555:
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641:(written in the 1930s), expresses the opinion that the entire concept of the leitmotif is flawed. The motif cannot be both the bearer of expression and a musical "gesture", because that reduces emotional content to a mechanical process. He notes that "even in Wagner's own day the public made a crude link between the leitmotifs and the persons they characterised" because people's innate mental processes did not necessarily correspond with Wagner's subtle intentions or optimistic expectations. He continues:
544:
40:
978:(2015), which has been well received by critics as part of the success of the game, thematic and character connections are frequently portrayed using leitmotifs. In particular, "Hopes and Dreams" and "SAVE the World", two of the game's final boss themes, bring back many important leitmotifs heard throughout the game. Fox has continued his usage of leitmotifs in his followup game
433:(the music for which was written between 1853 and 1869), uses hundreds of leitmotifs, often related to specific characters, things, or situations. While some of these leitmotifs occur in only one of the operas, many recur throughout the entire cycle. Wagner had raised the issue of how music could best unite disparate elements of the plot of a music drama in his essay
354:, there are at least three leitmotifs that recur regularly across the five acts: the first is associated with the poverty and suffering from war, the second is associated with prayers around the tomb of Carlos V, and the third is introduced as a duet between Don Carlo and the Marquis of Posa, thereafter accentuating sentiments of sincere friendship and loyalty.
530:, "Wagner's was the first music in which forms never return literally, are never repeated. As the music progresses, it carries all the thematic elements with it, linking them in new ways, placing them in different relations to each other, showing them in unfamiliar lights and giving them unexpected meanings." Boulez adds: "
271:), "reminiscence motif" can be identified, which may recur at a significant juncture in the plot to establish an association with earlier events. Their use, however, is not extensive or systematic. The power of the technique was exploited early in the nineteenth century by composers of Romantic opera, such as
534:
are in fact anything but the traffic signals to which they have been mistakenly compared, for they have a double virtue â both poetic and dramatic, as well as formal. They are essential to the structure of both music and drama as well as to the different characters and situations. Their evolution is
1796:
487:. In it he claimed to have isolated and named all of the recurring motifs in the cycle (the motif of "Servitude", the "Spear" or "Treaty" motif, etc.), often leading to absurdities or contradictions with Wagner's actual practice. Some of the motifs he identified began to appear in the published
917:, with its most prominent being the main melody featured in the soundtrack's title track, "Minecraft", which generally serves as a leitmotif for the overworld. The same melody appears throughout the soundtrack, such as in "Door" and "Mutation". Other tracks with popular leitmotifs include "
495:
quoted him as saying "People will think all this nonsense is done at my request!". In fact Wagner himself never publicly named any of his leitmotifs, preferring to emphasize their flexibility of association, role in the musical form, and emotional effect. The practice of naming leitmotifs
413:
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219:. Leitmotifs can help to bind a work together into a coherent whole, and also enable the composer to relate a story without the use of words, or to add an extra level to an already present story.
55:
928:
has been criticized for its lack of iconic leitmotifs across its ever-expanding repertoire of films and shows, two recurring themes are prominently featured particularly towards the end of
1056:
226:, or (metaphorically) the life of a fictional character or a real person. It is sometimes also used in discussion of other musical genres, such as instrumental pieces, cinema, and
336:'s operas feature similar thematic tunes, often introduced in the overtures or preludes, and recurring to mark the presence of a character or to invoke a particular sentiment. In
697:
film in 1977, John
Williams used a large number of themes specifically associated with people and concepts, and he would expand upon this concept for the following films of the
1938:
348:, the theme of the first aria by Azucena is repeated whenever she invokes the horror of how her mother was burnt alive and the devastating revenge she attempted then. In
1729:
415:
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In particular, such a motif should be "clearly identified so as to retain its identity if modified on subsequent appearances" whether such modification be in terms of
385:
725:
starting in 2015, each time crafting new themes while incorporating the old. Other composers would utilize some of
Williams' iconic leitmotifs in spin-off material.
523:). They identified the motif with Wagner's own approach to composing, mocking the impression of a musical "address book" or list of "cloakroom numbers" it created.
190:
or accompaniment. It may also be "combined with other leitmotifs to suggest a new dramatic condition" or development. The technique is notably associated with the
1608:
876:", which is associated with pirates in general and the heroic action sequences they are involved in. Besides the general leitmotifs, specific characters such as
1909:
1884:
801:. His score is noteworthy because there is no singular "main theme" for the series, but a selection of several could hold this title, including the themes for
329:) features a recurring melody representing the object of the artist's obsessive affection and depicting his presence in various real and imagined situations.
764:
movies starting in 2001, and leitmotifs are prominently utilized to represent specific characters, feelings, and locations, most notably the track entitled
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prominently utilizes a vast amount of interconnecting leitmotifs to convey the ideas supporting specific characters, locations, and overall landscape of
1550:
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starting in 2012, Shore revisits some of these themes while introducing new leitmotifs for some of the new characters, and did so again for the show
58:
379:
cycle The theme is broader and more richly orchestrated than its earlier appearances, suggesting the emergence of
Siegfried's heroic character.
3347:
222:
By association, the word has also been used to mean any sort of recurring theme (whether or not subject to developmental transformation) in
3988:
1463:
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where the sole function of the leitmotif is to announce heroes or situations so as to allow the audience to orient itself more easily.
1991:
872:
consists of several motifs and themes associated with the protagonists, villains and moods starting in 2003. One prominent motif is "
842:
249:
The use of characteristic, short, recurring motifs in orchestral music can be traced back to the early seventeenth century, such as
3676:
1952:
893:
features several recurring themes and motifs for Batman, the villainous characters, and action scenes composed by Hans Zimmer and
833:. Variations in these themes convey the changes that occur to the corresponding subjects throughout the trilogy. For the prequel
615:. His constantly recurrent, memorably tuneful leitmotifs contributed significantly to the widespread popularity of the opera. In
768:. While Williams did not score the rest of the franchise, this theme would consistently return in the scores of later composers
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uses several leitmotifs throughout to introduce characters and reinforce connections, composed and written primarily by
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has been defined as a "short musical idea ... melodic, harmonic, or rhythmic, or all three", a salient recurring
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Some controversy surrounded the use of the word in Wagner's own circle: Wagner never authorised the use of the word
1819:
409:. Hagen, who eventually murders Siegfried, contemplates ways of using the benighted hero to further his own ends.
