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November 1934, was prompted by John
Pennington having been appointed to the concertmaster's chair in San Francisco. Thereafter all but violist Primrose – who joined Toscanini's NBC Symphony Orchestra as co-principal – moved to Hollywood studios. In 1941 the quartet reformed for concerts in Los Angeles and performed at summer concerts and other recitals. Primrose pursued his distinguished career as a soloist and was replaced by Cecil Bonvalot, and subsequently Edgardo Acosta. The quartet formally disbanded in 1952.
346:'s later years,... they seemed to have become a committee of experts matching exquisite swatches of tonal texture rather than performers of music. For young ears, the rise of the London String Quartet (with the incomparable James Levey as leader, and the enduring partnership of Thomas Petre, H. Waldo Warner and C. Warwick Evans participating) dimmed the Flonzaley star even as it was waning. A more vibrant enthusiasm, a stronger sense of tonal colours, a refinement that was not
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for essential rehearsals. In May 1915 the quartet began to give chamber music 'Pops', much liked in wartime London. By May 1917 they had given 50 concerts. At about that time
Sammons left and was replaced (July 1917) by James Levey, a pupil of Ferdinand Hill's. The last of these concerts, the 117th, was on 14 July 1919.
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At the outbreak of war later in 1914, Petre was called up to serve in France and his place was taken successively by Wynn Reeves, Herbert Kinsey, and Edwin Virgo. Warwick-Evans and Waldo Warner could not serve for health reasons. Albert
Sammons, meanwhile, was building a solo career and had less time
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and two other phases of awards, and was completed with an issue of over seventy records of
Schubert's music, including chamber recordings by various groups. The London String Quartet was invited to record the following Schubert items (these electrical-microphone recordings feature John Pennington at
226:
In 1908 Warwick-Evans was leader of the Queen's Hall violoncellos and Waldo Warner was first viola in the New
Symphony Orchestra. Warwick-Evans formed the idea of a string quartet worked up to the standard of a solo virtuoso, and approached Waldo Warner. He was enthusiastic, and then Petre was found
331:
The quartet was one of the most important international groups of its time. Numerous premieres, Beethoven cycles, widespread concertising, and eminent recordings marked out its trajectory. The 'live' Library of
Congress recordings demonstrate its most vital, sensitive and convincing musicianship in
327:
Their prestige in
America, North and South, was very considerable, and they travelled from Canada to Buenos Aires, performing much new music as well as Beethoven quartet cycles. By the late 1920s they had introduced around one hundred new pieces of music to the repertory. Their disbanding, in
234:
They rehearsed four times a week for nearly two years before giving their first concert. There was to be no 'boss': if anyone disagreed with tempo or phrasing he spoke out, the point was discussed, and the decision made if necessary by voting. The first concert was on 26 January 1910, at
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Harry Waldo Warner also won distinction as a composer of chamber music, including six published string quartets and a trio. Many of his quartets were premiered by the London String
Quartet. The first two quartets were one-movement works described as Phantasies for the purposes of the
350:, gave them pre-eminence as long as this personnel endured. This, in truth, was not long, and though Levey's successor was John Pennington of the honeyed tone, and William Primrose first showed his prowess as a violist in Waldo Warner's place, it was not the same thing.'
239:, as the 'New' Quartet, playing Dohnanyi in D flat, Tchaikovsky in D, and a Fantasy Quartet (No. i) of Waldo Warner's. Reviews were excellent: the second concert was in June 1910, of Debussy in G minor, Beethoven Op. 59 no. 1, and a
445:
Schubert: Quartet No. 13 (Columbia 1921 unissued): Trout
Quintet (Columbia 1924) (coupled with a Glazounov movement): Quartet in D minor 'Tod und das Mädchen'. (Col Light Blue, 78rpm, L1751-1754). (20 November & 24 December
354:
As live
Library of Congress recordings irrefutably demonstrate, Kolodin's implication that the Levey-led quartet declined when Pennington and Primrose took their places in the ensemble is very much wide of the mark.
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The group made prolific early recordings in the days of the pre-electric recording horn, when it was difficult to obtain clear sound from string chamber groups. The 1917 premiere recording (made in this way) of the
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Not listed by Forman, op. cit. Warner retired due to ill health and was replaced by Sainton who was in turn replaced by Primrose in June 1930 see Tully Potter article 'Britain's early chamber ambassadors'
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In 1920 the suggestion was made that they should perform a one-week cycle of the complete Beethoven quartets, and this was done first in Edinburgh, then in London, then
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368:, which was won by both. The third in C minor is in four movements, though the slow movement and scherzo are linked: the fourth is a Phantasy based on an English
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ways that even its studio discs occasionally fail to show. They provide irrefutable evidence that the quartet was one of the very greatest of its time.
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Beethoven: Quartets Nos. 1 (Columbia 1919): 2 (Columbia 1916): 3 (Vocalion 1921): 6 (Vocalion 1924): 8 (Columbia 1924 and 1925): 14 (Vocalion 1924).
