Knowledge

Mahagonny-Songspiel

Source đź“ť

52: 1904: 1329: 312:, but declined. He said of this event, "But, I'm not a Brecht/Weill fan and that's really all there is to it. I'm an apostate: I like Weill's music when he came to America better than I do his stuff before...I love The Threepenny Opera but, outside of The Threepenny Opera, the music of his I like is the stuff he wrote in America—when he was not writing with Brecht, when he was writing for Broadway." 160:. This was premiered in March 1930. Today the cantata and the opera are considered separately, the latter holding a place in the repertory, the former being an occasional piece staged in small theaters or programmed as an outgrowth of a song recital when resources permit. For this reason the shorter work is 188:
Weill was commissioned in the spring to write one of a series of very short operas for performance that summer, and he chose to use the opportunity to create a "stylistic exercise" as preparation for a larger project he and Brecht had begun to develop together (the two had met for the first time in
301:. It is already turning towards a public which goes to the theatre naĂŻvely and for fun." The production lasted about forty-five minutes and was a great success, although there were no immediate plans for a revival. 263:, who placed the scene in a boxing-ring before background projections that interjected scene-titles at the start of each section. According to a sketch published years later, they read: 234:. Using one or two of Brecht's melodies, Weill began in May to set the songs to music and to compose instrumental interludes. The result was a sequence of eleven numbers: 237:
Song One | Little March | Alabama Song | Vivace | Song Two | Vivace assai | Benares Song | Sostenuto (Choral) | Song Three | Vivace assai | Finale: Poem on a Dead Man
493: 473: 383: 208: 558: 321: 562: 360: 534: 652:
Pat Cerasaro, "InDepth InterView: Andrew Lloyd Webber Talks LOVE NEVER DIES, PHANTOM 25, Ricky Martin & More", 29 January 2012 on broadwayworld.com
554: 509: 457: 505: 379: 425: 542: 398: 550: 1857: 513: 1827: 651: 1382: 761: 1504: 947: 1867: 1115: 1776: 1464: 1305: 892: 195: 190: 138:
contributed the words to two of its songs. Just under half an hour in length, the work can be thought of as a staged or scenic
843: 1424: 1365: 1907: 968: 1727: 878: 733: 711: 693: 1807: 1946: 1031: 961: 829: 17: 664: 1931: 1311: 1059: 1003: 1837: 1936: 1094: 1052: 1045: 954: 270:
So get away to Mahagonny, the gold town situated on the shores of consolation far from the rush of the world.
1275: 1017: 919: 754: 483: 975: 1817: 1756: 1454: 1024: 871: 1888: 1736: 1614: 1290: 1175: 1066: 926: 352: 1786: 1584: 815: 402: 1484: 1534: 1524: 1358: 1154: 933: 665:"DASHRS: Department of Area Studies and Humanities Research Support| Yale University Library" 1333: 1080: 989: 822: 747: 410: 279:
The men of Mahagonny are heard replying to God's inquiries as to the cause of their sinful life.
1847: 1766: 1664: 1251: 1234: 1073: 394: 371: 294: 320:
After its first performance in 1927 with the Deutsches Kammermusikfest under the direction of
51: 1544: 1298: 1101: 1010: 801: 1926: 1604: 1434: 1404: 864: 8: 1624: 1444: 1351: 1108: 912: 885: 808: 517: 477: 429: 221: 220:, which would become the cantata's Finale. Two numbers were English-language parodies by 135: 1182: 1574: 1136: 1087: 794: 681:
Sacks, Glendyr. 1994. "A Brecht Calendar". In Thomson and Sacks (1994, pp. xvii–xxvii).
546: 449: 688:. (Cambridge Companions to Literature Series). Cambridge: Cambridge University Press. 1700: 1634: 1564: 1246: 1189: 1129: 1122: 1038: 850: 729: 707: 689: 566: 538: 521: 348: 337: 1554: 728:
by Bertolt Brecht. (Bertolt Brecht: Plays, Poetry, Prose Series). London: Methuen.
