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On this Monday evening, Dr. Bauza leaned over the piano and instructed Varona to play the same piano vamp he did the night before. Varona's left hand began the introduction of
Gilberto Valdes' El Botellero. Bauza then instructed Julio Andino what to play; then the saxes; then the trumpets. The broken
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The first band to explore jazz arranging techniques with authentic Afro-Cuban rhythms on a consistent basis giving it a unique identifiable sound that no other band in the genre of Afro-Cuban based dance music had at the time. Cuban big band arranger Chico O'Farill stated: "This was a new concept in
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has a habanera-tresillo bass line. Handy noted a reaction to the habanera rhythm included in Will H. Tyler's "Maori": "I observed that there was a sudden, proud and graceful reaction to the rhythm...White dancers, as I had observed them, took the number in stride. I began to suspect that there was
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Most jazz histories emphasize the narrative that jazz is exclusively an
American music—a style created by African Americans in the early 20th century, fusing elements of African rhythm and improvisations with European instrumentation, harmonies, and formal structures. The influences of musics from
363:
is in the style known as ponchando, a type of non-arpeggiated guajeo using block chords. The sequence of attack-points is emphasized, rather than a sequence of different pitches. As a form of accompaniment it can be played in a strictly repetitive fashion or as a varied motif akin to jazz comping.
465:
concept and terminology. A chord progression can begin on either side of clave. When the progression begins on the three-side, the song or song section is said to be in 3–2 clave. When the chord progression begins on the two-side, it is in 2–3 clave. In North
America, salsa and Latin jazz charts
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Thereafter, whenever "Tanga" was played, it sounded different, depending on a soloist's individuality. In August 1948, when trumpeter Howard McGhee soloed with
Machito's orchestra at the Apollo Theatre, his ad-libs to "Tanga" resulted in "Cu-Bop City," a tune which was recorded by Roost Records
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It is probably safe to say that by and large the simpler
African rhythmic patterns survived in jazz ... because they could be adapted more readily to European rhythmic conceptions. Some survived, others were discarded as the Europeanization progressed. It may also account for the fact that
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The
Machito orchestra's ten- or fifteen-minute jams were the first in Latin music to break away from the traditional under-four-minute recordings. In February 1949, the Machito orchestra became the first to set a precedent in Latin music when it featured tenor saxophonist Flip Phillips in a
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and
Birdland between 1948 and 1949, when Howard McGhee, tenor saxophonist Brew Moore, Charlie Parker and Dizzy Gillespie sat in with the Machito orchestra, were unrehearsed, uninhibited, unheard-of-before jam sessions which at the time, master of ceremonies Symphony Sid called
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The first band to successfully wed jazz big band arranging techniques within an original composition with jazz oriented soloists utilizing an authentic Afro-Cuban based rhythm section in a successful manner. e.g. Gene
Johnson - alto, Brew Moore - tenor, composition - "Tanga"
596:, which is considered by some to be the first Latin jazz recording by American jazz musicians. The Kenton band was augmented by Ivan Lopez on bongos and Eugenio Reyes on maracas. Later, on December 6 the same year, Stan Kenton recorded an arrangement of the Afro-Cuban tune "
1132:'s Afro-Latin Jazz Orchestra, Bobby Sanabria's Multiverse Big Band, Raices Jazz Orchestra, Mambo Legends Orchestra, Pacific Mambo Orchestra, as well as others. In Latin jazz bands, percussion is often featured in solos. Contemporary Latin jazz pieces by musicians such as
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Now in one of my earliest tunes, "New
Orleans Blues," you can notice the Spanish tinge. In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning, I call it, for jazz—Morton (1938: Library of Congress
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The first band to explore modal harmony (a concept explored much later by Miles Davis and Gil Evans) from a jazz arranging perspective through their recording of "Tanga." Of note is the sheet of sound effect in the arrangement through the use of multiple
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something
Negroid in that beat." After noting a similar reaction to the same rhythm in "La Paloma", Handy included this rhythm in his "St. Louis Blues", the instrumental copy of "Memphis Blues", the chorus of "Beale Street Blues", and other compositions.
1193:, and Jerry and Andy Gonzalez in the broader jazz cannon. From this perspective, all jazz, including Latin Jazz, is not viewed as a uniquely American expression, but rather as "a global music" that is "transcultural in its stylistic scope."
1173:, to the music's Post-War development in New York City, and to the continued evolution of jazz in twenty-first century urban centers. Proponents of this view advocate for the inclusion of influential Caribbean band leaders including Frank
285:, a habanera-based pattern. The big four (below) was the first syncopated bass drum pattern to deviate from the standard on-the-beat march. As the example below shows, the second half of the big four pattern is the habanera rhythm.
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explore the concept of clave counterpoint from an arranging standpoint. The ability to weave seamlessly from one side of the clave to the other without breaking its rhythmic integrity within the structure of a musical
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format made popular in the 1950s in America, where the musicians play a standard melody, many of the musicians play an improvised solo, and then everyone plays the melody again. Prominent Latin jazz big bands include
867:
856:, but the second note on the two-side is delayed by one pulse (subdivision). The pattern is shown below in 2/4, as it is written in Brazil. In North American charts it is more likely to be written in cut-time.
220:
470:(2/2); this is most likely the influence of jazz conventions. When clave is written in two measures (above) changing from one clave sequence to the other is a matter of reversing the order of the measures.
232:
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396:, heard pianist Luis Varona and bassist Julio Andino play El Botellero composition and arrangements of the Cuban-born Gilberto Valdez which would serve as a permanent sign off (end the dance) tune.
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rehearsal on May 29, 1943, at the Park Palace Ballroom, at 110th Street and 5th Avenue. At this time, Machito was at Fort Dix (New Jersey) in his fourth week of basic training. The day before at
751:) brought significant popularity of this musical style in Brazil and elsewhere in Latin America, which spread to North America via visiting American jazz musicians. The resulting recordings by
1063:, which released three albums in 1978, 1980 and 1982. While Vasconcelos uses Afro-Brazilian rhythms and instruments, he like Airto, transcend the categories of Brazilian jazz and Latin jazz.