1437:
1100:
511:
The resulting lists of leitmotifs also attracted the ridicule of anti-Wagnerian critics and composers (such as
427:
is the earliest composer most specifically associated with the concept of leitmotif. His cycle of four operas,
275:, where recurring themes or ideas were sometimes used in association with specific characters (e.g. Samiel in
3671:
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1984:
755:
used a number of recurring leitmotifs that are associated with the film's romance, tragedy and the disaster.
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1551:"Harry Potter soundtrack: 'Hedwig's Theme' and everything to know about the film franchise's magical score"
1369:
167:, musical fragment or succession of notes that has some special importance in or is characteristic of a
124:" associated with a particular person, place, or idea. It is closely related to the musical concepts of
3993:
2131:
802:
760:
698:
535:
a kind of 'time-weave', an integrating of past and present; and they also imply dramatic progression."
369:'s heroism leitmotif, a variation of his horn call motif, from the prologue to act 1 of Wagner's opera
17:
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925:
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312:
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1977:
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405:, "music of dark strength and magnificence", occurs in "Hagen's Watch" towards the end of act 1 of
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204:, although he was not its originator and did not employ the word in connection with his work.
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1158:"Berlioz and the Pathological Fantastic: Melancholy, Monomania, and Romantic Autobiography"
969:
371:
338:
272:
605:(1914â1922) also utilizes leitmotifs. The leitmotif was also a major feature of the opera
8:
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2016:
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625:(1936) each character or animal has its own leitmotif played on a particular instrument.
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in 1975, stands out as a suspenseful motif that is a simple alternating pattern of two
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However, later commentators have defended Wagner's use of the leitmotif. According to
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The word gained currency with the overly literal interpretations of Wagner's music by
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342:, the opening theme of the overture recurs whenever Leonora feels guilt or fear. In
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Though perhaps not corresponding to the strict definition of leitmotif, several of
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957:. Almost all characters have a trademark leitmotif; for example, the way the name
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921:", "Wet Hands", "Haggstrom", "Subwoofer Lullaby", "Mice on Venus", and "Danny".
806:
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composed the heroic theme for the titular character, which is also used in the
576:
572:
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Since Wagner, the use of leitmotifs has been taken up by many other composers.
549:
516:
466:(principal motif), which he first used in 1877; the only time he used the word
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333:
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nevertheless continued, featuring in the work of prominent
Wagnerian critics
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The leitmotif associated with Salome herself in
Richard Strauss's opera
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2011:
998:
905:
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652:
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350:
259:. In French opera of the late eighteenth century (such as the works of
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223:
1642:
39:
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Motifs also figured occasionally in purely instrumental music of the
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3015:
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2429:
2409:
2267:
2161:
2080:
1786:"Here's why the music in Marvel superhero movies is so forgettable"
1018:
965:
818:
402:
1910:"An Examination of Leitmotifs and Their Use to Shape Narrative in
1885:"An Examination of Leitmotifs and Their Use to Shape Narrative in
3870:
3634:
3502:
3458:
3453:
3383:
3205:
3195:
3010:
2832:
2639:
2634:
2604:
2589:
2514:
2419:
2399:
1947:
941:
601:
398:
A more sinister version of the horn call motif, articulated as a
183:
315:
and also found in literary works of the period) was employed by
3874:
3624:
3409:
3185:
3092:
2851:
2599:
2534:
2499:
2384:
2282:
2247:
2232:
2085:
1828:
830:
822:
325:(1830). This purely instrumental, programmatic work (subtitled
294:
216:
208:
179:
300:
in describing Weber's work, although this was not until 1871.
230:, sometimes interchangeably with the more general category of
109:
3881:
3448:
3399:
3377:
3130:
3115:
2544:
2128:
1508:. Vol. 15, no. 10. GPI Publications. pp. 82â95
260:
191:
2666:
1054:(2001). "Leitmotif (from Ger. Leitmotiv: 'leading motif')".
159:), literally meaning "leading motif", or "guiding motif". A
3619:
3414:
2775:
2469:
2374:
2308:
914:
439:(1851); the leitmotif technique corresponds to this ideal.
100:
91:
1583:: How to use leitmotif technique to create a masterpiece?"
884:, Angelica, and Salazar each have their own unique motifs.
1969:
1939:"Note Block Beat Box: Listening to Hopes and Dreams from
1862:. Dahlonega, Georgia: University of North Georgia Press.
1673:
1220:
The Wagner
Compendium: A Guide to Wagner's Life and Music
913:
features a number of recognizable leitmotifs composed by
571:
used the device in many of his operas and several of his
1275:. London: Cambridge University Press. pp. 345â346.
1669:"Batman Vs. Hans Zimmer and James Newton Howard Part 2"
1496:"Danny Elfman â The Agony & The Ecstasy of Scoring
717:). Williams would later revisit this material for the
1250:(4th ed.). New York: Columbia University Press.
758:
John
Williams composed the music for the first three
491:
of the operas, arousing Wagner's annoyance; his wife
327:
Episode in the Life of an Artist ... in Five
Sections
244:
112:
85:
1400:. Translated by Livingstone, Rodney. London: Verso.
628:
589:
used a complex set of leitmotifs in his choral work
575:. Despite his sometimes acerbic comments on Wagner,
106:
94:
88:
1850:Dunbar, Alexandra; Morgan-Ellis, Esther M. (2020).