461: 433: 305: 248: 1941: 1394: 1270: 982: 424:
Twenty-first century productions took place on 25 March 2000 in New York by the
1709: 1673: 1594: 1241: 836: 770: 469: 453: 437: 418: 131: 75: 1920: 1514: 1494: 1285: 905: 721: 525: 465: 406: 364: 325: 297:
which simply draws conclusions from the irresistible decline of our existing
256: 1228: 1203: 276:
But even in Mahagonny there are moments of nausea, helplessness and despair.
1691: 1655: 1316: 1222: 1168: 1161: 717: 699: 497: 329: 298: 260: 226: 1474: 1196: 940: 899: 787: 356: 333: 309: 252: 244: 105: 267:
The great cities in our day are full of people who do not like it there.
1374: 501: 487: 127: 43: 1718: 1280: 375: 1682: 739: 139: 206:
published early in 1927 in Brecht's collection of poetry called
1264: 996: 1343: 1257: 612:
Sacks (1994, xix) and Willett and Manheim (1994, xvi, 358-9).
147: 134:
and first performed with that title and description in 1927.
704:
The Theatre of Bertolt Brecht: A Study from Eight Aspects
328:, it was presented on 11 December 1932 in Paris at the 282:
Lovely Mahagonny crumbles to nothing before your eyes.
243:
premiered at the new German chamber music festival at
359:. It opened on 10 February 1963 and was directed by 724:, eds. 1994. Introduction and Editorial Notes in 216:, together with tunes by him. To these was added 1918: 706:. Third revised edition. London: Methuen, 1977. 347:was produced, in a much adapted version, by the 490:(Turnabout TV 34675, CD reissue: Vox CDX 5043) 393:Other notable productions included one by the 1455:Der Lindberghflug/The Flight Across the Ocean 1359: 755: 684:Thomson, Peter and Glendyr Sacks, eds. 1994. 286:A programme note for the performance stated: 597: 308:was asked to translate this piece once with 33: 588: 386:in a double-bill with Brecht & Weill's 1828:Lost in the Stars: The Music of Kurt Weill 1366: 1352: 762: 748: 594:Willett and Manheim (1994, xvi-xvii, 358). 50: 1858:September Songs – The Music of Kurt Weill 621:Quoted by Willett and Manheim (1994, 359) 624: 615: 1116:The Trial of Joan of Arc at Rouen, 1431 413:; and, as part of the 12-hour concert, 14: 1919: 1465:Rise and Fall of the City of Mahagonny 1306:The Modern Theatre Is the Epic Theatre 893:Rise and Fall of the City of Mahagonny 315: 196:Rise and Fall of the City of Mahagonny 158:Rise and Fall of the City of Mahagonny 1347: 844:Downfall of the Egotist Johann Fatzer 743: 638: 636: 153:Aufstieg und Fall der Stadt Mahagonny 569:(Capriccio CD 60 028), doubled with 528:(London CD 430 168-2), doubled with 202:Genesis of the work began with five 24: 1425:Der Zar lässt sich photographieren 969:Fear and Misery of the Third Reich 769: 633: 606: 397:on 8 September 1984, conducted by 25: 1958: 1728:Tschaikowsky (and Other Russians) 879:The Baden-Baden Lesson on Consent 686:The Cambridge Companion to Brecht 273:Here in Mahagonny life is lovely. 