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433:, Op. 64, No. 3 (Vocalion 1921): Quartet in D, Op. 64, No. 5 (Lark) (Columbia 1919): Quartet in C, Op. 76, No. 3 (Emperor) (Columbia 1924):
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founded in London in 1908 which remained one of the leading English chamber groups into the 1930s, and made several well-known recordings.
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The primary source for this section is the lengthy and useful article 'British Players and Singers – vii: The London String Quartet,
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took place on 23 January 1914 at the Bechstein Hall in the presence of the composer. The London String Quartet was supplemented by
288:, and variously in America, in all ten cycles including three in London. In September 1920 they were introduced to America by Mrs
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211:. After giving some violin recitals he concentrated on viola. Charles Warwick Evans (1885–1974) had studied for 6 years at the
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In addition to a great number of concerts in London and England they undertook many international tours, notably to
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Mozart: Quartets Nos. 14 (Columbia 1916): 15 (Columbia 1918): 21 (Vocalion 1920): Quintet 4 (Columbia 1917).
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Woolf, Jonathan. 'The London String Quartet: 1917-1951 Recordings', Decca box set (2011), reviewed at
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324:(thrice), (Germany) and Canada. From November 1922 to April 1924 they conducted a world-tour.
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lore, and the sixth is a Suite of four movements described as being in the 'Olden Style'.
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The Music Lover's Gramophone Library, Vol I: Schubert Centenary Issue of Columbia Records
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247:'s. Warwick-Evans suggested the name 'London String Quartet' and in 1911 it was adopted.
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Schubert: Quartett-satz in C minor (Col Light Blue, 78rpm, L1679R). (4 November 1927) .
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505:: Quartet in D major (Columbia Light Blue, 78rpm, L2304-2309). (26–27 October 1928).
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The AHRC Research Centre for the History and Analysis of Recorded Music Discography
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The AHRC Research Centre for the History and Analysis of Recorded Music Discography
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The AHRC Research Centre for the History and Analysis of Recorded Music Discography
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The AHRC Research Centre for the History and Analysis of Recorded Music Discography
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The AHRC Research Centre for the History and Analysis of Recorded Music Discography
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S., F.H. (24 January 1914). "Schonberg Hazy: String Sextet at the Bechstein Hall".
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Website with audio and transcript materials relating to London String Quartet
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511:: Quartet in A minor op 132 (Columbia 78rpm LX 332–336). (2–3 April 1934).
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Orchestra. He resigned that post to devote himself to the String Quartet.
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487:(double-bass). (Col Light Blue, 78rpm, L 2098–2102). (9–10 January 1928).
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Schumann: Quartet No. 1 (Columbia 1917): Piano Quintet (Vocalion 1921).
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Frank Forman, 'Acoustic Chamber Music Sets (1899–1926): A Discography'
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403:(piano) is deservedly famous, and has James Levey as first violin (
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699:(Columbia Graphophone Co., London 1928, 72pp & plate).
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Acoustic Chamber Music Sets (1899–1926): A Discography
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Acoustic recordings also include the following works:
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Potter Tully, "Britain's early chamber ambassadors",
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and finally Albert Sammons, the new Concertmaster of
765:The Gramophone Shop Encyclopedia of Recorded Music
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186:(1908–1934; he later made his career in America)
101:The personnel of the London String Quartet was:
479:Schubert: Quintet in A major 'The Trout', with
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452:Smetana: Quartet No. 1 (Vocalion 1923).
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417:Brahms: Quartet No. 2 (Vocalion 1923).
199:(1874–1945) had trained at the London
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455:Warner: Quartet in C (Vocalion 1923).
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582:1 August 1922. (See external link).
231:'s orchestra, to lead the quartet.
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215:and became principal cello in the
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397:Gervase Elwes
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366:Cobbett Prize
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272:
271:Cedric Sharpe
269:on viola and
268:
267:James Lockyer
264:
263:
258:
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205:Alfred Gibson
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54:
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42:
37:
30:
27:
19:
2084:Shostakovich
1930:RTÉ Vanbrugh
1575:St. Lawrence
1560:Conservatory
1519:Spencer Dyke
1489:Philharmonic
1484:Philharmonia
1463:
1338:Schuppanzigh
1232:Asian &
1152:Philadelphia
787:
780:
764:
759:
747:
743:
730:
725:CPLGS, 2008.
722:
717:
704:
696:
695:(foreword),
688:
675:
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634:
626:
617:
611:
601:
596:
587:
579:
574:
566:
560:
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538:
530:
524:
497:
492:Horace Britt
483:(piano) and
481:Ethel Hobday
459:In 1928 the
458:
409:
399:(tenor) and
390:
383:
362:
359:Waldo Warner
353:
347:
341:
334:
330:
326:
311:
301:
298:Frank Bridge
279:
275:
260:
254:
240:
233:
225:
221:Queen's Hall
194:
178:
155:
127:2nd Violin:
126:
104:1st Violin:
103:
100:
86:
84:
57:Years active
26:
1757:Prima Vista
1439:Fitzwilliam
1399:3rd Brodsky
1262:New Zealand
1037:Fred Sherry
389:song-cycle
322:Scandinavia
286:Christiania
273:on cello.
