469:
1775:
532:, renders praises by Brother Wind. Marked Fuga (fugue) and "Energico, ma non troppo allegro", it is set mostly for a four-part choir with orchestra. The brass begins with strong chords, followed by stormy runs in the strings, to which the voices add more and more complex fugues. Only a middle section is devoted to tranquil weather, depicted first by the solo voices. The movement ends in this mood, after another round of fugal singing.
1359:
54:
649:
1800:
580:, men and women appear, after the sun, moon, stars and the four elements. The movement begins, marked Andante soave, with the solo tenor echoed by the women's choir. The text first speaks of forgiving and love, then, intensified, of enduring sickness and tribulation. The soprano solo calls those blessed who wait in peace (Beati quelli, che sosterrano in pace), echoed by the choir.
279:(Basel Choral Society). He was a central figure in the musical life of Basel, as the director of the symphony concerts of the Allgemeine Musikgesellschaft and director of the Liedertafel, municipal music school and conservatory. He was director of the choir from 1902. The composition emerged in the summer of 1923 in
442:
of the third movement and the passacaglia in the fifth movement. Suter used "pictorial and dramatic elements: the first movement evokes the sun", the sparkling of the stars is illustrated in the second movement, the roar of the wind in the third, gurgling water in the fourth, and the blaze and sparks
255:
in the original
Italian. Suter scored the work for soloists, choir, children's choir, organ and large orchestra. It was premiered in 1924, with the composer conducting the Basler Gesangverein on the occasion of its centenary. The oratorio of around 70 minutes is one of Suter's most important works
520:, is focused on Sister Moon and the stars. Marked Andante tranquillo, the orchestra supplies a shimmering and glistening basis for all four soloists, who sing one after the other, beginning with the soprano, and are answered by a four-part women's choir.
568:, focuses on the Earth, called not only Sister but also our mother. It is a solo for the alto, marked "Adagio, ma non troppo". The voice rises from the low register at the beginning to graceful praise of flowers and fruits that earth produces.
608:, all forces join in praise. The children begin, leading to the main section marked Maestoso con allegria. The music grows in intensity and tempo but slows again with the final Amen and ends with a sustained last chord in many voices.
459:
singing. He contrasts musical colours, such as mixed choir with the bright sound of the "ragazzi", tenor with female choir, and soprano with a cappella choir. The last movement reaches a dramatic climax but ends softly and pensively.
260:, who conducted the first performance in Vienna in 1926 and further performances in Europe. Although now performed relatively rarely elsewhere, it has been presented regularly in Switzerland. It was also recorded in 1991 and 2007.
447:
as brothers and sisters, man appears in the seventh movement, shown as forgiving and suffering. Death of the body, addressed as sister, is the topic of the eighth movement, and general praise concludes the work.
556:, is dedicated to Brother Fire. It is marked Passacaglia and Con vigore. The fire is depicted by arpeggios in the strings, above a ground bass of eight measures and 24 variations, sung by the four-part choir.
493:, accompanied by the orchestra. The text speaks of praise of the Almighty Creator. The tenor, echoed by the men's voices, continues by saying that the creatures are not worthy to name their creator.
592:, focuses on Sister Death. It is a solo for the bass, with men's choir and children's choir, marked "Tempo di marcia funebre". After a short introduction, the bass begins in the tempo of a
1261:
1588:
1158:
716:
544:, has the praises by Sister Water. It is a quartet for the soloists, marked "Amabile, tranquillo". The water is depicted by a continuous flow in the woodwinds.
269:
1522:
443:
of fire in the fifth. A gentle alto aria centers on Earth in the sixth movement. After the praise of nature, addressing the sun, the moon, stars and the
701:
1506:
1474:
1450:
1085:"Suter, H.: Laudi di San Francesco d'Assisi (Le) [Oratorio] (Ferrarini, Kasarova, Villa, Rosca, Virágh, Budapest Symphony, A. Ligeti)"
1830:
1482:
1301:
675:
1113:
1268:
596:. The choir echoes in harmonized homophony. After an agitated middle section, the movement closes with another benediction, "Beati".
693:
performed it in
Leipzig. It is still performed today, particularly in Switzerland, where it has a continuous performance tradition.
508:(Brother Sun), is mentioned first by the solo tenor. The movement ends with a reminiscence of the first melody in hymnic homophony.