1903: 1902: 1328: 1327: 1032:The Resistible Rise of Arturo Ui 962:The Horatians and the Curiatians 1312:A Short Organum for the Theatre 1060:Schweyk in the Second World War 1004:Mother Courage and Her Children 603:Willett and Manheim (1994, 358) 378:presented the work directed by 142:. By the end of 1929, however, 1838:The Young Gods Play Kurt Weill 1808:AndrĂ© Previn and J. J. Johnson 1373: 657: 645: 432:and on 5 and 7 June 2008, the 13: 1: 1095:Die Verurteilung des Lukullus 1046:The Visions of Simone Machard 955:Round Heads and Pointed Heads 630:Quoted by Willett (1967, 29). 576: 443: 183: 1018:Mr Puntila and His Man Matti 920:Saint Joan of the Stockyards 484:Jerusalem Symphony Orchestra 7: 1818:John Bunch Plays Kurt Weill 1025:The Good Person of Szechwan 872:The Flight Across the Ocean 10: 1963: 1291:Separation of the elements 1067:The Caucasian Chalk Circle 927:The Exception and the Rule 353:Theater am Schiffbauerdamm 189:March): the experimental ' 146:had grown into a two-hour 126:, was written by composer 1900: 1879: 1798: 1777:Where Do We Go from Here? 1747: 1737:What Keeps Mankind Alive? 1646: 1585:The Firebrand of Florence 1381: 1325: 1213: 1176:What Keeps Mankind Alive? 1146: 816:Mysteries of a Barbershop 777: 654:Retrieved 4 February 2012 403:Brooklyn Academy of Music 89: 81: 71: 61: 49: 41: 32: 1155:Reminiscence of Marie A. 247:on 17 July 1927. Brecht 241:Mahagonny, ein Songspiel 117:Mahagonny, ein Songspiel 104:Chamber music festival, 1947:Plays by Bertolt Brecht 1081:The Days of the Commune 823:In the Jungle of Cities 494:RIAS Berlin Sinfonietta 415:Wall-to-Wall Kurt Weill 370:On 20 January 1971 the 255:played Jessie, and the 1932:German-language operas 1848:Let No One Deceive You 1235:Non-Aristotelian drama 990:How Much Is Your Iron? 976:Señora Carrar's Rifles 417:, on 30 March 1989 at 395:English National Opera 372:Yale Repertory Theater 303: 209:Devotions for the Home 123:Mahagonny, a song-play 94:17 July 1927 34: 1545:Knickerbocker Holiday 1505:The Seven Deadly Sins 1299:Messingkauf Dialogues 1102:Report from Herrnburg 1011:The Trial of Lucullus 948:The Seven Deadly Sins 571:The Seven Deadly Sins 530:The Seven Deadly Sins 440:performed the piece. 388:The Seven Deadly Sins 288: 1937:Operas by Kurt Weill 1757:The Threepenny Opera 1435:The Threepenny Opera 1053:The Duchess of Malfi 865:The Threepenny Opera 726:Collected Plays: Two 559:Peter Nikolaus Kante 456:, with Mary Thomas, 345:The Little Mahagonny 172:The Little Mahagonny 167:Das kleine Mahagonny 66:The Little Mahagonny 56:The composer in 1932 1665:J'attends un navire 1415:Mahagonny-Songspiel 809:Driving Out a Devil 642:Willett (1967, 29). 