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Life in a Day (2011 film)

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3202: 386:, and then being introduced to a field full of rubble. You have to start looking for buttresses and things that connect together." Walker indicated that a team of roughly two dozen researchers, chosen both for a cinematic eye and proficiency with languages, watched, logged, tagged, and rated each clip on a scale of one to five stars. Walker remarked that "the vast amount of material was two stars", and that he and director Kevin Macdonald reviewed the four-star and five-star rated clips. 664:"isn't a bad movie" and there are "fits and spurts" in which the film is "actually quite beautiful," "funny" and "moving", Anthony Benigno from Filmcritic.com asserted that documentaries should have a point, narrative, conflict and goal, but called this film "scattershot" and "at its worst, veering closer into exploitation...and even voyeurism." V.A. Musetto, a critic from the 350:
of electronic footage. Macdonald explained that about 75% of the film's content came from people contacted through YouTube, traditional advertising, TV shows, and newspapers; the remaining 25% came from cameras sent out to the developing world, Macdonald pointing out "It was important to represent the whole world." At a reported cost of £40,000, "we did resort to
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a window pane and picking a fly off and filming the hand walking through the house and letting the fly go—and you see the fly take off in the distance." Asked if there any particular submission crystallised the film's theme, Macdonald cited "the family who had been going through cancer." More generally, Macdonald praised the immediacy that a
422:—"you will see in it what you want to see in it." Joe Walker further explained that "We always wanted to have a number of structures, so it's not just midnight to midnight, but it's also from light to dark and from birth to death. ... bashing things together and making them resonate against each other and provoking thought." 500:
Sharkey described the progression of the film: "Beginning with videos that start pre-dawn then moving through morning, afternoon and evening, ... the rituals that define a day begin to emerge. Beyond an extraordinary range of cultures, terrain and styles reflected, which are captivating on their own,
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Macdonald explained that the film "doesn't have a traditional story or a traditional narrative, but it has thematic movement recurring characters." He praised certain specific contributions, including "the most technically amazing skydiving shot I have ever seen in any film" and "a hand going up to
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remarked that "the most striking aspect of this documentary is that it's the first crowdsourced, user-generated content to hit the big screen." O'Sullivan said that, being "alternately funny, scary, boring, moving, amateurish and gorgeous, it is a pretty spectacular thing: a crowdsourced movie that
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magazine's Angela Watercutter that the film "couldn't have been made without technology. Ten years ago it would've been impossible." Macdonald explained that YouTube "allowed us to tap into a pre-existing community of people around the world and to have a means of distributing information about the
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by posing the questions, "What do you love? What do you fear? What's in your pocket?" and explaining that "one day last summer, I asked ordinary people around the world to answer those three questions and spend a day filming their lives." The 80,000 individual clips received amounted to 4,500 hours
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that the project was initially conceived as a way to commemorate the fifth birthday of YouTube, and that he wanted to "take the humble YouTube video, ... and elevate it into art." Editor Joe Walker said that as he understood it, the concept for the crowd-sourced documentary came from Ridley Scott's
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that "this fast-paced documentary is shaped as much by Internet savvy as traditional filmmaking, which doesn't make the experience of it any less satisfying, or the implications any less provocative." "The story is told through the voices of the contributors, but mostly it's the images that do the
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for sending out 400 cameras to parts of the developing world – and getting back the resulting video cards." Macdonald later remarked that he regretted not sending out a far smaller number of cameras but providing training in camera operation and desired type of content: "Naively, I hadn't realised
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The filmmaking team "used YouTube's ability to collect all of this material and then we had this sort of sweatshop of people, all multilingual film students, to sift through this material. It couldn't have been done any other way. Nobody had ever done a film like this before, so we had to sort of
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movement. They asked hundreds of people all over Britain to write diaries recording the details of their lives on one day a month and answer a few simple questions. ... These diaries were then organised into books and articles with the intention of giving voice to people who weren't part of the
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adopted opposing opinions. Mike Hale's review asserted that "much of the material is interesting in its own right... but... the problem is the resolutely conventional and soft-headed way in which that material has been assembled," and that "the overall tone remains gee-whiz." In contrast, Adam
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Adam Sternbergh wrote that "the film's most memorable moments are the ones of unexpected intimacy. ... The film aims to tell the story of a planet, but it's the vulnerability of these individual moments, contributed as part of a larger project, that lingers." The
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Macdonald said that the film focused on a single day "because a day is the basic temporal building block of human life—wherever you are," with Walker adding that the particular day, 24 July 2010, was chosen because it was the first Saturday after the
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In addition to the star rating system, the editing/selecting team also organised the 80,000 clips according to countries, themes and video quality as part of the selection process, and further had to convert from 60 different
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Concerning the chronology of the film and the order of the clips, Macdonald explained that he let the 300 hours of "best bits" tell him what the themes and structure of the film should be, likening the material to a
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critic Peter Howell was in accord, observing that the "film shows things (what) billions of us do every day, perhaps thinking that we are somehow alone in our pursuits. Yet we couldn't be more connected." However,
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amusedly scoffing at the idea that they'd have anything in their pockets," and a Westerner "quietly worries about losing his hair, while an older Afghan man quietly worries about getting through the day alive."