103:
97:
43:Leitmotif associated with Siegfried's horn call in
1860:Resonances: Engaging Music in Its Cultural Context
1849:
1817:
1784:
651:is implicit in this ... it leads directly to
3975:
784:as they worked on the final films and spin-offs.
1271:Sutton, Richard (1979). Burbidge, Peter (ed.).
1050:
2682:
2113:
1985:
1242:
1151:
1149:
1464:"A Field Guide to the Musical Leitmotifs of
1430:Incisive Overture to Close Off the Century'"
646:
467:
461:
455:
449:
443:
73:
460:. His preferred name for the technique was
171:: "the smallest structural unit possessing
2689:
2675:
2120:
2106:
1992:
1978:
1217:
1146:
940:team and Ludwig Göransson's theme for the
27:Short, constantly recurring musical phrase
2127:
1640:
1493:
1420:
1372:. Harvard University Press. p. 251.
1300:. Princeton: Princeton University Press.
1222:. Thames & Hudson. pp. 234â235.
1189:
843:The Lord of the Rings: The Rings of Power
721:starting in 1999, and then again for the
472:, he referred to "so-called Leitmotivs".
136:is a partial anglicization of the German
1782:
1549:Roberts, Maddy Shaw (8 September 2020).
1421:Matessino, Michael (24 September 1999).
1197:. Faber and Faber Limited. p. 226.
542:
393:
361:
38:
1694:
1548:
1155:
1099:
1070:10.1093/gmo/9781561592630.article.16360
793:film series starting in 2001, composer
14:
3976:
3360:Types of fiction with multiple endings
1643:"Audio: On the Score with Hans Zimmer"
1606:
1392:
1356:
1320:
1270:
1105:The Concise Oxford Dictionary of Music
672:, the main "shark" theme, composed by
311:(i.e. the object of fixation â a term
307:period. The related idea of a musical
2670:
2101:
1973:
1818:thatiranianphantom (12 August 2016).
1576:
1494:Doerschuk, Robert L. (October 1989).
1127:
146:
1858:. In Morgan-Ellis, Esther M. (ed.).
1727:
1458:
1295:
1185:
1183:
1095:
1093:
1091:
1089:
1046:
1044:
1042:
1040:
1038:
32:For the album of the same name, see
1734:soundtrack C418's latest, 'Sweden'"
1730:"Review: German musician known for
1423:"Letter in response to 'A Study of
1107:. Oxford: Oxford University Press.
24:
1907:
1882:
1695:Hornsey, Jamie (31 January 2018).
1666:
410:
380:
245:Early instances in classical music
239:
53:
25:
4020:
3989:Formal sections in music analysis
3763:Third-person omniscient narrative
1799:from the original on 26 July 2021
1641:Schweiger, Daniel (16 May 2011).
1609:"LOTR's Howard Shore Returns for
1180:
1132:. Prentice-Hall. pp. 26â27.
1086:
1035:
629:Critique of the leitmotif concept
579:utilized leitmotifs in his opera
1366:Orientations: Collected Writings
1218:Millington, Barry, ed. (2001) .
713:, and another to the concept of
709:, another to the concept of the
659:
81:
1931:
1876:
1843:
1811:
1783:Reynolds, Jeremy (9 May 2018).
1776:
1753:
1721:
1704:s Procedurally-Generated Music"
1688:
1660:
1634:
1600:
1570:
1542:
1520:
1487:
1452:
1414:
1386:
1350:
1314:
1195:Wagner's 'Ring' and its Symbols
705:is attached to the presence of
538:
3151:Conflict between good and evil
1607:Makuch, Eddie (21 July 2022).
1289:
1264:
1236:
1211:
1121:
13:
1:
2696:
1852:"4.2.1: Lin-Manuel Miranda â
1762:The Marvel Symphonic Universe
1728:Tsai, Raymond (17 May 2019).
1577:Keane, Paul (5 August 2021).
1336:. Harcourt Brace Jovanovich.
1332:. Vol. 2. Translated by
1029:
950:Hamilton: An American Musical
289:). The first use of the word
1951:. 2 May 2016. Archived from
1772:– via www.youtube.com.
1298:Richard Wagner and His World
1246:; Williams, Hermine (2003).
7:
1667:D., Spence (13 June 2005).
1156:Brittan, Francesca (2006).
992:
10:
4025:
1999:
1883:Yu, Jason (6 April 2016).
1296:Grey, Thomas, ed. (2009).
479:, who in 1876 published a
198:, and most especially his
31:
3826:
3798:
3790:Stream of unconsciousness
3733:
3477:
3368:
3321:Falling action/Catastasis
3266:
3171:
3106:
3029:
2841:
2704:
2648:
2367:
2301:
2225:
2139:
2050:
2007:
1908:— (14 April 2016).
1328:; Mack, Deitrich (eds.).
1174:10.1525/ncm.2006.29.3.211
926:Marvel Cinematic Universe
483:(guide or manual) to the
357:
207:Although usually a short
120:) is a "short, recurring
4009:German words and phrases
3158:Self-fulfilling prophecy
1528:"James Horner â Titanic"
1248:A Short History of Opera
868:Pirates of the Caribbean
645:The degeneration of the
611:by the English composer
454:(basic idea), or simply
3785:Stream of consciousness
3248:Suspension of disbelief
1792:Pittsburgh Post-Gazette
1736:. High School Insider.
1330:Cosima Wagner's Diaries
1062:Oxford University Press
430:Der Ring des Nibelungen
400:half-diminished seventh
298:Friedrich Wilhelm JĂ€hns
201:Der Ring des Nibelungen
3326:Denouement/Catastrophe
3307:Rising action/Epitasis
1697:"The Lasting Power of
657:
647:
564:
468:
462:
456:
450:
448:, using words such as
444:
421:
419:
391:
389:
313:borrowed from medicine
148:[ËlaÉȘtmoËtiËf]
74:
64:
62:
3672:Utopian and dystopian
2615:Stile rappresentativo
1581:The Lord of the Rings
1362:Nattiez, Jean-Jacques
1326:Gregor-Dellin, Martin
1130:The Analysis of Music
790:The Lord of the Rings
643:
546:
418:
397:
388:
365:
322:Symphonie fantastique
61:
42:
3226:Narrative techniques
3006:Story within a story
2818:Supporting character
2042:Schoenberg hexachord
1273:The Wagner Companion
1128:White, John (1976).
