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and art school as a whole. They confirmed the gravity of
Leningrad artists to create works of great public importance, the culture of professional excellence, to the "typical in Leningrad exquisite harmony of color" and a generalized interest in painting and figurative images. Its representatives were characterized by high artistic culture and the fact that, according to Nikolai Punin, can be called "a sense of the Leningrad painting ... with a sort of deeply honest, clean person deep relationship to the means of expression". At the same properties indicates another authoritative researcher Leo Mochalov in an article on the artist Shishmareva: "Predominant background of her work β rejection of constriction, the inner poise, tact, finally, understanding the nuances of the role β that without which no and can not be true art. These qualities, as well as high professional culture, a thin, well-placed firmly taste associated Shishmareva art with the tradition of the Leningrad painting and graphics "school" of the 1920-1930s." This observation of Shishmareva, which failed (as well as a number of other interesting artists) to obtain formal art education, can fully understand the criteria for identity as a particular artist to the Leningrad School.
258:"As I could see β wrote Vern G. Swanson β that there were two major schools of Soviet art, the Leningrad School and the Moscow School. A rivalry had developed and there was stiff competition between them, even though the Repin Institute of Painting, Sculpture and Architecture had more prestige. Yet there was something in my outsider's naivete that linked both and the rest of the Soviet School of art together. These included: power and nuance, monumental scale, strong use of 'mother-color', narration of theme, and painterliness. Very little was timid and none were painted with a one-haired brush. It was the academic multi-figure training they received at the Repin or Surikov institutes that undergirded the quality of their work.It was also the "process-oriented" approach, and working directly from life that vouchsafed the significance of their superior working method. They painted life and the human condition with strength, nobility, and perceptiveness."
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traditions of the old school in the walls of the Soviet
Academy of Arts, - wrote art historian Olga Rodosskaya, - the preservation of the institution in the same capacity today is certainly a unique phenomenon. Especially in comparison with the general trend of destruction of the traditional European art school". One of its important achievements was the creation in 1930 in Leningrad, the unique system of children's primary and secondary art education, which became soon a model for the whole country. By they works the Leningrad artists have made a significant contribution to the national fine arts, the formation of the aesthetic views and the spiritual world of the modern generations. Its artistic heritage amounts to many thousands of paintings and hundreds of art exhibitions, starting with "1st Exhibition of Leningrad artists" in 1935, who have been important events in the cultural life of an era.
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time, with all the difficulties, or rather the impossibility to deduce the "formula" of the
Leningrad art, we feel that it exists as an independent, original school." Some researchers have nevertheless attempted to go beyond mere feelings and raised questions about the background and characteristics of the phenomenon. "The Leningrad Art School," wrote art historian Nadezhda Leonova in 1979, "was influenced by complex and sometimes conflicting traditions, but was marked, however, by the combining features of citizenship, humanism and high culture. She was influenced by classical architecture of the city, its literature and theater, a special poetic originality of the urban landscape. While at the same time having a strong influence of the great revolutionary tradition."
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new form of art in order to represent the socialist elements that had thus arrived through the revolution, and at the same time to glorify the new social establishments that had come along with the socialist and communist elements that the revolutionary leaders wished to bring. It had then become a problem to create and define a particular
Leningrad school of painting and art, as that would undermine the idea of the spirit of a union of soviet republics being united by the same core principles and cultural elements. The development of regional differences would become, at least in principle, controversial for the stated objective of a united state of soviet republics.
839:, its members are some 1,200 artists. In the same edition of the first list of the names given them, based on archival materials, reference works of the Leningrad Union of Artists and exhibition catalogs for the years 1930β1990. Numerous references to the artists belonging to the "Leningrad school" found in the literature of an earlier time. A typical example β an article on art of Efim Lyatsky (1929β1977): "Efim Elmanovich Lyatsky belongs to a generation of artists with whom we have associated the very idea of the Leningrad School of Painting".
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Leningrad school featured kinship with progressive traditions of
Russian art schools and pre-Soviet period. the Leningrad school remained in close affinity with every progressive phenomenon of pre-soviet art. It stuck to the best examples of Russian and European painting and learnt from the coryphaei
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Originating in a situation of acute conflict of opinions on how to develop arts and arts education in the USSR, Leningrad school has made a valuable contribution to the restoration and further development of the traditions of national art school and a realistic painting. "Restoring the continuity of
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stated in the
Russian Museum: "Of course, it is hardly possible to formulate strictly theoretical features that are specific only to the Leningrad art , it is clear that everything in it is inseparable of the common processes of socialist culture. This is, above all β Soviet art! ... But at the same
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The
Leningrad school was distinguished by defined professional and moral criteria. This explains the profound skepticism it always felt towards the innovations that often exploited peripheral possibilities of visual art and were generally overestimated. The Leningrad school tended to fuse different
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2008 came the first monograph on the history and artistic heritage of the
Leningrad school. Creativity by "the leading masters of the Leningrad and Moscow School of Painting" is included in the program of the entrance test for admission to art history in graduate of St. Petersburg State University.
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The history of the
Leningrad school covers the period from the early 1930s to the early 1990s. Its appearance was the result of a conflict resolution and the desire to reflect prevailing trends in the development of Soviet art and art education at the turn of the 1920s and 1930s. It was accelerated
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in 1976 in Moscow, showed that the
Leningrad school was held as a major phenomenon of artistic life. It became possible to speak of her traits and characteristics inherent in its pupils and showed up as early as their independent work. As well as its place and role in the development of Soviet art
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The works of artists of the Leningrad school are well represented in the collections of major museums of Russia, forming the basis of funds domestic painting 1930β1980 period. The work of artists of the Leningrad school has enriched all the genres and directions of modern art. This gave grounds to
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The Creation of the new school of painting of Leningrad raised many problems of art education in the post-revolutionary Academy, creating a subject for numerous books, magazines and newspaper articles. The then recent Soviet Revolution had created a new government that needed to form and inspire a
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appeared in late 1980 in connection with a well-known series of exhibitions and art auctions of Russian art 'L'Γcole de Leningrad' in France in 1989β1992. In 1994β1997 in St. Petersburg have been several exhibitions of works by artists of the Leningrad school from private collections. In 2007 and
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Another important feature inherited from the old school and St Petersburg tradition was a sincere attentiveness to the informed opinion of the art public. Independent from public authorities and indifferent to ranks and awards, it had a greater influence on the assessment of an artistβs work and
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With regard to the painterly and plastic language and imagery, the Leningrad school kept to the traditions and general values common to European and Russian art. Ideas of humanism professed by the artists, expressed the national character and the clarity of their culturally informed and quite
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decree "On the Restructuring of Literary and Artistic Organizations", which, inter alia, provided for the dissolution of the existing literature and arts organizations and groups and the formation of a unified creative union, as well as the adoption in October 1932 by the
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Spreading its traditions and the experience of its founding fathers and adherents all over the country, the Leningrad school itself fed on the heritage and experience of the Moscow art circles and a number of provincial schools.