175:(1930–1934)
163:(1908–1929)
146:(1917–1918)
144:Edwin Virgo
123:(1927–1934)
117:(1917–1927)
115:James Levey
111:(1908–1917)
2134:Categories
1798:Gewandhaus
1747:Modigliani
1742:Loewenguth
1717:Arpeggione
1626:Pavel Haas
1570:New Orford
1293:Alban Berg
1242:Australian
1042:Fry Street
972:Corigliano
927:Carpe Diem
786:R. Elkin,
380:Recordings
316:, France,
296:, playing
294:Pittsburgh
2110:Barcelona
2054:Beethoven
2008:Northern
1961:Jerusalem
1889:Hungarian
1884:Festetics
1847:Hungarian
1828:Rosamunde
1661:New Vlach
1429:Endellion
1384:Balanescu
1323:MosaĂŻques
1122:New World
1077:Juilliard
1067:Hollywood
1062:Hawthorne
1022:Flonzaley
1017:Fine Arts
1007:Esterhazy
962:Composers
952:Cleveland
892:Berkshire
872:Alexander
509:Beethoven
370:folk-song
344:Flonzaley
282:Stockholm
97:Personnel
2069:Kopelman
2010:European
1982:Italiano
1879:Danubius
1874:Corvinus
1823:Petersen
1803:Henschel
1696:Silesian
1678:European
1676:Eastern
1601:Bohemian
1538:Canadian
1529:Virtuoso
1524:Stratton
1444:Gabrieli
1286:Austrian
1267:Shanghai
1222:Zoellner
1182:Stanford
1157:Pro Arte
1142:Paganini
1137:Pacifica
1107:Midnight
1047:Guarneri
912:Brentano
902:Borromeo
865:American
664:Archived
550:Archived
465:Schubert
430:♭
342:'In the
318:Portugal
2098:Spanish
2089:Taneyev
2064:Komitas
2059:Borodin
2042:Russian
2028:Vertavo
2018:Galatea
1991:Mexican
1977:Cremona
1970:Italian
1939:Israeli
1869:Carmine
1737:Krettly
1646:Smetana
1621:Panocha
1616:MartinĹŻ
1606:Janáček
1580:Toronto
1555:Bozzini
1509:Salomon
1504:Sacconi
1479:Methera
1469:Maggini
1459:Lindsay
1454:Kutcher
1449:Griller
1424:Element
1374:Arditti
1369:Amadeus
1364:Allegri
1359:Alberni
1354:Aeolian
1347:British
1318:Kolisch
1303:Barylli
1252:Goldner
1234:Oceanic
1207:Vitamin
1202:Vermeer
1172:Soldier
1167:Section
1127:Oberlin
1097:LaSalle
1092:Laclede
1082:Kneisel
1052:Hampton
1032:Formosa
992:Emerson
982:Del Sol
967:Concord
957:Clinton
932:Cassatt
887:Audubon
882:Artaria
849:African
420:Elgar:
395:, with
348:raffiné
338:wrote:
314:America
241:Fantasy
191:Origins
179:Cello:
156:Viola:
71: (
63: (
2105:Casals
2074:Nevsky
2049:Atrium
1956:Carmel
1909:Tátrai
1904:Takács
1894:Kodály
1854:BartĂłk
1838:Vogler
1833:Signum
1771:German
1752:Pascal
1710:French
1701:Zagreb
1691:Moyzes
1651:Talich
1636:Pražák
1631:Prague
1611:Kocian
1565:Dubois
1499:Regent
1474:Medici
1464:London
1434:Escala
1389:Belcea
1277:Zephyr
1187:Takács
1147:Perolé
1087:Kronos
1057:Harlem
1002:Escher
977:Curtis
947:Ciompi
942:Chiara
937:Cavani
922:Calder
907:Boston
877:Ancora
856:Soweto
503:Franck
446:1925).
203:under
169:(1930)
152:(1918)
140:(1916)
89:was a
69:–1930s
2033:YsaĂże
1946:Ariel
1923:Irish
1899:LĂ©ner
1813:Melos
1788:Busch
1762:YsaĂże
1732:Ébène
1727:Capet
1666:Wihan
1656:Vlach
1594:Czech
1585:Vaghy
1550:Annex
1545:Amati
1514:Smith
1494:RaVen
1409:Coull
1379:Badke
1308:Hagen
1272:T'ang
1192:Tokyo
1177:Sonus
1132:Orion
1102:Miami
1012:Ethel
987:Dover
897:Blair
374:fairy
73:1930s
2023:Oslo
1951:Aviv
1914:VĂ©gh
1778:Amar
1722:BĂ©la
1686:Atom
1419:Duke
1394:Bond
1333:Rosé
1298:ALEA
1257:Jade
1247:Bond
1217:Ying
1212:Yale
1112:MirĂł
1072:JACK
1027:FLUX
997:Enso
734:See
708:See
679:See
659:See
207:and
85:The
65:1908
61:1908
292:at
259:'s
243:of
2136::
633:,
304:.
284:,
834:e
827:t
820:v
771:.
754:.
738:.
712:.
683:.
670:.
620:.
75:)
67:)
20:)
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