1715:
1458:
822:
Hermann Suter's oratorio "Le Laudi di San
Francesco d'Assisi": A reflection of Swiss musical life in the early twentieth century
1410:
323:. He dedicated it to the memory of his parents ("Dem Andenken meiner Eltern geweiht"). A performance lasts about 70 minutes.
1498:
1466:
1530:
1490:
864:
1556:
1549:
1514:
1273:
755:
The work was first performed in the United
Kingdom by Choir 2000 on 21 June 2009 at the West Road Concert Hall in
1294:
1184:
1432:
1614:
1760:
1346:
727:
726:
and Marcel Rosca, organist Andras Virágh, the choir and children's choir of the
Hungarian Radio, and the
489:. It is marked Introduzione, and Largamente. The choir, divided in six parts, repeats the same melody in
1825:
1790:
1649:
1287:
1146:
1032:"Herman Suter: Sinfonie D-moll Op. 17; Werner Wehrli: Chilbizite / Bostock, Aargau Symphony Orchestra"
1753:
1580:
790:
1742:
1673:
1657:
1341:
1330:
1214:
689:
conducted it on 20 January 1926 in Vienna and directed further performances in the 1920s. In 1934,
1571:
663:
was on 13 June 1924 in Basel, conducted by the composer, with soloists Eva Bruhn, Maria
Philippi,
1820:
1737:
745:
737:, France, under the musical direction of Jean-Yves Gaudin, and was broadcast the following year.
58:
1031:
1804:
1001:
496:
An interlude leads to the
Allegro section, which the children's voices (ragazzi) begin singing
427:
274:
1084:
686:
500:(Be praised, my Lord, by all your creatures). The other voices, now in four parts, imitate in
257:
1681:
1326:
618:
1389:
280:
8:
1665:
1606:
1373:
252:
114:
1779:
1721:
1689:
957:
712:
706:
668:
861:
Le Laudi di San
Francesco d'Assisi op. 25 / Sonnengesang des Heiligen Franz von Assisi
1697:
1622:
1310:
415:
308:
248:
118:
820:
630:
468:
1415:
1248:
741:
721:
624:
332:
791:"Le Laudi – Eines der größten und schönsten Oratorien der Schweizer Chorliteratur"
697:
1060:
952:
878:
636:
486:
452:
439:
423:
1727:
1394:
760:
759:. Choir 2000 performed the oratorio again on 23 June 2018 in The Saffron Hall,
1137:
1814:
1092:
593:
444:
236:
45:
1747:
690:
680:
435:
311:), choir, children's choir, organ and orchestra. Suter wrote as a subtitle
1336:
1318:
734:
451:
Suter included archaic elements such as unaccompanied singing similar to
419:
379:
349:
283:
in the
Engadine, where Suter spent his holidays. The Italian text is the
228:
93:
1641:
749:
456:
395:
317:(Song of Creation) and gave the choir prime importance in the scoring:
1192:
1732:
756:
578:
Laudato sia, mio
Signore, per quelli, che perdonano, per lo tuo amore
501:
490:
431:
1279:
1774:
1114:"Jean-Yves Gaudin aux Coréades : " Je répète mon bonheur... ""
1056:
664:
652:
232:
41:
616:
The work's intensity of expression and sound has been compared to
1358:
648:
369:
296:
268:
Suter composed the oratorio to mark the 100th anniversary of the
245:
The Praises of St. Francis of Assisi (Canticle of the Creatures))
62:
1215:"Choir 2000 and the Sampson Orchestra / Hermann Suter: Le Laudi"
53:
1276:(contralto in the premiere) greatsingersofthepast.wordpress.com
763:, and in West Road Concert Hall in Cambridge on 24 June 2018.
