235:, from which he graduated in 1978. Whilst studying psychology and social work, he started attending dance classes with Margaret Lasica and regularly performed with her company, the Modern Dance Ensemble. By the time of his graduation, Newson had become interested in pursuing dance professionally, and subsequently joined Impulse Dance Theatre (1979), on a combined tour with the Royal New Zealand Ballet Company.
611:(2014), which follows one man (the eponymous title character, played by performer Hannes Langolf) tracing his criminality, drug use and personal relationships, efforts at rehabilitation and desire to lead an ordinary life. Built on interviews with over 50 men, the work premiered in Vienna (2014), before having an extended run at the
505:
season, and featured 17 performers investigating how society measures success and how we in turn calculate our own value. Newson was cited as saying the work was about 'what we think we are, and what we think we ought to be'. The touring of the show took DV8 to South East Asia for the first time, and
429:
scrutinised the concept of masculinity in modern society. Set in a typical
British pub, it looks at how a group of men hide actions and feelings that are deemed unmanly, only for these repressed emotions to manifest themselves in other ways. The work toured initially in the UK and Europe in 1995, and
255:
By 1986, Newson had worked with 28 different choreographers and was beginning to feel increasingly frustrated by lack of subject matter within the
British contemporary dance scene. He has been quoted as saying that he felt the majority of the work he had been dancing in was 'conning' audiences 'about
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to
Australia in 1996 - a revival tour to the US, Canada and Europe followed in 1997, then Russia and Japan in 1998. The stage production was also translated to film, with Newson working with the director Clara van Gool. The film was shown widely at international festivals, and won awards including a
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Newson has stated that after "Just for Show", he began to feel that he could no longer express complex ideas and stories solely through movement. He began to experiment with verbatim text, using interview transcripts to explore how movement and text interrelated. The first production to showcase
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newspaper called it 'one of the richest and most unsparing theatrical experiences' they had had 'in a long time'. The work was also awarded a London Dance & Performance Award (1992) and adapted for film, with director David Hinton collaborating with Newson on the move from the stage to the
627:
On 12 January 2016, as DV8 celebrated its 30th anniversary, the company announced that artistic director Lloyd Newson was taking time out to reflect about the future. Due to this the company confirmed that the production of new work was to be paused indefinitely.
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and blended them with new material, as visitors were taken on a promenade around 7 levels of the Tate Modern, to explore the concepts of high/low art and living through dance, circus, video projection and live music. In 2004, Newson directed the film version of
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was formed as a response to Newson's increasing frustration with the superficiality of contemporary dance. DV8's work is characterised by the desire to communicate ideas and feelings clearly and unpretentiously, with a focus on socio-political issues.
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explored friendship and, in Newson's own words, 'the search for something or someone to believe in'. Co-produced by EXPO Seville, Britain at EXPO and
National Arts Centre Ottawa, the show opened in Seville and saw its UK premiere at Tramway, Glasgow.
276:(1986), created in partnership with the performer Nigel Charnock. It tackled the emergence of AIDS as a social issue, exploring through physical risk-taking the extent to which two men can trust each other. This was followed by
303:, which featured performer Wendy Houstoun, who had attended a workshop and quickly became a frequent collaborator with the company. The work, based on audio recordings of a close female friend of Newson's and the book
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Since 2007, Newson's work has combined his individual style of movement with verbatim text. These verbatim-dance works deal with contemporary issues: religious tolerance and intolerance towards sexuality in
357:(1990) marked a stylistic change from previous works; later described by Newson as being 'less combative' and 'more poetical'. The main protagonist was a woman, Wendy Houstoun. The work was inspired by
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Ballet Award for the same year. In 1990, the work was adapted for film with the director David Hinton and went on to be awarded as The Best Stage
Performance Reworked for the Camera by IMZ Dance Screen.
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853:
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is the sociological term to describe the act of men having sex with men, irrespective of the sexuality they identify as. The production premiered in
Montreal, before opening in the UK at the
582:(2011-2012), dealt with freedom of speech, censorship and Islam. For this production, Newson drew on existing interviews as well as ones he conducted himself, concerning events such as the
475:, in which Newson directly tackled the dance world. The work featured a love scene between an older woman (Diana Payne-Meyers) and a much younger man. Newson then followed this work with
164:(1986) which was co-created with performer Nigel Charnock. Between 1986 and 1992 Newson frequently collaborated with performers Michelle Richecoeur, Nigel Charnock and Wendy Houstoun.