135:). It has thus been placed officially instituted by the Soviet Union Government under the 15-year period of the destruction of the old art school and a continuous transformation of the largest art institutions in the country.
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Anatoly F. Dmitrenko, Ruslan A. Bakhtiyarov. The Leningrad School and the Realistic Tradition of Russian Painting // The Leningrad School of Painting. Essays on the History. St Petersburg, ARKA Gallery Publishing, 2019.
1952:// Pages of Memory. Reference Memorial digest. Artists of the Leningrad Union of Soviet artists, who were killed during the Great Patriotic War and the Siege of Leningrad. St. Petersburg, 2010. P.136-139.
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who are considered to be among the best Leningrad colorists. The culture of the Saratov school distinguished by its soulful intonation and a particular sincerity is traceable in the works of
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speak about the traditions and contributions of the Leningrad school in relation to the development of certain genres of painting, in particular, the Leningrad school of landscape painting.
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Program admission test on the History of Art for those entering the basic educational program graduate of the St. Petersburg State University, in the direction of Arts (Art History). P.12.
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Prominent role in the formation of the Leningrad school belongs to famous Russian artists and art educators who worked in Leningrad and those, who, in the past had worked in the
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Anniversary Directory graduates of Saint Petersburg State Academic Institute of Painting, Sculpture, and Architecture named after Ilya Repin, Russian Academy of Arts. 1915β2005
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was the formation of the Leningrad Union of Soviet Artists, ushering a new era of Soviet art. As the first chairman of the Leningrad Union of Soviet Artists was elected
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Pages of Memory. Reference Memorial digest. Artists of the Leningrad Union of Soviet artists, who were killed during the Great Patriotic War and the Siege of Leningrad
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Vern G. Swanson. Leningrad β the Capital of the Arts // The Leningrad School of Painting. Essays on the History. St Petersburg, ARKA Gallery Publishing, 2019. P.69-71.
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Saint-PΓ©tersbourg β Pont-Audemer. Dessins, Gravures, Sculptures et Tableaux du XX siΓ¨cle du fonds de L' Union des Artistes de Saint-PΓ©tersbourg
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of the post-Revolution period. This made the school artistically independent and immune from unimportant momentary outside influences.
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traditional painterly language made their art highly relevant to the epoch and created a broad field for creative experiments.
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decree "On creation of the Academy of Arts." In accordance with the Institute of proletarian art, it was transformed into the
1142:Π‘. ΠΠ²Π°Π½ΠΎΠ². Π Π²ΠΎΠΏΡΠΎΡΡ ΠΎ Π»Π΅Π½ΠΈΠ½Π³ΡΠ°Π΄ΡΠΊΠΎΠΉ ΡΠΊΠΎΠ»Π΅ ΠΆΠΈΠ²ΠΎΠΏΠΈΡΠΈ // ΠΠ΅ΡΠ΅ΡΠ±ΡΡΠ³ΡΠΊΠΈΠ΅ ΠΈΡΠΊΡΡΡΡΠ²ΠΎΠ²Π΅Π΄ΡΠ΅ΡΠΊΠΈΠ΅ ΡΠ΅ΡΡΠ°Π΄ΠΈ. ΠΡΠΏ.28. Π‘ΠΠ±, 2013. Π‘.229-235.
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1189:. // Gapeeva V. I., Gusev V. A., Tsvetova A. V. The Fine Arts of the Leningrad. Leningrad, Khudozhnik RSFSR, 1981. P. 13.
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Link of Times: 1932β1997. Artists β Members of Saint Petersburg Union of Artists of Russia. Exhibition catalogue.
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1485:ΠΡΠ΅ΡΠΎΡΠ·Π½Π°Ρ Ρ
ΡΠ΄ΠΎΠΆΠ΅ΡΡΠ²Π΅Π½Π½Π°Ρ Π²ΡΡΡΠ°Π²ΠΊΠ°, ΠΏΠΎΡΠ²ΡΡΡΠ½Π½Π°Ρ 40-Π»Π΅ΡΠΈΡ ΠΠ΅Π»ΠΈΠΊΠΎΠΉ ΠΠΊΡΡΠ±ΡΡΡΠΊΠΎΠΉ ΡΠΎΡΠΈΠ°Π»ΠΈΡΡΠΈΡΠ΅ΡΠΊΠΎΠΉ ΡΠ΅Π²ΠΎΠ»ΡΡΠΈΠΈ. ΠΠ°ΡΠ°Π»ΠΎΠ³
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1581:ΠΠΎ ΡΠΎΠ΄Π½ΠΎΠΉ ΡΡΡΠ°Π½Π΅. ΠΡΡΡΠ°Π²ΠΊΠ° ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠΉ Ρ
ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊΠΎΠ² ΠΠ΅Π½ΠΈΠ½Π³ΡΠ°Π΄Π°. 50-ΠΠ΅ΡΠΈΡ ΠΎΠ±ΡΠ°Π·ΠΎΠ²Π°Π½ΠΈΡ Π‘Π‘Π‘Π ΠΏΠΎΡΠ²ΡΡΠ°Π΅ΡΡΡ. ΠΠ°ΡΠ°Π»ΠΎΠ³.
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art movements and styles but never receded from the Russian traditional understanding of the mission of art.
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Since 1934, the Russian Academy of Arts and Institute of Painting, Sculpture and Architecture were headed by
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Lyakhovitsky Alexander, Makhlina Svetlana. Sergei Osipov. Painting. Drawing. Exhibition of works. Catalogue.
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Strukova A. I. The Leningrad school of landscape painting and its masters. 1930 β first half of 1940.
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Strukova A. I. The Leningrad school of landscape painting and its masters. 1930 β first half of 1940.
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1972:// Proceedings of the XVIII International Conference "Lomonosov-2011". Moscow, MAKC Press, 2011.
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Pishny Igor. The Leningrad school of painting. Socialist Realism of 1930-1980s. Selected names.
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Pishny Igor. The Leningrad school of painting. Socialist Realism of 1930β1980s. Selected names.