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Tom Russo gave director "Macdonald and crew credit for picking out good, clear, telling contrasts, and not sweating potential heavy-handedness," citing contrasts between "one smug contributor pull a set of
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of the experience of being on the Internet. ... clicking from one place to another, in this almost random way…following our own thoughts, following narrative and thematic paths." Betsy Sharkey wrote in the
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Sharkey characterised the film as being "the most hopeful yet from Macdonald, a director who's made his reputation by digging into the more corrupted and conflicted side of human nature with
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directed by Rubén Mendoza which count a day (August 24) to all the members of the Universidad Nacional de Colombia in celebration of its 150th anniversary. That Movie was released in 2017.
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YouTube channel accepting video contributions from the public about their lives on a specific day: 12 November 2011. Scott oversaw the project with executive producer Macdonald (both from
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The film has been criticised for its use of free labour. In the film industry, the production teams required to produce images and sounds are normally paid. However, in the case of
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production company "Scott Free U.K." and from YouTube, while Macdonald explained more specifically that "the inspiration for me was a British group from the 1930s called the
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The film is 94 minutes 53 seconds long and includes scenes selected from 4,500 hours of footage in 80,000 submissions from 192 nations. The completed film debuted at the
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Betsy Sharkey: "the world community had a lot of interesting things on its mind, but it still took filmmakers like Macdonald and Walker to help us say it with feeling."
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that the film "could only be made in the last five years because ... you can get enough people who will have an understanding of how to shoot something." Walker told
2435: 2629: 657:, this film, in its best moments, proves the opposite: not a global craving for exposure but a surprising universal willingness to allow ourselves to be exposed." 2101: 373:
make it up as we went along." "To put (the 4500 hours of raw footage) in context, I just cut a feature film for Steve McQueen and there's 21 hours of for that."
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film and then receiving people's 'dailies'. It just wouldn't have been organizationally or financially feasible to undertake this kind of project pre-YouTube."
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how alien, not only the concept of a documentary is to a lot of people (in the developing world), but also the idea that your own opinions are worth sharing."
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stated that the film was "moving and insightful. Not a classic by any means, but a fascinating glimpse of the way we live today." Michael O'Sullivan of the
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which accounts of the aftermath from Japan's devastating tsunami in 2011 featuring YouTube videos shot by survivors living in and near the affected areas.
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Betsy Sharkey wrote that "The fact that we all experienced that day is part of what gives the documentary an unusual kind of relatability."
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magazine said that "the familiar beats of the day (were) cut together to show that we're actually far more similar than we are different."
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and film editor Joe Walker, consisting of footage from some of the contributors. All chosen footage authors are credited as co-directors.
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Sternbergh concluded that "the montages of ordinary acts, repeated from Japan to Dubai to Las Vegas, take on a kind of profundity."
