Journal
1183:(1972) appropriated
1034:1 World Trade Center
690:to create her first
688:Princeton University
619:Sidney Janis Gallery
516:style in the 1950s.
464:Museum of Modern Art
393:Educational Alliance
4035:Helen Frankenthaler
3779:Lesbian Art Project
3524:Sydney J. Freedberg
3158:Transparent Horizon
2985:Woman's Art Journal
2969:Herskovic, Marika.
2881:Bryan-Wilson, Julia
2764:Woman's Art Journal
2742:on January 10, 2014
2732:"Mary Beth Edelson"
2707:"Mary Beth Edelson"
2524:. December 13, 1978
2264:www.pacegallery.com
1943:Bryan-Wilson, Julia
1295:The Daily Telegraph
917:collections at the
863:from chair legs to
732:(1964–1977) at the
351:Art Students League
253:Poltava Governorate
179:Poltava Governorate
86:New York City, U.S.
65:Poltava Governorate
4100:Carolee Schneemann
3860:Three Weeks in May
3568:Alfred Eisenstaedt
3544:Obert Clark Tanner
3457:Robert Penn Warren
3411:Seymour H. Knox II
3401:Dominique de Menil
3285:Elliott Carter Jr.
3174:Sky Gate, New York
2941:Friedman, Martin.
2831:By Louise Nevelson
2626:The New York Times
2521:The New York Times
2388:americanart.si.edu
2364:. October 19, 2018
2296:on April 19, 2015.
2223:South of Modernism
2107:The New York Times
2074:The New York Times
1947:Oxford Art Journal
1845:on August 14, 2011
1265:. Sunstone Press.
1169:Portraits in Paint
1058:
1053:, 1988, aluminum,
1026:Sky Gate, New York
852:
840:
836:St. Peter's Church
824:
778:sexually liberated
738:
668:
623:Tamarind Institute
452:
339:Westchester County
327:Copley Plaza Hotel
285:, where she saw a
245:
142:Rutgers University
136:Harvard University
57:September 23, 1899
4153:
4152:
4025:Mary Beth Edelson
4020:Elaine de Kooning
3868:The Sister Chapel
3654:
3653:
3603:Robert Motherwell
3593:Vladimir Horowitz
3406:Exxon Corporation
3371:Willem de Kooning
3236:
3235:
2955:Guerrero, Pedro.
2927:Celant, Germano.
2898:978-0-300-23670-5
2865:978-0-300-12172-8
2804:Library resources
2544:"Louise Nevelson"
2435:"Louise Nevelson"
2312:artcyclopedia.com
2308:"Louise Nevelson"
2286:"Louise Nevelson"
2081:on April 11, 2013
2042:"Louise Nevelson"
1737:978-0-8707-0771-1
1664:978-0-500-20405-4
1613:on August 2, 2011
1599:"Louise Nevelson"
1574:"Untitled (1950)"
1522:"Louise Nevelson"
1430:978-1-904832-77-5
1272:978-1-6329-3043-9
1185:Leonardo da Vinci
1175:Mary Beth Edelson
984:Guggenheim Museum
966:, Washington DC;
921:for inspiration.
820:Fort Worth, Texas
754:Bicentennial Dawn
750:Midtown Manhattan
742:Walker Art Center
692:outdoor sculpture
385:Rockefeller Plaza
369:she studied with
168:
167:
140:Honorary degree,
134:Honorary degree,
4273:
4221:Jewish sculptors
4095:Rachel Rosenthal
4070:Georgia O'Keeffe
4005:Louise Bourgeois
3876:The Dinner Party
3681:
3674:
3667:
3658:
3657:
3563:Katherine Dunham
3529:Roger L. Stevens
3381:Eva Le Gallienne
3325:Lincoln Kirstein
3310:Georgia O'Keeffe
3263:
3256:
3249:
3240:
3239:
3136:Public art works
3121:
3114:
3107:
3098:
3097:
3061:
3036:Wilson, Laurie.
3011:MacKown, Diane.
2913:Busch, Julia M.