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1589:ΠΠ°Ρ ΡΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΠΈΠΊ. ΠΠΎΠ½Π°Π»ΡΠ½Π°Ρ Π²ΡΡΡΠ°Π²ΠΊΠ° ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠΉ Π»Π΅Π½ΠΈΠ½Π³ΡΠ°Π΄ΡΠΊΠΈΡ
Ρ
ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊΠΎΠ² 1975 Π³ΠΎΠ΄Π°. ΠΠ°ΡΠ°Π»ΠΎΠ³
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1129:Π. ΠΠΎΠ³Π΄Π°Π½. ΠΠΊΠ°Π΄Π΅ΠΌΠΈΡ Ρ
ΡΠ΄ΠΎΠΆΠ΅ΡΡΠ² 1920-Π΅ Π½Π°ΡΠ°Π»ΠΎ 1930-x // Π’ΡΠ΅ΡΡΡΠΊΠΎΠ²ΡΠΊΠ°Ρ Π³Π°Π»Π΅ΡΠ΅Ρ, β2 (39), 2013.
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Sergey V. Ivanov. The leningrad School in Moscow. The question of identification (En, Rus)
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Danilova Anna. Formation of the Leningrad school of painting and its artistic traditions
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Directory of members of the Leningrad branch of Union of Artists of Russian Federation.
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Directory of members of the Leningrad branch of Union of Artists of Russian Federation.
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Directory of members of the Leningrad branch of Union of Artists of Russian Federation.
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2011:// ΠΠ΅ΡΠ΅ΡΠ±ΡΡΠ³ΡΠΊΠΈΠ΅ ΠΈΡΠΊΡΡΡΡΠ²ΠΎΠ²Π΅Π΄ΡΠ΅ΡΠΊΠΈΠ΅ ΡΠ΅ΡΡΠ°Π΄ΠΈ. ΠΡΠΏ.28. Π‘Π°Π½ΠΊΡ-ΠΠ΅ΡΠ΅ΡΠ±ΡΡΠ³, 2013. Π‘.229-236.
2005:// ΠΠ΅ΡΠ΅ΡΠ±ΡΡΠ³ΡΠΊΠΈΠ΅ ΠΈΡΠΊΡΡΡΡΠ²ΠΎΠ²Π΅Π΄ΡΠ΅ΡΠΊΠΈΠ΅ ΡΠ΅ΡΡΠ°Π΄ΠΈ. ΠΡΠΏ.27. Π‘Π°Π½ΠΊΡ-ΠΠ΅ΡΠ΅ΡΠ±ΡΡΠ³, 2013. Π‘.267-276.
1892:. Soviet Impressionist Painting. Woodbridge, England, Antique Collectors' Club, 2008.
1605:ΠΡΡΡΠ°Π²ΠΊΠ° ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠΉ Π»Π΅Π½ΠΈΠ½Π³ΡΠ°Π΄ΡΠΊΠΈΡ
Ρ
ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊΠΎΠ², ΠΏΠΎΡΠ²ΡΡΡΠ½Π½Π°Ρ 60-Π»Π΅ΡΠΈΡ ΠΠ΅Π»ΠΈΠΊΠΎΠ³ΠΎ ΠΠΊΡΡΠ±ΡΡ.
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Mitrokhina Ludmila, Kirillova Larisa. A History of the Leningrad Secondary Art School
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Mitrokhina Ludmila, Kirillova Larisa. A History of the Leningrad Secondary Art School
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The Leningrad School pupils in the prewar and postwar years were well-known painters
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1751:ΠΠΈΡΠΈΠΊΠ° Π² ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡΡ
Ρ
ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊΠΎΠ² Π²ΠΎΠ΅Π½Π½ΠΎΠ³ΠΎ ΠΏΠΎΠΊΠΎΠ»Π΅Π½ΠΈΡ. ΠΡΡΡΠ°Π²ΠΊΠ° ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠΉ. ΠΠ°ΡΠ°Π»ΠΎΠ³
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1985:// St. Petersburg Art History notebook. Issue 21. Saint Petersburg, 2011. P.94β105.
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Matthew C. Bown. Dictionary of 20th Century Russian and Soviet Painters 1900-1980s
1573:ΠΠ°Ρ ΡΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΠΈΠΊ. ΠΠ°ΡΠ°Π»ΠΎΠ³ Π²ΡΡΡΠ°Π²ΠΊΠΈ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠΉ Π»Π΅Π½ΠΈΠ½Π³ΡΠ°Π΄ΡΠΊΠΈΡ
Ρ
ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊΠΎΠ² 1971 Π³ΠΎΠ΄Π°.
1398:. // St. Petersburg Art History notebook. Vol. 16. St. Petersburg, 2009. P. 48-69.
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Exhibitions of 1960β1970 period, and, in particular, the retrospective exhibition
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Still-Life in Painting of 1940-1990s. The Leningrad School. Exhibition catalogue
1650:Π. ΠΠ»ΠΎΡΠ½ΠΈΠΊΠΎΠ². ΠΠ΅ΠΊΠΎΡΠΎΡΡΠ΅ Π°ΡΠΏΠ΅ΠΊΡΡ Π»Π΅Π½ΠΈΠ½Π³ΡΠ°Π΄ΡΠΊΠΎΠΉ ΠΊΡΠΈΡΠΈΠΊΠΈ ΠΈ Ρ
ΡΠ΄ΠΎΠΆΠ΅ΡΡΠ²Π΅Π½Π½ΠΎΠ³ΠΎ ΠΏΡΠΎΡΠ΅ΡΡΠ°
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Still-Life in Painting of 1940β1990s. The Leningrad School. Exhibition catalogue
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Paintings of 1950-1980s by the Leningrad School's artists. Exhibition catalogue.
1940:// St. Petersburg Art History notebook. Vol. 16. St. Petersburg, 2009. P.48-69.
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1632:Π. ΠΡΡΠ΅Π², Π. ΠΠ΅Π½ΡΡΠΈΠ½. ΠΠ΅Π½ΠΈΠ½Π³ΡΠ°Π΄ΡΠΊΠΎΠΌΡ ΠΈΠ·ΠΎΠ±ΡΠ°Π·ΠΈΡΠ΅Π»ΡΠ½ΠΎΠΌΡ ΠΈΡΠΊΡΡΡΡΠ²Ρ ΡΠ΅ΡΡΡΠ΄Π΅ΡΡΡ Π»Π΅Ρ
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1838:... // Petersburg art history notebook. Vol. 3. St. Petersburg, 2001. P. 3-7.
1658:// ΠΠ·ΠΎΠ±ΡΠ°Π·ΠΈΡΠ΅Π»ΡΠ½ΠΎΠ΅ ΠΈΡΠΊΡΡΡΡΠ²ΠΎ ΠΠ΅Π½ΠΈΠ½Π³ΡΠ°Π΄Π°. Π., Π₯ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊ Π Π‘Π€Π‘Π , 1981. Π‘.451-457.
