296:. Armstrong was beginning to make a name for himself in New Orleans and regarded Oliver ("Papa Joe") as his mentor. At first, Hardin was unimpressed, remembering that she "was very disgusted" by Louis, who arrived in Chicago wearing clothes and a hair style that she deemed to be "too country" for Chicago, but she worked to "take the country out of him", and a romance developed (to the surprise of other band members, some of whom had been trying to woo her for some time with no success). They would visit cabarets and after-hour spots after their job at Lincoln Gardens, but their relationship was solidified after Armstrong's mother's intervention in 1923, when she visited Armstrong in Chicago. She and Armstrong needed to be divorced from their previous relationships (Lil Hardin to Jimmie Johnson, Louis Armstrong to Daisy Armstrong) and "claimed desertion" from said relationships to annul the marriages. Hardin and Armstrong were married on February 5, 1924, and honeymooned/toured with the Oliver band in Biglerville, Pennsylvania. The
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248:, she made it known that her new job was playing for a dancing school. As observed by Thomas Brothers, the discrepancies between her education and that of Duhé's band members were apparent; when she asked what key the New Orleanians were going to play in, they remarked, "We don't know what key. When you hear two knocks start playing." Three weeks later the band moved to a better booking at the De Luxe Café, where the entertainers included Florence Mills and Cora Green. From there, the band moved up to Dreamland. Here the principal entertainers were
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wasting his talent in a secondary role. Armstrong was happy to be playing next to his idol, but Hardin at first persuaded him to manage his own money and assert himself on the bandstand and during recording sessions; eventually, she convinced him to leave Oliver and go out on his own. Armstrong resigned from Oliver's band and in
September 1924 accepted a job with bandleader
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Lil's grandmother, Priscilla Martin, was a former slave from near Oxford, Mississippi. Martin had a son and three daughters, one of whom was
Dempsey, Lil's mother. Priscilla Martin moved her family to Memphis to escape from her husband, a trek the family made by mule-drawn wagon. Dempsey married Will
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When Louis
Armstrong died in 1971, she traveled to New York for the funeral and rode in the family car. Returning to Chicago, she felt that work on her autobiography could continue, but the following month, performing at a televised memorial concert for Armstrong, she collapsed at the piano and died
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stalwart. While there, she fell for Jimmie
Johnson, a young singer from Washington, D.C., whom she married on August 22, 1922. The marriage was short-lived, ending in divorce. The Oliver band returned from California and opened at the Royal Gardens with Bertha Gonsoulin at the piano but soon found
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Hardin took
Armstrong shopping and taught him how to dress more fashionably. She got rid of his bangs and began working to foster his career. In addition to updating his appearance, Hardin assisted Armstrong in learning classical music with the help of a German teacher in Chicago. She felt he was
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in New York City. Hardin stayed in
Chicago, first with Oliver, then leading a band of her own. When Hardin's band got a job at the Dreamland Café in Chicago she prepared for Armstrong's return to Chicago by having a huge banner that read "The World's Greatest Trumpet Player".
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In the late 1940s and early 1950s, Hardin worked mostly as a soloist, singing and playing piano. In the late 1940s, she decided to leave the music business and become a tailor, so she took a course in tailoring. Her graduation project was to make a tuxedo for
Armstrong.
342:, whom she considered second only to Armstrong. Hardin and Armstrong separated in 1931 when he had a liaison with Alpha Smith, who threatened to sue Armstrong for breach of promise, so he begged Hardin not to grant him a divorce. They finally divorced in 1938.
233:, she received more advanced training, and earning a diploma from Fisk, returned to Memphis in 1917. In August 1918, she moved to Chicago with her mother and stepfather. By then she had become a proficient sight-reader, a skill that helped her gain a job as a
260:'s Creole Jazz Band replaced Duhé's group at Dreamland, Oliver asked Hardin to stay with him. She was with Oliver at Dreamland in 1921 when an offer came for the orchestra to play a six-month engagement at the Pergola Ballroom in
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Hardin returned to
Chicago and the house on East 41st Street. She made a trip to Europe and had a brief love affair in France, but mostly she worked around Chicago, often with fellow Chicagoans. Collaborators included
422:, but she changed her mind when she realized the book would include experiences that might discomfit Louis Armstrong, so the project was delayed until his death. She died before finishing the book.