414:
The work is in the late-Romantic tradition, in particular the
733:
In 2006, the work was videotaped at the Coréades Festival in
359:
304:
300:
241:
Le Laudi di San Francesco d'Assisi (Cantico delle creature)
883:. Incorporated Association of Organists. 1994. p. 363
590:
Laudato sia, mio Signore, per sora nostra morte corporale
402:
Laudato sia, mio Signore, per sora nostra morte corporale
674:
It was published the same year as Opus 25 by publisher
1788:
566:
Laudato sia, mio Signore, per sora nostra matre terra
386:
Laudato sia, mio Signore, per sora nostra matre terra
422:. Suter drew on varied musical resources, including
320:
per Coro, Soli, Voci di ragazzi, Organo ed Orchestra
1002:"Hermann Suter: Le Laudi di San Francesco d'Assisi"
518:
Laudato sia, mio Signore, per sora luna e le stelle
498:
Laudate sia, mio Signore, con tutte le tue creature
346:
Laudato sia, mio Signore, per sora luna e le stelle
392:Laudato sia, mio Signore, per quelli che perdonano
1589:Quatre petites prières de saint François d'Assise
1812:
685:. The work made Suter known beyond Switzerland.
996:
1451:Nativity with Saint Francis and Saint Lawrence
994:
992:
990:
988:
986:
984:
982:
980:
978:
976:
643:
256:and has been championed by conductors such as
1295:
318:
312:
295:The oratorio is scored for four solo voices (
84:
1142:de H. Suter (I), Coréades 2006 à La Rochelle
871:
394:, (tenor and female choir, soprano solo and
335:, according to the praises of the canticle:
1011:(in German). Konzertchor Schaffhausen. 2001
973:
854:
852:
850:
848:
846:
844:
455:in a tenor solo at the very beginning, and
1302:
1288:
944:
784:
782:
780:
778:
776:
52:
1269:International Music Score Library Project
1151:
530:Laudato sia, mio Signore, per frate vento
485:, is sung by the tenor alone, similar to
356:Laudate sia, mio Signore, per frate vento
1716:List of places named after Saint Francis
1251:, Berner Symphonieorchester, Theo Loosli
1065:. Columbia University Press. p. 284
932:
930:
928:
926:
924:
922:
920:
918:
841:
788:
647:
554:Laudato sia, mio Signore, per frate foco
542:Laudato sia, mio Signore, per sor' acqua
467:
376:Laudato sia, mio Signore, per frate foco
366:Laudato sia, mio Signore, per sor' acqua
961:. Vol. 18. J. Flegler. p. 337
950:
916:
914:
912:
910:
908:
906:
904:
902:
900:
898:
773:
1813:
1207:
1177:
1077:
1049:
818:
410:(children's choir, choir and soloists)
326:
1411:Feast of Saints Francis and Catherine
1309:
1283:
1023:
858:
812:
800:(in German). Konzertchor Schaffhausen
696:The oratorio was recorded in 1991 by
481:In the first movement, the beginning
342:, (tenor, choir and children's choir)
1831:Music dedicated to family or friends
1507:Saint Francis Receiving the Stigmata
1483:Saint Francis Receiving the Stigmata
940:(in German). Hug Musikverlage. 1924.
895:
404:, (bass, choir and children's choir)
106:centenary of the Basler Gesangverein
1055:
740:In 2007, Theo Loosli conducted the
157:in memory of the composer's parents
13:
1523:Saint Francis of Assisi in Ecstasy
1475:Saint Francis of Assisi in Ecstasy
1263:Le Laudi di San Francesco d’Assisi
1245:Le Laudi di San Francesco d’Assisi
1237:
1062:An Outline of the History of Music
1029:
938:Hermann Suter / Opus 25 / Le Laudi
483:Altissimo onnipotente, bon Signore
340:Altissimo onnipotente, bon Signore
86:Le Laudi di San Francesco d'Assisi
14:
1842:
1550:All Creatures of Our God and King
1255:
1798:
1773:
1357:
819:Carney, Timothy Francis (1995).
1243:Jens Markowsky: liner notes to
1131:
1106:
859:Giese, Detlef (18 April 2012).
16:1924 oratorio by Hermann Suter
1:
1761:Pranchiyettan & the Saint
1433:Little Flowers of St. Francis
766:
748:in a recording for the label
611:
606:Laudate e benedite mi Signore
418:, unaffected by the emerging
408:Laudate e benedite mi Signore
1347:Third Order of Saint Francis
951:Flegler, Joel Bruce (1995).