3572: 3547: 3522: 3512: 2678: 2492: 3019: 1837: 2649: 595:, gave the film three out of four stars, saying "the vast majority of the film feels undeniably real and incredibly inspiring." 3537: 2600: 2138: 3562: 3557: 3532: 3497: 3477: 3472: 3076: 2045: 1836:, included clips selected from 45,000 crowd-sourced video submissions recorded on 26 October 2013, and premiered during the 3517: 3467: 3361: 2897: 2653: 2573: 2431: 3527: 3492: 3462: 3452: 3442: 3141: 2686: 2625: 3582: 2274: 549:, his Oscar-winning documentary on the 1972 Munich massacre of Israeli Olympic athletes... he lightness unearthed in 3567: 3385: 515:
manages to feel singular and whole." Anthony Benigno wrote in Filmcritic.com that the film "is pretty much the first
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video sharing website, the clips showing respective occurrences from around the world on a single day, 24 July 2010.
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reports that 82% of 52 critics have given the film a positive review, with a rating average of 7.1 out of 10.
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feel familiar... Their hopes and joys, disappointments and fears are our own." Liz Braun, writing in the
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Adam Sternbergh who wrote that "if the knock against the Internet... is that it stokes our collective
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to make the result cinematically acceptable. All the logging and researching was done using the
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film comprising an arranged series of video clips selected from 80,000 clips submitted to the
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the film stands as a stirring reminder of how ordinary and yet eclectic humanity can be. If
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Walker, whose team edited the whole film over seven weeks, remarked to Adam Sternbergh of
317:. The film's opening song, written by Herbert, was performed by English singer-songwriter 8: 3427: 3369: 3337: 3201: 2942: 1833: 456: 411: 395: 383: 2675: 2185: 3377: 2869: 2699: 2440: 1892: 1045: 688: 648: 523: 493: 378: 20: 3180: 3404: 3153: 2501: 2117: 676: 601:
magazine's Angela Watercutter wrote that the film "brims with intimacy and urgency."
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is any measure, we are a quirky, likeable, unpredictable and yet predictable bunch."
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called the condensed experiences "breathtaking" and "as riveting as any narrative."
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Michael O'Sullivan similarly noted that "the people whose lives form the spine of
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is, without exaggeration, a profound achievement." Peter Howell, a critic of the
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gave the film a rating average of 58/100, indicating "mixed or average reviews".
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was based. The film constituted crowd-sourced clips recorded on Christmas 2012.
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that the film celebrates." Contentions such as Schenker's were contradicted by
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29 July 2011. (Sharkey slightly misstates the "love/fear/pockets" quotation.)
1866: 666: 340:"elite" and to show the intricacy and strangeness of the seemingly mundane." 242: 2282: 1932: 1851:, with Germany and France also working on their own versions in the format. 3044: 2610: 2520:“Another Earth,” “Life in a Day,” and “Cowboys & Aliens”: Movie Tickets 2405: 1789: 642:
criticised the film by stating: "Only a few snippets escape the uncritical
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would be available for viewing on its website free of charge, and on DVD.
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In 2012 directors Philip Martin and Gaku Narita teamed up to create
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Macdonald began his "Around the world in 80,000 clips" article in
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Life in a Day: Watch the Beautiful YouTube-Fueled Epic Right Now
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and the YouTube video sharing site. The film was distributed by
2784:"Review: 'Life in a Day' an inspiring snapshot of planet Earth" 670:, said about the film: "Judging by the National Geographic doc 585:
gave the film three and a half stars out of four, saying that "
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has received generally positive reception from film critics.
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produced the film and edited the videos into a film with
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on 27 January 2011 and the premiere was streamed live on
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All authors of the videos are credited as co-directors.
