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Lithuanian Rhapsody

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Translation by Alistair Wightman. Original text: "(...) wykończyłem kompozycję, którą nazwę prawdopodobnie 'Rapsodią litewską'. Starałem się zakląć w nią cały żal, smutek i niewolę wiekuistą tego ludu, którego pieśni w mym dzieciństwie brzmiały (...) Czy i o ile mi się udało choć z cząstkę tego, co
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I have tried to encapsulate within it the total grief, sadness and eternal servitude of that race whose songs I heard in my childhood... Whether or how much I have succeeded in instilling into the form of an orchestral work even just a particle of what hangs vanishing into the air in every part of
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differs from the other of Karłowicz's symphonic poems in the way that it was not inspired by any narrative or philosophical concern. It is a highly personal work and originates in the composer's own roots: he spent his early years in Lithuania (his family were Polish landowners). Moreover, unlike
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In this composition, Karłowicz used Russian formal models. They are essentially non-developmental and rely on harmonic, textural, colouristic and orchestral variation. The sense of connectedness of the sections is made by occasional direct thematic links (the third and the fourth sections), more
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It is scored for three flutes, two oboes, English horn, two clarinets (B♭), bass clarinet (B♭), two bassoons, four horns (F), two trumpets (C), three trombones; timpani, triangle, cymbals and strings.
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melodies), much of which was collected by the composer in 1900 while on vacation at his family estate. This is how he wrote about the piece in a letter to his friend
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The second section is a lyric one containing pastoral elements (as there are two themes instead of one). The theme of the third section is a popular
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The work is based in A minor and its mediant-related keys. The outer sections draw on an incantatory three-note melody, which is most likely an old
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wisi roztopione w powietrzu każdego kątka tych stron, wlać w formy utworu orkiestrowego, tego osądzić nie mogę." (cited from:
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had to do with "recollections of childhood, with the portrayal of the family home and children’s games".
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lullaby. The fourth section uses a version of this, dancing and vigorous, resembling a Lithuanian song
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It was composed between April and November 1906. While Karłowicz began working on it in
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Orkiestra Symfoniczna Filharmonii Śląskiej, "Mieczysław Karłowicz. Poematy symfoniczne"
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Orkiestra Symfoniczna Filharmonii Śląskiej, "Mieczysław Karłowicz. Poematy symfoniczne"
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In 1923 a ballet with the music of this tone poem was staged at the Grand Theater of
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Warszawska Orkiestra Symfoniczna. It was composed of two opera orchestras of
