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146:, included detailed plans for casting the statue, which would have been done in separate hollow pieces and featured iron braces for internal support. By November 1493, a full-size clay model of the horse (without its rider) was exhibited at one of the Sforzas' weddings, gaining Leonardo significant fame. In a 20 December 1493 note by Leonardo, he stated his readiness to begin the casting process, but in November 1494, Ludovico gave the bronze to his father-in-law
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statue. Akamu researched multiple information sources to gain insight into the original sculptor's intentions. She studied both
Leonardo's notes and drawings of the horse and those of other projects he was working on. She reviewed his thoughts on anatomy, painting, sculpture, and natural phenomena. Her research expanded to include the teachers who had influenced Leonardo. Akamu also studied Iberian horse breeds, such as the
406:, in collaboration with Polo Museale Fiorentino and the Institute and Museum of the History of Science in Florence, Italy. It is made of steel frame with special resin coated fibreglass, to make it look like bronze. It is made of six pieces and can be transported and re-assembled. It has been on display at various locations during exhibitions on Leonardo. Some of the venues have been;
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Leonardo had made numerous small sketches of horses to help illustrate his notes about the complex procedures for molding and casting the sculpture. But his notes were far from systematic, and none of the sketches points to the final position of the horse, with no single definitive drawing of the
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The Da Vinci
Science Center – the organization that is shaped by the merger of LDVHI and what was then known as the Discovery Center of Science and Technology – displays a three-foot (1 m) replica of The Horse in its main lobby, which was dedicated when the science center opened its current
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Dent's projected cost for the horse came to nearly US$ 2.5 million. He had a domed studio/workshop constructed in
Allentown within which he personally began to conceptualize the re-creation and initial modelling of the sculpture. In 1988, he enlisted sculptor/painter Garth Herrick to begin
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Conde, Idalina. In
Portuguese. 2013-14. Il Cavallo de Leonardo. 3 Parts. In: Cies Working-Papers, 173, 178, 181 (respectively, 81, 74, 84 pages). Published by ISCTE. University Institute of Lisbon. The first extensive study of the modern
345:, the former United States Ambassador to Italy, and his wife, Joan, The Vinci horse inspired a sister city relationship between Vinci, Italy, and Allentown, Pa. A plaza in Vinci, Italy, also was named in the memory of Charles C. Dent.
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Leonardo had still been
Verrocchio's pupil when his master received the commission, and probably saw the initial plans for it; however, the statue was still only a model in 1483, and not completed until after Verrocchio's 1488
239:, and founded the nonprofit organization Leonardo da Vinci's Horse, Inc. (LDVHI) to support the project. His efforts to grow the organization to finance the project proved a difficult task that required more than 15 years.
139:. Leonardo initially planned a more dynamic design than those of his predecessors, initially including a fallen soldier to support the rearing horse, but at some point acquiesced to a more traditional walking horse.
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A 2.5-metre (8 ft) bronze version of the sculpture stands in
Leonardo's birthplace, Vinci, Italy, where it was dedicated on November 17, 2001. Made possible with gifts from several benefactors, including
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on
December 25, 1994 he left his private art collection to LDVHI, the sale of which brought more than $ 1 million to the fund. The LDVHI Board acted on its promise to Dent to complete Dent’s vision.
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About five centuries after the original project failed, Leonardo's surviving design materials were used as the basis for sculptures intended to bring the project to fruition.
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526:"You made a design for a horse to be cast in bronze, and, unable to cast it, you have in your shame abandoned it. And to think that those Milanese capons believed you!" (
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its feature article on the history of
Leonardo's horse and statue. Dent then began a project to re-create the unfinished sculpture in his home town,
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About five centuries later, Leonardo's surviving designs were used as the basis for sculptures intended to bring the project to fruition.
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were collected by
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The second full-size cast of Nina Akamu's design became known as The
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Two full-size casts were made of Akamu's 24-foot (7.3 m) design. The primary cast – The Horse – was placed at the
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In preparation for the work, Leonardo studied horses, and wrote a treatise on horse anatomy. Another treatise, titled
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in Allentown, Pennsylvania, holds the rights to Leonardo da Vinci's Horse as a result of its 2003 merger with LDVHI.