478:Deutsche Grammophon 430:Ari Benjamin Meyers 316:Performance history 222:Elisabeth Hauptmann 177:Mahagonny-Songspiel 136:Elisabeth Hauptmann 35:Mahagonny-Songspiel 27:Opera by Kurt Weill 1889:The Berlin Requiem 1787:One Touch of Venus 1615:Down in the Valley 1575:One Touch of Venus 1137:Trumpets and Drums 795:Drums in the Night 547:Trudeliese Schmidt 450:London Sinfonietta 218:Poem on a Dead Man 42:Scenic cantata by 1914: 1913: 1701:The Saga of Jenny 1635:Lost in the Stars 1565:We Will Never Die 1341: 1340: 1247:Defamiliarization 1190:Einheitsfrontlied 1039:Hangmen Also Die! 851:The Elephant Calf 563:Horst Hiestermann 539:Jan Latham-Koenig 522:Manfred Jungwirth 405:'s production by 382:and conducted by 361:Matthias Langhoff 349:Berliner Ensemble 338:Maurice Abravanel 324:and conducted by 113: 112: 16:(Redirected from 1954: 1906: 1905: 1893: 1872: 1862: 1852: 1842: 1832: 1822: 1812: 1791: 1781: 1771: 1761: 1740: 1731: 1722: 1713: 1704: 1695: 1686: 1677: 1668: 1659: 1639: 1629: 1619: 1609: 1599: 1589: 1579: 1569: 1559: 1555:Lady in the Dark 1549: 1539: 1535:The Eternal Road 1529: 1519: 1509: 1499: 1489: 1479: 1469: 1459: 1449: 1439: 1429: 1419: 1409: 1399: 1368: 1361: 1354: 1345: 1344: 1331: 1330: 1183:Solidaritätslied 858:Little Mahagonny 764: 757: 750: 741: 740: 669: 668: 661: 655: 649: 643: 640: 631: 628: 622: 619: 613: 610: 604: 601: 595: 592: 555:Walter Raffeiner 510:Helmut Wildhaber 462:Philip Langridge 458:Meriel Dickinson 434:Seattle Symphony 306:Stephen Sondheim 101: 99: 54: 37: 30: 29: 21: 18:Little Mahagonny 1962: 1961: 1957: 1956: 1955: 1953: 1952: 1951: 1917: 1916: 1915: 1910: 1896: 1886: 1875: 1865: 1855: 1845: 1835: 1825: 1815: 1805: 1794: 1784: 1774: 1764: 1754: 1743: 1734: 1725: 1716: 1707: 1698: 1689: 1680: 1671: 1662: 1653: 1642: 1632: 1622: 1612: 1602: 1592: 1582: 1572: 1562: 1552: 1542: 1532: 1522: 1512: 1502: 1492: 1482: 1472: 1462: 1452: 1442: 1432: 1422: 1412: 1402: 1395:Der Protagonist 1392: 1384: 1377: 1372: 1342: 1337: 1321: 1271:Historicization 1215: 1209: 1142: 983:Life of Galileo 779: 773: 768: 673: 672: 663: 662: 658: 650: 646: 641: 634: 629: 625: 620: 616: 611: 607: 602: 598: 593: 589: 579: 537:, conducted by 506:Susanne Tremper 496:, conducted by 486:, conducted by 480:(DGG 423 255-2) 452:, conducted by 446: 409:, conducted by 380:Michael Posnick 340:was conductor. 322:Walter BrĂĽgmann 318: 204:Mahagonny Songs 186: 164:referred to as 150:with the title 109: 108: 102: 97: 95: 85:German, English 57: 28: 23: 22: 15: 12: 11: 5: 1960: 1950: 1949: 1944: 1939: 1934: 1929: 1912: 1911: 1901: 1898: 1897: 1895: 1894: 1883: 1881: 1877: 1876: 1874: 1873: 1863: 1853: 1843: 1833: 1823: 1813: 1802: 1800: 1799:Tribute albums 1796: 1795: 1793: 1792: 1782: 1772: 1762: 1751: 1749: 1745: 1744: 1742: 1741: 1732: 1723: 1714: 1710:September Song 1705: 1696: 1687: 1678: 1674:Mack the Knife 1669: 1660: 1650: 1648: 1644: 1643: 1641: 1640: 1630: 1620: 1610: 1600: 1595:A Flag Is Born 1590: 1580: 1570: 1560: 1550: 1540: 1530: 1525:Johnny Johnson 1520: 1510: 1500: 1490: 1485:Die BĂĽrgschaft 1480: 1470: 1460: 1450: 1440: 1430: 1420: 1410: 1400: 1389: 