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Harden, and
Lillian Hardin was born on February 3, 1898. She grew up in a household with her grandmother. Will died when Lil was seven. Dempsey later remarried to John Miller.
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Her compositions include "Struttin' with Some
Barbecue", "Don't Jive Me", "Two Deuces", "Knee Drops", "Doin' the Suzie-Q", "Just for a Thrill" (which was a hit when revived by
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from a heart attack on the way to the hospital. After her funeral, her letters and the unfinished manuscript of her autobiography disappeared from her house.
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How Much Is That in Real Money? A Historical Price Index for Use as a Deflator of Money Values in the Economy of the United States: Addenda et Corrigenda
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Hardin first received piano instruction from her third-grade teacher, Violet White. Her mother then enrolled her in Mrs. Hook's School of Music. At
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on banjo, this group rehearsed at Armstrong and Hardin's residence on Chicago's East 41st Street and held its first session on November 15, 1925.
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and leader of her own hastily assembled big band. The Riverside recordings led to her inclusion in a 1961 NBC network special,
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In the late 1920s, Hardin and Armstrong grew apart due to class differences and money issues. He formed a new Hot Five with
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noted that Hardin was dressed in a "Parisian gown of white crepe elaborately beaded in rhinestones and silver beads."
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In the 1930s, sometimes billing herself as "Mrs. Louis Armstrong", Hardin led an "All Girl Orchestra", a mixed-sex
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to create the 2012 song "Booty Swing". The song gained notoriety when it was used in a 2013 Chevrolet commercial.
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In Chicago, Hardin returned to work at Dreamland as a pianist in an orchestra for Mae Brady, a violinist and
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to make a series of sessions under his name: the Armstrong "Hot Five" recordings. With Hardin at the piano,
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that was issued in LP form. She would again appear on that label in 1961, participating in its project
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offered $ 22.50 ($ 458 in 2023 dollars). Knowing that her mother would disapprove of her working in a
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which broadcast nationally over the NBC radio network. In the same decade she recorded for
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vocalist and performed as piano accompanist for other singers. She also performed with
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pianist, composer, arranger, singer, and bandleader. She was the second wife of
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King Oliver's band was enjoying enormous success at Dreamland when he sent for
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In the 1950s, Hardin recorded a biographical narrative for Bill Grauer at
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The store paid Hardin $ 3 a week ($ 61 in 2023 dollars), but bandleader
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Armstrong's grave (top row, third from left) at Lincoln Cemetery
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821:"Armstrong, Lil Hardin (1898–1971) | Encyclopedia.com"
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Just for a Thrill: Lil Hardin Armstrong, First Lady of Jazz
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Armstrong's composition "Oriental Swing" was sampled by
784:. New York, NY: W.W. Norton & Company. p. 68.
162:; February 3, 1898 – August 27, 1971) was an American
809:. Jefferson, NC: McFarland & Company. p. 24.
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418:. In 1962, she began writing her autobiography with
272:, where she earned a post-graduate diploma in 1929.
285:itself back at Dreamland with Hardin at the piano.
201:During her early years, Hardin was taught hymns,
27:American jazz musician and bandleader (1898–1971)
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966:"Riverwalk Jazz - Stanford University Libraries"
992:Ride, Red, Ride: The Life of Henry "Red" Allen
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1231:Discography of American Historical Recordings
641:Go, Girl, Go! The Women's Revolution in Music
469:in 1978 and became an international pop hit.
338:on piano. Hardin reformed her own band with
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185:in 1978). Armstrong was inducted into the
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1377:Louis Armstrong and His Hot Seven members
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501:. London: Penguin Books. pp. 17–18.
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700:(2005). "Lil Armstrong" (interview). In
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453:renamed a community park in her honor.
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1197:Gates, Henry Louis, Jr., ed. (2004).
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758:Federal Reserve Bank of Minneapolis.
615:. New York: Broadway Books. pp.
