161:
She reminds
Glenallan of the arrival in his life many years ago of Eveline Neville, the young woman with whom he fell in love, and tells him that his mother opposed their marriage because the birth of any son to them would deprive her of her legal rights to the Glenallans' house and estate. She hoped to prevent such a match by telling him falsely that Eveline was his own half-sister, and not the cousin she claimed to be, but she was unaware that the two lovers had some months before married secretly. When Eveline was told her husband was also her half-brother she was so overcome by horror and despair that she threw herself from a cliff into the sea, but was recovered from the waves, and before dying gave birth to a premature baby. The whole business was hushed up, the baby was taken away, and Elspeth is unable to say what its fate was. Here they are interrupted by a visit from
165:, who we discover had also been a suitor of Eveline Neville. Oldbuck leaves the house to avoid the unpleasant memories his rival evokes, but Glenallan persuades Oldbuck to listen to his story. When he hears the full story, and learns for the first time of the supposed incest and actual deception, Oldbuck is won over to the earl's cause and promises to help him discover the baby and prove its legitimacy. He invites him to Monkbarns, the Oldbuck family home, and the uproarious household there show the gloomy earl its best hospitality, though Glenallan follows his usual practice of eating with penitential sparingness. Oldbuck gives reasons for believing that the baby was not killed, but rather spirited off to the earl's younger brother and raised by him. He promises to set enquiries on foot, and the two men part on the best of terms.
31:
157:
religion, and that he had a younger brother called Edward, now dead. Ochiltree finds Lord
Glenallan a wreck of a man, old beyond his years, and apparently in deep penance for some hideous crime. He tells the earl that Elspeth wishes to confide to him something of great importance that hangs on her conscience. As he leaves Glenallan House the beggar learns from an old family servant that the earl had in his youth loved a woman called Eveline Neville, a cousin of his, but that she had committed suicide.
178:
which leads him to a life of despondent penitence and which he has come to self-destructively embrace. Though the finding of his son is the only redemption he can aspire to, he is emotionally incapacitated from taking any positive action toward that end, and when he finally recognizes Major
Neville he cannot hope to resume any real life, but can only wait for death.
198:, he told Byron that he did not, like some, expect him to convert to Methodism: “I would rather look to see you retreat upon the Catholic faith, and distinguish yourself by the austerity of your penances.” The theme of Glenallan's marriage to his supposed half-sister Eveline was almost certainly inspired by the scandal of Byron's affair with his half-sister
1279:
234:
20th century critics were also split. Peter
Cochran found the scene between Glenallan and Elspeth “very moving”, and John Buchan wrote approvingly that “the dark stateliness of the Glenallans…skirts, but does not stumble into, melodrama”, but Edgar Johnson found Lord Glenallan not only melodramatic
168:
The novel ends with the neighbourhood being set into turmoil by an invasion scare, to which all respond by rallying round their country's cause. Glenallan raises a body of troops from his vast
Lowland and Highland estates and leads them in person to Fairport, where he meets a cavalry officer called
160:
Glenallan responds to the summons by visiting the
Mucklebackit cottage, and there finds the whole family in mourning for Elspeth's drowned grandson, young Steenie Mucklebackit who has been buried that day. Steenie's parents wish to deny him admittance, but Elspeth takes command and sends them out.
177:
Lord
Glenallan is almost the only representative in the novel of the old feudal Scotland, now in the last stages of decline. His character is dominated by his sense of loss over the disappearance of his son, and by the all-consuming Catholic guilt he feels over his supposedly incestuous marriage,
169:
Major
Neville, who has been sent with the news that the invasion is a false alarm. Glenallan has already privately learned that Neville is his younger brother's foster-son, and on meeting him he is immediately struck by the man's resemblance to Eveline and recognizes him as his own long-lost son.
156:
to go to Lord
Geraldin, now become Earl of Glenallan in succession to the Countess, and tell him that she wishes to see him before she dies. We are told that the Glenallans are a Catholic family, that the present earl has for many years lived a life of withdrawn and melancholy devotion to his
151:
Lord
Glenallan first makes a brief appearance in the novel as the chief mourner at the midnight funeral procession of his mother, the Countess of Glenallan, near the north-eastern Scottish town of Fairport. Later, a former servant of his, the half-senile Elspeth Mucklebackit, learns of the
218:
protested against “the illiberality of appropriating dark and horrible doings to Catholic families” and criticized the melodrama of the Glenallan story as being unfitted to a story with a modern setting. On the other hand, the
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235:
but insufficiently realized for us to care about the final clearing up of all his troubles, and complained that though we are told he has learned greater wisdom we are not shown it.
