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173:"The main subject matter of the Lavani is the love between man and woman in various forms. Married wife's menstruation, sexual union between husband and Wife, their love, soldier's amorous exploits, the wife's bidding farewell to the husband who is going to join the war, pangs of separation, adulterous love - the intensity of adulterous passion, childbirth: these are all the different themes of the Lavani. The Lavani poet out-steps the limits of social decency and control when it comes to the depiction of sexual passion."
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main sections. Lavani poet Bashir Momin
Kavathekar had written Lavani's extensively for Tamasha Troups of Maharshtra during the late twentieth century. And, when the Lavani is sung in a closed chamber for a private and select audience by a girl sitting before the audience, it came to be known as Baithakichi Lavani. Notably, it is a kind of Mujra strictly performed for men and away from the village with no access for ladies or families to watch. The songs were written in sexually explicit double meaning.
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was a popular choice amongst the famous Lavani
Dancers and his compositions had been presented on stage by various artists like Ms. Surekha Punekar, Ms. Sandhya Mane, Ms. Roshan Satarkar and many Tamasha Troupes since the early 1970s. His folk songs & Lavani's enthralled the audiences, helped in
140:, which are sung along with dance, are usually naughty and erotic in nature. It is believed their origin is in the Prakrit Gathas collected by Hala. The Nirguni Lavani (philosophical) and the Shringari Lavani (sensual) are the two types. The devotional music of the Nirguni cult is popular all over
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Traditionally, this genre of folk dance deals with different and varied subject matters such as society, religion and politics. The songs in 'Lavani' are mostly emotional in sentiment and the dialogues tend to be pungent in socio-political satire. Originally, it was used as a form of entertainment
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Lavani developed into two distinct performances, namely
Phadachi Lavani and Baithakichi Lavani. The Lavani sung and enacted in a public performance before a large audience in a theatrical atmosphere is called Phadachi Lavani and all the Tamasha Troupe (phad) in Maharastra present it as one of its
436:
72:, a percussion instrument. Lavani is noted for its powerful rhythm. Lavani has contributed substantially to the development of Marathi folk theatre. In Maharashtra and southern Madhya Pradesh it is performed by the female performers wearing nine-yard long
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are well known artiste presenting Lavani on stage. Lavani can also be termed as a romantic song sung by a lady who is waiting for her lover to accept her, who longs for his love. Many Lavani dancers are from some
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of length around 9 yards. They form a bun (juda in Hindi or ambada in marathi) with their hair. They wear heavy jewellery that includes thushi (necklace), bormaal, pohehaar, zumka (earrings),
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221:(1 August 1920 – 18 July 1969) and Bashir Momin Kavathekar (1 March 1947 – 12 November 2021) has contributed significantly for the development of this genre of music. Lokshahir
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sustaining popularity of the 'Tamasha' and earned him 'Vithabai
Narayangavkar Lifetime Achievement Award' for his lifelong contribution. Honaji Bala introduced
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of dark red color on their forehead. The sari they wear is called nauvari. The sari is wrapped and is more comfortable compared to other sari types.
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Shirgaonkar, Varsha ""Glimpses of
Jewellery in Lavanis" " Rasika-Bharati ( Prof. R. C. Parikh Commemorative Volume) (2005)
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Dr. Bokil, Neelam (30 November 2022). "Chapter 18: महाराष्ट्रका लोक संगीत एवं लोक कलाकार". In Dr. Mukadam, Kedar (ed.).
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Although the beginnings of Lavani can be traced back to the 1560s, it came into prominence during the later days of the
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not only attempted to blend traditional music with social messages but also helped portray Lavani in a positive light.
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Marathi films played an important role in making the Lavani genre accessible to the masses. Movies such as
Pinjara and
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There are also men that dance in Lavani along with the ladies. They are called nat (male dancer) usually the
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Shringar Lavani is mostly sung and danced on the stage by a female and written by a male.
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in the 18th and 19th century. Lavani dancers were patronised by
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Shirgaonkar, Varsha. "“Lavanyanmadhil
Samajik Pratibimba”." Chaturang, Loksatta (1997).
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402:"लोककला जिवंत ठेवणारी लेखणी विसावली", ‘दै. लोकमत- पुणे’, दि. १४-नोव्हेंबर-२०२१
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The
Encyclopaedia of Indian Literature (Volume Two) (Devraj To Jyoti)
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The
Encyclopaedia of Indian Literature (Volume Two) (Devraj To Jyoti)
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rule. Several celebrated Marathi Shahir poet-singers, which include
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According to a tradition, the word Lavani is derived from the word '
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also called Lugade saree. The songs are sung in a quick tempo.
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475:. Maharaja Sayajirao University of Baroda. pp. 85–90.
217:(1754-1844), Prabhakar (1769-1843), Saganbhau, Lok Shahir
450:लेखणीतून ग्रामीण लोककला संपन्न करणारे- बशीर मोमीन कवठेकर!
311:. New Delhi: A. P. H. Publishing Corp. p. 521.
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Pune Mahanagar Parivahan Mahamandal Limited (PMPML)
194:. These men dance in support with the lead dancer.
421:Medieval Indian Literature: an anthology, Volume 3
247:are the popular present-day exponents of Lavani.
