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British
Manufacturing Industries, Leon Arnoux, 1877. "When ... decorated by means of coloured glazes, if these are transparent, it ought to be called Palissy ware , from the name of the great artist who used these for his beautiful works. Messrs. Wedgwood, George Jones, and a few other makers of
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Bouquillon, A & Castaing, J & Barbe, F & Paine, S.R. & Christman, B & Crépin-Leblond, T & Heuer, A.H.. (2016). Lead-Glazed
Rustiques Figulines of Bernard Palissy and his Followers: Archaeometry. 59. 10.1111/arcm.12247. "Summary: Analysis confirms that Palissy used coloured
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as early as the ninth century. It was widely traded across
Britain and the near continent. In Italy during the 15th century lead-glazed wares were improved by the incremental addition of tin oxides under the influence of Islamic wares imported through Sicily, giving rise to
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In lead glazes, tints provided by impurities render greenish to brownish casts, with aesthetic possibilities that are not easily controlled in the kiln. The Romans used lead glazes for high-quality oil lamps and drinking cups. At the same time in China,
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itself is not. Plain lead glaze is shiny and transparent after firing. Coloured lead glazes are shiny and either translucent or opaque after firing. Three other traditional techniques are
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lead glazes, lead silicates with added metal oxides of copper , cobalt , manganese or iron with a small addition of tin to some of the glazes."
310:
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The
Concise Encyclopaedia of English Pottery and Porcelain, 1968, Wolf Mankowitz, Reginald G. Haggar, Andre Deutsch Ltd p.138, 139
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The
American tradition was carried into the 19th century, and raised to a high standard by traditional local potters such as
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Much of Roman technology was lost in the West, but coarse lead-glazed earthenwares were universal in medieval Europe and in
93:(in fact this is lead glaze with a small amount of tin added), which coats the ware with an opaque white glaze suited for
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is lead-glazed earthenware; an early
European attempt at rivalling Chinese porcelains, it does not properly qualify as
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ceramics, where the white clay body was coated with coloured glazes and fired at a temperature of 800 degrees C.
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17:
66:, an iconic example of High Victorian appetite for innovation with humour/whimsy, coloured lead glazes
237:, such as those made in the late 18th century by Ralph Wood the Younger at Burslem, Staffordshire.
187:, which supplanted lead-glazed wares in all but the most rustic contexts. The French 16th-century
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311:"Summary description of Stamford ware from Cambridge University's Department of Archaeology"
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Richard A. Goldthwaite, "The
Economic and Social World of Italian Renaissance Maiolica"
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has invented new glazes that do not fall into these traditional categories.
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215:". Victorian majolica also include Minton's rare tin-glaze products.
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Pottery, British
Manufacturing Industries, Leon Arnoux, 1877, p.42
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effects (i.e. the colours) were obtained by using the oxides of
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less importance, are reproducing it more or less successfully."
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made by Ralph Wood the
Younger, Burslem, c. 1782–1795 (
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refined lead-glazed earthenware to a high standard.
388:British Manufacturing Industries, Gutenberg, 1877.
40:lead-glazed earthenware saddled horse statuette,
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233:Lead-glazed earthenwares in Britain include the
85:body and renders it impervious to liquids, as
286:Victor Bryant, "Ceramics in the Roman world"
27:Earthenware with a lead-based ceramic glaze
211:in the mid-19th century as a revival of "
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129:(25–220 AD) gave rise eventually to the
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29:
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379:Atterbury, Paul, and Batkin, Maureen,
97:brush-painted colored enamel designs;
338:, 42.1 (Spring 1989 pp. 1-32) p. 1.
73:is one of the traditional types of
44:(618–907 AD), coloured lead glazes.
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159:(brownish yellow), and less often
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383:, Antique Collectors' Club, 1990.
59:dish, lead-glazed earthenware,
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203:is predominantly lead-glazed '
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207:' earthenware, introduced by
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227:Victoria & Albert Museum
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174:. In England, lead-glazed
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229:), coloured lead glazes.
71:Lead-glazed earthenware
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180:Stamford, Lincolnshire
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45:
336:Renaissance Quarterly
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155:(which turns green),
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402:The Majolica Society
381:Dictionary of Minton
189:Saint-Porchaire ware
123:green-glazed pottery
115:materials technology
125:dating back to the
257:Victorian majolica
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201:Victorian majolica
143:was the principal
99:salt glaze pottery
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16:(Redirected from
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178:was produced in
172:Colonial America
135:('three-color')
109:glazes of Asian
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319:. Retrieved
315:the original
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252:Palissy ware
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213:Palissy ware
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163:(brown) and
137:Tang dynasty
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42:Tang dynasty
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107:feldspathic
75:earthenware
64: 1875
411:Categories
374:References
321:2015-01-13
149:Polychrome
141:Lead oxide
127:Han period
105:; and the
91:tin-glazed
87:terracotta
18:Lead glaze
235:Toby jugs
167:(blue).
161:manganese
113:. Modern
111:porcelain
103:stoneware
95:overglaze
241:See also
223:Toby jug
205:majolica
185:maiolica
57:game pie
54:majolica
422:Pottery
247:Mintons
209:Mintons
193:faience
77:with a
52:Minton
165:cobalt
153:copper
132:sancai
83:bisque
37:sancai
263:Notes
157:iron
145:flux
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61:c.
34:A
324:.
20:)
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