947:Premiering in 2015,
582:Pelléas et Mélisande
375:, the fourth of his
339:La forza del destino
293:in print was by the
281:is coupled with the
273:Carl Maria von Weber
3931:Political narrative
3773:Unreliable narrator
3630:Speculative fiction
3338:Nonlinear narrative
3286:Three-act structure
3146:Deal with the Devil
2288:Tragédie en musique
2157:Concert performance
2017:C. F. E. BACH motif
1647:Film Music Magazine
1398:In Search of Wagner
1014:Motif (visual arts)
972:for his video game
895:James Newton Howard
782:James Newton Howard
639:In Search of Wagner
211:, it can also be a
3909:Narrative paradigm
3904:Narrative identity
3834:Dominant narrative
3780:Multiple narrators
3064:Fictional location
2907:Dramatic structure
2620:Tenore contraltino
2076:Musical cryptogram
1611:The Rings of Power
1462:(3 January 2018).
1440:on 17 October 2006
1434:Film Score Monthly
1394:Adorno, Theodor W.
1162:19th-Century Music
1057:Grove Music Online
1009:Motif (literature)
959:Alexander Hamilton
955:Lin-Manuel Miranda
703:a particular motif
622:Peter and the Wolf
595:(completed 1911).
565:
422:
420:
392:
390:
287:diminished seventh
65:
63:
3994:Opera terminology
3971:
3970:
3914:Narrative therapy
3348:television series
3293:Freytag's Pyramid
3136:Moral development
3039:Alternate history
2749:False protagonist
2664:
2663:
2095:
2094:
1869:978-1-940771-31-1
1739:Los Angeles Times
1579:"Howard Shore in
1334:Skelton, Geoffrey
1307:978-0-571-11450-4
1191:Donington, Robert
1114:978-0-19-311320-6
1079:978-1-56159-263-0
897:starting in 2005.
778:Alexandre Desplat
751:(1997), composer
728:In the 1989 film
635:Theodor W. Adorno
608:The Immortal Hour
587:Arnold Schoenberg
477:Hans von Wolzogen
416:
386:
215:or even a simple
213:chord progression
59:
34:Leitmotif (album)
16:(Redirected from
4016:
3894:Literary science
3437:Narrative poetry
3333:Linear narrative
3243:Stylistic device
3238:Show, don't tell
3201:Figure of speech
2991:Shaggy dog story
2734:Characterization
2691:
2684:
2677:
2668:
2667:
2625:Tenore di grazia
2380:Aria di sorbetto
2122:
2115:
2108:
2099:
2098:
2056:Cruciform melody
2037:Sacher hexachord
1994:
1987:
1980:
1971:
1970:
1965:
1964:
1962:
1960:
1935:
1929:
1928:
1926:
1924:
1905:
1903:
1901:
1880:
1874:
1873:
1847:
1841:
1840:
1838:
1836:
1815:
1809:
1808:
1806:
1804:
1788:
1780:
1774:
1773:
1771:
1769:
1757:
1751:
1750:
1748:
1746:
1725:
1719:
1718:
1716:
1714:
1703:
1692:
1686:
1685:
1683:
1681:
1664:
1658:
1657:
1655:
1653:
1638:
1632:
1631:
1629:
1627:
1604:
1598:
1597:
1595:
1593:
1574:
1568:
1567:
1565:
1563:
1546:
1540:
1539:
1537:
1535:
1524:
1518:
1517:
1515:
1513:
1491:
1485:
1484:
1482:
1480:
1456:
1450:
1449:
1447:
1445:
1436:. Archived from
1429:
1418:
1412:
1411:
1390:
1384:
1383:
1368:. Translated by
1354:
1348:
1347:
1318:
1312:
1311:
1293:
1287:
1286:
1268:
1262:
1261:
1240:
1234:
1233:
1215:
1209:
1208:
1187:
1178:
1177:
1153:
1144:
1143:
1125:
1119:
1118:
1101:Kennedy, Michael
1097:
1084:
1083:
1060:(8th ed.).