463:
7:
1459:Saint Francis in Meditation
728:Budapest Symphony Orchestra
644:Performances and recordings
10:
1847:
1650:The Flowers of St. Francis
1355:
290:
263:
32:di San Francesco d'Assisi
1770:
1754:The Sermon of St. Francis
1708:
1633:
1598:
1541:
1442:
1424:
1403:
1382:
1366:
1317:
576:In the seventh movement,
472:Hermann Suter (1870–1926)
190:
182:
161:
153:
132:
124:
110:
102:
92:
80:
70:
51:
40:
30:
23:
1743:Society of Saint Francis
1674:Brother Sun, Sister Moon
1626:(1983 Stockhausen opera)
1342:Secular Franciscan Order
1331:Custody of the Holy Land
1118:lanouvellerepublique.fr/
789:Helbling, Guido (2013).
34:(Cantico delle creature)
1738:Prayer of Saint Francis
1615:Saint François d'Assise
1557:The Canticle of the Sun
1467:Saint Francis in Prayer
746:Bern Symphony Orchestra
604:In the final movement,
59:Saint Francis of Assisi
1780:Catholicism portal
1531:St. Francis in Ecstasy
1515:St. Francis in Ecstasy
656:
504:. The first creature,
473:
319:
314:Cantico delle creature
313:
287:of Francis of Assisi.
235:by the Swiss composer
166:13 June 1924
85:
61:by the Italian artist
1618:(1983 Messiaen opera)
1395:Nativity scene (live)
1327:Order of Friars Minor
865:Berliner Singakademie
730:, for the label MGB.
651:
619:Ein deutsches Requiem
588:The eighth movement,
540:The fourth movement,
516:The second movement,
471:
438:, for example in the
362:, soloists and choir)
352:, soloists and choir)
1526:(studio of El Greco)
1390:Sanctuary of Greccio
1337:Order of Saint Clare
700:conducting soloists
599:
583:
571:
564:The sixth movement,
559:
552:The fifth movement,
547:
535:
528:The third movement,
523:
511:
476:
331:Suter composed nine
239:. The full title is
1666:Francesco di Assisi
1607:Nobilissima Visione
1374:Canticle of the Sun
827:ideals.illinois.edu
687:Wilhelm Furtwängler
628:by Liszt, Franck's
327:Structure and music
270:Basler Gesangverein
258:Wilhelm Furtwängler
253:Canticle of the Sun
115:Canticle of the Sun
1722:Madonna of Foligno
1584:(Reulein oratorio)
713:Vesselina Kasarova
669:Heinrich Rehkemper
657:
474:
1826:Francis of Assisi
1786:
1785:
1698:Clare and Francis
1658:Francis of Assisi
1623:Samstag aus Licht
1311:Francis of Assisi
1009:konzertchor-sh.ch
880:Organists' review
798:konzertchor-sh.ch
416:New German School
249:Francis of Assisi
216:
215:
119:Francis of Assisi
1838:
1803:
1802:
1801:
1794:
1778:
1777:
1568:(Suter oratorio)
1425:Literature about
1416:World Animal Day
1367:Works by Francis
1361:
1304:
1297:
1290:
1281:
1280:
1274:"Maria Philippi"
1267:: Scores at the
1249:Berner Bach-Chor
1231:
1230:
1228:
1226:
1211:
1205:
1204:
1202:
1200:
1191:. Archived from
1181:
1175:
1174:
1172:
1170:
1165:(in Dutch). 2007
1155:
1149:
1143:
1135:
1129:
1128:
1126:
1124:
1110:
1104:
1103:
1101:
1099:
1081:
1075:
1074:
1072:
1070:
1053:
1047:
1046:
1044:
1042:
1027:
1021:
1020:
1018:
1016:
1006:
998:
971:
970:
968:
966:
948:
942:
941:
934:
893:
892:
890:
888:
875:
869:
868:
856:
839:
838:
836:
834:
816:
810:
809:
807:
805:
795:
786:
742:Berner Bach-Chor
725:
710:
684:
659:The premiere of
637:Messa da Requiem
322:
316:
285:Cantico del Sole
278:
203:children's choir
178:
177:
173:
171:
149:
148:
144:
142:
88:
56:
35:
21:
20:
1846:
1845:
1841:
1840:
1839:
1837:
1836:
1835:
1811:
1810:
1809:
1805:Classical music
1799:
1797:
1789:
1787:
1782:
1772:
1766:
1704:
1629:
1594:
1537:
1438:
1420:
1399:
1378:
1362:
1353:
1313:
1308:
1265:(Hermann Suter)
1258:
1240:
1238:Further reading
1235:
1234:
1224:
1222:
1213:
1212:
1208:
1198:
1196:
1195:on 2 March 2024
1183:
1182:
1178:
1168:
1166:
1157:
1156:
1152:
1138:
1136:
1132:
1122:
1120:
1112:
1111:
1107:
1097:
1095:
1083:
1082:
1078:
1068:
1066:
1054:
1050:
1040:
1038:
1030:Dubins, Jerry.