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is a hybrid form based on the samba rhythm, but influenced by European and American music from Debussy to US jazz. Bossa nova originated in the 1950s, largely from the efforts of Brazilians
627:. The song begins with the bass repeatedly playing 6 cross-beats per each measure of 12/8, or 6 cross-beats per 4 main beats—6:4 (two cells of 3:2). The following example shows the original
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make little mention of Latin jazz. More recent scholarship has challenged this paradigm, arguing that music from the Caribbean and Latin American were essential to the emergence of early
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674:, it is more complex harmonically and less percussive. Bossa nova emerged primarily from the upscale beachside neighborhoods of Rio de Janeiro as opposed to samba's origins in the
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982:. Besides energetic rhythmic textures, Airto added percussion color, using bells, shakers, and whistles to create evocative textures of timbre. Airto paved the way for other
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to the United States. Once in the U.S., Airto introduced Afro-Brazilian folkloric instruments into a wide variety of jazz styles, in ways that had not been done before. In
481:
interpreting Cuban music with as much (harmonic) richness as possible. You have to understand how important this was. It made every other band that came after, followers."
488:
The first big band to explore, from an Afro-Cuban rhythmic perspective, large-scale extended compositional works. e.g. "The Afro-Cuban Jazz Suite" by Chico O'Farill.
1157:—have received little or no mention in standard jazz textbooks used in most American universities. Likewise, the influential 1973 compilation of recordings, the
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and his Afro-Cubans the same year, 1943. The tune was initially a descarga (Cuban jam) with jazz solos superimposed, spontaneously composed by Bauzá.
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first recorded his composition "Afro Blue" in 1959. "Afro Blue" was the first jazz standard built upon a typical African three-against-two (3:2)
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The first bossa nova single to achieve international popularity was perhaps the most successful of all time, the 1964 Getz/Gilberto recording "
604:"Minor's Holiday", "Basheer's Dream", Hank Mobley "Recado Bossa Nova" and Sabu Martinez jazz tune developed Afro-Cuban jazz from 50s to 60s.
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Although the exact origins of jazz syncopation may never be known, there is evidence that the habanera-tresillo was there at its conception.
256:) to be an essential ingredient of jazz. The habanera rhythm can be heard in his left hand on songs like "The Crave" (1910, recorded 1938).
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chord sounds soon began to take shape into an Afro-Cuban jazzed up melody. Gene Johnson's alto sax then emitted oriental-like jazz phrases.
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are too limiting a label for the types of music Airto participated in the U.S. during the 1970s. Airto played in the two most important
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785:). Since that time, the bossa nova style maintains a lasting influence in world music for several decades and even up to the present.
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796:, Gilberto's then wife. The genre would withstand substantial "watering down" by popular artists throughout the next four decades.
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The Cuban influence is evident in many pre-1940s jazz tunes, but rhythmically, they are all based on single-celled motifs such as
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Latin jazz music, like most types of jazz music, can be played in small or large groups. Small groups, or combos, often use the
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Neto, Luiz Costa Lima (2000). "The experimental music of Hermeto Paschoal e Grupo (1981-93): a musical system in the making".
171:) gained international popularity. The habanera was the first written music to be rhythmically based on an African motif. The
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of Rio. Certain similar elements were already evident, even influencing Western classical music like Gershwin's
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patterns such as . . . remained one of the most useful and common syncopated patterns in jazz—Schuller (1968).
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1351:: foreword by Abbe Niles. Macmillan Company, New York; (1941) pages 99, 100. no ISBN in this first printing
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Bossa nova was developed in Brazil in the mid-1950s, with its creation being credited to artists including
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The following example is in the style of a 1949 recording by Machito. 2‐3 clave, piano by René Hernández.
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are mostly composed for these small groups, with percussion solos as well as many wind-instrumentals.
371:"Tanga" in the style of Machito and His Afro‐Cubans (recorded 1949). 2‐3 clave, piano: René Hernández.
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2096:(1998). "Du tango à la salsa: le bal sous influence latino-américaine". In Cité de la Musique (ed.).
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895:). Jobim later regretted that Latino musicians misunderstood the role of this bossa nova pattern.
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became a professional musician at age 13. He won acclaim as a member of the samba jazz pioneers
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often quoted comments on the "Spanish tinge" rhythms of early New Orleans jazz, and trumpeter
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and first performed in 1936, is an early proto-Latin jazz composition. It is not clave-based.
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was invented when Bauza composed "Tanga" (African word for marijuana) that evening of 1943.
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555:) of the A section and the introduction, and Gillespie wrote the bridge. The rhythm of the
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The so-called "bossa nova clave" (or "Brazilian clave") is played on the snare rim of the
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On March 31, 1946, Stan Kenton recorded "Machito," written by his collaborator / arranger
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738:(lyrics) and Antonio Carlos Jobim (music). The song was soon after released by Gilberto.
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is often debated by historians and fans, but a similar "cool sensibility" is apparent.
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121:, rhythmically based on Cuban popular dance music, with a rhythm section employing
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476:, who was Bauzá's drummer, cites several important innovations of Machito's band:
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Beyond Salsa Piano; The Cuban Timba Piano Revolution v.2 Early Cuban Piano Tumbao
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to be the New Orleans "clave," although technically, the pattern is only half a
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The initial releases by Gilberto and the internationally popular 1959 film
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1516:"Afro-Cuban - Kenny Dorham | Songs, Reviews, Credits | AllMusic"
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635:(not bass notes), where you would normally tap your foot to "keep time."
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The Latin tinge: the impact of Latin American music on the United States
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The Clave Matrix; Afro-Cuban Rhythm: Its Principles and African Origins
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The Clave Matrix; Afro-Cuban Rhythm: Its Principles and African Origins
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The Clave Matrix; Afro-Cuban Rhythm: Its Principles and African Origins
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152:"Spanish tinge"—The Cuban influence in early jazz and proto-Latin jazz
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Du tango au reggae: Musiques noires d'Amérique latine et des Caraïbes
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642:"Afro Blue" bass line, with main beats indicated by slashed noteheads
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1722:. Michael Ullman, Ed Hazell. Englewood Cliffs, N.J.: Prentice Hall.