1048:
934:Alan Silvestri's
699:original trilogy
650:
613:Rutland Boughton
563:
562:
561:
559:
506:Robert Donington
471:
465:
459:
453:
447:
417:
387:
228:video game music
158:
157:
156:
150:
145:
119:
118:
115:
114:
111:
108:
105:
102:
99:
96:
93:
90:
87:
77:
60:
21:
4024:
4023:
4019:
4018:
4017:
4015:
4014:
4013:
3999:Literary motifs
3974:
3973:
3972:
3967:
3899:Literary theory
3839:Fiction writing
3822:
3794:
3729:
3481:
3473:
3364:
3262:
3167:
3102:
3025:
2896:Deus ex machina
2837:
2823:Title character
2808:Stock character
2754:Focal character
2700:
2695:
2665:
2660:
2644:
2595:Soprano sfogato
2363:
2314:Gesamtkunstwerk
2297:
2221:
2135:
2126:
2096:
2091:
2090:
2046:
2003:
1998:
1968:
1958:
1956:
1937:
1936:
1932:
1922:
1920:
1906:
1899:
1897:
1881:
1877:
1870:
1848:
1844:
1834:
1832:
1816:
1812:
1802:
1800:
1781:
1777:
1767:
1765:
1759:
1758:
1754:
1744:
1742:
1726:
1722:
1712:
1710:
1701:
1693:
1689:
1679:
1677:
1665:
1661:
1651:
1649:
1639:
1635:
1625:
1623:
1605:
1601:
1591:
1589:
1575:
1571:
1561:
1559:
1556:Classic FM (UK)
1547:
1543:
1533:
1531:
1526:
1525:
1521:
1511:
1509:
1492:
1488:
1478:
1476:
1457:
1453:
1443:
1441:
1427:
1419:
1415:
1408:
1391:
1387:
1380:
1355:
1351:
1344:
1319:
1315:
1308:
1294:
1290:
1283:
1269:
1265:
1258:
1241:
1237:
1230:
1216:
1212:
1205:
1188:
1181:
1154:
1147:
1140:
1126:
1122:
1115:
1098:
1087:
1080:
1052:Arnold Whittall
1049:
1036:
1032:
995:
889:The Dark Knight
774:Nicholas Hooper
719:prequel trilogy
662:
631:
573:symphonic poems
569:Richard Strauss
557:
554:
553:
541:
521:Igor Stravinsky
513:Eduard Hanslick
436:Opera and Drama
411:
407:GötterdÀmmerung
381:
372:GötterdÀmmerung
360:
247:
242:
240:Classical music
152:
151:
143:
132:. The spelling
84:
80:
54:
47:'s 1876 opera,
37:
28:
23:
22:
15:
12:
11:
5:
4022:
4012:
4011:
4006:
4004:Richard Wagner
4001:
3996:
3991:
3986:
3984:Motifs (music)
3969:
3968:
3966:
3965:
3963:Verisimilitude
3960:
3955:
3950:
3945:
3944:
3943:
3933:
3928:
3927:
3926:
3916:
3911:
3906:
3901:
3896:
3891:
3890:
3889:
3879:
3878:
3877:
3868:
3866:Parallel novel
3863:
3862:
3861:
3856:
3851:
3836:
3830:
3828:
3824:
3823:
3821:
3820:
3815:
3810:
3804:
3802:
3796:
3795:
3793:
3792:
3787:
3782:
3777:
3776:
3775:
3770:
3765:
3755:
3750:
3745:
3739:
3737:
3731:
3730:
3728:
3727:
3726:
3725:
3720:
3710:
3709:
3708:
3703:
3698:
3693:
3688:
3687:
3686:
3681:
3680:
3679:
3674:
3669:
3659:
3654:
3649:
3648:
3647:
3637:
3627:
3622:
3617:
3616:
3615:
3610:
3600:
3595:
3590:
3585:
3580:
3575:
3570:
3565:
3560:
3555:
3550:
3545:
3540:
3535:
3530:
3525:
3520:
3515:
3510:
3508:Action fiction
3500:
3495:
3489:
3487:
3475:
3474:
3472:
3471:
3466:
3461:
3456:
3451:
3446:
3445:
3444:
3434:
3429:
3424:
3423:
3422:
3417:
3412:
3407:
3402:
3392:
3387:
3380:
3374:
3372:
3366:
3365:
3363:
3362:
3357:
3352:
3351:
3350:
3345:
3335:
3330:
3329:
3328:
3323:
3318:
3309:
3304:
3290:
3289:
3288:
3283:
3272:
3270:
3264:
3263:
3261:
3260:
3255:
3250:
3245:
3240:
3235:
3234:
3233:
3223:
3218:
3213:
3208:
3203:
3198:
3193:
3188:
3183:
3177:
3175:
3169:
3168:
3166:
3165:
3160:
3155:
3154:
3153:
3148:
3138:
3133:
3128:
3123:
3118:
3112:
3110:
3104:
3103:
3101:
3100:
3095:
3090:
3089:
3088:
3087:
3086:
3076:
3071:
3061:
3056:
3051:
3046:
3041:
3035:
3033:
3027:
3026:
3024:
3023:
3018:
3013:
3008:
3003:
2998:
2993:
2988:
2986:Self-insertion
2983:
2978:
2973:
2971:Poetic justice
2968:
2963:
2958:
2953:
2948:
2941:
2934:
2929:
2924:
2919:
2914:
2909:
2904:
2899:
2892:
2887:
2882:
2877:
2872:
2871:
2870:
2860:
2855:
2847:
2845:
2839:
2838:
2836:
2835:
2830:
2825:
2820:
2815:
2810:
2805:
2800:
2795:
2794:
2793:
2788:
2783:
2773:
2766:
2761:
2756:
2751:
2746:
2741:
2736:
2731:
2729:Character flaw
2726:
2721:
2716:
2710:
2708:
2702:
2701:
2694:
2693:
2686:
2679:
2671:
2662:
2661:
2659:
2658:
2652:
2650:
2646:
2645:
2643:
2642:
2637:
2632:
2627:
2622:
2617:
2612:
2607:
2602:
2597:
2592:
2587:
2582:
2577:
2572:
2567:
2562:
2557:
2552:
2547:
2542:
2537:
2532:
2527:
2522:
2517:
2512:
2507:
2502:
2497:
2492:
2487:
2482:
2477:
2472:
2467:
2462:
2457:
2452:
2447:
2442:
2437:
2432:
2427:
2422:
2417:
2412:
2407:
2402:
2397:
2392:
2387:
2382:
2377:
2371:
2369:
2365:
2364:
2362:
2361:
2356:
2351:
2346:
2341:
2336:
2331:
2326:
2321:
2316:
2311:
2305:
2303:
2299:
2298:
2296:
2295:
2290:
2285:
2280:
2275:
2270:
2265:
2260:
2255:
2250:
2245:
2243:Divertissement
2240:
2238:Coup de glotte
2235:
2229:
2227:
2223:
2222:
2220:
2219:
2214:
2209:
2204:
2199:
2194:
2189:
2184:
2179:
2174:
2172:Insertion aria
2169:
2164:
2159:
2154:
2149:
2143:
2141:
2137:
2136:
2125:
2124:
2117:
2110:
2102:
2093:
2092:
2089:
2088:
2083:
2078:
2073:
2068:
2063:
2058:
2052:
2051:
2048:
2047:
2045:
2044:
2039:
2034:
2029:
2024:
2019:
2014:
2008:
2005:
2004:
1997:
1996:
1989:
1982:
1974:
1967:
1966:
1930:
1918:Game Developer
1914:â Part 2 of 2"
1894:Game Developer
1889:â Part 1 of 2"
1875:
1868:
1842:
1824:and Leitmotif"
1810:
1775:
1752:
1720:
1687:
1659:
1633:
1599:
1569:
1541:
1519:
1486:
1473:The New Yorker
1451:
1413:
1407:978-1844673445
1406:
1385:
1379:978-0674643765
1378:
1370:Cooper, Martin
1358:Boulez, Pierre
1349:
1343:978-0151226368
1342:
1322:Wagner, Cosima
1313:
1306:
1288:
1281:
1263:
1256:
1235:
1229:978-0500282748
1228:
1210:
1204:978-0571048182
1203:
1179:
1168:(3): 211â239.