1028:
1024:
1014:
1012:
1004:
1000:
999:
974:
964:
962:
949:
945:
936:
935:
896:
886:
884:
877:
876:
872:
857:
842:
832:
830:
817:
813:
803:
801:
793:
787:
774:
769:
719:
704:
702:Alida Ferrarini
678:
646:
614:
602:
586:
574:
562:
550:
538:
526:
514:
487:Gregorian chant
479:
466:
453:Gregorian chant
440:quadruple fugue
424:Gregorian chant
329:
293:
272:
266:
212:
175:
169:
167:
165:
146:
140:
138:
136:
66:
33:
17:
12:
11:
5:
1844:
1834:
1833:
1828:
1823:
1821:1924 oratorios
1808:
1807:
1784:
1783:
1771:
1768:
1767:
1765:
1764:
1757:
1750:
1745:
1740:
1735:
1730:
1728:Wolf of Gubbio
1725:
1718:
1712:
1710:
1706:
1705:
1703:
1702:
1694:
1686:
1678:
1670:
1662:
1654:
1646:
1637:
1635:
1631:
1630:
1628:
1627:
1619:
1611:
1602:
1600:
1596:
1595:
1593:
1592:
1585:
1577:
1569:
1561:
1553:
1545:
1543:
1539:
1538:
1536:
1535:
1527:
1519:
1511:
1503:
1495:
1487:
1479:
1471:
1463:
1455:
1446:
1444:
1440:
1439:
1437:
1436:
1428:
1426:
1422:
1421:
1419:
1418:
1413:
1407:
1405:
1401:
1400:
1398:
1397:
1392:
1386:
1384:
1380:
1379:
1377:
1376:
1370:
1368:
1364:
1363:
1356:
1354:
1352:
1351:
1350:
1349:
1339:
1334:
1323:
1321:
1315:
1314:
1307:
1306:
1299:
1292:
1284:
1278:
1277:
1271:
1257:
1256:External links
1254:
1253:
1252:
1239:
1236:
1233:
1232:
1206:
1176:
1159:"Uitvoeringen"
1150:
1130:
1105:
1076:
1048:
1036:arkivmusic.com
1022:
972:
943:
894:
870:
840:
811:
771:
770:
768:
765:
761:Saffron Walden
645:
642:
631:Les BĂ©atitudes
613:
610:
601:
598:
585:
582:
573:
570:
561:
558:
549:
546:
537:
534:
525:
522:
513:
510:
478:
475:
465:
462:
412:
411:
405:
399:
389:
383:
373:
363:
353:
350:In modo dorico
343:
328:
325:
292:
289:
265:
262:
247:. The text is
214:
213:
211:
210:
207:
204:
201:
198:
194:
192:
188:
187:
184:
180:
179:
163:
159:
158:
155:
151:
150:
134:
130:
129:
126:
122:
121:
112:
108:
107:
104:
100:
99:
96:
90:
89:
82:
78:
77:
72:
68:
67:
57:
49:
48:
38:
37:
28:
27:
15:
9:
6:
4:
3:
2:
1843:
1832:
1829:
1827:
1824:
1822:
1819:
1818:
1816:
1806:
1796:
1795:
1792:
1781:
1776:
1769:
1763:
1762:
1758:
1755:
1751:
1749:
1746:
1744:
1741:
1739:
1736:
1734:
1731:
1729:
1726:
1724:
1723:
1719:
1717:
1714:
1713:
1711:
1707:
1700:
1699:
1695:
1692:
1691:
1687:
1684:
1683:
1679:
1676:
1675:
1671:
1668:
1667:
1663:
1660:
1659:
1655:
1652:
1651:
1647:
1644:
1643:
1639:
1638:
1636:
1632:
1625:
1624:
1620:
1617:
1616:
1612:
1610:(1938 ballet)
1609:
1608:
1604:
1603:
1601:
1597:
1591:
1590:
1586:
1583:
1582:
1578:
1576:
1574:
1573:LĂ©gende No. 1
1570:
1567:
1566:
1562:
1559:
1558:
1554:
1551:
1547:
1546:
1544:
1540:
1533:
1532:
1528:
1525:
1524:
1520:
1517:
1516:
1512:
1509:
1508:
1504:
1501:
1500:
1496:
1493:
1492:
1491:SĂŁo Francisco
1488:
1485:
1484:
1480:
1477:
1476:
1472:
1469:
1468:
1464:
1461:
1460:
1456:
1453:
1452:
1448:
1447:
1445:
1441:
1435:
1434:
1430:
1429:
1427:
1423:
1417:
1414:
1412:
1409:
1408:
1406:
1402:
1396:
1393:
1391:
1388:
1387:
1385:
1381:
1375:
1372:
1371:
1369:
1365:
1360:
1348:
1345:
1344:
1343:
1340:
1338:
1335:
1332:
1328:
1325:
1324:
1322:
1320:
1319:Organisations
1316:
1312:
1305:
1300:
1298:
1293:
1291:
1286:
1285:
1282:
1275:
1272:
1270:
1266:
1264:
1260:
1259:
1250:
1246:
1242:
1241:
1220:
1216:
1210:
1194:
1190:
1189:choir2000.org
1186:
1180:
1164:
1160:
1154:
1148:
1144:
1141:
1134:
1119:
1115:
1109:
1094:
1093:Naxos Records
1090:
1086:
1080:
1064:
1063:
1058:
1052:
1037:
1033:
1026:
1010:
1003:
997:
995:
993:
991:
989:
987:
985:
983:
981:
979:
977:
960:
959:
954:
947:
939:
933:
931:
929:
927:
925:
923:
921:
919:
917:
915:
913:
911:
909:
907:
905:
903:
901:
899:
882:
881:
874:
866:
863:(in German).
862:
855:
853:
851:
849:
847:
845:
828:
824:
823:
815:
799:
792:
785:
783:
781:
779:
777:
772:
764:
762:
758:
753:
751:
747:
743:
738:
736:
731:
729:
723:
718:
717:Eduardo Villa
714:
708:
703:
699:
698:András Ligeti
694:
692:
688:
682:
677:
672:
670:
666:
662:
655:, tenor, 1912
654:
650:
641:
639:
638:
633:
632:
627:
626:
621:
620:
609:
607:
597:
595:
594:funeral march
591:
581:
579:
569:
567:
557:
555:
545:
543:
533:
531:
521:
519:
509:
507:
503:
499:
494:
492:
488:
484:
470:
461:
458:
454:
449:
446:
445:four elements
441:
437:
433:
429:
428:Impressionism
425:
421:
417:
409:
406:
403:
400:
397:
393:
390:
388:, (alto solo)
387:
384:
381:
377:
374:
371:
367:
364:
361:
357:
354:
351:
347:
344:
341:
338:
337:
336:
334:
324:
321:
315:
310:
306:
302:
298:
288:
286:
282:
276:
271:
261:
259:
254:
250:
246:
242:
238:
237:Hermann Suter
234:
230:
226:
222:
221:
208:
205:
202:
199:
196:
195:
193:
189:
185:
181:
164:
160:
156:
152:
135:
131:
127:
123:
120:
116:
113:
109:
105:
101:
97:
95:
91:
87:
83:
79:
76:
73:
69:
64:
60:
55:
50:
47:
46:Hermann Suter
43:
39:
36:
29:
26:
22:
19:
1759:
1748:Pope Francis
1720:
1701: (2007)
1696:
1693: (2002)
1688:
1685: (1989)
1680:
1677: (1972)
1672:
1669: (1966)
1664:
1661: (1961)
1656:
1653: (1950)
1648:
1645: (1918)
1640:
1621:
1613:
1605:
1587:
1579:
1572:
1564:
1563:
1555:
1529:
1521:
1513:
1505:
1497:
1489:
1481:
1478:(Caravaggio)
1473:
1470:(Caravaggio)
1465:
1462:(Caravaggio)
1457:
1454:(Caravaggio)
1449:
1431:
1262:
1244:
1223:. Retrieved
1219:westroad.org
1218:
1209:
1197:. Retrieved
1193:the original
1188:
1179:
1167:. Retrieved
1163:muziekweb.nl
1162:
1153:
1139:
1133:
1121:. Retrieved
1117:
1108:
1096:. Retrieved
1088:
1079:
1069:26 September
1067:. Retrieved
1061:
1051:
1039:. Retrieved
1035:
1025:
1013:. Retrieved
1008:
965:26 September