1387: 1379: 1378: 1371: 1370: 1363: 1356: 1348: 1339: 1338: 1326: 1323: 1322: 1320: 1319: 1314: 1309: 1302: 1294: 1293: 1288: 1283: 1278: 1273: 1268: 1261: 1254: 1249: 1244: 1242:Complex seeing 1238: 1237: 1232: 1225: 1219: 1217: 1211: 1210: 1208: 1207: 1200: 1193: 1186: 1179: 1172: 1165: 1158: 1150: 1148: 1144: 1143: 1141: 1140: 1133: 1126: 1119: 1112: 1105: 1098: 1091: 1084: 1077: 1070: 1063: 1056: 1049: 1042: 1035: 1028: 1021: 1014: 1007: 1000: 993: 986: 979: 972: 965: 958: 951: 944: 937: 930: 923: 916: 909: 896: 889: 882: 875: 868: 861: 854: 847: 840: 837:Man Equals Man 833: 826: 819: 812: 805: 798: 791: 783: 781: 775: 774: 771:Bertolt Brecht 767: 766: 759: 752: 744: 738: 737: 715: 697: 682: 678: 677: 671: 670: 656: 644: 632: 623: 614: 605: 596: 586: 585: 584: 583: 578: 575: 574: 573: 535:König Ensemble 532: 491: 481: 474:Michael Rippon 470:Benjamin Luxon 454:David Atherton 445: 442: 438:Gerard Schwarz 426:Ensemble Weill 419:Symphony Space 317: 314: 299:social classes 284: 283: 280: 277: 274: 271: 268: 185: 182: 132:Bertolt Brecht 130:and dramatist 111: 110: 103: 93: 91: 87: 86: 83: 79: 78: 76:Bertolt Brecht 73: 69: 68: 63: 59: 58: 55: 47: 46: 39: 38: 26: 9: 6: 4: 3: 2: 1959: 1948: 1945: 1943: 1940: 1938: 1935: 1933: 1930: 1928: 1925: 1924: 1922: 1909: 1899: 1891: 1890: 1885: 1884: 1882: 1878: 1870: 1869: 1864: 1860: 1859: 1854: 1850: 1849: 1844: 1840: 1839: 1834: 1830: 1829: 1824: 1820: 1819: 1814: 1810: 1809: 1804: 1803: 1801: 1797: 1789: 1788: 1783: 1779: 1778: 1773: 1769: 1768: 1763: 1759: 1758: 1753: 1752: 1750: 1746: 1738: 1733: 1729: 1724: 1720: 1715: 1711: 1706: 1702: 1697: 1693: 1688: 1684: 1679: 1675: 1670: 1666: 1661: 1657: 1652: 1651: 1649: 1645: 1637: 1636: 1631: 1627: 1626: 1621: 1617: 1616: 1611: 1607: 1606: 1601: 1597: 1596: 1591: 1587: 1586: 1581: 1577: 1576: 1571: 1567: 1566: 1561: 1557: 1556: 1551: 1547: 1546: 1541: 1537: 1536: 1531: 1527: 1526: 1521: 1517: 1516: 1515:Der Kuhhandel 1511: 1507: 1506: 1501: 1497: 1496: 1495:Der Silbersee 1491: 1487: 1486: 1481: 1477: 1476: 1471: 1467: 1466: 1461: 1457: 1456: 1451: 1447: 1446: 1441: 1437: 1436: 1431: 1427: 1426: 1421: 1417: 1416: 1411: 1407: 1406: 1401: 1397: 1396: 1391: 1390: 1388: 1386: 1380: 1376: 1369: 1364: 1362: 1357: 1355: 1350: 1349: 1346: 1336: 1335: 1324: 1318: 1315: 1313: 1310: 1308: 1307: 1303: 1301: 1300: 1296: 1295: 1292: 1289: 1287: 1286:Refunctioning 1284: 1282: 1279: 1277: 1276:Interruptions 1274: 1272: 1269: 1267: 1266: 1262: 1260: 1259: 1255: 1253: 1252:Demonstration 1250: 1248: 1245: 1243: 1240: 1239: 1236: 1233: 1231: 1230: 1226: 1224: 1221: 1220: 1218: 1212: 1205: 1201: 1198: 1194: 1191: 1187: 1184: 1180: 1177: 1173: 1170: 1166: 1163: 1159: 1156: 1152: 1151: 1149: 1145: 1139: 1138: 1134: 1132: 1131: 1127: 1125: 1124: 1120: 1118: 1117: 1113: 1111: 1110: 1106: 1104: 1103: 1099: 1097: 1096: 1092: 1090: 1089: 1085: 1083: 1082: 1078: 1076: 