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keys from his pocket, ... then mov on to ragged-looking
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The film's music was written by composer and producer
3237: 2670: 2668: 2568: 2566: 283:. The visual effects were produced by Lip Sync Post. 2979: 2977: 2626:"Life in a Day: From trivial to beautiful in ‘Life'" 2046:"YouTube's 'Life in a Day' Project – CBS News Video" 2949:), BBC News Entertainment and Arts, 6 October 2011. 2542: 2540: 2538: 2391: 2389: 2387: 2952: 2665: 2595: 2593: 2563: 2487: 2485: 2483: 2481: 2479: 2477: 2186:"National Geographic Films picks up Life in a Day" 1847:is teaming with Scott Free Productions to produce 2999:"Sainsbury's Christmas Advert 2013 – Full Length" 2985:"Battle of the Christmas adverts put to the test" 2974: 2618: 2397:"Life in a Day: Around the world in 80,000 clips" 321:. The film also features the song "Jerusalem" by 286:The film was the creation of a partnership among 3419: 2662:LightBox (photo editors section), 1 August 2011. 2535: 2384: 2363: 2361: 2217: 2122:: CS1 maint: bot: original URL status unknown ( 1773: 623:in the history of the world." Ian Buckwalter of 2943:"London 2012 Britain in a Day project launched" 2590: 2514: 2512: 2474: 2359: 2357: 2355: 2353: 2351: 2349: 2347: 2345: 2343: 2341: 1792:as part of BBC's "Cultural Olympiad," with the 2426: 2424: 2422: 2420: 2418: 2416: 2314: 2312: 2310: 2308: 2306: 2304: 2302: 2300: 2131: 3223: 2793: 2776: 553:has an earthy and at times euphoric appeal." 382:that "The analogy is like being told to make 263:. On 31 October 2011, YouTube announced that 3503:Films directed by Kevin Macdonald (director) 2642: 2509: 2338: 2936: 2853: 2413: 2297: 2160:"'Life in a Day' to get theatrical release" 696: 3230: 3216: 3200: 2756: 2650:"From Midnight to Midnight: Life in a Day" 2457:"Metadata Mashup: Life in a Day on camera" 36: 2183: 2245: 2102:"Life in a Day now available on YouTube" 325:and "Future Prospect" by Biggi Hilmars. 2840: 1838:71st Venice International Film Festival 708: 3508:Films scored by Harry Gregson-Williams 3420: 3040:"CTV's Canada in a Day debuts June 25" 3033: 2020:"Life in a Day | Kevin Macdonald" 1927: 1925: 425:Macdonald said he saw the movie "as a 3211: 2532:magazine online, posted 27 July 2011. 1436:Pedro Nuno Tavarez Barcelos G. Lobito 619:remarking that the film is "the best 404: 3362:Sky Ladder: The Art of Cai Guo-Qiang 2250:. Cherrytree Records. Archived from 2184:Fernandez, Jay A (24 January 2011). 3003:• Full length YouTube documentary: 2676:"Review in Theaters, Life in a Day" 2272: 2246:Goulding, Ellie (19 January 2011). 1922: 13: 3588:English-language documentary films 3059:"Acerca de | Panama in a Day" 2335:"SpeakEasy" section, 22 July 2011. 2326:), edited interview transcript in 2235:from the original on 16 June 2022. 2225:"YouTube Captures "Life in a Day"" 16:2011 crowdsourced documentary film 14: 3599: 3117: 1816:Macdonald and Scott also created 1268:Alexander St. John Westby Simcock 1173:Alberto Ramiro González Benavides 401:media asset management software. 281:National Geographic Entertainment 118:National Geographic Entertainment 3061:. 15 August 2019. Archived from 2689:), filmcritic.com, 28 July 2011. 2526:), "Arts and Events" section of 1428:Baitijrin Alexander Muhammedovic 1271:Maria Antonieta Carelda Cansieco 1242:Maria Fernanda Ferraz De Camargo 3573:2010s Vietnamese-language films 3548:2010s Portuguese-language films 3523:2010s Indonesian-language films 3513:Films scored by Matthew Herbert 3087: 3069: 3051: 2908: 2890: 2876: 2834: 2814: 2750: 2723: 2692: 2548:"Life in a Day" (Critic's Pick) 2493:"Movie review: 'Life in a Day'" 2454: 2448: 2266: 2239: 2203: 2177: 2152: 3386:High & Low – John Galliano 2841:Musetto, V.A. (31 July 2011). 