1126:
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139:, a Scottish aristocrat whose life has been ruined by the suicide of his wife and the belief that he has unwittingly committed incest. His story forms the melodramatic
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thought that his “highest art, that of skilful contrast” was nowhere better exemplified than in his setting off of the Glenallan story against the Oldbuck one.
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some years later was thoroughly pleased by “that striking picture of the effects of feudal tyranny and fiendish pride”, while Scott's biographer
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thought the story of Glenallan and his long-lost son formed the main point of interest in the novel apart from the character of Oldbuck, but
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thought the whole Glenallan strand unconvincing, its Gothic nature being incompatible with the rest of the novel, while
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believed that it gives “a sense of depth and implication to the action” without altering its essential atmosphere.
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Early 19th century opinions about the Glenallan strand of the story diverged sharply. In a contemporary review of
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Glenallan's gloomy and penitential withdrawal from secular life reminded A. N. Wilson of the austerely pious
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Elspeth Mucklebackit and Lord Glenallan, engraved by Charles Courtry from a design by Alfred Holst Tourrier
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Manners, customs and history of the Highlanders of Scotland; Historical account of the clan MacGregor.
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194:. When the two met in 1815, the year that Scott began writing
333:. Toronto: University of Toronto Press. pp. 92, 101–102.
581:
Sir Walter Scott: The Great Unknown. Volume 1: 1771–1821
424:
400:
283:
281:
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412:
268:
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264:
143:
strand in an otherwise largely realistic comic novel.
488:
476:
455:. Cambridge: Cambridge University Press. p. 65.
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261:
190:, but it might alternatively have been modelled on
778:
677:A Critical History of English Literature. Volume 3
645:
621:. New York: Columbia University Press. p. 130
584:. London: Hamish Hamilton. pp. 538, 540–541.
365:
293:
72:William, Earl of Glenallan, formerly Lord Geraldin
1505:
1097:Translations and Imitations from German Ballads
752:The Life of Walter Scott: A Critical Biography
525:. Newcastle: Cambridge Scholars. p. 188.
822:
733:Memoirs of the Life of Sir Walter Scott, Bart
372:. Oxford: Oxford University Press. pp.
648:Walter Scott and the Historical Imagination
829:
815:
748:
430:
406:
152:Countess's death and persuades the beggar
29:
442:
729:
611:
506:
418:
330:Walter Scott: The Making of the Novelist
323:
1519:Fictional characters involved in incest
673:
577:
518:
287:
1514:Literary characters introduced in 1816
1506:
776:
708:. London: Routledge & Kegan Paul.
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652:. London: Routledge & Kegan Paul.
552:
494:
482:
360:
272:
205:
810:
643:
311:
299:
1272:Letters on Demonology and Witchcraft
1074:(1831–1832, pub. posthumously 2008)
785:. Oxford: Oxford University Press.
13:
14:
1555:
1111:Minstrelsy of the Scottish Border
836:
680:. New Delhi: Allied Publishers.
453:The Cambridge Companion to Byron
605:
571:
546:
512:
436:
1242:Abstract of the Eyrbiggia-Saga
1082:(1832, pub. posthumously 2008)
559:. London: Cassell. p. 150
354:
317:
1:
702:Hayden, John O., ed. (1970).
637:
445:"Byron: Gender and Sexuality"
395:austere penitential tireless.
1119:The Lay of the Last Minstrel
705:Scott: The Critical Heritage
254:
172:
96:William Neville, alias Lovel
7:
1544:Sir Walter Scott characters
1210:Chronicles of the Canongate
243:preferred Edie Ochiltree.
10:
1560:
1529:Fictional lords and ladies
1151:The Vision of Don Roderick
1127:Ballads and Lyrical Pieces
749:Sutherland, John (1997) .
736:. Edinburgh: Robert Cadell
443:Elfenbein, Andrew (2004).