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The first performance took place in Warsaw on 25 or 26 February 1909 under
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subtle allusions and the return of the opening material at the end.
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sung by children. It leads to the whole work's climax.
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A typical performance lasts 18—20 minutes. 16:Symphonic poem by Mieczysław Karłowicz (1906) 379:(live rec. 1996) Warsaw Symphony Orchestra, 638:"Mieczysław Karłowicz, "Rapsodia litewska"" 609:"Mieczysław Karłowicz, "Rapsodia litewska"" 732:International Music Score Library Project 307:Polish National Radio Symphony Orchestra 747:Symphonic poems by Mieczysław Karłowicz 383:– (1997) Pro Musica Camerata PMC 013/14 373:LDC 278 966-967; (CD, 1999, 2008) DUX 739: 342:Warsaw National Philharmonic Orchestra 321:Warsaw National Philharmonic Orchestra 602: 600: 598: 596: 594: 592: 590: 588: 586: 584: 533: 531: 529: 527: 474: 472: 470: 468: 466: 464: 462: 460: 458: 58:other compositions by Karłowicz, the 564: 562: 560: 558: 556: 554: 510: 508: 506: 504: 502: 500: 498: 496: 494: 492: 281:(there is a harmonization of it by 122:first edition was published by the 91:Composition and performance history 13: 636:Iwanicka-Nijakowska, Anna (2009). 607:Iwanicka-Nijakowska, Anna (2009). 581: 524: 455: 196:was included in a theatre play of 75:that region, I am unable to judge. 14: 768: 721: 551: 489: 192:and some songs of Karłowicz the 699: 684: 669: 656: 627: 260:Tempo I (Allegro ben moderato) 103:. At the time he finished the 1: 449: 405:Warsaw Philharmonic Orchestra 299: 107:, he was already residing in 422:Royal Philharmonic Orchestra 215: 188:. In 1983 together with the 7: 264: 10: 773: 728:Lithuanian Rhapsody, Op.11 239:) — Allegretto pastorale ( 207: 49:Origins of the composition 43: 32:, Op. 11 is the third of 200:at the Grand Theatre of 757:Compositions in A minor 695:Polish National Library 680:Polish National Library 243:) — Lento (C♯ minor) — 228:Allegro ben moderato ( 145:, but also abroad: in 77: 436:Szczecin Philharmonic 359:Silesian Philharmonic 350:Polskie Nagrania Muza 336:Polskie Nagrania Muza 329:Polskie Nagrania Muza 72: 707:Warsaw Chamber Opera 537:Richard Whitehouse. 392:Yan Pascal Tortelier 357:(rec. 1981 or 1983) 311:Tadeusz Mazurkiewicz 253:Allegretto giocoso ( 246:Andante tranquillo ( 124:Warsaw Music Society 99:, he later moved to 34:Mieczysław Karłowicz 568:Alistair Wightman. 133:In later years the 120:Gebethner and Wolff 55:Lithuanian Rhapsody 21:Lithuanian Rhapsody 348:– (LP, 1966/1970) 346:Stanisław Wisłocki 327:– (LP, 1956/1958) 277:harvest-time song 198:Adam Hanuszkiewicz 116:Grzegorz Fitelberg 752:1906 compositions 371:Le Chant du Monde 363:Jerzy Salwarowski 171:Zdzisław Birnbaum 167:Mieczysław Sołtys 26:Rapsodia litewska 764: 730:: Scores at the 716: 703: 697: 688: 682: 673: 667: 660: 654: 652: 650: 648: 631: 625: 623: 621: 619: 604: 579: 566: 549: 535: 522: 519:Booklet notes to 512: 487: 476: 388:BBC Philharmonic 369:064; (CD, 1989) 315:Columbia Records 294:Mylu, mylu, mylu 155:Saint Petersburg 772: 771: 767: 766: 765: 763: 762: 761: 737: 736: 724: 719: 704: 700: 691:Catalogue entry 689: 685: 676:Catalogue entry 674: 670: 661: 657: 646: 644: 632: 628: 617: 615: 605: 582: 567: 552: 536: 525: 513: 490: 477: 456: 452: 440:Łukasz Borowicz 302: 279:Békit, bareliai 267: 