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in bossa nova. The pattern has a similar rhythm to that of the son
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five-minute recording of "Tanga." The twelve-inch 78 RPM, part of
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The first descarga that made the world take notice is traced to a
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978:. He also performed on more mainstream albums, such as those of
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cemented its popularity and led to a worldwide boom with 1964's
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631:"Afro Blue" bass line. The slashed noteheads indicate the main
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Kelley, Robin. "Into the Mist: Thoughts on Ken Burns's Jazz".
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band, Airto was able to showcase his samba prowess on several
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months later. The jams which took place at the Royal Roots,
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La musique sud-américaine: rythmes et danses d'un continent
1608:"Jazz Festival - A Study Of Folk-Jazz Fusion - Nytimes.Com"
1373:
Morton, "Jelly Roll" (1938: Library of Congress Recording)
1071:
In comparison with straight-ahead jazz, Latin jazz employs
687:
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in 1947. According to Gillespie, Pozo created the layered,
341:
110:
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42:
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Latin jazz : the first of the fusions, 1880s to today
1437:(1940–1959) p. 17. Santa Cruz, CA: Moore Music/Timba.com.
1153:'s famous Post-War collaborations with Afro-Cuban drummer
1017:
concerts from early 1980s to early 1990s. In 1976 joined
837:, which he received from singer and Minister of Culture,
765:, numerous recordings by famous jazz performers such as
2263:
1278:
Cubano Be Cubano Bop; One Hundred Years of Jazz in Cuba
2020:(1997). "Du boogaloo à la salsa". In Gallimard (ed.).
252:
considered the tresillo-habanera (which he called the
3735:
1200:
1083:, but contemporary forms fuse the backbeat with the
1488:Notes from The Mambo Inn -The Story of Mario Bauza
1453:Salazar, Max (1997). "The Beginning and Its Best"
2132:(2000). "La salsa". In Editions Autrement (ed.).
1246:Latin Grammy Award for Best Latin Jazz/Jazz Album
833:– 1981). In 2005, Henri Salvador was awarded the
782:Francis Albert Sinatra & Antônio Carlos Jobim
16:Styles of jazz influenced by Latin American music
5151:
1940:(1985). "Salsa and Latin jazz". In Quill (ed.).
1914:(1979). "Latin Jazz, the Best of Both Worlds".
1327:, p. 237. La Habana, Editorial Letras Cubanas.
799:An early influence on bossa nova was the song "
1582:Bobby Sanabria cited by Peñalosa (2009: 243).
1552:(Mongo Santamaria) Prestige CD 24018-2 (1959).
1111:often used in addition to, or in place of the
993:Another innovative Brazilian percussionist is
306:, and not do not contain an overt two-celled,
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2279:
2170:Cuban Fire: The Story of salsa and Latin jazz
1880:"¿Una habitación propia en el "Jazz Latino"?"
1630:
1401:Early Jazz; Its Roots and Musical Development
1338:
1139:
1067:Comparing Latin jazz with straight-ahead jazz
938:in 1967. Shortly after, he followed his wife
281:jazz musician, is credited with creating the
163:musical motifs in the 19th century, when the
4865:Hispanic-influenced music in the Philippines
915:Naná Vasconcelos playing the Afro-Brazilian
713:"(Gilberto). Bossa nova was made popular by
600:" with members of Machito's rhythm section.
466:commonly represent clave in two measures of
1719:Jazz : from its origins to the present
4898:
4884:
3728:
3714:
2286:
2272:
2156:: CS1 maint: location missing publisher (
2120:: CS1 maint: location missing publisher (
2084:: CS1 maint: location missing publisher (
2044:: CS1 maint: location missing publisher (
1964:: CS1 maint: location missing publisher (
1928:: CS1 maint: location missing publisher (
990:, to enter the North American jazz scene.
559:of the A section is identical to a common
129:, and Afro-Brazilian jazz, which includes
1835:
1807:. New York, NY: Oxford University Press.
1800:
792:", edited to include only the singing of
495:The first Afro-Cuban based dance band to
3937:
2248:) is being considered for deletion. See
2164:
2128:
2092:
2052:
2016:
1994:
1972:
1936:
1910:
1588:
1267:. Philadelphia: Temple University Press.
910:
902:
858:
845:for his influence on Brazilian culture.
637:
606:
568:
503:
428:
366:
325:
287:
264:
230:
211:
189:) can be thought of as a combination of
3320:
1891:Caliente, una historia del Jazz Latino.
1765:
1690:
1265:Creolizing Contradance in the Caribbean
1159:Smithsonian Collection of Classic Jazz,
1047:'s album "If You Look Far Enough" with
686:rhythm. The influence on bossa nova of
670:. While the musical style evolved from
5152:
2188:Salsa Guidebook for Piano and Ensemble
1840:. Oxford University Press. p. 3.
1715:
1605:
1468:Salsa Guidebook for Piano and Ensemble
1291:Salsa Guidebook for Piano and Ensemble
1241:Grammy Award for Best Latin Jazz Album
4879:
4614:
3709:
2267:
1375:The Complete Recordings By Alan Lomax
1345:Father of the Blues: An Autobiography
1280:. Washington D.C.: Smithsonian Books.
1145:the Caribbean and Latin America—save
1079:. Early Latin jazz rarely employed a
907:Brazilian percussionist Airto Moreira
807:, featured in the 1957 Italian movie
682:which has the characteristic 'Latin'
117:rhythms. The two main categories are
4225:
2190:. Petaluma, California: Sher Music.
1655:
1470:. Petaluma, California: Sher Music.
1293:. Petaluma, California: Sher Music.
1001:albums from 1976 to 1980 (including
898:
662:. Its most famous song is arguably "
461:Mario Bauzá developed the 3-2 / 2-3
425:album, sold for $ 25—Salazar (1997).
359:The right hand of the "Tanga" piano
1942:Hot Sauces: Latin and Caribbean Pop
1898:Carambola, vidas en el Jazz Latino.
1875:. Washington DC: Smithsonian Books.
1051:. Vasconcelos formed a group named
1009:and Hassell), and later to several
13:
1750:
1658:British Journal of Ethnomusicology
1386:Marsalis, Wynton (2000: DVD n.1).