600:. The work sought to examine how those events, and others, have influenced multicultural policies, press freedom and artistic censorship. "Can We Talk About This?" was awarded the
542:(2005 – 06) incorporated virtual technology and allowed Newson to play with ideas around image; where ‘people are often more concerned about looking good, than being good’.
387:(1992) Newson altered his approach to new work by writing narratives in advance of the rehearsal period. Wendy Houstoun again played the central role in the production.
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in 1986. Since its inception, the company has been characterised by work that incorporates a range of mediums, including elements of theatre, dance, film and text.
479:(1999), which saw him exploring the themes of love and betrayal, mixing the surreal with the suburban. The elaborate set of a carpeted room sinking into water won
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The piece toured widely between 2007 and 2009, and was critically praised for its 'hard hitting' nature, and desire to tackle difficult subject matters head on.
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by Robin
Norwood, explored the psychology of women who seek out relationships with abusive men. Initially conceived with students at Leicester Polytechnic (now
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1898:
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160:, Newson's work has won 55 national and international awards. He has choreographed and directed DV8's work since its inception, with the exception of
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which was commissioned by
Channel 4. It won 18 prizes, including the NOW Audience Choice Award at the Moving Pictures Festival of Toronto, and the
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854:"At the theatre of blood and bruises: DV8 tread a fine line between athleticism and masochism. Their new work, MSM, goes one step further"
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260:, which he saw as allowing him to use 'any means necessary to find the most appropriate way to say something'. He subsequently formed
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premiered in 1988, and was the first of Newson's work to be adapted for film (1990). Further film translations of stage shows include
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He travelled to London in 1980 performing with the
Australian company One Extra Dance Theatre and whilst there won a scholarship to
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353:, Newson has stated that he was 'fatigued by the bruising physicality' of his earlier works. His, and DV8's, following production,
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the depth' of what was being presented. Seeking a way to challenge the limitations of dance, he began to explore the concept of
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404:(1993), was based on first hand verbatim interviews with men of various ages, backgrounds and sexualities on the subject of
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365:, the production was critically acclaimed, winning the Golden Pegasus Award at 1990's Melbourne International Festival.
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and after graduating began his dancing career in New
Zealand, initially as a dancer but later also as a choreographer.
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199:. In 2004 Newson conceived and directed the film version of this work which was set on location in
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in London (2014-2015). It was also broadcast to cinemas around the country through the pioneering
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1102:"Underwater group therapy: Judith Mackrell reviews DV8's Strange Fruit at the Riverside Studios"
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Grand Prix de Danse, Syndicat Professionnel de la Critique de Théâtre, Musique et Danse (2009)
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and has led the company since its inception in 1986. He studied psychology and social work at
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led to several revival projects: a re-staging toured extensively in 2003. In the same year,
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284:(1987), works which focused on heterosexual relationships. These works toured the UK, with
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215:(2011–12) and a man's attempt to escape his criminal background and redeem his life in
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575:(2007), an examination of tolerance/intolerance, homosexuality, culture and religion.
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marking Newson's first site specific work for DV8. The production took scenes from
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242:(1980-1981). Between 1981 and 1985 he danced with Extemporary Dance Theatre (UK).
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191:(2003) was the company's first site specific performance, in collaboration with
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UK Critics Circle 100 most influential people in the arts in the last 100 years
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Newson's most recent work, again using the methods of verbatim theatre, is
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1414:"Interview: Dance Umbrella | Only Connect | Page | New DV8"
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In 2000, the Sydney 2000 Cultural Olympiad commissioned Newson to create
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604:(2012) and Production of the Year (2012) by Tanz Magazine (Germany).
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in Glasgow, and received critical acclaim, going on to win the 1989
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Honorary Doctor of Letters (DLitt), Roehamption University (2011)
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311:), the piece was remounted and toured the UK at the end of 1987.
1544:"Can We Talk About This?, Warwick Arts Centre, Coventry, review"
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138:(born 1957) is a director, dancer and choreographer. He formed
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1790:. Cambridge: Cambridge University Press. p. Chapter 10.