2094: 2068: 2052:. 22 July 2010. Archived from 2038: 2012: 1986: 1960: 1943: 1832:(September 2014), directed by 1416:Herman Daniel Afanador Jiménez 1: 3538:2010s Japanese-language films 2757:O'Hara, Helen (26 May 2011). 2432:"Around the World in One Day" 2248:"Brits/Film Studios/Showbiz!" 2128:, YouTube's official blog (). 1915: 1774:Follow-on projects and legacy 270: 3563:2010s Spanish-language films 3558:2010s Russian-language films 3533:2010s Italian-language films 3498:2010s English-language films 3478:2010s Catalan-language films 3473:2010s Bengali-language films 1972:International Business Times 1843:The production house behind 556: 7: 3518:2010s German-language films 3468:2010s Arabic-language films 2997:• Sainsbury's short video: 2873:Movie Review, 28 July 2011. 1903: 10: 3604: 3528:Internet documentary films 3493:2010s Dutch-language films 3463:American independent films 3453:American documentary films 3443:2010s Hindi-language films 2572:Braun, Liz, (QMI Agency), 2164:United Press International 2082:. Toronto. 25 January 2011 1747:Sara Isabel Amorim Marinho 1433:Ardilanov Renat Valerevich 1194:Sdenka Zobeida Salas Pilco 1104:Mauricio Escalona González 914:Geneviève Dulude-De Celles 886:Patricia Martínez Del Hoyo 875:Friedrich Joachim Tragauer 632:Liz Braun, writing in the 18: 3583:Films released on YouTube 3396: 3305: 3255:The Last King of Scotland 3246: 2213:– via www.imdb.com. 2024:The Sydney Morning Herald 1998:The Sydney Morning Herald 1071:Joào Xàrà Aguiar Da Silva 803:Alejandro Romero Pallares 275:The film was produced by 226: 178: 168: 158: 143:27 January 2011 132:21 January 2011 123: 113: 89: 75: 65: 57: 47: 42:Theatrical release poster 35: 30: 3568:Ukrainian-language films 2681:16 November 2011 at the 2279:kieranleonardmusic.co.uk 1307:Christopher Brian Hebrot 1131:José Fernando De Miranda 1083:Lisa M. Cottrell-Bentley 872:Ester Brym Ortiz Guillen 863:Javier De Lara Rodríguez 833:S.Prince Ennares Periyar 697:Criticism of free labour 2822:"Review: Life in a Day" 2381:magazine, 29 July 2011. 2329:The Wall Street Journal 1729:Joaquin Granados Ortega 1558:Alberta Álvarez Portela 812:Andreea Diana Tanasescu 360:The Wall Street Journal 358:Macdonald expressed to 331:The Wall Street Journal 292:Ridley Scott Associates 19:For the 2021 film, see 3553:Quechua-language films 3483:Collaborative projects 3433:2011 documentary films 3099:The Hollywood Reporter 2700:"Life in a Day (2011)" 1900:was released in 2021. 1889:was released in 2019. 1877:was released in 2017. 1869:was released in 2016. 1859:was released in 2015. 1663:Jobal Ferreira Almeida 1597:Bernhard Kleine-Frauns 1475:Angélique A.E. Georges 1134:Gerald McMahon Parsons 982:Andrew John Wilhelmsen 958:Christian Buch Iversen 311:Harry Gregson-Williams 277:Scott Free Productions 257:Sundance Film Festival 99:Scott Free Productions 80:Harry Gregson-Williams 2546:O'Sullivan, Michael, 2367:Watercutter, Angela, 1594:Ina Angelina Foerster 1233:Thiago Fazolari Meyer 1158:Antony M.J.L. Delarue 994:John Lesinka Leng'eny 3578:2010s American films 3458:American drama films 3314:One Day in September 1910:Love Parade disaster 1511:Timothy A. Conneally 1248:Mark Steven Mocarski 1116:Ashlee Jenita Ferret 1053:Sergej Kondakov, mga 907:Christopher Santiago 774:Cristina Bocchialini 751:Marianne G. Petronic 730:Per-Terie Gabrielsen 709:List of contributors 546:One Day in September 3448:2011 YouTube videos 3030:, 3 September 2014. 