1145:
1138:
1120:
1113:
1085:
1078:
1033:
1031:
1028:
1027:
1026:
1021:
1016:
1011:
1006:
1001:
994:
991:
990:
989:
962:
945:
936:theme for the
922:
898:
885:
851:
803:the Fellowship
785:
766:Hedwig's Theme
756:
743:
726:
723:sequel trilogy
701:(for example,
689:
661:
658:
637:, in his book
630:
627:
577:Claude Debussy
540:
537:
517:Claude Debussy
489:musical scores
425:Richard Wagner
359:
356:
317:Hector Berlioz
278:Der FreischĂŒtz
246:
243:
241:
238:
196:Richard Wagner
122:musical phrase
45:Richard Wagner
26:
9:
6:
4:
3:
2:
4021:
4010:
4007:
4005:
4002:
4000:
3997:
3995:
3992:
3990:
3987:
3985:
3982:
3981:
3979:
3964:
3961:
3959:
3956:
3954:
3951:
3949:
3948:Screenwriting
3946:
3942:
3939:
3938:
3937:
3934:
3932:
3929:
3925:
3922:
3921:
3920:
3917:
3915:
3912:
3910:
3907:
3905:
3902:
3900:
3897:
3895:
3892:
3888:
3885:
3884:
3883:
3880:
3876:
3872:
3869:
3867:
3864:
3860:
3857:
3855:
3852:
3850:
3847:
3846:
3845:
3842:
3841:
3840:
3837:
3835:
3832:
3831:
3829:
3825:
3819:
3816:
3814:
3811:
3809:
3806:
3805:
3803:
3801:
3797:
3791:
3788:
3786:
3783:
3781:
3778:
3774:
3771:
3769:
3766:
3764:
3761:
3760:
3759:
3756:
3754:
3753:Second-person
3751:
3749:
3746:
3744:
3741:
3740:
3738:
3736:
3732:
3724:
3721:
3719:
3716:
3715:
3714:
3711:
3707:
3704:
3702:
3699:
3697:
3694:
3692:
3689:
3685:
3682:
3678:
3675:
3673:
3670:
3668:
3665:
3664:
3663:
3660:
3658:
3657:Magic realism
3655:
3653:
3650:
3646:
3643:
3642:
3641:
3638:
3636:
3633:
3632:
3631:
3628:
3626:
3623:
3621:
3618:
3614:
3611:
3609:
3606:
3605:
3604:
3601:
3599:
3596:
3594:
3591:
3589:
3588:Psychological
3586:
3584:
3581:
3579:
3576:
3574:
3571:
3569:
3568:Philosophical
3566:
3564:
3561:
3559:
3556:
3554:
3551:
3549:
3546:
3544:
3541:
3539:
3536:
3534:
3531:
3529:
3526:
3524:
3521:
3519:
3516:
3514:
3511:
3509:
3506:
3505:
3504:
3501:
3499:
3496:
3494:
3493:Autobiography
3491:
3490:
3488:
3485:
3480:
3476:
3470:
3467:
3465:
3462:
3460:
3457:
3455:
3452:
3450:
3447:
3443:
3440:
3439:
3438:
3435:
3433:
3432:Narrative art
3430:
3428:
3425:
3421:
3418:
3416:
3413:
3411:
3408:
3406:
3403:
3401:
3398:
3397:
3396:
3393:
3391:
3390:Flash fiction
3388:
3386:
3385:
3381:
3379:
3376:
3375:
3373:
3371:
3367:
3361:
3358:
3356:
3353:
3349:
3346:
3344:
3341:
3340:
3339:
3336:
3334:
3331:
3327:
3324:
3322:
3319:
3317:
3313:
3310:
3308:
3305:
3303:
3299:
3296:
3295:
3294:
3291:
3287:
3284:
3282:
3281:Act structure
3279:
3278:
3277:
3274:
3273:
3271:
3269:
3265:
3259:
3256:
3254:
3251:
3249:
3246:
3244:
3241:
3239:
3236:
3232:
3229:
3228:
3227:
3224:
3222:
3219:
3217:
3214:
3212:
3209:
3207:
3204:
3202:
3199:
3197:
3194:
3192:
3189:
3187:
3184:
3182:
3179:
3178:
3176:
3174:
3170:
3164:
3161:
3159:
3156:
3152:
3149:
3147:
3144:
3143:
3142:
3139:
3137:
3134:
3132:
3129:
3127:
3124:
3122:
3119:
3117:
3114:
3113:
3111:
3109:
3105:
3099:
3098:Worldbuilding
3096:
3094:
3091:
3085:
3082:
3081:
3080:
3077:
3075:
3072:
3070:
3067:
3066:
3065:
3062:
3060:
3057:
3055:
3052:
3050:
3047:
3045:
3042:
3040:
3037:
3036:
3034:
3032:
3028:
3022:
3019:
3017:
3014:
3012:
3009:
3007:
3004:
3002:
2999:
2997:
2994:
2992:
2989:
2987:
2984:
2982:
2979:
2977:
2974:
2972:
2969:
2967:
2964:
2962:
2959:
2957:
2954:
2952:
2949:
2947:
2946:
2945:KishĆtenketsu
2942:
2940:
2939:
2938:In medias res
2935:
2933:
2930:
2928:
2925:
2923:
2920:
2918:
2917:Foreshadowing
2915:
2913:
2912:Eucatastrophe
2910:
2908:
2905:
2903:
2900:
2898:
2897:
2893:
2891:
2888:
2886:
2883:
2881:
2878:
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1955:on 2 May 2016
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874:He's a Pirate
871:
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863:Geoff Zanelli
860:
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848:Bear McCreary
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807:Ring of Power
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691:In the first
690:
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674:John Williams
671:
669:
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663:
660:Entertainment
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528:Pierre Boulez
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498:Ernest Newman