1652:// ΠΠ·ΠΎΠ±ΡΠ°Π·ΠΈΡΠ΅Π»ΡΠ½ΠΎΠ΅ ΠΈΡΠΊΡΡΡΡΠ²ΠΎ ΠΠ΅Π½ΠΈΠ½Π³ΡΠ°Π΄Π°. Π., Π₯ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊ Π Π‘Π€Π‘Π , 1981. Π‘.422-427.
1646:// ΠΠ·ΠΎΠ±ΡΠ°Π·ΠΈΡΠ΅Π»ΡΠ½ΠΎΠ΅ ΠΈΡΠΊΡΡΡΡΠ²ΠΎ ΠΠ΅Π½ΠΈΠ½Π³ΡΠ°Π΄Π°. Π., Π₯ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊ Π Π‘Π€Π‘Π , 1981. Π‘.427-431.
1640:// ΠΠ·ΠΎΠ±ΡΠ°Π·ΠΈΡΠ΅Π»ΡΠ½ΠΎΠ΅ ΠΈΡΠΊΡΡΡΡΠ²ΠΎ ΠΠ΅Π½ΠΈΠ½Π³ΡΠ°Π΄Π°. Π., Π₯ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊ Π Π‘Π€Π‘Π , 1981. Π‘.415-422.
1187:
Gusev Vladimir, Lenyashin Vladimir. Sixty years of Fine Arts of the Leningrad
817:
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797:
653:
605:
597:
533:
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457:
361:
349:
333:
248:
236:
232:
212:
184:
157:
142:
2025:
93:) is a phenomenon that refers to a large group of painters who developed in
1926:
Manin Vitaly. Art and Power. Fighting trends in Soviet art 1917β1941 period
1634:// ΠΠ·ΠΎΠ±ΡΠ°Π·ΠΈΡΠ΅Π»ΡΠ½ΠΎΠ΅ ΠΈΡΠΊΡΡΡΡΠ²ΠΎ ΠΠ΅Π½ΠΈΠ½Π³ΡΠ°Π΄Π°. Π., Π₯ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊ Π Π‘Π€Π‘Π , 1981. Π‘.13-19.
1625:ΠΠΎΠ½Π°Π»ΡΠ½Π°Ρ Π²ΡΡΡΠ°Π²ΠΊΠ° ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠΉ Π»Π΅Π½ΠΈΠ½Π³ΡΠ°Π΄ΡΠΊΠΈΡ
Ρ
ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊΠΎΠ² 1980 Π³ΠΎΠ΄Π°. ΠΠ°ΡΠ°Π»ΠΎΠ³
1557:Π’ΡΠ΅ΡΡΡ ΡΠ΅ΡΠΏΡΠ±Π»ΠΈΠΊΠ°Π½ΡΠΊΠ°Ρ Ρ
ΡΠ΄ΠΎΠΆΠ΅ΡΡΠ²Π΅Π½Π½Π°Ρ Π²ΡΡΡΠ°Π²ΠΊΠ° "Π‘ΠΎΠ²Π΅ΡΡΠΊΠ°Ρ Π ΠΎΡΡΠΈΡ". ΠΠ°ΡΠ°Π»ΠΎΠ³.
1549:ΠΡΠΎΡΠ°Ρ ΡΠ΅ΡΠΏΡΠ±Π»ΠΈΠΊΠ°Π½ΡΠΊΠ°Ρ Ρ
ΡΠ΄ΠΎΠΆΠ΅ΡΡΠ²Π΅Π½Π½Π°Ρ Π²ΡΡΡΠ°Π²ΠΊΠ° "Π‘ΠΎΠ²Π΅ΡΡΠΊΠ°Ρ Π ΠΎΡΡΠΈΡ". ΠΠ°ΡΠ°Π»ΠΎΠ³.
1154:
Manin Vitaly. Art and Power. Fighting trends in Soviet art 1917β1941 period
934:
825:
713:
705:
649:
585:
569:
477:
453:
385:
305:
244:
200:
1743:ΠΡΡΠ΄ Π² ΡΠ²ΠΎΡΡΠ΅ΡΡΠ²Π΅ Π»Π΅Π½ΠΈΠ½Π³ΡΠ°Π΄ΡΠΊΠΈΡ
Ρ
ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊΠΎΠ². ΠΡΡΡΠ°Π²ΠΊΠ° ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠΉ. ΠΠ°ΡΠ°Π»ΠΎΠ³
1565:ΠΡΠ΅Π½Π½ΡΡ Π²ΡΡΡΠ°Π²ΠΊΠ° ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠΉ Π»Π΅Π½ΠΈΠ½Π³ΡΠ°Π΄ΡΠΊΠΈΡ
Ρ
ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊΠΎΠ² 1968 Π³ΠΎΠ΄Π°. ΠΠ°ΡΠ°Π»ΠΎΠ³.
1541:ΠΠ°ΡΠ°Π»ΠΎΠ³ Π²Π΅ΡΠ΅Π½Π½Π΅ΠΉ Π²ΡΡΡΠ°Π²ΠΊΠΈ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠΉ Π»Π΅Π½ΠΈΠ½Π³ΡΠ°Π΄ΡΠΊΠΈΡ
Ρ
ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊΠΎΠ² 1965 Π³ΠΎΠ΄Π°.
1469:ΠΡΠ΅Π½Π½ΡΡ Π²ΡΡΡΠ°Π²ΠΊΠ° ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠΉ Π»Π΅Π½ΠΈΠ½Π³ΡΠ°Π΄ΡΠΊΠΈΡ
Ρ
ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊΠΎΠ² 1956 Π³ΠΎΠ΄Π°. ΠΠ°ΡΠ°Π»ΠΎΠ³.
1434:...// Petersburg art history notebook. Vol. 3. St. Petersburg, 2001. P. 3.
2409:
1525:ΠΡΠ΅Π½Π½ΡΡ Π²ΡΡΡΠ°Π²ΠΊΠ° ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠΉ Π»Π΅Π½ΠΈΠ½Π³ΡΠ°Π΄ΡΠΊΠΈΡ
Ρ
ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊΠΎΠ² 1962 Π³ΠΎΠ΄Π°. ΠΠ°ΡΠ°Π»ΠΎΠ³
749:
633:
609:
561:
1816:β Woodbridge, England: Antique Collectors' Club, 2001. - p. 29,47.