1031:label. In 1984 he appeared on the
997:. Vasconcelos contributed to four
140:
14:
5201:
3641:Album covers of Blue Note Records
2252:to help reach a consensus. ›
2231:
1873:One Hundred Years of Jazz in Cuba
1693:Jazz Styles, History and Analysis
1075:(or "even-eighths"), rather than
835:Brazilian Order of Cultural Merit
666:" sung by Gilberto and his wife,
292:Buddy Bolden's "big four" pattern
4910:
3689:
1804:Latin jazz : the other jazz
1217:
1203:
747:("Black Orpheus", with score by
321:
1865:
1829:
1801:Washburne, Christopher (2020).
1794:
1759:
1755:. 30, no.2 (Spring 2001): 8–15.
1744:
1709:
1684:
1649:
1624:
1599:
1576:
1555:
1542:
1528:
1508:
1499:Bobby Sanabria, posting to the
1493:
1481:
1460:
1447:
1427:
1416:p. 256. Redway, CA: Bembe Inc.
1406:
1393:
1325:Diccionario de la Música Cubana
970:electric jazz bands of the day—
930:and for his landmark recording
841:, in the presence of President
3021:Institutions and organizations
2223:Wasaburne, Christopher.(2020)
1565:p. 26. Redway, CA: Bembe Inc.
1380:
1367:
1354:
1317:
1304:
1283:
1270:
1257:
863:Bossa nova snare rim pattern (
709:. One of the first songs was "
536:. "Manteca" was co-written by
1:
2718:Cool jazz and West Coast jazz
2237:
1944:. New York. pp. 94–115.
1606:Palmer, Robert (1982-06-28).
1399:Schuller, Gunther (1968: 19)
1251:
646:
5185:Puerto Rican styles of music
2064:. Madrid. pp. 107–108.
1772:. New York: Schirmer Books.
1766:Roberts, John Storm (1999).
1631:Robert Palmer (1987-09-03).
1276:Acosta, Leonardo (2003: 5).
986:Brazilian musicians such as
532:to be rhythmically based on
7:
4917:Latin music (United States)
2216:Roberts, John Storm (1999)
2136:. Paris. pp. 113–123.
2100:. Paris. pp. 115–122.
1466:Mauleón, Rebeca (1993: 52)
1347:. by W.C. Handy, edited by
1196:
520:to the Cuban conga drummer
78:, United States; and Brazil
10:
5206:
2227:, Oxford University Press.
2225:Latin Jazz: The Other Jazz
1360:Roberts, John Storm 1979.
1314:. CBS News (26 June 2011).
1310:"Wynton Marsalis part 2."
1263:Manuel, Peter (2009: 69).
1140:Latin Jazz as Global Music
1118:
717:'s "Saudade da Bahia" and
573:Top: opening measures of "
344:piece to be overtly based
144:
5165:Brazilian styles of music
5065:
5045:
5029:
5013:
5006:
4949:
4933:
4926:
4845:
4754:
4691:
4460:
4380:
4282:
4189:
4110:
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3899:
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3744:
3685:
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3427:
3407:
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3178:
3123:
3080:
3073:
3047:See Template: Jazz theory
3008:
2930:
2794:
2756:
2700:
2622:
2404:
2301:
2220:New York: Schirmer Books.
2205:. Redway, CA: Bembe Inc.
2024:. Paris. pp. 82–85.
1978:La Salsa et le Latin jazz
1670:10.1080/09681220008567294
1536:"Hank Mobley discography"
1501:Latinjazz discussion list
1490:. PBS documentary (1998).
1403:. New York: Oxford Press.
1237:- a film about Latin jazz
1165:popular documentary film
577:" melody. Bottom: common
87:
82:
67:
26:
21:
2293:
2250:templates for discussion
2201:Peñalosa, David (2009).
2186:Mauleón, Rebeca (1993).
1878:Campos Fonseca, Susan.
1871:Acosta, Leonardo (2003)
1561:Peñalosa, David (2010).
922:Brazilian percussionist
2172:. New York: Continuum.
2056:(1998). "La salsa". In
883:the Brazilian composer
5180:Music of Latin America
1716:Porter, Lewis (1993).
1691:Gridley, Mark (1978).
1412:Peñalosa, David 2010.
1109:percussion instruments
952:percussion instruments
919:
908:
876:
823:Los Danseros en Bolero
643:
612:
611:Mongo Santamaria, 1969
589:
509:
458:
427:
372:
337:
300:
293:
270:
263:
236:
228:
157:African American music
5170:Cuban styles of music
2002:. Paris: Flammarion.
1903:Delannoy, Luc (2012)
1896:Delannoy, Luc (2005)
1889:Delannoy, Luc (2001)
1886:, Vol. 1, Nº2 (2010).
1433:Moore, Kevin (2009).
1323:Orovio, Helio. 1981.
1043:. He also appears on
958:. However, the terms
914:
906:
879:According to drummer
862:
790:The Girl From Ipanema
728:Canção do Amor Demais
664:The Girl from Ipanema
641:
610:
572:
508:Dizzy Gillespie, 1955
507:
457:) written in cut-time
432:
374:
370:
329:
295:
291:
268:
258:
234:
215:
5107:Women in Latin music
3736:Music genres in the
3435:Bibliography of jazz
3215:Continental European
885:Antonio Carlos Jobim
703:Antonio Carlos Jobim
656:Antonio Carlos Jobim
615:Cuban percussionist
159:began incorporating
49:Afro-Brazilian jazz:
4699:Afro-Peruvian music
4022:Afro-Peruvian music
3676:Straight, No Chaser
3465:Straight-ahead jazz
2922:Winter & Winter
2371:French horn in jazz
1455:Latin Beat Magazine
1147:Jelly Roll Morton's
815:Alessandro Blasetti
803:" by French singer
310:-based structure. "
5190:Latin music genres
4605:Charanga-vallenata
4037:Son de los Diablos
3620:West African music
3445:British dance band
3235:European free jazz
3208:British dance band
2701:Musicians by genre
2481:Free improvisation
2166:Leymarie, Isabelle
2130:Leymarie, Isabelle
2094:Leymarie, Isabelle
2062:Músicas del Caribe
2054:Leymarie, Isabelle
2018:Leymarie, Isabelle
1996:Leymarie, Isabelle
1974:Leymarie, Isabelle
1938:Leymarie, Isabelle
1916:Jazz Spotlite News
1912:Leymarie, Isabelle
1836:Washburne (2020).