965:"Wendy Houstoun: the death that made me question everything"
1733:"BBC News - UK - Brits dominate International Emmy Awards"
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The first work Newson produced with the new company was
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Helpmann Award for 'Best Ballet or Dance Work' (2012)
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1392:(Second ed.). Abingdon: Routledge. p. 301.
1054:(Second ed.). Abingdon: Routledge. p. 303.
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followed in 1988, and drew inspiration from the book
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997:. New York: St Martin's Griffin. pp. 108–114.
677:"Step-by-step guide to dance: DV8 Physical Theatre"
658:
International Emmy Award for Performing Arts (1997)
1610:"DV8 artistic director to put his company on hold"
1184:"Further adventure's of dance's inspired outsider"
195:, and featured elements from the stage production
1811:. New York: St Martin's Press. pp. 108–114.
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211:(2007–09), censorship and freedom of speech in
510:commissioned a reimagined version of the show
1787:The Cambridge Introduction to Theatre Studies
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655:Rose d'Or (Arts and Specials Category) (2005)
637:OBE for services to contemporary dance (2013)
584:Jyllands-Posten Muhammad cartoons controversy
1654:"Critics Circle, The Hundred for theHundred"
1899:Officers of the Order of the British Empire
1832:. Oxford: AltaMira Press. pp. 483–89.
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1769:. Abingdon: Routledge. pp. 297–303.
1672:"Roehampton University, Honorary Degrees"
1636:"Queen's birthday honours list 2013: OBE"
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1808:On Directing - Interviews with Directors
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361:’s writings on happiness, and much like
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1542:Cavendish, Dominic (10 November 2011).
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1158:. Oxford: Altamira Press. p. 483.
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994:On Directing: Interviews with Directors
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1854:. London: Dance Umbrella. Spring 2000.
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1234:Guider, Elizabeth (24 November 1997).
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558:were presented and co-produced by the
400:The production of Newson's next work,
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1608:Bowie-Sell, Daisy (13 January 2016).
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884:"Review/Dance; Clashes of the Sexes"
808:DV8 Physical Theatre - Company Promo
652:Prix Italia (Performing Arts) (2005)
1874:People from Albury, New South Wales
1437:"Living Costs, Tate Modern, London"
1340:Watson, Keith (11 September 1999).
453:, staged its world premiere at the
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1100:Judith, Mackrell (1 August 1992).
631:
321:, written about the mass-murderer
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1766:Fifty Contemporary Choreographers
1746:
1690:"Palmarès du prix de la critique"
1389:Fifty Contemporary Choreographers
1051:Fifty Contemporary Choreographers
529:for Arts & Specials in 2005.
1313:Levene, Louise (20 March 1997).
963:Judith, Mackrell (26 May 2014).
532:
438:for the Performing Arts (1997).
416:. It was co-commissioned by the
296:would also do in 1987 and 1988.
240:London Contemporary Dance School
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1342:"Dance without the boring bits"
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1879:University of Melbourne alumni
1758:Lloyd Newson Biography on IMDB
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748:"Lasica, Margaret (1926-1993)"
740:
687:
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299:In 1987 the company premiered
1:
1848:"Lloyd Newson - Only Connect"
1182:Brown, Ismene (17 May 2003).
991:Giannachi, Gabriella (1999).
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363:Dead Dreams of Monochrome Men
351:Dead Dreams on Monochrome Men
315:Dead Dreams of Monochrome Men
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231:in 1957, Newson attended the
168:Dead Dreams of Monochrome Men
325:. The work premiered at the
288:sharing a bill in 1987 with
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1784:Balme, Christopher (2008).
1573:"Past nominees and winners"
1369:"Timeline - Dance Umbrella"
546:and subsequent productions
477:The Happiest Day of My Life
466:The Happiest Day of My Life
203:, an English seaside town.
10:
1915:
586:, the murder of filmmaker
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1852:Dance Umbrella Newsletter
1826:Charlton, Thomas (2006).
1516:"To Be Straight With You"
1152:Charlton, Thomas (2006).
471:1997 saw the premiere of
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20:
1829:Handbook of Oral History
1805:Luckhurst, Mary (1999).
1763:Bremser, Martha (1999).
1712:"Prix Italia Short List"
1694:syndicat-critique-tmd.fr
1386:Bremser, Martha (2011).