1075: 1071: 1069: 1068: 1064: 1062: 1061: 1057: 1055: 1054: 1050: 1048: 1047: 1043: 1041: 1040: 1036: 1034: 1033: 1029: 1027: 1026: 1022: 1020: 1019: 1015: 1013: 1012: 1008: 1006: 1005: 1001: 999: 998: 994: 992: 991: 987: 985: 984: 980: 978: 977: 973: 971: 970: 966: 964: 963: 959: 957: 956: 952: 950: 949: 945: 943: 942: 938: 936: 935: 931: 929: 928: 924: 922: 921: 917: 915: 914: 910: 908: 907: 906:Der Neinsager 902: 901: 897: 895: 894: 890: 888: 887: 883: 881: 880: 876: 874: 873: 869: 867: 866: 862: 860: 859: 855: 853: 852: 848: 846: 845: 841: 839: 838: 834: 832: 831: 827: 825: 824: 820: 818: 817: 813: 811: 810: 806: 804: 803: 799: 797: 796: 792: 790: 789: 785: 784: 782: 776: 772: 765: 760: 758: 753: 751: 746: 745: 742: 735: 734:0-413-68560-8 731: 727: 723: 722:Ralph Manheim 719: 718:Willett, John 716: 713: 712:0-413-34360-X 709: 705: 701: 700:Willett, John 698: 695: 694:0-521-41446-6 691: 687: 683: 680: 679: 676:Cited sources 675: 674: 666: 660: 653: 648: 639: 637: 627: 618: 609: 600: 591: 587: 581: 580: 572: 568: 564: 560: 556: 552: 548: 544: 543:Gabriele Ramm 540: 536: 533: 531: 527: 526:Decca Records 523: 519: 515: 511: 507: 503: 499: 495: 492: 489: 485: 482: 479: 475: 471: 467: 466:Ian Partridge 463: 459: 455: 451: 448: 447: 441: 439: 435: 431: 427: 422: 421:in New York. 420: 416: 412: 408: 407:Peter Sellars 404: 400: 399:Lionel Friend 396: 391: 389: 385: 381: 377: 373: 368: 366: 365:Manfred Karge 362: 358: 354: 350: 346: 343:Years later, 341: 339: 336:directed and 335: 331: 327: 326:Ernst Mehlich 323: 313: 311: 307: 302: 300: 296: 292: 287: 281: 278: 275: 272: 269: 266: 265: 264: 262: 258: 254: 250: 246: 242: 238: 235: 233: 229: 228: 223: 219: 215: 211: 210: 205: 200: 198: 197: 192: 181: 179: 178: 173: 169: 168: 163: 159: 155: 154: 149: 145: 141: 137: 133: 129: 125: 124: 119: 118: 107: 92: 88: 84: 80: 77: 74: 70: 67: 64: 60: 53: 48: 45: 40: 36: 31: 19: 1887: 1866: 1856: 1846: 1836: 1826: 1816: 1806: 1785: 1775: 1765: 1755: 1692:Pirate Jenny 1656:Alabama Song 1633: 1623: 1613: 1605:Street Scene 1603: 1593: 1583: 1573: 1563: 1553: 1543: 1533: 1523: 1513: 1503: 1493: 1483: 1473: 1463: 1453: 1443: 1433: 1423: 1414: 1413: 1405:Royal Palace 1403: 1393: 1332: 1317:Street scene 1304: 1297: 1263: 1256: 1227: 1223:Epic theatre 1214:Theories and 1169:Pirate Jenny 1162:Alabama Song 1147:Poems, songs 1135: 1128: 1121: 1114: 1107: 1100: 1093: 1086: 1079: 1072: 1065: 1058: 1051: 1044: 1037: 1030: 1023: 1016: 1009: 1002: 995: 988: 981: 974: 967: 960: 953: 946: 939: 932: 925: 918: 913:The Decision 911: 904: 898: 891: 884: 877: 870: 863: 857: 856: 849: 842: 835: 828: 821: 814: 807: 800: 793: 786: 725: 703: 685: 659: 647: 626: 617: 608: 599: 590: 570: 551:Hans Franzen 529: 498:John Mauceri 428:directed by 423: 414: 392: 387: 369: 344: 342: 330:Salle Gaveau 319: 304: 290: 289: 285: 261:Caspar Neher 240: 239: 236: 232:Benares Song 231: 227:Alabama