1637:The New York Times
1633:"Jazz: Don Cherry"
1612:The New York Times
1595:Allmusic Biography
1289:Mauleón (1999: 4)
1225:Latin music portal
920:
909:
877:
736:Vinícius de Moraes
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510:
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3974:
3703:
3702:
3576:New Orleans blues
3423:
3422:
3366:
3365:
2940:Beaches (Toronto)
2351:Swing performance
1847:978-0-19-751085-8
1814:978-0-19-751085-8
1695:. Prentice Hall.
1584:The Clave Matrix.
1024:Dança das cabeças
1011:Pat Metheny Group
948:Return to Forever
899:Beyond Latin jazz
772:Ella Abraça Jobim
721:'s recording of "
598:The Peanut Vendor
512:Bauzá introduced
445:) and 2-3 clave (
269:Jelly Roll Morton
250:Jelly Roll Morton
104:
103:
27:Stylistic origins
5197:
5053:Tejano (Tex-Mex)
5021:New Mexico music
5011:
5010:
4931:
4930:
4915:
4914:
4900:
4893:
4886:
4877:
4876:
4767:Canción melódica
4612:
4611:
4381:Traditional folk
4223:
4222:
4014:Peruvian coastal
3997:Paraguayan polka
3935:
3934:
3730:
3723:
3716:
3707:
3706:
3694:
3693:
3460:Continental jazz
3353:Washington, D.C.
3318:
3317:
3220:Czech and Slovak
3078:
3077:
2862:India Navigation
2560:Progressive jazz
2414:Avant-garde jazz
2288:
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2098:Histoires de bal
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1207:
1171:New Orleans jazz
1130:Arturo O'Farrill
1019:Egberto Gismonti
995:Naná Vasconcelos
874:
873:
872:
870:
723:Chega de Saudade
617:Mongo Santamaria
456:
455:
454:
452:
444:
443:
442:
440:
352:and recorded by
227:
226:
225:
223:
68:Cultural origins
31:Afro-Cuban jazz:
19:
18:
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5199:
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4998:
4957:Brown-eyed soul
4945:
4922:
4921:
4909:
4904:
4874:
4869:
4841:
4750:
4724:Afro-Cuban jazz
4709:Bomba del Chota
4683:
4610:
4456:
4376:
4274:
4270:Orquesta típica
4260:Uruguayan tango
4235:Argentine tango
4221:
4185:
4113:
4106:
4068:
4008:
3971:
3933:
3895:
3788:
3740:
3734:
3704:
3699:
3696:Jazz portal
3688:
3681:
3662:The Jazz Singer
3629:
3608:Novelty ragtime
3539:
3419:
3403:
3382:
3362:
3316:
3283:
3174:
3119:
3074:Regional scenes
3069:
3004:
2926:
2852:Groove Merchant
2842:Flying Dutchman
2790:
2752:
2696:
2618:
2550:Orchestral jazz
2530:Mainstream jazz
2518:Afro-Cuban jazz
2400:
2309:Outline of jazz
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2149:
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2010:
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1753:ISAM Newsletter
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1199:
1183:Chico O'Farrill
1151:Dizzy Gillespie
1142:
1134:Hermeto Pascoal
1121:
1073:straight rhythm
1069:
1003:Possible Musics
988:Hermeto Pascoal
936:Hermeto Pascoal
928:Sambalanço Trio
901:
868:
865:
864:
831:Outras Palavras
810:Europa di notte
794:Astrud Gilberto
767:Ella Fitzgerald
719:Elizete Cardoso
690:styles such as
668:Astrud Gilberto
649:
538:Dizzy Gillespie
528:" is the first
518:Dizzy Gillespie
450:
447:
446:
438:
435:
434:
415:Afro-Cuban jazz
402:Afro-Cuban jazz
333:and his sister
324:
241:St. Louis Blues
235:Habanera rhythm
221:
218:
217:
199:Wynton Marsalis
175:(also known as
173:habanera rhythm
154:
149:
147:Afro-Cuban jazz
143:
141:Afro-Cuban jazz
119:Afro-Cuban jazz
100:
83:Regional scenes
63:
56:Brazilian music
51:
47:
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5066:Related topics
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3669:Round Midnight
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3399:Latin American
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3387:South American
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3367:
3364:
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3330:
3328:Baltimore jazz
3324:
3322:
3315:
3314:
3313:
3312:
3305:Latin American
3302:
3297:
3291:
3289:
3288:North American
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2657:Percussionists
2654:
2649:
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2639:
2634:
2628:
2626:
2620:
2619:
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2616:
2611:
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2594:
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2587:
2580:Spiritual jazz
2577:
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2567:
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2302:General topics
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2232:External links
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2199:
2184:
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2142:
2134:Danses Latines
2126:
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2090:
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2058:Ediciones Akal
2050:
2030:
2014:
2008:
1992:
1986:
1980:. Paris: PUF.