229:, a college for African Americans in
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949:Louis Armstrong: Master of Modernism
934:Louis Armstrong: Master of Modernism
919:Louis Armstrong: Master of Modernism
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563:Albertson, Chris (March 22, 2016).
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237:demonstrator at Jones Music Store.
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994:. London: Continuum. p. 171.
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844:. Simon and Schuster. p. 13.
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838:Stanton, Scott (September 2003).
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1322:New York College of Music alumni
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1103:Bowling, Clarke. (May 1, 2013).
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177:in 1959), "Clip Joint", and "
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732:American Antiquarian Society
639:Dickerson, James L. (2005).
588:Dickerson, James L. (2002).
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1337:20th-century jazz composers
1312:Musicians who died on stage
1302:Jazz musicians from Chicago
1272:American women jazz singers
1054:– via Newspapers.com.
609:Bergreen, Laurence (1997).
404:Chicago: The Living Legends
268:. She later studied at the
221:Early education and mentors
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970:Riverwalkjazz.stanford.edu
569:Memphis Music Hall of Fame
527:It's All About Ray Charles
446:in Blue Island, Illinois.
187:Memphis Music Hall of Fame
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660:Oakley, Giles (1997).
565:"Lil Hardin Armstrong"
497:Cook, Richard (2005).
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1182:Lil Hardin Armstrong
1160:United States portal
1135:May 9, 2013, at the
1026:(2002), pp. 208–209.
442:She was interred at
36:Lil Hardin Armstrong
1109:New York Daily News
523:"Just For A Thrill"
406:as accompanist for
1192:The New York Times
951:. pp. 319–20.
936:. pp. 99–100.
465:" was recorded by
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292:to join as second
82:Memphis, Tennessee
1222:Tulane University
1220:at Music Rising,
1128:The Atlantic Wire
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1024:Just for a Thrill
947:Brothers (2014).
932:Brothers (2014).
917:Brothers (2014).
902:Brothers (2014).
891:. pp. 76–80.
887:Brothers (2014).
872:Brothers (2014).
851:978-0-7434-6330-0
791:978-0-393-06582-4
702:And They All Sang
681:978-0-306-80743-5
663:The Devil's Music
400:Riverside Records
327:on clarinet, and
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478:Parov Stelar
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385:Joe Williams
381:Red Saunders
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325:Johnny Dodds
317:Okeh Records
311:
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254:Ollie Powers
239:
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94:(1971-08-27)
29:
1297:1971 deaths
1292:1898 births
1174:Jazz portal
1088:October 16,
1064:Dickerson,
1046:. p. 1
1022:Dickerson,
736:1700–1799:
716:1634–1699:
467:Ringo Starr
346:Later years
266:Los Angeles
258:King Oliver
235:sheet music
183:Ringo Starr
175:Ray Charles
120:Occupations
1241:Categories
1190:Obituary,
670:. p.
484:References
336:Earl Hines
315:convinced
282:vaudeville
213:and later
203:spirituals
193:Background
132:bandleader
75:1898-02-03
60:Birth name
1010:741691083
975:March 27,
857:August 2,
574:March 27,
476:musician
370:Solo work
364:Red Allen
294:cornetist
231:Nashville
189:in 2014.
1186:AllMusic
1133:Archived
741:(1992).
721:(1997).
533:June 16,
352:big band
298:Defender
129:composer
126:Musician
103:Illinois
1229:at the
1050:May 30,
617:178–179
463:Bad Boy
321:Kid Ory
256:. When
246:cabaret
179:Bad Boy
99:Chicago
1205:
1008:
998:
848:
788:
678:
647:
623:
596:
505:
457:Legacy
391:, and
205:, and
160:Hardin
135:singer
110:Genres
105:, U.S.
84:, U.S.
748:(PDF)
728:(PDF)
426:Death
416:Verve
360:swing
358:as a
356:Decca
215:blues
158:(née
1203:ISBN
1090:2015
1052:2022
1006:OCLC
996:ISBN
977:2019
859:2018
846:ISBN
786:ISBN
767:2024
676:ISBN
645:ISBN
621:ISBN
594:ISBN
576:2019
535:2021
503:ISBN
252:and
164:jazz
114:Jazz
89:Died
69:Born
1184:at
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