2026:
Online Exhibition The Leningrad School of painting at the museum of art
753:
693:
661:
373:
325:
132:
261:
2148:
2125:
2044:
1454:
The First exhibition of the artists of the Leningrad Front. Catalogue
2003:ΠΠ²Π°Π½ΠΎΠ² Π‘. Π. ΠΠ΅Π½ΠΈΠ½Π³ΡΠ°Π΄ΡΠΊΠ°Ρ ΡΠΊΠΎΠ»Π° ΠΈ ΠΊΡΠΈΡΠΈΠΊΠ° ΠΊΠΎΠ½ΡΠ΅ΠΏΡΠΈΠΈ "ΡΡΠ΅ΡΡΠ΅Π³ΠΎ ΠΏΡΡΠΈ"
1759:ΠΠΈΠ²ΠΎΠΏΠΈΡΡ 1940β1990 Π³ΠΎΠ΄ΠΎΠ². ΠΠ΅Π½ΠΈΠ½Π³ΡΠ°Π΄ΡΠΊΠ°Ρ ΡΠΊΠΎΠ»Π°. ΠΡΡΡΠ°Π²ΠΊΠ° ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠΉ
1260:
Paintings of 1940-1990s. The Leningrad School. Exhibition catalogue.
2051:
1509:Π Π΅ΡΠΏΡΠ±Π»ΠΈΠΊΠ°Π½ΡΠΊΠ°Ρ Ρ
ΡΠ΄ΠΎΠΆΠ΅ΡΡΠ²Π΅Π½Π½Π°Ρ Π²ΡΡΡΠ°Π²ΠΊΠ° "Π‘ΠΎΠ²Π΅ΡΡΠΊΠ°Ρ Π ΠΎΡΡΠΈΡ". ΠΠ°ΡΠ°Π»ΠΎΠ³
1477:
1917β1957. ΠΡΡΡΠ°Π²ΠΊΠ° ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠΉ Π»Π΅Π½ΠΈΠ½Π³ΡΠ°Π΄ΡΠΊΠΈΡ
Ρ
ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊΠΎΠ². ΠΠ°ΡΠ°Π»ΠΎΠ³.
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Sergey V. Ivanov. About the Leningrad School of painting (Rus, En)
1862:
Sergei V. Ivanov. Unknown Socialist Realism. The Leningrad School.
1612:
Art belongs to people. Exhibition of works by artists of Leningrad
1461:ΠΡΡΡΠ°Π²ΠΊΠ° ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠΉ Π»Π΅Π½ΠΈΠ½Π³ΡΠ°Π΄ΡΠΊΠΈΡ
Ρ
ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊΠΎΠ² 1951 Π³ΠΎΠ΄Π°. ΠΠ°ΡΠ°Π»ΠΎΠ³.
1324:
Sergei V. Ivanov. Unknown Socialist Realism. The Leningrad School.
1287:
Sergei V. Ivanov. Unknown Socialist Realism. The Leningrad School.
1199:
Art belongs to people. Exhibition of works by artists of Leningrad
1166:
Sergei V. Ivanov. Unknown Socialist Realism. The Leningrad School.
1618:
Directory of members of the Union of Artists of USSR. Volume 1,2.
1517:ΠΡΡΡΠ°Π²ΠΊΠ° ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠΉ Π»Π΅Π½ΠΈΠ½Π³ΡΠ°Π΄ΡΠΊΠΈΡ
Ρ
ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊΠΎΠ² 1961 Π³ΠΎΠ΄Π°. ΠΠ°ΡΠ°Π»ΠΎΠ³
1501:ΠΡΡΡΠ°Π²ΠΊΠ° ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠΉ Π»Π΅Π½ΠΈΠ½Π³ΡΠ°Π΄ΡΠΊΠΈΡ
Ρ
ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊΠΎΠ² 1960 Π³ΠΎΠ΄Π°. ΠΠ°ΡΠ°Π»ΠΎΠ³
1493:ΠΡΡΡΠ°Π²ΠΊΠ° ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠΉ Π»Π΅Π½ΠΈΠ½Π³ΡΠ°Π΄ΡΠΊΠΈΡ
Ρ
ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊΠΎΠ² 1960 Π³ΠΎΠ΄Π°. ΠΠ°ΡΠ°Π»ΠΎΠ³
1348:
Directory of members of the Union of Artists of USSR. Volume 1,2.
1638:Π. ΠΠΎΡΠ°Π»ΠΎΠ². ΠΠ΅ΠΊΠΎΡΠΎΡΡΠ΅ ΠΏΡΠΎΠ±Π»Π΅ΠΌΡ ΡΠ°Π·Π²ΠΈΡΠΈΡ Π»Π΅Π½ΠΈΠ½Π³ΡΠ°Π΄ΡΠΊΠΎΠ³ΠΎ ΠΈΡΠΊΡΡΡΡΠ²Π°
1263:β St. Petersburg: The Memorial Museum of Nikolai Nekrasov, 1996.
162:
Central Committee of the All-Union Communist Party of Bolsheviks
138:
116:
Central Committee of the All-Union Communist Party of Bolsheviks
1989:Π‘ΡΡΡΠΊΠΎΠ²Π° Π. Π. ΠΠ΅Π½ΠΈΠ½Π³ΡΠ°Π΄ΡΠΊΠ°Ρ ΠΏΠ΅ΠΉΠ·Π°ΠΆΠ½Π°Ρ ΡΠΊΠΎΠ»Π°. 1930-1940-Π΅ Π³ΠΎΠ΄Ρ.
2154:
Circle of Artists of the House of creativity Β«Staraya LadogaΒ»
2143:
1958:// Almanac. Vol. 293. St. Petersburg: Palace Editions, 2010.
1944:
Romanycheva Irina. Academic Dacha. The history and tradition.
1277:. - Saint Petersburg: Nikolai Nekrasov Memorial museum, 1997.
69:
1644:Π. Π―ΠΊΠΎΠ²Π»Π΅Π²Π°. ΠΠ΅Π½ΠΈΠ½Π³ΡΠ°Π΄ΡΠΊΠ°Ρ ΠΆΠΈΠ²ΠΎΠΏΠΈΡΡ. ΠΡΡΠΎΡΠΈΡ ΠΈ ΡΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΠΎΡΡΡ
1249:β Saint Petersburg: Saint Petersburg Union of artists, 1994.
1776:. Saint Petersburg, Nikolai Nekrasov Memorial museum, 1997.
1729:ΠΠ΅Π½ΠΈΠ½Π³ΡΠ°Π΄ΡΠΊΠΈΠ΅ Ρ
ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊΠΈ. ΠΠΈΠ²ΠΎΠΏΠΈΡΡ 1950β1980 Π³ΠΎΠ΄ΠΎΠ². ΠΠ°ΡΠ°Π»ΠΎΠ³.