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1905:Convergencias
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1061:Collin Walcott
1045:Arild Andersen
976:Weather Report
900:
897:
881:Bobby Sanabria
827:Caetano Veloso
805:Henri Salvador
734:, composed by
715:Dorival Caymmi
680:Cuban Overture
648:
645:
502:
501:
493:
489:
486:
482:
474:Bobby Sanabria
423:The Jazz Scene
394:music director
323:
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314:", written by
153:
150:
145:Main article:
142:
139:
125:patterns or a
115:Latin American
109:is a genre of
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5037:Nuyorican rap
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4827:Spanish opera
4825:
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4817:Punto guajiro
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4393:Gaita zuliana
4391:
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4190:Southern Cone
4188:
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4097:Nueva canción
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3837:Flamenco jazz
3835:
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3828:
3825:
3823:
3820:
3819:
3818:
3815:
3813:
3810:
3808:
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3802:Catalan rumba
3800:
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3794:Spaniard folk
3791:
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3738:Hispanosphere
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3625:Western swing
3623:
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3379:
3376:
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3373:
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3359:
3356:
3354:
3351:
3349:
3348:New York City
3346:
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3334:
3331:
3329:
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3319:
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3303:
3301:
3298:
3296:
3293:
3292:
3290:
3286:
3280:
3277:
3273:
3272:Flamenco jazz
3270:
3269:
3268:
3265:
3261:
3258:
3257:
3256:
3253:
3251:
3248:
3246:
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3098:South African
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2795:Discographies
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2682:Vibraphonists
2680:
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2675:
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2603:
2602:Swing revival
2600:
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2590:
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2479:
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2473:
2472:
2469:
2467:
2464:
2462:
2461:Flamenco jazz
2459:
2457:
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2449:
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2432:
2430:
2427:
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2422:
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2420:
2417:
2415:
2412:
2411:
2409:
2407:
2403:
2397:
2396:Women in jazz
2394:
2392:
2389:
2387:
2384:
2382:
2381:Jazz trombone
2379:
2377:
2374:
2372:
2369:
2367:
2364:
2362:
2361:Jazz drumming
2359:
2357:
2354:
2352:
2349:
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2342:
2339:
2335:
2332:
2331:
2330:
2329:Improvisation
2327:
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2215:
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2211:1-886502-80-3
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2143:2-7467-0118-9
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2107:2-906460-69-9
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2071:84-460-0894-7
2067:
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2033:
2031:2-07-053391-3
2027:
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2019:
2015:
2011:
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1884:IASPM@Journal
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1779:0-02-864681-9
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1729:0-13-092776-7
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1572:
1571:1-886502-80-3
1568:
1564:
1558:
1551:
1548:"Afro Blue,"
1545:
1537:
1531:
1523:
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1502:
1496:
1489:
1484:
1477:
1476:0-9614701-9-4
1473:
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1422:1-886502-80-3
1419:
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1357:
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1349:Arna Bontemps
1346:
1341:
1334:
1333:959-10-0048-0
1330:
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1299:0-9614701-9-4
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1037:Singing Drums
1034:
1030:
1026:
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1016:
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1000:
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989:
985:
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949:
945:
941:
937:
933:
932:Quarteto Novo
929:
925:
924:Airto Moreira
918:
913:
905:
896:
894:
893:guide pattern
890:
886:
882:
871:
861:
857:
855:
851:
846:
844:
840:
836:
832:
828:
824:
820:
819:Eumir Deodato
816:
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811:
806:
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797:
795:
791:
786:
784:
783:
778:
777:Frank Sinatra
774:
773:
768:
764:
763:
762:Getz/Gilberto
758:
754:
750:
746:
745:
739:
737:
733:
730:
729:
724:
720:
716:
712:
708:
707:João Gilberto
704:
700:
695:
693:
689:
685:
681:
677:
673:
669:
665:
661:
660:João Gilberto
657:
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547:
543:
539:
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531:
530:jazz standard
527:
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387:
383:
382:La Conga Club
379:
369:
365:
362:
357:
355:
351:
347:
343:
336:
332:
328:
322:Jazz in-clave
319:
317:
313:
309:
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299:
290:
286:
284:
280:
276:
267:
262:
257:
255:
254:Spanish tinge
251:
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108:
96:
94:United States
93:
90:
89:
86:
81:
77:
76:New York City
73:
70:
66:
59:
57:
54:
53:
50:
44:
41:
39:
36:
35:
32:
29:
25:
20:
5116:
5090:Chicano rock
5077:
4832:Spanish jazz
4755:Other genres
4718:
4357:Puerto Rican
3687:
3674:
3667:
3660:
3656:(miniseries)
3653:
3645:
3615:Sophisti-pop
3398:
3304:
3045:
3036:Jazz royalty
3026:Jazz funeral
2822:Contemporary
2713:Chamber jazz
2667:Saxophonists
2637:Clarinetists
2609:Third stream
2512:
2446:Chamber jazz
2346:Scat singing
2243:
2224:
2217:
2202:
2187:
2169:
2133:
2097:
2061:
2021:
1999:
1977:
1941:
1915:
1907:Mexico: FCE.
1904:
1900:Mexico: FCE.
1897:
1893:Mexico: FCE.
1890:
1883:
1872:
1866:Bibliography
1837:
1831:
1803:
1796:
1768:
1761:
1752:
1746:
1718:
1711:
1692:
1686:
1661:
1657:
1651:
1640:. Retrieved
1636:
1626:
1615:. Retrieved
1611:
1601:
1590:
1583:
1578:
1562:
1557:
1549:
1544:
1530:
1519:
1510:
1500:
1495:
1487:
1483:
1467:
1462:
1454:
1449:
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1413:
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1400:
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1344:
1340:
1324:
1319:
1311:
1306:
1290:
1285:
1277:
1272:
1264:
1259:
1232:
1191:Ray Barretto
1166:
1158:
1143:
1122:
1077:swung rhythm
1070:
1049:Ralph Towner
1036:
1033:Pierre Favre
1022:
1015:Jan Garbarek
992:
963:
959:
954:, including
946:'s original
931:
921:
878:
847:
839:Gilberto Gil
830:
825:– 1964) and
822:
808:
801:Dans mon île
798:
787:
780:
770:
760:
753:Charlie Byrd
742:
740:
726:
696:
650:
621:cross-rhythm
614:
602:Kenny Dorham
591:
582:bell pattern
564:bell pattern
551:(Afro-Cuban
546:contrapuntal
511:
500:arrangement.