2910:
2869:
2792:
2791:
2788:
2758:
2752:
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2529:
2512:
2506:
2505:, pp. 54–55
2500:
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2298:
2297:
2292:. Archived from
2282:
2276:
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2273:
2271:
2266:. April 20, 2022
2256:
2250:
2244:
2238:
2232:
2226:
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2210:
2208:
2203:on July 20, 2009
2193:Past Exhibitions
2185:
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2119:
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2077:. Archived from
2064:
2058:
2057:
2055:
2053:
2038:
2029:
2023:
2017:
2011:
1993:
1987:
1981:
1975:
1974:
1939:
1930:
1929:, pp. 21–22
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1303:
1298:. April 13, 2011
1286:
1277:
1276:
1256:
1143:
1113:The Dinner Party
1067:
1055:Washington, D.C.
953:Woodward Gallery
838:in New York City
532:programs in the
474:Peggy Guggenheim
82:
56:
54:
37:Nevelson in 1976
35:
21:
20:
4281:
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4119:
4080:Louise Nevelson
3983:
3959:Guerrilla Girls
3942:
3908:
3890:
3839:
3799:tArt Collective
3763:Brooklyn Museum
3742:
3713:
3690:
3685:
3655:
3650:
3617:
3573:Martin Friedman
3548:
3477:
3452:William Schuman
3432:Ella Fitzgerald
3415:
3356:Marian Anderson
3344:
3305:Louise Nevelson
3273:
3267:
3237:
3232:
3229:(granddaughter)
3215:
3196:
3166:Sky Landscape I
3130:
3128:Louise Nevelson
3125:
3081:(Washington DC)
3064:Louise Nevelson
3054:
2997:Lisle, Laurie.
2929:Louise Nevelson
2899:
2879:
2876:
2874:Further reading
2866:
2848:
2847:
2846:
2828:
2827:
2812:
2811:
2809:Louise Nevelson
2807:
2800:
2795:
2789:
2777:10.2307/1357977
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2599:Brooklyn Museum
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1223:
1190:The Last Supper
1144:
1142:Louise Nevelson
1141:
1134:
1090:wrote the play
1077:Rockland, Maine
1068:
1065:
1042:
1018:Lower Manhattan
998:
992:
976:Brooklyn Museum
880:Native American
812:Lunar Landscape
805:
800:
798:Style and works
792:Willy Eisenhart
770:false eyelashes
730:Mrs. N's Palace
656:
612:Artists' Equity
608:Venice Biennale
574:Artists' Equity
566:First Personage
530:adult education
522:
437:
414:as part of the
347:
276:Rockland, Maine
230:
225:
217:Venice Biennale
171:Louise Nevelson
164:
87:
84:
80:
71:
58:
52:
50:
49:
48:
47:Leah Berliawsky
38:
26:
25:Louise Nevelson
17:
12:
11:
5:
4279:
4269:
4268:
4263:
4258:
4253:
4248:
4243:
4238:
4233:
4228:
4223:
4218:
4213:
4208:
4203:
4198:
4193:
4188:
4186:Ukrainian Jews
4183:
4178:
4173:
4168:
4151:
4150:
4145:
4142:
4141:
4139:
4138:
4133:
4127:
4125:
4121:
4120:
4118:
4117:
4112:
4107:
4102:
4097:
4092:
4090:M. C. Richards
4087:
4082:
4077:
4075:Barbara Kruger
4072:
4067:
4062:
4057:
4052:
4047:
4042:
4037:
4032:
4027:
4022:
4017:
4012:
4007:
4002:
3997:
3995:Alison Bechdel
3991:
3989:
3985:
3984:
3982:
3981:
3976:
3971:
3966:
3964:The Waitresses
3961:
3956:
3950:
3948:
3944:
3943:
3941:
3940:
3933:
3925:
3916:
3914:
3910:
3909:
3907:
3906:
3898:
3896:
3892:
3891:
3889:
3888:
3880:
3872:
3864:
3856:
3847:
3845:
3841:
3840:
3838:
3837:
3832:
3827:
3822:
3817:
3812:
3806:
3801:
3796:
3794:SOHO20 Gallery
3791:
3786:
3781:
3776:
3771:
3766:
3756:
3754:A.I.R. Gallery
3750:
3748:
3744:
3743:
3741:
3740:
3734:
3728:
3721:
3719:
3715:
3714:
3712:
3711:
3706:
3701:
3695:
3692:
3691:
3684:
3683:
3676:
3669:
3661:
3652:
3651:
3649:
3648:
3643:
3638:
3633:
3628:
3622:
3619:
3618:
3616:
3615:
3610:
3605:
3600:
3598:Czesław Miłosz
3595:
3590:
3588:Walker Hancock
3585:
3580:
3575:
3570:
3565:
3560:
3556:
3554:
3550:
3549:
3547:
3546:
3541:
3539:Francis Goelet
3536:
3531:
3526:
3521:
3519:Virgil Thomson
3516:
3511:
3509:Jerome Robbins
3506:
3501:
3496:
3491:
3485:
3483:
3479:
3478:
3476:
3475:
3470:
3465:
3464:Frances Fisher
3462:
3459:
3454:
3449:
3444:
3442:Alwin Nikolais
3439:
3437:Howard Nemerov
3434:
3429:
3427:Romare Bearden
3423:
3421:
3417:
3416:
3414:
3413:
3408:
3403:
3398:
3393:
3388:
3383:
3378:
3376:Agnes de Mille
3373:
3368:
3363:
3358:
3352:
3350:
3346:
3345:
3343:
3342:
3337:
3332:
3327:
3322:
3317:
3315:Leontyne Price
3312:
3307:
3302:
3297:
3292:
3287:
3281:
3279:
3275:
3274:
3266:
3265:
3258:
3251:
3243:
3234:
3233:
3231:
3230:
3227:Neith Nevelson
3223:
3221:
3217:
3216:
3214:
3213:
3204:
3202:
3198:
3197:
3195:
3194:
3186:
3178:
3170:
3162:
3154:
3146:
3140:
3138:
3132:
3131:
3124:
3123:
3116:
3109:
3101:
3093:
3092:
3087:
3082:
3072:
3067:
3053:
3052:External links
3050:
3049:
3048:
3034:
3023:
3009:
2995:
2981:
2967:
2953:
2939:
2925:
2911:
2897:
2875:
2872:
2871:
2870:
2864:
2845:
2844:
2839:
2833:
2829:
2826:
2825:
2820:
2814:
2813:
2802:
2801:
2799:
2796:
2794:
2793:
2753:
2723:
2698:
2686:
2674:
2646:
2612:
2586:
2561:
2535:
2507:
2495:
2476:
2451:
2426:
2400:
2375:
2349:
2324:
2299:
2277:
2251:
2239:
2227:
2214:
2173:
2161:
2120:
2092:
2059:
2030:
2018:
2006:
1988:
1976:
1931:
1916:
1901:
1886:
1871:
1856:
1826:
1803:
1791:b-ray bloggin'
1777:
1760:
1743:
1736:
1708:
1689:
1670:
1663:
1645:
1624:
1587:
1565:
1540:
1493:
1436:
1429:
1406:
1340:
1309:
1278:
1271:
1247:
1245:
1242:
1241:
1240:
1235:
1232:Neith Nevelson
1229:
1222:
1219:
1139:
1133:
1130:
1063:
1041:
1038:
1014:William Street
1010:Liberty Street
991:
988:
970:, London; the
913:robes and the
886:, dreams, the
804:
801:
799:
796:
664:Neith Nevelson
655:
652:
544:ruins and the
521:
518:
494:figure studies
436:
433:
346:
343:
323:Jewish wedding
306:Female figures
257:Russian Empire
229:
226:
224:
221:
206:conceptual art
183:Russian Empire
166:
165:
163:
162:
159:
154:
149:
144:
138:
132:
127:
121:
119:
115:
114:
111:
110:Known for
107:
106:
101:
97:
96:
93:
89:
88:
85:
83:(aged 88)
79:April 17, 1988
77:
73:
72:
69:Russian Empire
59:
46:
44:
40:
39:
36:
28:
27:
24:
15:
9:
6:
4:
3:
2:
4278:
4267:
4264:
4262:
4259:
4257:
4254:
4252:
4249:
4247:
4244:
4242:
4239:
4237:
4234:
4232:
4229:
4227:
4224:
4222:
4219:
4217:
4214:
4212:
4209:
4207:
4204:
4202:
4199:
4197:
4194:
4192:
4189:
4187:
4184:
4182:
4179:
4177:
4174:
4172:
4169:
4167:
4164:
4163:
4161:
4148:
4143:
4137:
4134:
4132:
4129:
4128:
4126:
4122:
4116:
4113:
4111:
4108:
4106:
4105:Cindy Sherman
4103:
4101:
4098:
4096:
4093:
4091:
4088:
4086:
4083:
4081:
4078:
4076:
4073:
4071:
4068:
4066:
4063:
4061:
4058:
4056:
4053:
4051:
4048:
4046:
4043:
4041:
4038:
4036:
4033:
4031:
4028:
4026:
4023:
4021:
4018:
4016:
4013:
4011:
4008:
4006:
4003:
4001:
4000:Lynda Benglis
3998:
3996:
3993:
3992:
3990:
3988:Notable women
3986:
3980:
3977:
3975:
3972:
3970:
3967:
3965:
3962:
3960:
3957:
3955:
3952:
3951:
3949:
3945:
3938:
3934:
3931:
3930:
3926:
3923:
3922:
3918:
3917:
3915:
3911:
3905:
3904:
3900:
3899:
3897:
3893:
3886:
3885:
3881:
3878:
3877:
3873:
3870:
3869:
3865:
3862:
3861:
3857:
3854:
3853:
3849:
3848:
3846:
3842:
3836:
3833:
3831:
3828:
3826:
3823:
3821:
3818:
3816:
3813:
3810:
3807:
3805:
3802:
3800:
3797:
3795:
3792:
3790:
3787:
3785:
3782:
3780:
3777:
3775:
3772:
3770:
3767:
3764:
3760:
3757:
3755:
3752:
3751:
3749:
3745:
3738:
3735:
3732:
3729:
3726:
3723:
3722:
3720:
3716:
3710:
3709:Women artists
3707:
3705:
3702:
3700:
3697:
3696:
3693:
3689:
3682:
3677:
3675:
3670:
3668:
3663:
3662:
3659:
3647:
3644:
3642:
3639:
3637:
3634:
3632:
3629:
3627:
3626:Complete list
3624:
3623:
3620:
3614:
3611:
3609:
3606:
3604:
3601:
3599:
3596:
3594:
3591:
3589:
3586:
3584:
3581:
3579:
3578:Leigh Gerdine
3576:
3574:
3571:
3569:
3566:
3564:
3561:
3559:Leopold Adler
3558:
3557:
3555:
3551:
3545:
3542:
3540:
3537:
3535:
3532:
3530:
3527:
3525:
3522:
3520:
3517:
3515:
3514:Rudolf Serkin
3512:
3510:
3507:
3505:
3502:
3500:
3497:
3495:
3492:
3490:
3487:
3486:
3484:
3480:
3474:
3471:
3469:
3468:Armand Hammer
3466:
3463:
3460:
3458:
3455:
3453:
3450:
3448:
3447:Isamu Noguchi
3445:
3443:
3440:
3438:
3435:
3433:
3430:
3428:
3425:
3424:
3422:
3418:
3412:
3409:
3407:
3404:
3402:
3399:
3397:
3394:
3392:
3391:Lewis Mumford
3389:
3387:
3384:
3382:
3379:
3377:
3374:
3372:
3369:
3367:
3366:Aaron Copland
3364:
3362:
3359:
3357:
3354:
3353:
3351:
3347:
3341:
3338:
3336:
3333:
3331:
3328:
3326:
3323:
3321:
3318:
3316:
3313:
3311:
3308:
3306:
3303:
3301:
3300:Martha Graham
3298:
3296:
3293:
3291:
3290:Ralph Ellison
3288:
3286:
3283:
3282:
3280:
3276:
3271:
3264:
3259:
3257:
3252:
3250:
3245:
3244:
3241:
3228:
3225:
3224:
3222:
3218:
3211:
3210:
3206:
3205:
3203:
3201:Installations
3199:
3192:
3191:
3190:Sky Landscape
3187:
3184:
3183:
3179:
3176:
3175:
3171:
3168:
3167:
3163:
3160:
3159:
3155:
3152:
3151:
3147:
3145:
3142:
3141:
3139:
3137:
3133:
3129:
3122:
3117:
3115:
3110:
3108:
3103:
3102:
3099:
3095:
3091:
3088:
3086:
3083:
3080:
3076:
3073:
3071:
3068:
3065:
3060:
3056:
3055:
3047:
3046:0-8240-3946-7
3043:
3039:
3035:
3032:
3031:0-87754-098-5
3028:
3024:
3022:
3021:0-684-15895-7
3018:
3014:
3010:
3008:
3007:0-595-19069-3
3004:
3000:
2996:
2994:
2990:
2986:
2982:
2980:
2979:0-9677994-1-4
2976:
2972:
2968:
2966:
2965:0-517-54054-1
2962:
2958:
2954:
2952:
2951:0-525-47367-X
2948:
2944:
2940:
2938:
2937:88-572-0445-6
2934:
2930:
2926:
2924:
2923:0-87982-007-1
2920:
2916:
2912:
2908:
2904:
2900:
2894:
2890:
2886:
2882:
2878:
2877:
2867:
2861:
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2856:
2850:
2849:
2843:
2840:
2838:
2835:
2834:
2832:
2824:
2821:
2819:
2816:
2815:
2810:
2805:
2786:
2782:
2778:
2774:
2770:
2766:
2765:
2757:
2741:
2737:
2733:
2727:
2712:
2708:
2702:
2695:
2694:Rapaport 2007
2690:
2683:
2682:Rapaport 2007
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2590:
2575:
2571:
2565:
2549:
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2539:
2523:
2522:
2517:
2511:
2504:
2503:Rapaport 2007
2499:
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2287:
2281:
2265:
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2255:
2248:
2247:Rapaport 2007
2243:
2236:
2235:Rapaport 2007
2231:
2224:
2218:
2202:
2198:
2197:Jewish Museum
2194:
2190:
2184:
2182:
2180:
2178:
2170:
2169:Rapaport 2007
2165:
2149:
2145:
2141:
2137:
2131:
2129:
2127:
2125:
2109:
2108:
2103:
2096:
2080:
2076:
2075:
2070:
2063:
2047:
2043:
2037:
2035:
2028:, p. xiv
2027:
2026:Rapaport 2007
2022:
2015:
2009:
2007:0-87754-098-5
2003:
1999:
1992:
1985:
1980:
1972:
1968:
1964:
1960:
1956:
1952:
1948:
1944:
1938:
1936:
1928:
1927:Rapaport 2007
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1921:
1913:
1912:Rapaport 2007
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1756:Rapaport 2007
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1685:Rapaport 2007
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1649:
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1641:Rapaport 2007
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1561:Rapaport 2007
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1138:
1129:
1125:
1123:
1122:Diana MacKown
1117:
1115:
1114:
1109:
1105:
1101:
1100:Washington DC
1097:
1096:Anne Bancroft
1093:
1089:
1084:
1082:
1078:
1074:
1062:
1056:
1052:
1051:
1050:Sky Landscape
1046:
1037:
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1023:
1019:
1015:
1011:
1007:
1003:
997:
987:
985:
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969:
965:
961:
956:
954:
950:
945:
943:
942:Sky Cathedral
939:
935:
931:
930:Sky Cathedral
927:
922:
920:
916:
912:
908:
903:
899:
897:
893:
889:
885:
881:
877:
873:
872:spray painted
868:
866:
862:
861:found objects
858:
849:
844:
837:
833:
828:
821:
817:
813:
809:
795:
793:
788:
785:
783:
782:Arnold Scaasi
779:
775:
771:
765:
763:
759:
755:
751:
747:
743:
740:In 1973, the
735:
731:
727:
723:
720:
715:
713:
709:
703:
701:
700:cor-ten steel
697:
693:
689:
685:
681:
677:
673:
665:
660:
651:
649:
648:Diana MacKown
645:
644:The Holocaust
641:
637:
632:
626:
624:
620:
615:
613:
609:
605:
604:Young Shadows
601:
595:
593:
592:
587:
583:
582:Norman Carton
579:
575:
571:
570:Sky Cathedral
567:
563:
558:
555:
551:
547:
543:
539:
535:
531:
527:
517:
515:
511:
507:
506:found objects
503:
499:
495:
492:
487:
486:in New York.