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encountered him at some point in Florence, and insulted him by implying that he was unable to perform the casting.
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pilot by profession as well as a dedicated art collector. In 1977, he read in the September issue of
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Additional renderings of The Horse of different sizes are displayed in the United States and Italy.
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location on October 30, 2005. The Da Vinci Science Center's sculpture also has appeared on loan at
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The American Horse at the Frederik Meijer Gardens and Sculpture Park in Grand Rapids, Michigan.
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accomplishes a similar feat, although neither reach the physical scale of Leonardo's design.
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helped compute gravitational solutions—similar to Leonardo's—to deal with its offset weight.
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built the first equestrian monument featuring a (freestanding) rearing horse and King
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A 12-foot (3.6 m) replica was placed in Charles C. Dent's hometown of
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Study in silverpoint for the monument (abandoned design), c. 1490
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953:"Sheridan's 8-Foot "Wyoming Horse" Is Actually Leonardo da Vinci's"
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The Virgin and Child with Saint Anne and Saint John the Baptist
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Sketched plan of cast for the head portion of the horse (right)
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Museo Nazionale Scienza e Tecnologia Leonardo da Vinci (Milan)
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Story of the modern casting to honor Leonardo da Vinci's Horse
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An eight-foot-tall (2.5 m) replica of The Horse was placed in
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431:"Leonardo da Vinci – Hand of the Genius" Sifly Piazza at the
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417:"Leonardo: 500 Years into the Future" at the Tech Museum,
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Madonna and Child with the Infant Saint John the Baptist
745:"Biography of Charles C. Dent – Da Vinci Science Center"
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part-time work on the horse. When Charles Dent died of
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Another 24-foot-high recreation (7.3 m) of the
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to be used to forge cannons to defend the city from
770:"Leonardo and The Horse – Da Vinci Science Center"
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424:"The Mind of Leonardo" at the Palazzo Venezia,
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81:in the world, a monument to the duke's father
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414:, Hungary. (August 16 to December 2, 2007).
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322:Frederik Meijer Gardens and Sculpture Park
1513:Head of the Infant Saint John the Baptist
672:"Leonardo's horse took 500 years to make"
16:Unfinished sculpture by Leonardo da Vinci
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797:, Postmedia Books, Milan, pp. 124-125
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66:sculpture that was commissioned from
62:("Great Horse") ) is a project for a
1314:The Virgin and Child with Saint Anne
808:"The Full Story of Leonardo's Horse"
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1059:"The colossus of Leonardo da Vinci"
951:Rossi, Andrew (September 2, 2024).
916:"The Da Vinci Science Center Horse"
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793:Angela Maderna, Michele Robecchi,
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450:List of works by Leonardo da Vinci
428:, Italy (1 May to August 30, 2009)
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2012:
1585:Drapery of the Virgin's Right Arm
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469:Rearing Horse and Mounted Warrior
365:The Da Vinci Science Center Horse
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1471:Studies of the Fetus in the Womb
1450:The Martyrdom of Saint Sebastian
1436:Study for the Madonna of the Cat
1041:The World of Leonardo: 1452–1519
251:By 1997, Tallix Art Foundry, in
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1478:Portrait of a Man in Red Chalk
1232:Saint Jerome in the Wilderness
693:The Life and Times of Leonardo
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177:Influence and modern versions
25:Leonardo da Vinci's study in
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1645:Codex on the Flight of Birds
1578:Drapery of the Virgin's Legs
1204:The Madonna of the Carnation
1043:. New York: Time-Life Books.
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1976:Outdoor sculptures in Milan
1971:Equestrian statues in Italy
1804:Giovanni Ambrogio de Predis
1759:Giovanni Antonio Boltraffio
1464:Portrait of Isabella d'Este
677:National Geographic Society
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133:by Leonardo's former master
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1024:. Konecky & Konecky.