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35:
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19:
3953:Storytelling
3768:Subjectivity
3758:Third-person
3748:First-person
3382:
3191:Comic relief
3120:
2943:
2936:
2927:Flashforward
2894:
2868:Origin story
2850:
2813:Straight man
2768:
2585:Solita forma
2465:Da capo aria
2359:Sprechgesang
2328:
2319:KammersÀnger
2258:Haute-contre
2212:Sung-through
2070:
2066:Fortspinnung
2027:Dresden amen
1957:. Retrieved
1953:the original
1946:
1940:
1933:
1921:. Retrieved
1917:
1911:
1898:. Retrieved
1892:
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1859:
1853:
1845:
1833:. Retrieved
1827:
1821:
1813:
1801:. Retrieved
1790:
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1766:. Retrieved
1761:
1755:
1743:. Retrieved
1737:
1731:
1723:
1713:20 September
1711:. Retrieved
1707:
1698:
1690:
1678:. Retrieved
1672:
1662:
1650:. Retrieved
1646:
1636:
1624:. Retrieved
1620:
1614:
1613:, Alongside
1610:
1602:
1590:. Retrieved
1586:
1580:
1572:
1560:. Retrieved
1554:
1544:
1532:. Retrieved
1522:
1510:. Retrieved
1503:
1497:
1489:
1477:. Retrieved
1471:
1465:
1454:
1442:. Retrieved
1438:the original
1433:
1424:
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1123:
1104:
1055:
979:
973:
949:
908:
904:of the 2009
888:
878:Jack Sparrow
867:
859:Klaus Badelt
853:Composed by
841:
835:
799:Middle-earth
795:Howard Shore
789:
761:Harry Potter
759:
753:James Horner
746:
736:Danny Elfman
729:
692:
667:
653:cinema music
644:
638:
632:
620:
606:
600:
592:Gurre-Lieder
590:
580:
566:
548:
539:After Wagner
531:
525:
510:
502:Deryck Cooke
484:
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441:
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428:
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370:
349:
345:Il trovatore
343:
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72:
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49:
29:
3958:Tellability
3924:Metafiction
3919:Narratology
3691:Theological
3583:Pop culture
3464:Short story
3442:Epic poetry
3163:Time travel
2976:Red herring
2961:Plot device
2932:Frame story
2885:Cliffhanger
2828:Tritagonist
2803:Protagonist
2565:Prima donna
2540:Opera seria
2460:Convenienze
2450:Comprimario
2440:Chiaroscuro
2202:Patter song
2197:Opera house
2152:Chest voice
2022:Cross motif
1959:23 December
1923:23 December
1900:23 December
1708:theboar.org
1444:17 December
1024:Theme music
930:Phase Three
870:film series
855:Hans Zimmer
707:Darth Vader
633:The critic
175:identity".
169:composition
130:motto-theme
3978:Categories
3844:Continuity
3713:Nonfiction
3677:Underwater
3573:Picaresque
3548:Historical
3533:Epistolary
3405:Fairy tale
3316:Peripeteia
3298:Exposition
3054:Dreamworld
2996:Stereotype
2966:Plot twist
2714:Antagonist
2656:HovsÄngare
2575:Ritornello
2570:Recitative
2560:Portamento
2520:Melodramma
2495:Intermezzo
2490:Impresario
2480:Falsettone
2445:Coloratura
2273:Répétiteur
2167:Head voice
2032:DSCH motif
2012:BACH motif
1680:1 December
1615:God of War
1512:12 January
1460:Ross, Alex
1030:References
999:Image song
986:soundtrack
970:soundtrack
924:While the
906:video game
902:soundtrack
882:Davy Jones
846:alongside
811:LothlĂłrien
740:later film
711:Death Star
597:Alban Berg
532:Leitmotivs
463:Hauptmotiv
451:Grundthema
351:Don Carlos
257:Monteverdi
224:literature
18:Leitmotifs
3735:Narration
3684:Superhero
3608:Chivalric
3593:Religious
3578:Political
3513:Adventure
3498:Biography
3420:Tall tale
3268:Structure
3253:Symbolism
3221:Narration
3121:Leitmotif
3049:Crossover
3044:Backstory
3001:Story arc
2951:MacGuffin
2922:Flashback
2863:Backstory
2739:Confidant
2719:Archenemy
2706:Character
2698:Narrative
2630:Tessitura
2555:Pasticcio
2550:Passaggio
2485:Fioritura
2455:Contralto
2425:Cantabile
2415:Cabaletta
2395:Bel canto
2354:Spieloper
2349:Sitzprobe
2344:Singspiel
2339:Regieoper
2329:Leitmotif
2263:IntermĂšde
2253:Entr'acte
2217:Surtitles
2187:Monodrama
2182:Melodrama
2177:Mad scene
2134:by origin
2071:Leitmotif
1941:Undertale
1912:Undertale
1887:Undertale
1732:Minecraft
1699:Minecraft
1617:Composer"
1592:11 August
1534:1 January
1479:11 August
1466:Star Wars
1396:(2009) .
1324:(1978) .