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345:"Lavani- Traditional Maharashtrian Dance"
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111:Lavani dance was generally performed by
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461:, “दै. पुढारी, पुणे”, २३-एप्रिल-२०१५
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334:, Volume 2 by Amaresh Datta, p. 1304
391:History of Indian Theatre, Volume 2
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58:) is a genre of music popular in
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236:. He also developed the
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238:Baithakichi Lavani
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175:K. Ayyappapanicker
131:History and genres
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877:
875:
872:
871:
869:
865:
859:
858:Chaskaman Dam
856:
854:
851:
849:
848:Varasgaon Dam
846:
844:
841:
839:
836:
834:
831:
829:
826:
824:
821:
820:
818:
814:
808:
805:
803:
800:
798:
795:
793:
790:
789:
787:
783:
777:
774:
772:
769:
767:
764:
762:
759:
757:
754:
752:
749:
747:
744:
742:
739:
737:
734:
733:
731:
727:
722:
712:
709:
707:
704:
702:
699:
697:
694:
692:
689:
688:
686:
682:
679:
675:
665:
662:
661:
659:
655:
649:
646:
644:
641:
639:
636:
634:
631:
629:
626:
624:
621:
619:
616:
614:
613:Shaniwar Wada
611:
609:
606:
604:
601:
599:
598:Purandar Fort
596:
594:
591:
589:
586:
584:
581:
579:
576:
574:
571:
570:
568:
564:
558:
555:
553:
550:
548:
545:
544:
542:
538:
535:
531:
526:
525:Pune district
519:
514:
512:
507:
505:
500:
499:
496:
490:
487:
486:
474:
467:
458:
451:
445:
438:
434:
429:
422:
417:
408:
399:
392:
387:
380:
375:
366:
350:
346:
340:
333:
328:
320:
314:
310:
309:
301:
297:
290:
288:
283:
281:
277:
274:
270:
265:
261:
257:
253:
248:
246:
241:
239:
235:
234:
229:
224:
220:
216:
213:(1744-1819),
212:
209:(1762–1812),
208:
205:(1754-1844),
204:
200:
195:
193:
184:
178:
176:
169:
167:
163:
159:
149:
145:
143:
139:
128:
126:
122:
118:
114:
109:
107:
93:
89:
87:
77:
75:
71:
70:
65:
61:
53:
49:
40:
36:
32:
27:
22:
19:
1624:Shivajinagar
1586:Vidhan Sabha
1505:
1476:Pune Airport
1426:Deccan Queen
1251:Rainbow BRTS
785:Conservation
766:Pavana River
729:Water bodies
711:Tamhini Ghat
701:Malshej Ghat
643:Visapur Fort
608:Sangram Durg
472:
466:
457:
444:
428:
420:
416:
407:
398:
390:
386:
378:
374:
365:
353:. Retrieved
348:
339:
331:
327:
307:
300:
284:
249:
242:
237:
231:
227:
196:
189:
172:
155:
146:
138:Lavani Songs
137:
134:
110:
103:
85:
83:
67:
47:
46:
41:17th century
18:
1154:Narayangaon
1022:MCA Stadium
955:Pataleshwar
914:Tulja Caves
889:Karla Caves
879:Bhaja Caves
874:Bedse Caves
843:Temghar Dam
833:Panshet Dam
776:Pashan Lake
771:Katraj Lake
756:Mutha River
736:Bhima River
696:Katraj Ghat
603:Rajgad Fort
215:Honaji Bala
211:Anant Fandi
125:Maharashtra
119:living in
106:Maharashtra
60:Maharashtra
1653:Categories
1604:Kasba Peth
1521:Puran poli
1279:Pune Metro
1164:Ranjangaon
853:Walwan Dam
828:Mulshi Dam
807:Ujjani Dam
761:Nira River
746:Mula River
633:Torna Fort
349:Utsavpedia
293:References
203:Parasharam
1634:Chinchwad
1553:Lok Sabha
1202:Transport
1037:and towns
991:Sarasbaug
923:Monuments
691:Bhor Ghat
677:Geography
657:Terrorism
648:Vishalgad
638:Tung Fort
593:Mangalgad
588:Malhargad
578:Lal Mahal
355:3 October
207:Ram Joshi
1599:Baramati
1594:Ambegaon
1566:Baramati
1288:Stations
1236:MH SH 27
1149:Mangdari
1134:Lonavala
1119:Khandala
1099:Jambhali
1066:Baramati
950:Lenyadri
706:Naneghat
623:Sinhagad
618:Shivneri
287:Natarang
152:Dress-up
117:Shepherd
113:Dhangars
86:Lavanya'
1609:Kothrud
1494:Culture
1267:Systems
1260:By rail
1209:By road
1144:Manchar
1139:Malavli
1114:Kamshet
1094:Indapur
583:Lohagad
573:Korigad
540:Battles
533:History
276:Kolhati
192:kinnars
162:Ghungru
121:Solapur
52:Marathi
1629:Pimpri
1571:Shirur
1506:Lavani
1501:Chikki
1469:By air
1394:Trains
1174:Shirur
1169:Saswad
1109:Junnar
1104:Jejuri
1079:Alandi
1035:Cities
628:Tikona
527:topics
315:
280:Matang
278:, and
269:castes
233:dholki
199:Peshwa
100:Origin
74:sarees
69:Dholki
48:Lavani
24:Lavani
1614:Maval
1576:Maval
1231:NH 65
1226:NH 60
1221:NH 48
1061:Daund
1044:Major
867:Caves
684:Ghats
566:Forts
435:, दै.
273:Mahar
228:tabla
166:bindi
142:Malwa
64:India
56:लावणी
1561:Pune
1511:Osho
1089:Dehu
1084:Bhor
1051:Pune
816:Dams
357:2021
313:ISBN
158:sari
115:or
1655::
347:.
282:.
258:,
144:.
127:.
123:,
62:,
54::
517:e
510:t
503:v
359:.
321:.
50:(
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