980:. Brunelleschi.imss.fi.it
515:National Library of Spain
266:Leonardo's Horse in Milan
1996:Italian War of 1494–1495
691:Bortolon, Liana (1967).
203:Étienne Maurice Falconet
1061:– online exhibition by
1020:Arasse, Daniel (1998).
938:Da Vinci Science Center
920:Da Vinci Science Center
902:Da Vinci Science Center
898:"The Baum School Horse"
884:Da Vinci Science Center
866:Da Vinci Science Center
848:Da Vinci Science Center
844:"The Additional Horses"
830:Da Vinci Science Center
812:Da Vinci Science Center
774:Da Vinci Science Center
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455:Grave Stele of Dexileos
287:Da Vinci Science Center
237:Allentown, Pennsylvania
1981:Renaissance sculptures
1656:A Treatise on Painting
1374:The Battle of Anghiari
1335:Saint John the Baptist
1254:Portrait of a Musician
1167:Science and inventions
978:"The Mind of Leonardo"
795:Arte Pubblica | Milano
719:"Capt Charles C. Dent"
695:. London: Paul Hamlyn.
372:Discovery Times Square
330:Grand Rapids, Michigan
328:and sculpture park in
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1269:La Belle Ferronnière
1106:45.48083°N 9.12972°E
1070:"Nina Akamu's Story"
1006:. September 1, 2009.
862:"The American Horse"
513:Rediscovered in the
419:San Jose, California
332:on October 7, 1999.
245:Lou Gehrig's disease
108:was commissioned of
1914:(Galleria Borghese)
1899:Mathematics and art
1863:Cultural references
1726:Rapid fire crossbow
1716:Self-propelled cart
1490:Virgin of the Rocks
1262:Lady with an Ermine
1247:Virgin of the Rocks
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934:"The Wyoming Horse"
232:National Geographic
158:. Leonardo's rival
106:equestrian monument
50:(also known as the
1679:Divina proportione
1635:Codex Trivulzianus
1599:Head of the Virgin
1592:Head of Saint Anne
1004:High Museum of Art
957:Cowboy State Daily
826:"Leonardo's Horse"
725:. January 16, 2016
619:, pp. 64, 76.
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376:Franklin Institute
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1905:The Lost Leonardo
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1306:Lansdowne Madonna
1290:Buccleuch Madonna
1211:Ginevra de' Benci
1151:Leonardo da Vinci
1111:45.48083; 9.12972
1031:978-1-56852-198-5
1022:Leonardo da Vinci
880:"The Vinci Horse"
680:. April 30, 2019.
649:, pp. 76–77.
607:, pp. 75–76.
382:The Wyoming Horse
110:Leonardo da Vinci
79:equestrian statue
68:Leonardo da Vinci
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1842:Leonardo3 Museum
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1015:
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1009:
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943:
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889:
871:
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835:
817:
799:
786:
761:
736:
710:
708:, p. 149.
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366:
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294:
219:
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178:
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93:
90:
15:
9:
6:
4:
3:
2:
2013:
2002:
1999:
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1814:Andrea Solari
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1673:Architonnerre
1671:
1670:
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1657:
1653:
1651:
1648:
1646:
1643:
1641:
1638:
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1630:Codex Arundel
1628:
1626:
1625:Codex Windsor
1623:
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1618:
1617:
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1457:Vitruvian Man
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1239:Madonna Litta
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1186:
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1172:Personal life
1170:
1168:
1165:
1163:
1162:List of works
1160:
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746:
740:
724:
720:
714:
707:
702:
694:
687:
679:
678:
673:
667:
661:, p. 76.
660:
655:
648:
643:
641:
633:
632:Arasse (1998)
628:
626:
618:
613:
606:
601:
595:, p. 75.
594:
589:
583:, p. 77.
582:
577:
575:
573:
571:
564:, p. 64.
563:
558:
552:, p. 65.