496:
472:
460:
422:
419:
406:
398:
388:, Machito's
375:
358:
345:
339:
301:
296:
282:
278:
277:, the first
275:Buddy Bolden
272:
259:
243:" (1914) by
238:
184:
180:
176:
172:
155:
106:
105:
48:
30:
5175:Jazz genres
5085:Chicano rap
4853:Latin music
4777:Contradanza
4669:Tecnocumbia
4644:New Chilean
4629:Bullerengue
4485:Cha-cha-cha
4418:jalisciense
4408:Mexican Son
4292:Alternative
4255:Nuevo tango
4154:Duranguense
4102:Nueva trova
3947:Alternative
3901:Latin urban
3759:Carnavalito
3598:Quiet storm
3561:Contradanza
3343:New Orleans
3338:Kansas City
3141:Jazz mugham
3136:Azerbaijani
3060:Second line
3055:Rare groove
3041:Jazz theory
3031:Jazz poetry
3016:Contrafacts
3000:Saint Lucia
2980:New Orleans
2912:Strata-East
2887:MPS Records
2817:Cobblestone
2738:Smooth jazz
2728:Jazz fusion
2672:Trombonists
2585:Sacred jazz
2570:Smooth jazz
2503:Jazz fusion
2386:Jazz violin
2366:Jazz guitar
2341:Jam session
2314:Jazz (word)
2238:‹ The
2218:Latin Jazz.
1918:. New York.
1664:: 119–142.
1211:Jazz portal
1187:Tito Puente
1179:Mario Bauzá
1041:Paul Motian
1039:along with
999:Jon Hassell
984:avant garde
980:CTI Records
972:Miles Davis
968:avant-garde
944:Chick Corea
940:Flora Purim
744:Orfeu Negro
594:Pete Rugolo
433:3-2 clave (
386:Mario Bauza
350:Mario Bauza
261:Recording).
245:W. C. Handy
181:tango-congo
169:contradanza
38:Cuban music
5160:Latin jazz
5154:Categories
5014:New Mexico
4934:Prehistory
4837:Villancico
4719:Latin jazz
4692:Afro-Latin
4649:Panamanian
4579:Son cubano
4372:Venezuelan
4332:Latin rock
4327:Ecuadorian
3987:Chamarrita
3980:Litoraleña
3967:Panamanian
3957:Moombahton
3863:Isa (from
3583:Brass band
3571:Jump blues
3415:Ethno jazz
3378:Australian
3358:West Coast
3115:Zimbabwean
2955:Copenhagen
2877:Mainstream
2687:Violinists
2677:Trumpeters
2647:Guitarists
2555:Organ trio
2540:Modal jazz
2513:Latin jazz
2493:Gypsy jazz
2391:Vocal jazz
2376:Jazz piano
2255:Latin jazz
2179:0826455867
2009:2082108139
1987:2130453171
1856:1125295202
1838:Latin Jazz
1823:1125295202
1642:2014-02-24
1617:2014-02-24
1550:Afro Roots
1443:144998018X
1312:60 Minutes
1252:References
1163:Ken Burns'
1155:Chano Pozo
1057:Don Cherry
1021:to record
1013:works and
964:Latin jazz
960:jazz samba
749:Luiz Bonfá
699:Johnny Alf
652:Bossa nova
647:Bossa nova
542:Chano Pozo
522:Chano Pozo
516:innovator
340:The first
316:Juan Tizol
201:considers
161:Afro-Cuban
135:bossa nova
107:Latin jazz
22:Latin jazz
4992:romántica
4977:Reggaeton
4972:Freestyle
4927:By decade
4858:subgenres
4797:Pasacalle
4772:Christian
4762:Aguinaldo
4634:Colombian
4624:Argentine
4601:Vallenato
4572:romántica
4555:Guaguancó
4435:Zamacueca
4388:Chacarera
4367:Uruguayan
4347:Nueva ola
4322:Dominican
4312:Colombian
4297:Argentine
4265:Bandoneon
4087:Colombian
4074:Latin pop
4064:Zamacueca
4042:Toro Mata
3962:Neoperreo
3939:Reggaeton
3886:Tajaraste
3881:Pasodoble
3876:Malagueña
3551:Acid jazz
3408:Worldwide
3394:Brazilian
3191:Bulgarian
3153:Indo jazz
3103:Cape jazz
2990:North Sea
2945:Cape Town
2932:Festivals
2907:Riverside
2882:Milestone
2807:Blue Note
2802:Bethlehem
2786:post-1950
2758:Standards
2743:Soul jazz
2692:Vocalists
2652:Organists
2624:Musicians
2614:Trad jazz
2575:Soul jazz
2498:Jazz-funk
2486:Punk jazz
2476:Free funk
2471:Free jazz
2466:Folk jazz
2456:Dixieland
2451:Cool jazz
2441:Cape jazz
2356:Jazz bass
2319:Jazz band
2152:cite book
2116:cite book
2080:cite book
2040:cite book
1960:cite book
1924:cite book
1678:217508944
1457:v.7 n. 1.
1364:. Oxford.
1007:Brian Eno
757:Stan Getz
725:" on the
692:cool jazz
553:ostinatos
485:layering.
390:trumpeter
216:Tresillo
5079:Category
5030:New York
4962:Boogaloo
4714:Candombe
4654:Peruvian
4545:Pachanga
4540:Méringue
4535:Merengue
4525:Guaracha
4510:Cuarteto
4500:Charanga
4490:Champeta
4462:Tropical
4445:Marinera
4413:huasteco
4352:Peruvian
4250:Neotango
4197:Candombe
4174:Ranchera
4164:Mariachi
4127:Conjunto
4112:Regional
4049:Marinera
3992:Guarania
3952:Bachatón
3891:Zarzuela
3832:Cantiñas
3827:Bulerías
3817:Flamenco
3812:Fandango
3774:Morenada
3764:Diablada
3556:Afrobeat
3470:Pre-1920
3455:Jazz Age
3371:Oceanian
3321:American
3295:Canadian
3179:European
3170:Japanese
3131:Armenian
3093:Malawian
3088:Ethiopia
2975:Montreux
2970:Montreal
2965:Monterey
2902:Prestige
2872:Landmark
2857:Impulse!
2837:ESP-Disk
2766:Pre-1920
2723:Hard bop
2662:Pianists
2642:Drummers
2632:Bassists
2565:Ska jazz
2508:Jazz rap
2434:Post-bop
2424:Hard bop
2324:Big band
2240:template
2168:(2002).
1998:(1995).
1976:(1993).