2811:.com, 30 July 2011. 2790:.com, 29 July 2011. 1834:Gabriele Salvatores 1788:would be funded by 1768:Kittikhun Srisathit 1600:Christopher Farrell 1499:Stephanie Steenstra 1365:Rustom Bailey Iraní 1292:Meuke Van Herwijnen 1289:Christopher Redmont 1265:Alfredo A. Oliveira 1197:Miguel Curado Malta 1140:Clare Olivia Fisher 1122:Francesco La Regina 1065:Denis Rahovetskijyu 1056:Christos Pentedimos 1021:Vetrivell Velumuthu 839:Thomas S. Stepleton 836:Alexander Rastopcin 457:The Washington Post 384:Salisbury Cathedral 3378:Life in a Day 2020 3238:Films directed by 3065:on 15 August 2019. 2870:The New York Times 2782:Rabinowitz, Mark, 2674:Benigno, Anthony, 2441:The New York Times 2430:Sternbergh, Adam, 2395:Macdonald, Kevin, 2149:, 31 October 2011. 1818:Christmas in a Day 1735:Sean Charles Denny 1708:Daniel Mas Castane 1702:Gaby Aguirre Apaza 1654:Erfan Asgari Aragh 1636:Shankar Karuppayah 1377:Alejandro Angel T. 1339:Pisanu Mhokprakhon 1327:Mischa Hrziwnatzki 1324:Anastasiya Fadeeva 1251:Michel Gauthier jr 1209:Destefano Emanuele 1095:James Marcus Haney 1062:Natalia Vorontsova 1046:Andrea Dalla Costa 1042:Michael T. Balonek 955:Yevgeniy Vaskevich 943:Andrew Ray Johnson 934:Justin P. Janowski 788:Paul Richard Smith 689:The New York Times 649:The New York Times 575:Helen O'Hara from 524:The New York Times 519:movie ever made." 448:Ian Buckwalter of 405:Themes and content 379:The New York Times 21:Life in a Day 2020 3415: 3414: 3330:Touching the Void 2971:, 5 October 2011. 2924:. 21 January 2011 2518:Buckwalter, Ian, 2502:Los Angeles Times 2273:Leonard, Kieran. 1974:. 24 January 2011 1778:In October 2011, 1756:Tomasz Skowronski 1726:Nakagawa Kazuhiko 1711:Shahin Najafipour 1672:Alex Tak Lam Chan 1561:Jessie Brisendine 1537:Natalia Andreadis 1321:Emmanuele Pickett 1316:Nicholas Gallucci 1295:Kartik Chaturvedi 1274:Marius Ionut Calu 1245:Edward J. McNelis 1182:Lilly Lee Jackson 1161:Tran Thi Thanh Ha 1119:Adrian Cornescian 1101:Joaquin Montalvan 1077:Seth Oliver Grant 904:Boris Gryshkevych 845:Christophe Querry 721:Natalia Andreadis 677:Los Angeles Times 534:Los Angeles Times 433:Los Angeles Times 234: 233: 3595: 3543:July 2010 events 3438:2011 drama films 3338:My Enemy's Enemy 3232: 3225: 3218: 3209: 3208: 3204: 3138:Full-length film 3128: 3111: 3110: 3108: 3106: 3091: 3085: 3084: 3073: 3067: 3066: 3055: 3049: 3048:, June 13, 2017. 3037: 3031: 3028:Business Insider 3016: 3007: 2995:9 December 2013. 2981: 2972: 2956: 2950: 2940: 2934: 2933: 2931: 2929: 2912: 2906: 2905: 2902:www.afterall.org 2894: 2888: 2887: 2880: 2874: 2857: 2851: 2850: 2838: 2832: 2831: 2818: 2812: 2797: 2791: 2780: 2774: 2773: 2771: 2769: 2754: 2748: 2747: 2745: 2743: 2727: 2721: 2720: 2718: 2716: 2696: 2690: 2672: 2663: 2646: 2640: 2635:The Boston Globe 2622: 2616: 2597: 2588: 2570: 2561: 2544: 2533: 2516: 2507: 2491:Sharkey, Betsy, 2489: 2472: 2471: 2469: 2467: 2452: 2446: 2428: 2411: 2393: 2382: 2365: 2336: 2334: 2316: 2295: 2294: 2292: 2290: 2281:. 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Index

Life in a Day 2020

Kevin Macdonald
Joe Walker
Harry Gregson-Williams
Matthew Herbert
Scott Free Productions
YouTube
LG Corp
National Geographic Entertainment
crowd-sourced
documentary
YouTube
Sundance Film Festival
YouTube
Scott Free Productions
National Geographic Entertainment
YouTube
Ridley Scott Associates
LG electronics
Ridley Scott
Kevin Macdonald
Harry Gregson-Williams
Matthew Herbert
Ellie Goulding
Kieran Leonard
The Wall Street Journal
Mass Observation
The Guardian
snail mail

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