Knowledge

Loudness compensation

Source 📝

17: 172: 63:
Correct loudness compensation requires a calibrated system with known listening level. Audio level at a listener's ears depends on the listening environment, listener position, speaker sensitivity as well as amplifier gain. For loudness compensation to work correctly the playback system must also
68:. For movie soundtracks this reference volume level is an industry standard and can be used by manufacturers to provide a loudness feature that works with a reasonable degree of accuracy. A 89: 51:. As a result audio material may become thin sounding at low volumes, losing bass and treble. The loudness compensation feature applies 213: 72:
product that provides a reference level indication on the volume control can be expected to work well with movie soundtracks.
47:
of audio decreases, the ear's lower sensitivity to extreme high and low frequencies may cause these signals to fall below the
179: 237: 206: 232: 43:. This is intended to be used while listening at low-volume levels, to compensate for the fact that as the 112: 199: 97: 187: 137: 52: 48: 8: 65: 21: 183: 226: 69: 40: 16: 93: 44: 171: 36: 113:"Pole Zero Analysis - Part 3 : Loudness Compensation" 39:
equipment that increases the level of the high and low
224: 64:accurately assume what volume level was used in 207: 55:and is intended to rectify this situation. 214: 200: 138:"Loudness And The Fletcher-Munson Curve" 15: 225: 110: 20:Loudness compensation activated on a 166: 117:Steve's Vacuum Tube Related Web Site 90:"Audyssey Laboratories' Dynamic EQ" 13: 14: 249: 135: 170: 150: 129: 104: 82: 58: 1: 75: 35:, is a setting found on some 186:. You can help Knowledge by 7: 111:Bench, Steve (2004-09-07). 10: 254: 165: 96:- Stereos. Archived from 238:Sound technology stubs 25: 29:Loudness compensation 19: 49:threshold of hearing 233:Tone, EQ and filter 26: 195: 194: 245: 216: 209: 202: 180:sound technology 174: 167: 157: 154: 148: 147: 145: 144: 133: 127: 126: 124: 123: 108: 102: 101: 86: 253: 252: 248: 247: 246: 244: 243: 242: 223: 222: 221: 220: 163: 161: 160: 156:SMPTE 202m-1998 155: 151: 142: 140: 134: 130: 121: 119: 109: 105: 88: 87: 83: 78: 61: 12: 11: 5: 251: 241: 240: 235: 219: 218: 211: 204: 196: 193: 192: 175: 159: 158: 149: 128: 103: 100:on 2015-09-07. 80: 79: 77: 74: 60: 57: 9: 6: 4: 3: 2: 250: 239: 236: 234: 231: 230: 228: 217: 212: 210: 205: 203: 198: 197: 191: 189: 185: 182:article is a 181: 176: 173: 169: 168: 164: 153: 139: 136:Foley, Mark. 132: 118: 114: 107: 99: 95: 91: 85: 81: 73: 71: 67: 56: 54: 50: 46: 42: 38: 34: 30: 23: 18: 188:expanding it 177: 162: 152: 141:. Retrieved 131: 120:. Retrieved 116: 106: 98:the original 84: 70:home theater 62: 53:equalization 32: 31:, or simply 28: 27: 59:Calibration 41:frequencies 227:Categories 143:2018-10-01 122:2013-05-07 76:References 24:amplifier. 94:About.com 66:mastering 45:loudness 33:loudness 178:This 37:hi-fi 184:stub 22:NAD 229:: 115:. 92:. 215:e 208:t 201:v 190:. 146:. 125:.

Index


NAD
hi-fi
frequencies
loudness
threshold of hearing
equalization
mastering
home theater
"Audyssey Laboratories' Dynamic EQ"
About.com
the original
"Pole Zero Analysis - Part 3 : Loudness Compensation"
"Loudness And The Fletcher-Munson Curve"
Stub icon
sound technology
stub
expanding it
v
t
e
Categories
Tone, EQ and filter
Sound technology stubs

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.