218: 210: 190:Violin Concerto 175:Henryk Opieński 93: 70:(24 Nov 1906): 68:Adolf Chybiński 51: 46: 38:symphonic poems 17: 12: 11: 5: 770: 760: 759: 754: 749: 735: 734: 723: 722:External links 720: 718: 717: 698: 683: 668: 655: 626: 580: 550: 523: 488: 453: 451: 448: 447: 446: 432: 426:Grzegorz Nowak 418: 401: 384: 381:Jacek Kaspszyk 377: 355: 339: 325:Witold Rowicki 318: 301: 298: 266: 263: 262: 261: 258: 251: 244: 233: 217: 214: 209: 206: 163:Emil Młynarski 92: 89: 50: 47: 45: 42: 15: 9: 6: 4: 3: 2: 769: 758: 755: 753: 750: 748: 745: 744: 742: 733: 729: 726: 725: 714: 713: 708: 702: 696: 692: 687: 681: 677: 672: 666: 665: 659: 643: 639: 630: 614: 610: 603: 601: 599: 597: 595: 593: 591: 589: 587: 585: 577: 573: 572: 571:Booklet notes 565: 563: 561: 559: 557: 555: 547: 543: 541: 540:Booklet notes 534: 532: 530: 528: 521:DUX 0132/0133 520: 516: 515:Leszek Polony 511: 509: 507: 505: 503: 501: 499: 497: 495: 493: 485: 481: 475: 473: 471: 469: 467: 465: 463: 461: 459: 454: 445: 441: 437: 433: 431: 427: 423: 419: 417: 414: 410: 406: 402: 400: 397: 393: 389: 385: 382: 378: 376: 372: 368: 365:– (LP, 1984) 364: 360: 356: 354: 351: 347: 343: 340: 337: 334:; (CD, 1999) 333: 330: 326: 322: 319: 316: 313:– (LP, 1934) 312: 308: 305:(first rec.) 304: 303: 297: 295: 291: 286: 284: 280: 276: 271: 259: 256: 252: 249: 245: 242: 238: 234: 231: 227: 226: 225: 223: 213: 205: 203: 199: 195: 191: 187: 182: 180: 179:José Lassalle 176: 172: 168: 164: 160: 156: 152: 148: 144: 140: 136: 131: 129: 125: 121: 117: 112: 110: 106: 102: 98: 88: 86: 82: 81:Leszek Polony 79:According to 76: 71: 69: 65: 61: 56: 41: 39: 35: 31: 27: 23: 22: 711: 701: 686: 671: 663: 658: 645:. Retrieved 641: 629: 616:. Retrieved 612: 569: 538: 518: 478:Paul Banks. 434:(rec. 2016) 420:(rec. 2015) 403:(rec. 2006) 386:(rec. 2001) 338:PNCD 473 A/B 293: 287: 278: 272: 268: 221: 219: 211: 193: 183: 134: 132: 127: 113: 104: 94: 84: 78: 73: 59: 54: 52: 25: 20: 19: 18: 574:to Chandos 317:DMX 260-261 741:Categories 642:Culture.pl 613:Culture.pl 450:References 409:Antoni Wit 300:Recordings 290:Belarusian 283:Čiurlionis 275:Lithuanian 64:Belarusian 430:RPO SP 52 216:Structure 546:8.570452 416:8.570452 265:Analysis 248:D♭ major 237:C♯ minor 222:Rhapsody 194:Rhapsody 135:Rhapsody 128:G 4791 W 105:Rhapsody 101:Zakopane 85:Rhapsody 60:Rhapsody 24:(Polish 693:at the 678:at the 647:June 8, 618:June 8, 486:edition 480:Preface 396:Chandos 375:132/133 353:XL 0290 332:XL 0006 255:F major 241:E major 235:Lento ( 230:A minor 208:Scoring 151:Glasgow 126:(plate 109:Leipzig 44:History 36:'s six 30:A minor 576:209986 544:Naxos 442:– DUX 399:209986 186:Poznań 159:London 139:Kraków 97:Warsaw 709:(cf. 482:to a 413:Naxos 367:Wifon 28:) in 649:2017 620:2017 444:1377 220:The 202:Łódź 177:and 157:and 147:Nice 143:Lviv 141:and 53:The 484:MPH 285:). 257:) — 250:) — 232:) — 130:). 743:: 715:). 640:. 611:. 583:^ 553:^ 542:to 526:^ 517:. 491:^ 457:^ 438:, 428:– 424:, 411:– 407:, 394:– 390:, 361:, 344:, 323:, 309:, 204:. 181:. 173:, 169:, 165:, 153:, 149:, 111:. 653:) 651:. 624:) 622:. 578:. 548:.

Index

A minor
Mieczysław Karłowicz
symphonic poems
Belarusian
Adolf Chybiński
Leszek Polony
Warsaw
Zakopane
Leipzig
Grzegorz Fitelberg
Gebethner and Wolff
Warsaw Music Society
Kraków
Lviv
Nice
Glasgow
Saint Petersburg
London
Emil Młynarski
Mieczysław Sołtys
Zdzisław Birnbaum
Henryk Opieński
José Lassalle
Poznań
Violin Concerto
Adam Hanuszkiewicz
Łódź
A minor
C♯ minor
E major

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