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Louis Hayet

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215: 203: 227: 179: 191: 164:. By the mid 1920s, he was forgotten. He would spend the last part of his career conducting scientific research on colors and pigments but, by the 1930s, he had given up painting and was in poor health. Of his estimated 500 paintings, over half are lost or unaccounted for. 59:
His parents, Calixte and LĂ©ontine Hayet, were very poor. As a child, he was very shy, but displayed a talent for painting as early as 1876. From 1877 to 1884, he worked with his father, who had become a travelling salesman. He was able to study, briefly, at the
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Several private exhibitions in the 1900s were unsuccessful and he continued to earn his living doing commercial work. After that time, he focused on painting scenes of Paris. After World War I, he concentrated on
27: 61: 115: 379: 91:, but returned to more classical styles in 1890. As a result, Paul Signac removed his name from the second edition of his book, 394: 374: 329: 280: 125:. He was especially fond of depicting the circus and other entertainments. However, most of his living was earned as a 389: 202: 144:; a project that he was engaged in for thirty years. Hayet's cousin, the Director of the École d'Alembert in 141: 214: 226: 64:, but seems to have been largely self-taught; although he certainly benefitted from a friendship with 148:, hired him as a Professor of ornamental design; a post he held until 1911. In 1910, he won the 133: 178: 44: 348: 384: 369: 364: 120: 294:"Collège Louis Hayet - 4 avenue Louis Hayet, 95240 Cormeilles-en-Parisis - 01 34 50 32 60" 259: 8: 99: 126: 48: 234: 149: 325: 276: 76: 293: 110:
and painted maritime scenes. When he moved to Paris in 1885, he set up a studio in
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A small college in Cormeilles-en-Parisis has been named after him.
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Les peintres de la Vallée de la Marne; autour des Impressionnistes
153: 26: 72:, whom he had met while painting in the countryside. 140:, who asked him to create theatrical sets for his 95:(considered to be the manifesto of Pointillism). 356: 129:. His first exhibit did not come until 1889. 93:From Eugène Delacroix to Neo-impressionism 298:www.clg-hayet-cormeilles.ac-versailles.fr 25: 357: 322:Dictionnaire des peintres Ă  Montmartre 324:, Paris, Éditions A. Roussard, 1999, 170: 75:He was initially associated with the 255: 253: 251: 13: 380:French Post-impressionist painters 314: 14: 406: 336: 248: 225: 213: 201: 189: 177: 106:and landscapes. He also visited 286: 275:, Renaissance du Livre, 2000, 265: 1: 241: 132:In 1894, while exhibiting at 98:His original workshop was in 395:20th-century French painters 375:19th-century French painters 351:@ the Stern Pissarro Gallery 102:, where he painted numerous 54: 7: 87:. For a time, he practiced 10: 411: 18: 16:French painter (1864–1940) 62:École des Arts DĂ©coratifs 19:Not to be confused with 208:Still-life with Oranges 156:with a triptych table. 184:Market Day in Pontoise 134:Le Barc de Boutteville 33: 45:Cormeilles-en-Parisis 29: 390:People from Pontoise 262:@ Stephen Ongpin Art 136:, he met the actor, 43:– 27 December 1940, 343:More works by Hayet 171:Selected paintings 142:Théâtre de l'Ĺ’uvre 127:decorative painter 77:Neo-impressionists 49:Post-Impressionist 34: 330:978-2-951360-10-5 281:978-2-203-62010-0 39:(29 August 1864, 402: 320:AndrĂ© Roussard, 308: 307: 305: 304: 290: 284: 269: 263: 257: 229: 217: 205: 193: 181: 124: 66:Camille Pissarro 410: 409: 405: 404: 403: 401: 400: 399: 355: 354: 349:Brief biography 339: 317: 315:Further reading 312: 311: 302: 300: 292: 291: 287: 270: 266: 258: 249: 244: 237: 235:Émile Verhaeren 233: 230: 221: 218: 209: 206: 197: 194: 185: 182: 173: 152:for devising a 150:Concours LĂ©pine 118: 57: 47:) was a French 31: 24: 17: 12: 11: 5: 408: 398: 397: 392: 387: 382: 377: 372: 367: 353: 352: 346: 338: 337:External links 335: 334: 333: 316: 313: 310: 309: 285: 264: 246: 245: 243: 240: 239: 238: 231: 224: 222: 220:Woman in a Hat 219: 212: 210: 207: 200: 198: 195: 188: 186: 183: 176: 172: 169: 116:Rue d'Orchampt 85:Georges Seurat 56: 53: 32:(date unknown) 15: 9: 6: 4: 3: 2: 407: 396: 393: 391: 388: 386: 383: 381: 378: 376: 373: 371: 368: 366: 363: 362: 360: 350: 347: 344: 341: 340: 331: 327: 323: 319: 318: 299: 295: 289: 282: 278: 274: 268: 261: 256: 254: 252: 247: 236: 228: 223: 216: 211: 204: 199: 192: 187: 180: 175: 174: 168: 165: 163: 157: 155: 151: 147: 143: 139: 135: 130: 128: 122: 117: 113: 109: 105: 101: 96: 94: 90: 86: 82: 78: 73: 71: 68:and his son, 67: 63: 52: 50: 46: 42: 38: 28: 22: 332:p. 300. 321: 301:. Retrieved 297: 288: 272: 271:NoĂ«l Coret, 267: 166: 158: 131: 97: 92: 74: 58: 36: 35: 385:Pointillism 370:1940 deaths 365:1864 births 232:Portrait of 162:still-lifes 119: [ 89:Pointillism 81:Paul Signac 37:Louis Hayet 30:Louis Hayet 21:Louis Havet 359:Categories 303:2022-07-08 242:References 146:MontĂ©vrain 112:Montmartre 104:cityscapes 79:, such as 260:Biography 138:LugnĂ©-Poe 100:La Frette 55:Biography 51:painter. 345:@ ArtNet 196:The Room 108:Brittany 41:Pontoise 114:on the 328:  279:  154:tripod 70:Lucien 283:p.41. 123:] 326:ISBN 277:ISBN 83:and 361:: 296:. 250:^ 121:fr 306:. 23:.

Index

Louis Havet

Pontoise
Cormeilles-en-Parisis
Post-Impressionist
École des Arts Décoratifs
Camille Pissarro
Lucien
Neo-impressionists
Paul Signac
Georges Seurat
Pointillism
La Frette
cityscapes
Brittany
Montmartre
Rue d'Orchampt
fr
decorative painter
Le Barc de Boutteville
Lugné-Poe
Théâtre de l'Œuvre
Montévrain
Concours LĂ©pine
tripod
still-lifes
Market Day in Pontoise
The Room
Still-life with Oranges
Woman in a Hat

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