1266:Adelaide Festival Centre
1155:Handbook of Oral History
1048:Bremser, Martha (2011).
566:Move to Verbatim Theatre
445:, in collaboration with
1869:Australian male dancers
580:Can we Talk About This?
573:To Be Straight with You
552:Can We Talk About This?
548:To Be Straight With You
305:Women Who Love Too Much
233:University of Melbourne
229:Albury, New South Wales
213:Can we Talk About This?
209:To Be Straight With You
77:University of Melbourne
1595:nationaltheatre.org.uk
1315:"Bound but not gagged"
1288:"A dance for the ages"
827:"DV8 Physical Theatre"
613:Royal National Theatre
590:, and the burnings of
309:De Montfort University
1577:helpmannawards.com.au
1236:"Brits bask in Emmys"
501:. It opened London's
333:Dance Award, and the
223:Early life and career
1894:Contemporary dancers
1658:criticscircle.org.uk
1463:"C4 drama wins prix"
1019:"MY BODY, YOUR BODY"
911:"ELEMEN T(H)REE SEX"
882:(15 December 1988).
483:Design of the Year.
441:A new production of
414:Nottingham Playhouse
262:DV8 Physical Theatre
246:DV8 Physical Theatre
158:DV8 Physical Theatre
156:Under the banner of
150:DV8 Physical Theatre
144:Melbourne University
140:DV8 Physical Theatre
105:DV8 Physical Theatre
1485:"What Lies Beneath"
852:(6 November 1993).
418:Royal Court Theatre
319:Killing for Company
1548:thetelegraph.co.uk
1467:broadcastnow.co.uk
889:The New York Times
623:2016 - DV8 On Hold
522:The Cost of Living
516:The Cost of Living
499:The Cost of Living
495:Can We Afford This
488:The Cost of Living
301:My Body, Your Body
282:Elemen T(H)ree Sex
197:The Cost of Living
182:The Cost of Living
1839:978-0-7591-0229-3
1797:978-0-521-85622-5
1776:978-0-415-38081-2
1719:prixitalia.rai.it
1616:. What's On Stage
1514:(15 April 2008).
1443:. The Independent
1441:independent.co.uk
1399:978-0-415-38082-9
1321:. The Independent
1319:independent.co.uk
1294:. 6 February 2020
1108:. The Independent
1106:independent.co.uk
1061:978-0-415-38082-9
860:. The Independent
858:independent.co.uk
831:Theatre and Dance
695:"Artistic Policy"
455:Adelaide Festival
290:My Sex, Our Dance
274:My Sex, Our Dance
162:My Sex; Our Dance
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91:Years active
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1700:on 4 March 2016.
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473:Bound to Please
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462:Bound to Please
457:in March 2020.
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1483:(5 May 2005).
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1554:15 December
1416:. Dv8.co.uk
1240:variety.com
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562:in London.
508:Tate Modern
432:Prix Italia
219:(2014–15).
193:Tate Modern
65:Nationality
1863:Categories
1620:22 January
1420:6 November
1219:6 November
1137:6 November
1085:6 November
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945:6 November
936:"DEEP END"
920:6 November
895:3 November
782:6 November
757:6 November
752:Nla.gov.au
732:6 November
704:6 November
663:References
436:Emmy Award
420:(London).
355:If Only...
344:If Only...
268:Early work
68:Australian
39:1957-03-02
1737:bbc.co.uk
1527:5 October
1496:5 October
1447:5 October
1353:5 October
1325:5 October
1246:5 October
1242:. Variety
1214:dv8.co.uk
1194:5 October
1132:dv8.co.uk
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1080:dv8.co.uk
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777:Dv8.co.uk
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699:dv8.co.uk
571:this was
527:Rose d'Or
406:cottaging
73:Education
58:Australia
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1272:15 March
723:"Awards"
481:Time Out
397:screen.
331:Time Out
294:Deep End
278:Deep End
227:Born in
184:(2004).
174:(1992),
1292:InDaily
813:YouTube
617:NT Live
434:and an
423:1995's
251:History
111:Website
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50:Albury
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609:JOHN
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217:JOHN
118:.dv8
33:Born
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410:MSM
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383:In
374:MSM
135:OBE
122:.uk
120:.co
116:www
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