963:. Retrieved
956:
946:
937:
887:26 September
885:. Retrieved
879:
873:
860:
831:. Retrieved
826:
821:
814:
802:. Retrieved
797:
754:
739:
732:
695:
691:Karl Straube
673:
660:
658:
635:
634:and Verdi's
629:
623:
617:
615:
605:
603:
589:
587:
577:
575:
565:
563:
553:
551:
541:
539:
529:
527:
517:
515:
505:
497:
495:
482:
480:
450:
436:counterpoint
413:
407:
401:
391:
385:
375:
365:
355:
345:
339:
330:
294:
284:
267:
244:
240:
231:. 25, is an
224:
219:
218:
217:
74:
31:
24:
18:
1690:St. Francis
1581:Laudato si'
1494:(Gonçalves)
735:La Rochelle
720: [
705: [
679: [
622:by Brahms,
420:dodecaphony
380:Passacaglia
273: [
225:The Praises
75:The Praises
65:(1240–1302)
1815:Categories
1642:Frate Sole
1534:(Zurbarán)
1510:(van Eyck)
1502:(Zurbarán)
1499:St Francis
1443:Visual art
1185:"About us"
953:"Le Laudi"
767:References
750:Ars Musici
612:Evaluation
506:frate sole
457:a cappella
396:a cappella
372:, soloist)
170:1924-06-13
154:Dedication
81:Full title
1733:Discalced
1682:Francesco
1560:(Sowerby)
1518:(Bellini)
1225:6 October
1169:4 October
1098:4 October
1089:naxos.com
1057:Nef, Karl
1041:4 October
833:4 October
804:4 October
757:Cambridge
676:Musik Hug
502:polyphony
491:homophony
464:Movements
432:polyphony
370:Quartetto
333:movements
209:orchestra
183:Movements
162:Performed
1756:" (poem)
1565:Le Laudi
1486:(Giotto)
1140:Le Laudi
1059:(1947).
829:(Thesis)
665:Karl Erb
661:Le Laudi
653:Karl Erb
625:Christus
382:, choir)
233:oratorio
220:Le Laudi
197:Soloists
133:Composed
125:Language
103:Occasion
42:Oratorio
25:Le Laudi
1709:Related
1575:(Liszt)
1383:Created
1199:2 March
1147:YouTube
1123:8 March
1015:2 March
958:Fanfare
297:soprano
291:Scoring
264:History
191:Scoring
168: (
139: (
128:Italian
71:English
63:Cimabue
1791:Portal
1404:Honors
1221:. 2018
398:choir)
1634:Films
1599:Stage
1542:Music
1005:(PDF)
794:(PDF)
724:]
709:]
683:]
305:tenor
277:]
206:organ
200:choir
176:Basel
147:Basel
1227:2012
1201:2024
1171:2019
1125:2020
1100:2019
1071:2012
1043:2019
1017:2024
967:2012
889:2012
835:2019
806:2019
744:and
667:and
434:and
360:Fuga
309:bass
307:and
301:alto
281:Sils
141:1924
137:1924
111:Text
94:Opus
1145:on
378:, (
368:, (
348:, (
251:'s
227:),
117:by
44:by
1817::
1247:,
1217:.
1187:.
1161:.
1116:.
1091:.
1087:.
1034:.
1007:.
975:^
955:.
897:^
843:^
825:.
796:.
775:^
752:.
722:de
715:,
711:,
707:it
681:de
671:.
640:.
430:,
426:,
303:,
299:,
275:de
229:Op
174::
145::
98:25
1793::
1752:"
1552:"
1548:"
1333:)
1329:(
1303:e
1296:t
1289:v
1229:.
1203:.
1173:.
1127:.
1102:.
1073:.
1045:.
1019:.
969:.
891:.
867:.
837:.
808:.
600:9
584:8
572:7
560:6
548:5
536:4
524:3
512:2
477:1
358:(
243:(
223:(
186:9
172:)
143:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