1788:40256200
1738:26850817
1521:AllMusic
1503:(2008).
1234:Calle 54
1197:See also
1177:Grillo,
1113:drum kit
1081:backbeat
956:drum kit
917:Berimbau
850:drum kit
629:ostinato
468:cut-time
410:Bop City
346:in-clave
335:Graciela
304:tresillo
283:big four
203:tresillo
195:backbeat
193:and the
191:tresillo
165:habanera
123:ostinato
5112:Hip hop
5100:Western
5095:Country
5073:Article
5007:By area
4846:Related
4802:Pasillo
4782:Criolla
4736:Milonga
4679:Cachaca
4674:Villera
4639:Mexican
4584:montuno
4520:Guajira
4495:Changüí
4480:Calypso
4470:Bachata
4423:jarocho
4362:Spanish
4342:Mexican
4307:Chilean
4302:Chicano
4240:Milonga
4212:Milonga
4149:Grupera
4132:Norteño
4122:Corrido
4114:Mexican
4092:Mexican
4054:Tondero
4027:Festejo
4002:Chamamé
3924:R&B
3909:Hip hop
3822:Alboreá
3754:Bambuco
3603:Ragtime
3588:Exotica
3544:Related
3450:Ragtime
3428:History
3333:Chicago
3300:Haitian
3279:Swedish
3267:Spanish
3250:Italian
3203:British
3198:Belgian
3165:Iranian
3081:African
3009:Culture
2985:Newport
2960:Jakarta
2950:Chicago
2847:Freedom
2545:Nu jazz
2429:Neo-bop
2242:below (
2060:(ed.).
1175:Machito
1119:Formats
1093:timbale
711:Bim-Bom
676:favelas
625:hemiola
575:Manteca
549:guajeos
526:Manteca
497:overtly
492:(1943).
378:Machito
354:Machito
331:Machito
312:Caravan
167:(Cuban
4950:1960s-
4812:Pregón
4792:Décima
4741:Tambor
4731:Mapalé
4616:Cumbia
4515:Danzón
4475:Bolero
4430:Tonada
4403:Joropo
4181:Trival
4169:Jarabe
4142:Tejano
4137:Nortec
4082:Ballad
3919:Reggae
3769:Huayno
3746:Andean
3255:Polish
3245:German
3240:French
3225:Danish
3186:Balkan
3148:Indian
3108:Marabi
3065:Venues
2592:Stride
2535:Marabi
2525:M-Base
2406:Genres
2259:Curlie
2245:Curlie
2209:
2194:
2176:
2140:
2104:
2068:
2028:
2006:
1984:
1948:
1882:. En:
1854:
1844:
1821:
1811:
1786:
1776:
1736:
1726:
1699:
1676:
1569:
1474:
1441:
1420:
1331:
1297:
1105:claves
1103:, and
1101:bongos
1087:. The
1053:Codona
1035:album
775:) and
557:melody
361:guajeo
97:Brazil
5046:Texas
4982:Salsa
4967:Disco
4941:Mambo
4807:Plena
4787:Danza
4704:Bomba
4659:Porro
4596:Trova
4591:Timba
4562:Salsa
4550:Rumba
4530:Mambo
4505:Conga
4450:Zamba
4440:Cueca
4337:Metal
4317:Cuban
4227:Tango
4217:Murga
4202:Cueca
4159:Banda
4032:Landó
3914:House
3859:Folia
3852:Soleá
3847:Saeta
3807:Copla
3784:Tinku
3634:Media
3593:Plugg
3566:Blues
3520:2010s
3515:2000s
3510:1990s
3505:1980s
3500:1970s
3495:1960s
3490:1950s
3485:1940s
3480:1930s
3475:1920s
3440:Blues
3310:Cuban
3230:Dutch
3158:Sitar
3124:Asian
2917:Verve
2781:1940s
2776:1930s
2771:1920s
2748:Swing
2708:Bebop
2597:Swing
2419:Bebop
1674:S2CID
1390:. PBS
1167:Jazz,
1125:bebop
1097:güiro
1089:conga
1085:clave
1055:with
934:with
889:clave
854:clave
684:clave
672:samba
633:beats
623:, or
586:clave
584:(2-3
579:mambo
561:mambo
534:clave
514:bebop
463:clave
308:clave
279:known
207:clave
186:tango
183:, or
177:congo
131:samba
127:clave
113:with
5139:Punk
5129:Rock
5122:Soul
5117:Jazz
4987:dura
4822:Seis
4567:dura
4398:Gato
4284:Rock
4245:Vals
4059:Vals
3929:Trap
3871:Jota
3779:Saya
3654:Jazz
3647:Bird
3535:2022
3530:2021
3525:2020
3260:Yass
2995:Pori
2897:Muse
2733:Scat
2334:Jazz
2295:Jazz
2207:ISBN
2192:ISBN
2174:ISBN
2158:link
2138:ISBN
2122:link
2102:ISBN
2086:link
2066:ISBN
2046:link
2026:ISBN
2004:ISBN
1982:ISBN
1966:link
1946:ISBN
1930:link
1852:OCLC
1842:ISBN
1819:OCLC
1809:ISBN
1784:OCLC
1774:ISBN
1734:OCLC
1724:ISBN
1697:ISBN
1567:ISBN
1472:ISBN
1439:ISBN
1418:ISBN
1388:Jazz
1329:ISBN
1295:ISBN
1161:and
1107:are
1059:and
974:and
869:Play
843:Lula
755:and
705:and
688:jazz
658:and
540:and
451:Play
439:Play
392:and
342:jazz
222:Play
133:and
111:jazz
91:Cuba
72:Cuba
60:jazz
43:jazz
5134:Pop
4664:Rap
2892:MPS
2867:JMT
2832:ECM
2827:CTI
2812:BYG
2257:at
1666:doi
1029:ECM
1027:in
1005:by
962:or
813:by
524:. "
5156::
2154:}}
2150:{{
2118:}}
2114:{{
2082:}}
2078:{{
2042:}}
2038:{{
1962:}}
1958:{{
1926:}}
1922:{{
1850:.
1817:.
1782:.
1732:.
1672:.
1660:.
1635:.
1610:.
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