981:Deltarune
975:Undertale
910:Minecraft
815:the Shire
715:the Force
694:Star Wars
670:franchise
648:leitmotiv
617:Prokofiev
599:'s opera
481:Leitfaden
469:Leitmotiv
445:leitmotiv
367:Siegfried
309:idée fixe
291:leitmotif
139:Leitmotiv
134:leitmotif
126:idée fixe
75:Leitmotiv
69:leitmotif
50:Siegfried
3941:Glossary
3936:Rhetoric
3743:Diegesis
3723:Creative
3696:Thriller
3645:Southern
3563:Paranoid
3558:Nautical
3469:Vignette
3427:Gamebook
3395:Folklore
3302:Protasis
3181:Allegory
3126:Metaphor
3084:parallel
3079:universe
3059:Dystopia
3016:Suspense
2902:Dialogue
2890:Conflict
2798:Narrator
2770:Hamartia
2610:Stagione
2580:Sinfonia
2505:Libretto
2475:Falsetto
2435:Cavatina
2430:Castrato
2410:Burletta
2405:Brindisi
2293:Travesti
2268:Overture
2207:Prompter
2162:Duodrama
2081:Ostinato
1854:Hamilton
1822:Hamilton
1797:Archived
1768:25 April
1652:7 August
1621:GameSpot
1562:4 August
1530:. Mfiles
1505:Keyboard
1360:(1990).
1193:(1976).
1103:(1987).
1019:Ostinato
993:See also
966:Toby Fox
961:is sung.
944:setting.
938:Avengers
819:Isengard
585:(1902).
403:arpeggio
305:Romantic
173:thematic
3871:Prequel
3827:Related
3813:Present
3706:Western
3662:Science
3635:Fantasy
3603:Romance
3553:Mystery
3538:Ergodic
3503:Fiction
3459:Parable
3454:Novella
3384:Fabliau
3355:Premise
3206:Imagery
3196:Diction
3074:country
3031:Setting
3011:Subplot
2833:Villain
2786:Byronic
2640:Vibrato
2635:Verismo
2605:Squillo
2590:Soprano
2515:Maestro
2510:Licenza
2420:Cadenza
2400:Bravura
2368:Italian
2278:Roulade
2140:English
1948:USgamer
1835:10 June
1803:26 July
1626:25 July
1364:(ed.).
942:Wakanda
891:trilogy
838:trilogy
748:Titanic
665:In the
602:Wozzeck
319:in his
252:L'Orfeo
184:harmony
3875:Sequel
3859:Retcon
3854:Reboot
3818:Future
3652:Horror
3640:Gothic
3625:Satire
3543:Erotic
3410:Legend
3312:Climax
3186:Bathos
3093:Utopia
2981:Reveal
2880:Cliché
2858:Action
2852:Ab ovo
2791:Tragic
2600:Spinto
2535:Musico
2500:Legato
2385:Arioso
2302:German
2283:Timbre
2248:Encore
2233:Claque
2226:French
2192:Number
2086:Pianto
2061:Figure
2001:Motifs
1866:
1829:Tumblr
1745:21 May
1498:Batman
1404:
1376:
1340:
1304:
1279:
1254:
1226:
1201:
1136:
1111:
1076:
919:Sweden
865:, the
861:, and
836:Hobbit
831:Gondor
829:, and
823:Mordor
805:, the
780:, and
731:Batman
558:Listen
550:Salome
519:, and
358:Wagner
295:critic
265:Grétry
217:rhythm
209:melody
192:operas
180:rhythm
165:figure
3882:Genre
3849:Canon
3800:Tense
3718:Novel
3701:Urban
3613:Prose
3598:Rogue
3523:Crime
3518:Comic
3479:Genre
3449:Novel
3400:Fable
3378:Drama
3343:films
3173:Style
3141:Motif
3131:Moral
3116:Irony
3108:Theme
3021:Trope
2649:Other
2545:Ossia
2390:Banda
2132:terms
2129:Opera
1702:'
1428:'
827:Rohan
678:notes
457:Motiv
334:Verdi
285:of a
283:chord
269:MĂ©hul
261:Gluck
233:theme
3887:List
3808:Past
3667:Hard
3620:Saga
3528:Docu
3484:List
3415:Myth
3370:Form
3258:Tone
3231:Hook
3216:Mood
3211:Mode
3069:city
2956:Pace
2843:Plot
2781:Anti
2776:Hero
2759:Foil
2470:Diva
2375:Aria
2309:Fach
1961:2022
1925:2022
1902:2022
1864:ISBN
1837:2021
1805:2021
1770:2024
1747:2023
1715:2022
1682:2006
1654:2011
1628:2022
1594:2021
1564:2021
1536:2016
1514:2018
1481:2021
1446:2006
1425:Jaws
1402:ISBN
1374:ISBN
1338:ISBN
1302:ISBN
1277:ISBN
1252:ISBN
1224:ISBN
1199:ISBN
1134:ISBN
1109:ISBN
1074:ISBN
915:C418
684:and
668:Jaws
504:and
485:Ring
377:Ring
267:and
144:IPA:
3276:Act
1674:IGN
1170:doi
1066:doi
984:âs
968:'s
964:In
787:In
745:In
619:'s
255:by
194:of
128:or
71:or
3980::
3873:/
1945:.
1916:.
1891:.
1826:.
1795:.
1789:.
1706:.
1671:.
1645:.
1619:.
1585:.
1553:.
1502:.
1470:.
1432:.
1182:^
1166:29
1164:.
1160:.
1148:^
1088:^
1072:.
1064:.
1037:^
932::
880:,
857:,
825:,
821:,
817:,
813:,
809:,
776:,
772:,
734:,
680:,
515:,
508:.
500:,
263:,
236:.
186:,
182:,
110:iË
101:oÊ
92:aÉȘ
67:A
3486:)
3482:(
3314:/
3300:/
2690:e
2683:t
2676:v
2121:e
2114:t
2107:v
1993:e
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