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325:(1978). Teague later said, "The main things you learn by working for Corman are how to get every nickel on the screen, how to be as expedient as possible, and how to work very quickly. Also, Roger is an extremely clever person. Even though most of his material was exploitive, he always had a very intelligent approach. I learned a lot from the way he dealt with directors and editors. He was extremely well-organized, very insightful, very quick to make decisions."
466:(1985). Steven King called Teague "the most unsung film director in America. You never hear his name brought up at parties...He has absolutely no shame and no moral sense. He just wants to go get ya, and I relate to that!" Teague, in turn, said of Sayles and King that "Both Stephen and John have wit, humor, and incredible imaginations. They're similar in a lot of ways- both prolific, intelligent people who don't care a great deal about material things."
447:. He said "I wanted to tell a good story about something meaningful, and I knew the success would depend on whether I could make it scary. I studied films that I found very scary or that I knew were very effective when they had been shown to an audience to extract whatever principles filmmakers used in those films to get their audiences to jump, and somehow make that work." Teague later said he regarded
229:. Teague recalled "this is the pre-porn era. And what it did, they just showed girls with big boobs dancing around and that kind of stuff. But when the hippies took over Sunset Strip, it was amazing." Teague said " it was a great opportunity for me to show some of my favorite films and it was also an opportunity for me to show films that were being made by young filmmakers who were experimenting."
218:. He said "I sort of got separated from Universal in the process... so when I came back from Hawaii, my contacts at Universal said, you know, you haven't followed up on that original directing opportunity and so we are terminating your contract" adding "I was happy because that wasn't the kind of moviemaking that I was really interested in."
156:(1951). He later said he "had every intention of becoming an artist, at least a comic book artist, if not a fine artist living in a garret in Greenwich Village when I grew up. But I got into trouble, got kicked out of high school, joined the Army, discovered German beer, stopped drawing and painting."
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Teague summarised, "The job of a director on the set to a large degree is to keep everybody’s morale up; he’s one of the very few people on the set who doesn’t have anything to do because he’s overseeing it. He’s not shooting it; he’s not editing it, so a director needs to make sure that the cast and
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Writer Marcey
Papandrea argued, "Teague is a bit of a mixed bag, but the man tries and it’s evident that he does. If he has a weak script he certainly tries to overcome it and all of his work has a fun and entertaining factor to it. He’s an 80’s staple and his films from that time should be
364:(1979). He later said, "I was very lucky that that happened because it gave me a chance to do what I can do well, which is just sort of a gangster action film with really people in it and not have to deal with special effects and stuff."
481:(1984). Teague later reflect, "Up to that point, all the films that I did were personal films. I always had the liberty to change whatever I needed to change to make it more interesting or to make it work better. When I did
530:, "‘I’m happy because I did a “yeoman’s” job on it. It works, it cuts together, the action sequences are exciting, but it has nothing personal in it." Feigen claimed "Lewis had a hard time finding work after
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I just wanted to get on the A list of directors. I wanted it to be a commercial film and hadn’t I been so eager to get on the A list, I would have been more playful, and I would have had more fun with it."
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said Orion recommended Teague as the studio had been developing another project with the director that did not go ahead. She had a difficult relationship with Teague and says he lost control of the film.
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Teague later said he "discovered mairjuana and dropped out" after watching The
Beatles perform. He ran the Cinemateque 16, an underground movie theater in Los Angeles. It was owned by
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said "I like Lewis. He's a good action director and I trust his sense of humor." However the release of the film was delayed several years after De
Laurentiis went bankrupt.
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appreciated. It is a shame he didn’t do more horror in these most recent years but regardless his mark has been left. He’s a filmmaker I’d recommend seeking out."
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from a script by Sayles but left the project after a dispute with the producers. He accepted an offer from De
Laurentiis to make another King script,
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258:(1970). He then worked in the film departent of KCT directing documentaries. Teague made his debut as a feature director with
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248:(1970), a film Devlin had written and was producing. Teague worked as a production manager on the rock concert documentary
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Teague dropped out of high school at age 17 and enrolled in the army, serving for three years in
Germany. He studied at
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518:(1990), for Orion, replacing original director, Richard Marquand, who had died just before filming commenced. Producer
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Teague spent over a year developing a film for Orion that was not made, when de
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Teague eventually "got bored, and returned to filmmaking." He provided a film segment for a theatre production of
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After a five-year absence from directing, Teague directed (as well as wrote and produced) the dramatic short
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Teague left the school in 1963 without completing a degree when he was offered a job by
Universal working on
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1077:"Always Come Back: Lewis Teague, the director of 'Cujo' and 'The Jewel of the Nile', graduates from N.Y.U."
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Willman, C. (January 20, 1993). "TV Review: 'Time trax' suitably silly fare for the kiddie contingent".
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196:. (Teague returned to NYU to complete his degree in 2016, at the age of 78.) Teague apprenticed with
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620:(2007) shot on digial. "It was fun, and I learned a lot," he said. Then he made the webseries
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Teague was born in
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407:(1980). He persuaded the produced to allow the script to be rewritten by John Sayles.
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Marilyn Beck (July 9, 1987). "Janis Joplin Bio-Film is on its Way After 11 Years".
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H. T. (May 25, 1963). "Young filmmakers get prizes for work produced in colleges".
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starred Robert Conrad, who got Teague a job directing an episode of the TV series
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and had an early directing credit with the episode "The Second
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624:(2010).He was Director of Photography and Co-Editor of the 2014 short,
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left the project. Teague had been recommended by King, who admired
290:(1974) but the director was unavailable and he recommended Teague.