1656:Π. ΠΠ°ΡΠΈΠ»Π΅Π²ΡΠΊΠ°Ρ. ΠΠ΅Π½ΠΈΠ½Π³ΡΠ°Π΄ΡΠΊΠ°Ρ ΡΠΊΠΎΠ»Π° Ρ
ΡΠ΄ΠΎΠΆΠ΅ΡΡΠ²Π΅Π½Π½ΠΎΠ³ΠΎ ΡΡΠ΅ΠΊΠ»Π°
893:
personality than official recognition and formal success.
2046:
The Leningrad School of Painting in ARKA Fine Art Gallery
1842:
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1768:β Saint Petersburg: Manezh Central Exhibition Hall, 1997.
1932:
Rodosskaya Olga. Academy of Fine Arts in 1920β1930 years
1384:
Rodosskaya Olga. Academy of Fine Arts in 1920β1930 years
1156:. - St. Petersburg: Aurora Publishing, 2008. P. 308β317.
905:, natives of Saratov, were among the schoolβs founders;
160:. The consequence of the decree of the Politburo of the
2134:
Painters of the Leningrad Union of Artists of 1932-1991
1301:β St. Petersburg, Kolomenskaya Versta Publishing, 2008.
1914:
St. Petersburg, Kolomenskaya Versta Publishing, 2008.
1597:ΠΠ·ΠΎΠ±ΡΠ°Π·ΠΈΡΠ΅Π»ΡΠ½ΠΎΠ΅ ΠΈΡΠΊΡΡΡΡΠ²ΠΎ ΠΠ΅Π½ΠΈΠ½Π³ΡΠ°Π΄Π°. ΠΠ°ΡΠ°Π»ΠΎΠ³ Π²ΡΡΡΠ°Π²ΠΊΠΈ
114:
by the adoption in April 1932 by the Politburo of the
2009:ΠΠ²Π°Π½ΠΎΠ² Π‘. Π. Π Π²ΠΎΠΏΡΠΎΡΡ ΠΎ Π»Π΅Π½ΠΈΠ½Π³ΡΠ°Π΄ΡΠΊΠΎΠΉ ΡΠΊΠΎΠ»Π΅ ΠΆΠΈΠ²ΠΎΠΏΠΈΡΠΈ
1094:
List of painters of Saint Petersburg Union of Artists
20:
The Museum of the Academy of Arts and Repin Institute
1934:. // Dialog of Arts Magazine, Vol. 5, 2008. P. 6-13.
175:, having been most notable the students Ilya Repin,
1850:. - Saint Petersburg: Pervotsvet Publishing, 2007.
1808:
The Seasons of Timkov. Master Russian Impressionist
837:
The Unknown Socialist Realism. The Leningrad School
235:, Nikolai Petrov, Vasily Shukhaiev, Dmitry Kiplik,
1386:. // Dialog of Arts Magazine, Vol. 5, 2008. P. 13.
1168:- Saint Petersburg: NP-Print Edition, 2007. p. 13.
1844:. - Saint Petersburg: State Russian Museum, 2006.
1326:- Saint Petersburg: NP-Print Edition, 2007. P. 9.
129:Institute of Painting, Sculpture and Architecture
2553:
1533:ΠΠ΅Π½ΠΈΠ½Π³ΡΠ°Π΄. ΠΠΎΠ½Π°Π»ΡΠ½Π°Ρ Π²ΡΡΡΠ°Π²ΠΊΠ° 1964 Π³ΠΎΠ΄Π°. ΠΠ°ΡΠ°Π»ΠΎΠ³
1970:Matveeva Olga. The Leningrad School of Painting
1237:. - Paris: Drouot Richelieu, 21 December 1990.
2067:
1802:Yefim Lyatsky. Painting. Exhibition Catalogue
1372:Yefim Lyatsky. Painting. Exhibition Catalogue
1700:. Paris, Drouot Richelieu, 21 December 1990.
1201:. - Leningrad: Khudozhnik RSFSR, 1979. P. 6.
1289:- Saint Petersburg: NP-Print Edition, 2007.
2074:
2060:
1928:. St. Petersburg, Aurora Publishing, 2008.
1864:Saint Petersburg, NP-Print Edition, 2007.
1706:Paris, Drouot Richelieu, 18 February 1991.
1688:β Leningrad, Khudozhnik RSFSR, 1990. C. 5.
1676:Paris, Drouot Richelieu, 27 November 1989.
842:
835:According to S. Ivanov, given in his book
1712:. Paris, Drouot Richelieu, 26 April 1991.
268:Kirov takes a parade of athletes. 1935.
1836:Mochalov Leo. A Walk of natural nobility
1718:. Paris, Drouot Richelieu, 10 June 1991.
1432:Mochalov Leo. A Walk of natural nobility
1225:β Paris: Drouot Richelieu, 12 Mars 1990.
1213:β Paris: Drouot Richelieu, 16 June 1989.
866:
434:
260:
137:
219:, Pavel Shillingovsky, Nikolai Radlov,
121:All-Russian Central Executive Committee
2554:
1814:Vern G. Swanson. Soviet Impressionism.
1694:Paris, Drouot Richelieu, 11 June 1990.
1682:Paris, Drouot Richelieu, 12 Mars 1990.
1670:Paris, Drouot Richelieu, 16 June 1989.
1560:Π., ΠΠΈΠ½ΠΈΡΡΠ΅ΡΡΡΠ²ΠΎ ΠΊΡΠ»ΡΡΡΡΡ Π Π‘Π€Π‘Π , 1967.
1456:. Leningrad, Voengiz Publishing, 1943.
1450:Leningrad, State Russian Museum, 1935.
1448:First Exhibition of Leningrad artists.
1099:List of the Russian Landscape painters
2055:
1722:Sots'Art a St Petersbourg. Catalogue.
1089:List of 20th-century Russian painters
940:
2386:House of creativity Β«Staraya LadogaΒ»
2081:
1724:St Germain en Laye, 23 Fevrier 1992.
1664:β Leningrad: Khudozhnik RSFSR, 1987.
1614:. Leningrad: Khudozhnik RSFSR, 1979.
1362:β Leningrad: Khudozhnik RSFSR, 1987.
1338:β Leningrad: Khudozhnik RSFSR, 1972.
31:View of the Academy of Arts building
2220:Exhibition in Russian Museum (1960)
101:in 1930β1950 and was united by the
13:
2335:Lyrical Themes in Postwar Painting
1886:Abstract PhD thesis. Moscow, 2008.
1410:Abstract PhD thesis. Moscow, 2008.
1079:Staraya Ladoga House of Creativity
917:. This is particularly true about
295:
14:
2583:
2019:
1946:St. Petersburg, Petropolis, 2009.
1810:. - The Pushkin Collection, 1998.
1692:L' Γcole de Leningrad. Catalogue.