485:
481:
480:
475:
471:
470:
465:
461:
458:from a local
457:
456:shoeshine box
449:
445:
441:
432:
430:
429:oil paintings
426:
421:
417:
413:
409:
405:
401:
396:
394:
390:
386:
382:
381:
376:
372:
368:
363:
359:
356:
352:
342:
340:
336:
331:
328:
324:
319:
314:
311:
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3774:Hera Gallery
3699:Feminist art
3534:Brooke Astor
3499:Gordon Parks
3473:Sydney Lewis
3461:J. W. Fisher
3396:Eudora Welty
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315:
287:plaster cast
280:
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170:
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4171:1988 deaths
4166:1899 births
4110:Alma Thomas
4065:Lee Krasner
4055:Lila Katzen
4030:Suzi Ferrer
3979:Where We At
3932:(1972–1977)
3924:(1977–1992)
3871:(1974–1978)
3608:John Updike
3494:Helen Hayes
3489:Saul Bellow
3361:Frank Capra
3335:Alice Tully
3330:Paul Mellon
3295:José Ferrer
3169:(1976-1983)
2746:January 10,
2716:January 11,
2684:, p. 5
2492:(6): 48–49.
2113:February 8,
2085:February 8,
1957:: 109–131.
1758:, p. 9
1687:, p. 8
1643:, p. 7
1603:Exhibitions
1563:, p. 6
1479:(31): 280.
1006:Maiden Lane
962:, Florida;
756:at the new
680:assemblages
672:Black Zag X
538:human scale
526:art critics
425:terra-cotta
400:lithography
389:Frida Kahlo
291:Joan of Arc
187:Kyiv Oblast
92:Nationality
4160:Categories
4115:June Wayne
3852:Womanhouse
3718:Precursors
3386:Alan Lomax
3182:Night Sail
2907:1346531775
2605:August 19,
2554:August 18,
2207:August 19,
2140:Collection
2052:August 19,
1849:August 19,
1726:. p.
1704:Art Digest
1617:August 18,
1533:August 18,
1399:August 16,
1244:References
1157:totem-like
1153:femininity
982:; and the
892:archetypes
774:Alice Neel
534:Great Neck
510:surrealism
469:Art Digest
460:shoeshiner
295:watercolor
249:Pereiaslav
61:Pereiaslav
53:1899-09-23
4050:Eva Hesse
3504:I. M. Pei
2639:March 11,
2634:0362-4331
2574:Theater J
2486:Sculpture
2469:April 11,
2444:April 11,
2419:April 11,
2393:April 11,
2368:April 11,
2342:April 11,
2317:April 20,
2270:April 11,
1971:0142-6540
1485:274289915
1161:masculine
1104:Theater J
1032:lobby of
1030:mezzanine
915:gold coin
884:Mayan art
865:balusters
714:in 1969.
696:plexiglas
666:, c. 1965
550:Guatemala
514:modernist
302:molecular
298:interiors
197:at home.
113:Sculpture
100:Education
4085:Yoko Ono
3939:" (1971)
2883:(2023).
2661:New York
2528:April 2,
2154:July 25,
1580:March 8,
1481:ProQuest
1417:(2010).
1221:See also
1140:—
1092:Occupant
1064:—
876:recycler
803:Approach
554:Kips Bay
476:'s show
412:Brooklyn
95:American
3954:subRosa
3272:(1980s)
3220:Related
3077:in the
2993:1358017
2798:Sources
2785:1357977
2046:Artists
1820:May 18,
1796:May 18,
907:baroque
857:collage
772:. When
736:in 2022
684:Formica
482:at the
404:etching
360:at the
325:at the
310:Yiddish
195:Yiddish
191:Ukraine
181:of the
3947:Groups
3887:(2007)
3879:(1979)
3863:(1977)
3855:(1972)
3739:(1892)
3733:(1889)
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3212:(1977)
3193:(1988)
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2548:Artnet
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1427:
1269:
1165:sexism
1040:Legacy
888:cosmos
832:Chapel
546:steles
498:bronze
491:Cubist
367:Munich
358:kimono
261:lumber
208:using
118:Awards
4124:Lists
3811:(WAR)
3646:2010s
3641:2000s
3636:1990s
3631:1980s
2989:JSTOR
2781:JSTOR
1953:(1).
580:with
542:Mayan
420:easel
3553:1989
3482:1988
3420:1987
3349:1986
3278:1985
3042:ISBN
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3003:ISBN
2975:ISBN
2961:ISBN
2947:ISBN
2933:ISBN
2919:ISBN
2903:OCLC
2893:ISBN
2860:ISBN
2748:2014
2718:2014
2669:2011
2641:2017
2630:ISSN
2607:2011
2581:2019
2556:2011
2530:2023
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2421:2023
2414:Tate
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