Song 225: 217: 214:Hauspostille 213: 207: 203: 201: 194: 187: 176: 175: 171: 166: 165: 161: 157: 152: 151: 143: 122: 121: 116: 115: 114: 65: 1927:1927 operas 1868:This Is New 1748:Film scores 1475:Der Jasager 1197:Kinderhymne 941:Kuhle Wampe 900:Der Jasager 518:Thomas Mohr 514:Peter Haage 411:Craig Smith 357:East Berlin 334:Hans Curjel 310:W. H. Auden 293:is a short 253:Lotte Lenya 245:Baden-Baden 106:Baden-Baden 62:Translation 1921:Categories 1767:You and Me 1375:Kurt Weill 1229:LehrstĂĽcke 1216:techniques 1204:Die Lösung 1109:Coriolanus 934:The Mother 577:References 502:Ute Lemper 488:Lukas Foss 444:Recordings 384:Thomas Fay 257:set-design 184:Background 162:informally 128:Kurt Weill 98:1927-07-17 72:Librettist 44:Kurt Weill 1719:Speak Low 1625:Love Life 1445:Happy End 1385:the stage 1383:Works for 1281:Not / But 1088:The Tutor 886:Happy End 830:Edward II 802:A Wedding 567:Capriccio 376:New Haven 295:epic play 291:Mahagonny 144:Mahagonny 1908:Category 1334:Category 1130:Don Juan 1123:Turandot 1074:Antigone 778:Dramatic 702:. 1967. 249:directed 230:and the 174:, or as 90:Premiere 82:Language 1683:My Ship 541:, with 500:, with 351:at the 259:was by 193:opera' 140:cantata 96: ( 1942:Operas 1892:(1928) 1880:Others 1871:(2002) 1861:(1994) 1851:(1992) 1841:(1991) 1831:(1985) 1821:(1975) 1811:(1962) 1790:(1948) 1780:(1945) 1770:(1938) 1760:(1931) 1638:(1949) 1628:(1948) 1618:(1948) 1608:(1946) 1598:(1945) 1588:(1945) 1578:(1943) 1568:(1943) 1558:(1940) 1548:(1938) 1538:(1937) 1528:(1936) 1518:(1935) 1508:(1933) 1498:(1933) 1488:(1932) 1478:(1930) 1468:(1930) 1458:(1929) 1448:(1929) 1438:(1928) 1428:(1928) 1418:(1927) 1408:(1927) 1398:(1926) 1265:Gestus 997:Dansen 732:  710:  692:  561:, and 520:, and 472:, and 436:under 401:; the 224:: the 1647:Songs 1258:Fabel 780:works 582:Notes 212:, or 170:, or 156:, or 148:opera 120:, or 788:Baal 730:ISBN 720:and 708:ISBN 690:ISBN 363:and 191:epic 565:on 524:on 476:on 374:in 355:in 180:. 1923:: 903:/ 635:^ 557:, 553:, 549:, 545:, 516:, 512:, 508:, 504:, 468:, 464:, 460:, 390:. 367:. 332:. 251:, 199:. 1739:" 1735:" 1730:" 1726:" 1721:" 1717:" 1712:" 1708:" 1703:" 1699:" 1694:" 1690:" 1685:" 1681:" 1676:" 1672:" 1667:" 1663:" 1658:" 1654:" 1367:e 1360:t 1353:v 1206:" 1202:" 1199:" 1195:" 1192:" 1188:" 1185:" 1181:" 1178:" 1174:" 1171:" 1167:" 1164:" 1160:" 1157:" 1153:" 763:e 756:t 749:v 736:. 714:. 696:. 667:. 100:) 20:)

Index

Little Mahagonny
Kurt Weill

Bertolt Brecht
Baden-Baden
Kurt Weill
Bertolt Brecht
Elisabeth Hauptmann
cantata
opera
epic
Rise and Fall of the City of Mahagonny
Devotions for the Home
Elisabeth Hauptmann
Alabama Song
Baden-Baden
directed
Lotte Lenya
set-design
Caspar Neher
epic play
social classes
Stephen Sondheim
W. H. Auden
Walter BrĂĽgmann
Ernst Mehlich
Salle Gaveau
Hans Curjel
Maurice Abravanel
Berliner Ensemble

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