551:
546:
542:
530:, p. 76)
529:
523:
517:in March 1967
516:
510:
500:
496:
481:
478:
476:
475:Horses in art
473:
471:
470:
466:
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462:
458:
456:
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438:
434:
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157:
153:
149:
148:Ercole d'Este
145:
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118:
115:
114:Duke of Milan
111:
107:
98:
89:
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76:
73:
72:Duke of Milan
69:
65:
61:
60:
55:
54:
49:
48:
39:
32:
28:
23:
19:
1911:
1903:
1886:
1879:
1789:Cesare Magni
1774:Giampietrino
1751:Leonardeschi
1696:Aerial screw
1677:
1654:
1640:Codex Madrid
1597:
1590:
1583:
1576:
1571:Christ Child
1569:
1555:
1545:
1532:
1524:
1511:
1504:
1497:
1489:
1476:
1469:
1462:
1455:
1448:
1441:
1434:
1420:(unexecuted)
1417:Sforza Horse
1416:
1415:
1408:
1401:
1379:
1372:
1365:
1358:
1351:
1333:
1326:
1319:
1312:
1304:
1296:
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1260:
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1245:
1237:
1230:
1223:
1216:
1209:
1202:
1194:
1187:
1087:
1082:
1073:
1062:
1040:
1021:
994:
982:. Retrieved
972:
962:September 3,
960:. Retrieved
956:
946:
937:
928:
919:
910:
901:
892:
883:
874:
865:
856:
847:
838:
829:
820:
811:
802:
794:
789:
777:. Retrieved
773:
764:
752:. Retrieved
748:
739:
727:. Retrieved
722:
713:
706:Wallace 1972
701:
692:
686:
675:
666:
659:Wallace 1972
654:
647:Wallace 1972
617:Wallace 1972
612:
605:Wallace 1972
600:
593:Wallace 1972
588:
581:Wallace 1972
562:Wallace 1972
557:
550:Wallace 1972
545:
528:Wallace 1972
522:
509:
499:
467:
460:
400:Sforza horse
399:
397:
385:
368:
352:
339:
315:
291:
284:
277:
269:
250:
241:
230:
221:
213:
206:
197:, for which
191:Pietro Tacca
188:
164:
160:Michelangelo
156:Charles VIII
152:the invasion
143:
141:
129:by Donatello
103:
87:
59:Gran Cavallo
58:
57:
53:Sforza Horse
52:
51:
46:
45:
44:
30:
18:
1613:Manuscripts
1525:Last Supper
1109: /
754:October 24,
729:October 24,
112:in 1482 by
27:silverpoint
1955:Categories
1686:Great Kite
1546:Virgin and
1395:Sculptures
1094:45°28′51″N
486:References
273:Andulasian
257:Nina Akamu
137:Verrocchio
1887:Mona Lisa
1868:Namesakes
1741:World Map
1321:Mona Lisa
1181:Paintings
1097:9°07′47″E
1064:Europeana
1048:versions.
538:Citations
491:Footnotes
355:Allentown
218:The Horse
189:In 1640,
144:Of Weight
33:, c. 1488
31:The Horse
1940:Category
1701:Crossbow
984:July 23,
779:July 30,
444:See also
412:Debrecen
388:Sheridan
1856:Related
1823:Museums
1014:Sources
437:Atlanta
92:History
56:or the
1566:(lost)
1353:Medusa
1028:
504:death.
404:S.p.A.
125:bronze
64:bronze
1809:Salaì
1731:Sonar
1711:Robot
1026:ISBN
986:2013
964:2024
781:2017
756:2017
731:2017
426:Rome
324:, a
285:The
131:and
29:for
435:in
205:'s
154:of
104:An
1957::
1301:✻✻
1257:✻✻
1081:–
1072:–
1002:.
955:.
936:.
918:.
900:.
882:.
864:.
846:.
828:.
810:.
772:.
747:.
721:.
674:.
639:^
624:^
569:^
135:,
1309:✻
1293:✻
1242:✻
1199:✻
1143:e
1136:t
1129:v
1034:.
988:.
966:.
940:.
922:.
904:.
886:.
868:.
850:.
832:.
814:.
783:.
758:.
733:.
634:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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