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Teague said Corman had offered Teague the job of directing a
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He moved into episodic television, and directed episodes of
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H. T. (June 2, 1962). "N.Y.U. Circulates 7 Student Films".
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Teague was second unit director and assistant editor on
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who had also been to NYU. Corman asked
Scorsese to edit
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512:(1989), based on a script by Sayles. He then directed
319:); and was responsible for the avalanche sequence in
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Not one of the boys : living life as a feminist
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951:. Vol. 21, no. 6. pp. 26–28, 80.
429:Teague was called in at the last minute to do a
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334:(1974) and the Oscar-winning short documentary
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1337:"Stupid squirrel we thought you were dead".
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1462:"DISSECTING THE DIRECTOR: Lewis Teague"
1460:Papandrea, Marcey (November 29, 2011).
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1322:"Jay Leno: In Midst of a Career Year".
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947:Yakir, D. (1985). "Big league teague".
913:Yakir, D. (1985). "Big league teague".
454:Teague was going to direct the film of
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1341:. April 12, 1992. p. 28 Calendar.
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225:, who Teague met through his friend
1356:. Alfred A. Knopf. p. 170-181.
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1191:Champlin, Charles (June 16, 1974).
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506:Teague returned to television with
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252:(1970) and was cinematographer on
16:American film director (born 1938)
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1101:Smith, Cecil (January 25, 1968).
599:(1997) (doing uncredited work),
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272:In 1974, Teague was employed by
210:. Teague then went to work with
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1082:. No. June 6 & 13 2016
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315:(1977) (made for Corman but at
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264:(1974), which he co-directed.
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19:For the American painter, see
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1696:Film directors from Brooklyn
1326:. July 16, 1987. p. 27.
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1283:– via Newspapers.com.
1233:. McGraw-Hill. p. 83.
1216:– via Newspapers.com.
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1008:"Lewis Teague Oral History"
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193:The Alfred Hitchcock Hour
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1137:"Bongo Wolf's Revenge".
309:; assistant director on
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1324:St. Louis Post-Dispatch
1227:Underwood, Tim (1988).
991:Alternative Projections
392:'s World War II movie,
355:Battle Beyond the Stars
1634:Tom Clancy's Op Center
483:The Jewel of the Nile,
169:It's About a Carpenter
21:Lewis Teague (painter)
1594:The Jewel of the Nile
1367:Hillier, Jim (1994).
1139:Monthly Film Bulletin
1014:. September 15, 2011.
765:The Jewel of the Nile
472:The Jewel of the Nile
457:Clan of the Cave Bear
410:He did an episode of
312:Thunder and Lightning
165:Sound and the Painter
146:Early life and career
116:The Jewel of the Nile
475:(1985), a sequel to
255:Bongo Wolf's Revenge
1180:. January 22, 2020.
478:Romancing the Stone
373:A Man Called Sloane
161:New York University
1642:Saved by the Light
1532:Films directed by
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1053:The New York Times
1028:The New York Times
838:Saved by the Light
626:Clifford Goes Boom
590:Saved by the Light
424:Dino de Laurentiis
278:New World Pictures
238:(1968), which the
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1421:. Lewisteague.com
1396:Los Angeles Times
1339:Los Angeles Times
1240:978-0-07-065759-5
1198:Los Angeles Times
1108:Los Angeles Times
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299:(1975); edited
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32:Lewis Teague
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1681:1938 births
1425:October 30,
645:Filmography
617:Cante Jondo
548:(1991) and
499:left. Star
441:Peter Medak
422:(1982) for
368:Lady in Red
350:John Sayles
305:(1975) for
287:Cockfighter
167:(1962) and
1675:Categories
1610:Navy SEALs
1147:1305831081
897:References
796:Navy SEALs
532:Navy Seals
528:Navy Seals
515:Navy Seals
331:Summer Run
302:Crazy Mama
128:Navy SEALs
56:1938-03-08
1586:Cat's Eye
1562:Alligator
1405:281804315
1309:291041135
1274:290867509
1207:157547220
1178:Film Talk
1117:155787037
1062:116434107
1037:116086418
957:210237874
927:210237874
748:Cat's Eye
702:Alligator
636:Appraisal
584:OP Center
560:Time Trax
497:Bob Clark
463:Cat's Eye
445:Alligator
404:Alligator
322:Avalanche
250:Woodstock
227:Fred Roos
141:Biography
104:Cat's Eye
98:Alligator
1401:ProQuest
1305:ProQuest
1270:ProQuest
1203:ProQuest
1143:ProQuest
1113:ProQuest
1086:June 13,
1058:ProQuest
1033:ProQuest
953:ProQuest
923:ProQuest
611:(2001).
587:(1995),
572:Profiler
554:(1992).
501:Jay Leno
398:(1980).
352:script,
344:Director
340:(1976).
1618:Wedlock
1494:at the
1279:May 19,
1212:May 19,
1122:May 19,
810:Wedlock
721:a.k.a.
593:(1995),
545:Wedlock
134:Wedlock
1661:(2001)
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658:Notes
655:Title
575:, and
379:Vega$
245:Loving
216:Hawaii
69:, U.S.
987:(PDF)
881:2001
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847:1997
833:1995
819:1992
805:1991
791:1990
777:1989
757:1985
743:1985
729:1983
711:1982
697:1980
677:1979
652:Year
413:Riker
1578:Cujo
1487:IMDb
1446:IMDb
1427:2017
1281:2023
1235:ISBN
1214:2023
1124:2023
1088:2016
734:Cujo
663:1974
449:Cujo
436:Cujo
382:and
179:and
131:and
110:Cujo
50:Born
1485:at
1266:235
534:."
276:at
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