181:
123:William, Earl of Glenallan
1539:Fictional Scottish people
1440:
1384:
1333:
1290:
1227:
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730:Lockhart, J. G. (1845) .
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40:
28:
23:
674:Daiches, David (2005) .
129:, is a character in Sir
1159:The Bridal of Triermain
919:The Bride of Lammermoor
911:The Heart of Midlothian
781:The Laird of Abbotsford
578:Johnson, Edgar (1970).
522:"Romanticism"…and Byron
519:Cochran, Peter (2009).
216:British Lady’s Magazine
146:
64:In-universe information
1453:Dandie Dinmont Terrier
1264:Tales of a Grandfather
1039:The Fair Maid of Perth
777:Wilson, A. N. (1980).
618:Sir Walter Scott, Bart
553:Buchan, John (1961) .
1412:Saunders Mucklebackit
1392:Jedediah Cleishbotham
1315:The Doom of Devorgoil
1183:The Lord of the Isles
1175:The Field of Waterloo
1055:Count Robert of Paris
975:The Fortunes of Nigel
755:. Oxford: Blackwell.
644:Brown, David (1979).
1483:Sir Walter Scott Way
1361:John Gibson Lockhart
1283:(1893, posthumously)
1218:The Keepsake Stories
1191:Harold the Dauntless
1143:The Lady of the Lake
927:A Legend of Montrose
1463:"Hail to the Chief"
1213:, 1st series (1827)
983:Peveril of the Peak
206:Critical assessment
18:Fictional character
1488:Walter Scott Prize
1432:Sir Arthur Wardour
1376:William Wordsworth
1071:The Siege of Malta
1047:Anne of Geierstein
999:Saint Ronan's Well
613:Grierson, H. J. C.
188:Philip II of Spain
1501:
1500:
1458:Fair Maid's House
368:Europe: A History
314:, pp. 58–59.
241:H. J. C. Grierson
120:
119:
1551:
1524:Fictional lairds
1448:Abbotsford House
1422:Jonathan Oldbuck
1366:J. B. S. Morritt
1341:James Ballantyne
1063:Castle Dangerous
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41:First appearance
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1534:Fictional earls
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1493:Writers' Museum
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1427:Dominie Sampson
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1356:William Laidlaw
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1307:MacDuff's Cross
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887:The Black Dwarf
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532:978-1443801133
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509:, p. 332.
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449:Bone, Drummond
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433:, p. 192.
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362:Davies, Norman
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325:Millgate, Jane
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229:J. G. Lockhart
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154:Edie Ochiltree
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133:'s 1816 novel
127:Lord Glenallan
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879:The Antiquary
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871:Guy Mannering
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1478:Scott's View
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1397:Jeanie Deans
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1299:Halidon Hill
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1267:(1828–1831)
1259:(1825–1832)
1256:The Journal
1237:(1788–1832)
1235:The letters
1228:Non-fiction
1114:(1802–1803)
1099:(1796–1819)
1007:Redgauntlet
495:Hayden 1970
483:Hayden 1970
273:Wilson 1980
111:Nationality
1508:Categories
1385:Characters
1351:James Hogg
1346:Lord Byron
1104:Glenfinlas
967:The Pirate
959:Kenilworth
792:0192117564
762:0631203176
715:0710067240
687:8170230489
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638:References
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462:0521781469
383:0198201710
340:0802066925
312:Brown 1979
300:Brown 1979
192:Lord Byron
77:Occupation
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1031:Woodstock
951:The Abbot
327:(1987) .
255:Footnotes
173:Character
69:Full name
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863:Waverley
798:29 March
768:23 April
740:29 March
721:24 April
693:21 April
665:27 April
625:24 April
615:(1938).
597:24 April
563:24 April
538:24 April
468:23 April
389:23 April
364:(1996).
346:23 April
115:Scottish
101:Religion
93:Children
1441:Related
1249:Memoirs
1135:Marmion
1079:Bizarro
935:Ivanhoe
903:Rob Roy
451:(ed.).
223:critic
221:Radical
200:Augusta
182:Sources
1334:People
1326:(1830)
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1090:Poetry
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49:(1816)
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1291:Plays
447:. In
80:Laird
800:2016
787:ISBN
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682:ISBN
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214:the
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