1680:L' Γcole de Leningrad. Catalogue.
1674:L' Γcole de Leningrad. Catalogue.
1668:L' Γcole de Leningrad. Catalogue.
1480:Π., ΠΠ΅Π½ΠΈΠ½Π³ΡΠ°Π΄ΡΠΊΠΈΠΉ Ρ
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1472:Π., ΠΠ΅Π½ΠΈΠ½Π³ΡΠ°Π΄ΡΠΊΠΈΠΉ Ρ
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1223:L' Γcole de Leningrad. Catalogue.
1211:L' Γcole de Leningrad. Catalogue.
1104:Saint Petersburg Union of Artists
287:In European literature, the term
103:Leningrad Union of Soviet Artists
2340:Painting of the Leningrad School
2325:Leningrad painting of 1950-1980s
2170:Exhibitions of Leningrad Artists
2115:
1716:Leningrad figuration. Catalogue
1698:L' Γcole de Leningrad. Catalogue
1235:L' Γcole de Leningrad. Catalogue
83:The Leningrad School of Painting
25:
2330:Etude in Painting of 1940-1980s
2300:Portrait of Contemporary (1976)
2205:All-Union Art Exhibition (1957)
1950:Suris Boris. Nikolai F. Lapshin
1512:. Π., Π‘ΠΎΠ²Π΅ΡΡΠΊΠΈΠΉ Ρ
ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊ, 1960.
1488:. Π., Π‘ΠΎΠ²Π΅ΡΡΠΊΠΈΠΉ Ρ
ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊ, 1957.
1425:
1413:
1401:
1389:
1377:
1365:
1353:
1341:
1329:
1317:
1304:
1292:
1280:
1266:
1252:
1240:
1228:
2435:Portrait of Catherine Balebina
1620:β Moscow: Soviet artist, 1979.
1422:. St. Petersburg, 2010. P. 67.
1350:β Moscow: Soviet artist, 1979.
1216:
1204:
1192:
1180:
1171:
1159:
1147:
1134:
1121:
980:Portrait of Catherine Balebina
173:St. Petersburg Academy of Arts
125:Council of People's Commissars
1:
2515:Still life with Pussy-Willows
2483:Portrait of Yevgeny Mravinsky
2305:Fine Arts of Leningrad (1976)
2240:"Leningrad" Exhibition (1964)
2200:Anniversary Exhibition (1957)
1552:Π., Π‘ΠΎΠ²Π΅ΡΡΠΊΠΈΠΉ Ρ
ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊ, 1965.
1114:
1044:Still life with Pussy-Willows
1012:Portrait of Yevgeny Mravinsky
2102:Leningrad School of Painting
857:"The Fine Arts of Leningrad"
91:ΠΠ΅Π½ΠΈΠ½Π³ΡΠ°Π΄ΡΠΊΠ°Ρ ΡΠΊΠΎΠ»Π° ΠΆΠΈΠ²ΠΎΠΏΠΈΡΠΈ
7:
2285:Exhibition of Eleven (1972)
1704:Painture Russe. Catalogue.
1628:. Π., Π₯ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊ Π Π‘Π€Π‘Π , 1983.
1600:. Π., Π₯ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊ Π Π‘Π€Π‘Π , 1976.
1592:. Π., Π₯ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊ Π Π‘Π€Π‘Π , 1980.
1528:. Π., Π₯ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊ Π Π‘Π€Π‘Π , 1962.
1520:. Π., Π₯ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊ Π Π‘Π€Π‘Π , 1964.
1504:. Π., Π₯ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊ Π Π‘Π€Π‘Π , 1961.
1496:. Π., Π₯ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊ Π Π‘Π€Π‘Π , 1963.
1067:
279:, along with his colleague
48:17, University Embankment,
10:
2588:
2477:(by Alexander Samokhvalov)
2413:(by Alexander Samokhvalov)
2320:Regional Exhibition (1980)
2139:Leningrad Union of Artists
1710:Painture Russe. Catalogue
1536:. Π, Π₯ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊ Π Π‘Π€Π‘Π , 1965.
1441:
958:, by Alexander Samokhvalov
108:
2491:Russian Winter. Hoarfrost
2453:(by Vladimir Ovchinnikov)
2394:
2358:
2310:Art belongs People (1977)
2162:
2124:
2113:
2089:
1782:. β London: Izomar 1998.
1608:Π., Π₯ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊ Π Π‘Π€Π‘Π , 1982.
1584:Π., Π₯ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊ Π Π‘Π€Π‘Π , 1974.
1576:Π., Π₯ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊ Π Π‘Π€Π‘Π , 1972.
1568:Π., Π₯ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊ Π Π‘Π€Π‘Π , 1971.
1544:Π., Π₯ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊ Π Π‘Π€Π‘Π , 1970.
1020:Russian Winter. Hoarfrost
998:, by Vladimir Ovchinnikov
90:
64:
56:
44:
36:
24:
2371:Tavricheskaya Art School
2345:Still life of 1950-1990s
2315:Autumn Exhibition (1978)
2290:By native country (1972)
2265:Spring Exhibition (1969)
2260:Autumn Exhibition (1968)
2245:Spring Exhibition (1965)
2235:Autumn Exhibition (1962)
2210:Autumn Exhibition (1958)
2195:Autumn Exhibition (1956)
2190:Spring Exhibition (1955)
2185:Spring Exhibition (1954)
131:(since 1944 named after
16:Group of Soviet painters
2501:(by Alexander Semionov)
2366:Repin Institute of Arts
2295:Our Contemporary (1975)
2280:Our Contemporary (1972)
2275:Our Contemporary (1971)
1804:. St. Petersburg, 1998.
1374:. St. Petersburg, 1998.
1084:List of Russian artists
1030:, by Alexander Semionov
843:Traditions and heritage
2567:Realism (art movement)
2541:(by Yevsey Moiseyenko)
2499:Malaya Sadovaya street
2469:(by Yevsey Moiseyenko)
2376:Vera Mukhina Institute
1028:Malaya Sadovaya street
881:
822:Rostislav Vovkushevsky
702:Kapitolina Rumiantseva
450:
272:
153:
2572:Russian art movements
2533:(by Evgenia Antipova)
2461:(by Nikolai Pozdneev)
2405:(by Nikolai Baskakov)
2097:Fine Art of Leningrad
1738:. Pont-Audemer, 1994.
1109:Academicheskaya Dacha
1074:Fine Art of Leningrad
1062:, by Evgenia Antipova
1006:, by Nikolai Pozdneev
950:, by Nikolai Baskakov
870:
746:Nadezhda Shteinmiller
642:Vecheslav Ovchinnikov
438:
266:Alexander Samokhvalov
264:
141:
2451:Spring is on the way
2381:Secondary Art School
2350:In Memory of Teacher
2255:Soviet Russia (1967)
2250:Soviet Russia (1965)
2225:Soviet Russia (1960)
996:Spring is on the way
931:Vladimir Ovchinnikov
646:Vladimir Ovchinnikov
506:Alexander Koroviakov
97:around the reformed
2517:(by Taisia Afonina)
2493:(by Nikolai Timkov)
2421:(by Victor Teterin)
1464:Π., ΠΠ΅Π½ΠΈΠ·Π΄Π°Ρ, 1951.
1046:, by Taisia Afonina
1022:, by Nikolai Timkov
966:, by Victor Teterin
832:, and many others.
770:Alexander Tatarenko
678:Stepan Privedentsev
618:Anatoli Nenartovich
594:Valentina Monakhova
546:Yaroslav Krestovsky
318:Alexander Laktionov
197:Kuzma Petrov-Vodkin
166:Kuzma Petrov-Vodkin
60:Semion Mikhaylovsky
21:
2509:(by Sergei Osipov)
2445:(by Rudolf Frentz)
2429:(by Sergei Osipov)
2270:Exhibition of 1970
2230:Exhibition of 1961
2215:Exhibition of 1960
2180:Exhibition of 1951
2175:Exhibition of 1950
1991:Π., ΠΠ°Π»Π°ΡΡ. 2011.
1754:. Π‘ΠΠ±., 1995. Π‘.6.
1038:, by Sergei Osipov
990:, by Rudolf Frentz
974:, by Sergei Osipov
941:Selected paintings
907:Alexander Osmerkin
903:Alexander Matveyev
882:
722:Alexander Semionov
698:Galina Rumiantseva
622:Samuil Nevelshtein
602:Mikhail Natarevich
538:Marina Kozlovskaya
451:
277:Vladimir Lenyashin
273:
243:, Yefim Cheptsov,
241:Mikhail Bernshtein
209:Alexander Osmerkin
205:Alexander Matveyev
183:. And along them,
154:
19:
2562:Socialist realism
2549:
2548:
2525:(by Gleb Savinov)
2419:Quince and Teapot
1997:978-5-269-01112-7
1978:978-5-317-03634-8
1964:978-5-93332-359-4
1920:978-5-91555-005-5
1906:978-1-85149-549-8
1878:978-5-901724-21-7
1856:978-5-903677-01-6
1830:978-1-85149-280-0
1796:978-0-9532061-0-0
1054:, by Gleb Savinov
964:Quince and Teapot
899:Alexander Savinov
766:Alexander Stolbov
762:Alexander Sokolov
730:Joseph Serebriany
718:Vladimir Seleznev
690:Maria Rudnitskaya
682:Alexander Pushnin
674:Evgeny Pozdniakov
658:Genrikh Pavlovsky
626:Yaroslav Nikolaev
448:Tretyakov Gallery
444:Rest after Battle
422:Irina Getmanskaya
414:Vladimir Chekalov
370:Vsevolod Bazhenov
330:Vecheslav Zagonek
229:Alexander Lubimov
193:Alexander Savinov
151:Tretyakov Gallery
80:
79:
2579:
2467:Mothers, Sisters
2403:Lenin in Kremlin
2119:
2090:Related articles
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686:Semion Rotnitsky
670:Nikolai Pozdneev
630:Dmitry Oboznenko
614:Alexander Naumov
418:Nikolai Galakhov
398:Veniamin Borisov
390:Olga Bogaevskaya
358:Nikolai Baskakov
342:Evgenia Antipova
322:Mikhail Trufanov
289:Leningrad School
223:, Pavel Naumov,
189:Dmitry Kardovsky
177:Pavel Chistyakov
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786:Mikhail Tkachev
758:Galina Smirnova
726:Arseny Semionov
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554:Anatoli Levitin
542:Vladimir Krantz
526:Gevork Kotiantz
518:Nikolai Kostrov
474:German Yegoshin
470:Irina Dobrekova
462:Elena Gorokhova
440:Yuri Neprintsev
410:Lev Chegorovsky
366:Evgenia Baykova
354:Andrei Bantikov
314:Andrei Mylnikov
310:Yuri Neprintsev
302:Evsey Moiseenko
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296:Representatives
221:Konstantin Yuon
217:Eugene Lanceray
181:Arkhip Kuindzhi
147:Lenin in Smolny
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872:Sergei Osipov
869:
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827:
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818:Nina Veselova
815:
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143:Isaak Brodsky
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2395:Works of art
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2045:
2038:
2031:
2008:
2002:
1988:
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1969:
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935:Gleb Savinov
895:
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883:
875:
862:
854:
850:
846:
836:
834:
826:Lazar Yazgur
714:Gleb Savinov
706:Ivan Savenko
666:Boris Petrov
650:Victor Otiev
586:Boris Maluev
570:Oleg Lomakin
478:Oleg Eremeev
454:Tatiana Gorb
452:
443:
386:Zlata Bizova
306:Boris Ugarov
299:
288:
286:
274:
257:
253:
245:Ivan Bilibin
201:Arcady Rylov
170:
155:
146:
112:
82:
81:
72:.artsacademy
2507:Cornflowers
2411:Cafe Gurzuf
2163:Exhibitions
1732:Π‘ΠΠ±., 1994.
1036:Cornflowers
956:Cafe Gurzuf
877:Cornflowers
750:Elena Skuin
634:Lev Orekhov
610:Vera Nazina
562:Ivan Lavsky
37:Established
2556:Categories
2475:In the Sun
2459:Spring Day
2443:Horsewoman
2126:Art groups
2107:Chronology
1115:References
1004:Spring Day
988:Horsewoman
754:Kim Slavin
694:Lev Russov
662:Varlen Pen
374:Yuri Belov
326:Yuri Tulin
133:Ilya Repin
2149:Nevsky-25
95:Leningrad
2531:A Midday
2015:Π‘.58β65.
1068:See also
1060:A Midday
446:, 1951.
149:, 1930.
123:and the
57:Director
52:, Russia
45:Location
1442:Sources
109:History
87:Russian
65:Website
2539:Cherry
1995:
1976:
1962:
1918:
1904:
1896:
1876:
1868:
1854:
1828:
1820:
1794:
1786:
925:, and
880:, 1976
275:Thus,
2144:Mitki
1993:ISBN
1974:ISBN
1960:ISBN
1916:ISBN
1902:ISBN
1894:ISBN
1874:ISBN
1866:ISBN
1852:ISBN
1826:ISBN
1818:ISBN
1792:ISBN
1784:ISBN
933:and
909:and
901:and
40:1765
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70:www
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1999:.
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